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20 Facts About Your Favorite Quentin Tarantino Movies

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Andrew Cooper, SMPSP / © 2015 The Weinstein Company

Love him or otherwise, there’s no denying that Quentin Tarantino is a natural born filmmaker. Since bursting onto the scene with 1992’s Reservoir Dogs, Tarantino has crafted a slew of films that have consistently amazed, and occasionally offended, audiences around the world. To celebrate his 54th birthday (he was born in Knoxville, Tennessee on March 27, 1963), here are 20 facts about some of your favorite QT films.

1. WHATEVER EXPLANATION YOU’VE HEARD FOR THE TITLE OF RESERVOIR DOGS PROBABLY ISN’T TRUE.

Tarantino told potential investors that “reservoir dog” was a gangster term from French films like Breathless and Bande à Parte, and that it meant “rat.” That wasn’t true; Tarantino just knew that investors would want an explanation for the title, and that they wouldn’t know those films well enough to contradict him. Later, the widely told story was that it came from Tarantino’s days working at a video store, when he recommended Louis Malle’s Au revoir les enfants (1987) and the customer misheard it as “reservoir dogs.” (But Tarantino expert Dale Sherman points out in his book, Quentin Tarantino FAQ: Everything Left to Know About the Original Reservoir Dog, that Au revoir les enfants wasn’t available to rent until after Tarantino’s employment at the video store.) Another version of the story has Tarantino’s girlfriend recommending that movie, and QT himself mishearing it. Yet others have suggested that it was a combination of Au revoir les enfants and Sam Peckinpah’s Straw Dogs (1971). Tarantino has never given a clear, plausible explanation for the title, so quit asking him.

2. YOU CAN WATCH PULP FICTION CHRONOLOGICALLY ... KIND OF.

The narrative structure of the film plays out of sequence, but it’s easy enough to break it down into seven distinct sections (a prologue, an epilogue, two preludes, and three large segments) that can then be re-ordered into a chronological narrative (here’s an infographic).

3. JACKIE BROWN DRIVES BUTCH’S CAR FROM PULP FICTION.

The Honda Civic that Pam Grier drives in Jackie Brown is the same car that Butch (Bruce Willis) drives—and hits Marcellus Wallace with—in Pulp Fiction. The car also makes a brief appearance in Kill Bill: Volume 2.

4. WARREN BEATTY WAS TARANTINO’S FIRST CHOICE FOR THE TITLE ROLE IN KILL BILL.

When Tarantino let the actor go because of creative differences, he cast David Carradine in the iconic role because Carradine previously appeared in Tarantino’s favorite childhood TV show, Kung Fu.

5. THE CONCEPT FOR DEATH PROOF GREW OUT OF TARANTINO’S DESIRE TO BUY A VOLVO.

In a 2007 interview with Newsweek, Tarantino explained the genesis of the idea for Death Proof, the director’s half of Grindhouse: “About 10 years ago, I was talking to a friend about getting a car. And I wanted to get a Volvo because I wanted a really safe car. I remember thinking that I didn’t want to die in some auto accident like the one in Pulp Fiction … So I was talking to my friend about this, and he said, ‘Well, you could take any car and give it to a stunt team, and for $10,000 or $15,000, they can death-proof it for you.’ Well, that phrase ‘death proof’ kinda stuck in my head."

6. CHRISTOPH WALTZ WASN’T THE FIRST CHOICE TO PLAY COLONEL LANDA IN INGLOURIOUS BASTERDS.

Tarantino originally wanted to cast Leonardo DiCaprio. 

7. THE HORSE THAT JAMIE FOXX RIDES IN DJANGO UNCHAINED IS HIS OWN.

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He was given the horse, whose name is Cheetah, as a birthday gift four years before the movie’s release.

8. TRUE ROMANCE WAS TARANTINO’S FIRST SCREENPLAY.

In the original script, Clarence Worley (Christian Slater’s character) wrote the screenplay for Natural Born Killers while traveling cross-country with Alabama. But the script ended up being over 500 pages long, so Tarantino decided to split it up into separate movies.

9. FROM DUSK TILL DAWN WAS TARANTINO’S FIRST PAID WRITING GIG.

He wrote the script for the film, which Robert Rodriguez directed, for $1500. Tarantino wrote the From Dusk Till Dawn script as a way to showcase the talents of a special effects company called KNB. In return, KNB agreed to provide the special effects for the “ear scene” in Reservoir Dogs free of charge.

10. MICHAEL KEATON PLAYED HIS JACKIE BROWN CHARACTER IN ANOTHER MOVIE.

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Keaton plays FBI agent Ray Nicolette in Jackie Brown. One year later, he reprised the role for Steven Soderbergh’s Out of Sight (both movies were based on Elmore Leonard novels).

11. TARANTINO DIRECTED RESERVOIR DOGS BECAUSE TONY SCOTT DIDN’T.

Because he was still new to the business, Tarantino knew he couldn’t direct both True Romance and Reservoir Dogs. So he gave both scripts to Tony Scott and told him to pick one. Though Scott wanted both of the films, he ended up choosing True Romance, leaving Tarantino to make Reservoir Dogs.

12. BRUCE WILLIS COULD’VE BEEN SUED IF HE RECEIVED A SCREEN CREDIT FOR FOUR ROOMS.

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As a favor to his friend/Pulp Fiction director, Bruce Willis appeared in Tarantino’s “The Man from Hollywood” segment in Four Rooms for free. Which is a no-no as far as the Screen Actors Guild is concerned. In order to avoid a possible lawsuit for violating guild rules, Willis received no screen credit for his part.

13. PULP FICTION’S VINCENT VEGA WAS WRITTEN FOR MICHAEL MADSEN.

Tarantino specifically wrote a number of roles in the film for chosen actors (including Samuel L. Jackson, Harvey Keitel, Tim Roth, and Amanda Plummer), but nothing compared to his dedication to having Michael Madsen play Vincent. Madsen, who knew of Tarantino’s plans and said he wanted to do the part, dropped out two weeks before the script was finished to star in Wyatt Earp.

14. ELI ROTH DIRECTED INGLOURIOUS BASTERDS’ FILM-WITHIN-A-FILM.

The director best known for horror films such as Hostel and Cabin Fever also appears in Inglourious Basterds as Donny Donowitz. The faux Nazi propaganda film Nation’s Pride, seen in Chapter Five, lasts just over six minutes.

15. “THE MAN FROM HOLLYWOOD” IS BASED ON A ROALD DAHL STORY.

Tarantino’s segment in Four Rooms is based on a Roald Dahl short story, Man from the South, which was previously adapted for a 1960 episode of Alfred Hitchcock Presents.

16. TARANTINO THINKS HE “OVER-TWEAKED” DEATH PROOF.

And even said so in an interview. Still, he said he was proud of the film.

17. MICHAEL FASSBENDER REPLACED SIMON PEGG IN INGLOURIOUS BASTERDS.

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Before Michael Fassbender was cast to lead Operation Kino, Tarantino wanted Simon Pegg to play Archie Hicox. Pegg had to drop out to shoot the motion capture for Steven Spielberg’s Tintin, a decision which Pegg said caused him “agony.”

18. LEONARDO DICAPRIO HAD SOME ISSUES WITH ALL THE RACIAL SLURS IN DJANGO UNCHAINED.

Co-star Jamie Foxx once shared that DiCaprio was rather uncomfortable shooting a scene that required him to repeat a number of racial slurs. Sensing his discomfort, Foxx recalled that Samuel L. Jackson took DiCaprio aside and gave him a sort-of pep talk: “Hey, mother***er, this is just another Tuesday for us. Let’s go.”

19. ROBERT RODRIGUEZ DIRECTED PARTS OF PULP FICTION.

When Tarantino is on screen as Jimmie, someone else had to be behind the camera—and that someone was frequent collaborator Robert Rodriguez.

20. IN TURN, TARANTINO DIRECTED A SCENE IN SIN CITY.

This scene.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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12 Admissible Facts About Judge Judy
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Judge Judith Sheindlin was 54 years old when her namesake TV show premiered on September 16, 1996. Two years later the diminutive (5’1”) adjudicator was trouncing the powerhouse Oprah Winfrey Show in the Nielsen ratings. Today, she is one of the highest paid TV celebrities, earning $47 million per year—which she will continue to do through 2020, thanks to a new extended contract.

Fervent fans are familiar with Judge Judy’s more outrageous cases, like The Tupperware Lady and the eBay Cell Phone Scammer, but they might not know some of these fun facts about both the show and the woman behind it, who turns 75 years old today.

1. THAT GRUFF, NO-NONSENSE STYLE OF JURISPRUDENCE IS NOT AN ACT.

Judge Judy spent a little over 20 years in New York City’s family court system, where she earned a reputation early in her career for being blunt, impatient, and tough-talking. “I can’t stand stupid, and I can’t stand slow,” was one of her oft-repeated “Judyisms” at that time. She also frequently warned attorneys appearing before her: "I want first-time offenders to think of their appearance in my courtroom as the second-worst experience of their lives ... circumcision being the first." 60 Minutes filmed her in action as part of a 1993 profile, and while her hair color and eyebrows have softened since then, her impatient rants and verbal smackdowns haven’t changed a bit.

2. SHE BEGAN WEARING HER TRADEMARK LACE COLLAR AS SOON AS SHE WAS APPOINTED AS A JUDGE.

New York City Mayor Ed Koch appointed Judith Sheindlin to the bench in 1982, and to celebrate she and her husband Jerry—both civil servants at the time—took a $399 package trip to Greece for two weeks. While passing by a row of street kiosks with various locally made crafts for sale, she impulsively purchased a white lace collar from a vendor. She explained to her husband that male judges wore stiff-collared white dress shirts and colorful neckties that peeped out of the top of their robes, so that they had a nice colorful “buffer” between the austere black gown and their face. Female judges, however, had nothing but neck peeping out of their robes and the unforgiving black color revealed every minute of sleep deprivation as well as any skin tone irregularities. The white lace collar, she decided, would not only perk up her face but would also be a bit disarming for litigants—she could picture them thinking “That nice little lady with the lace collar sitting behind the bench couldn’t hurt a fly!”

3. DESPITE THOSE NEW YORK CITY SCENES ON THE COMMERCIAL BUMPERS, JUDGE JUDY IS TAPED IN CALIFORNIA.

Sheindlin spends 52 days per year taping her show. She flies to California via private jet every other Monday and hears cases on Tuesday and Wednesday (occasionally Thursday if there are production delays). One full week’s worth of shows are filmed each day. Many viewers, however, are fooled into thinking Judy is holding court in her native New York, thanks to the scenic Manhattan footage in between station breaks and the New York state flag behind her chair. That is, until something oh-so-unique to the west coast—like an earthquake—occurs on-camera. (Note that in the clip below, Judge Judy quickly ducks beneath her bench once the room begins to tremble.)

4. SHE IS BRIEFED ON THE CASES BEFORE SHE ARRIVES ON THE SET.

Judge Sheindlin does not go to the studio unprepared; producers FedEx the sworn statements and relevant information on each upcoming case to her home (Naples, Florida in the winter; Greenwich, Connecticut in the spring and summer) and she familiarizes herself with enough details to have some background, but not enough so that the case doesn’t appear “fresh” when she questions the litigants during filming.

5. THE CASES REALLY ARE REAL.

The production company has a staff of 60-plus researchers across the country who spend their days poring over lawsuits filed in local small claims courts. Thanks to the Freedom of Information Act, they are able to photocopy cases that they think might make for interesting television and those copies are forwarded to the show’s producers. Any cases that make it to the next stage (about three percent) involve contacting the litigants involved and asking them if they’d like to forego their civil court hearing in exchange for a free trip to Los Angeles, an $850 appearance fee, and a per diem of $40 (as of 2012). An added incentive is that any judgments awarded are paid by the show, not by the plaintiff or defendant. The best cases, according to the executive producer, are those that involve litigants with a prior relationship—mother/daughter, father/son, boyfriend/girlfriend, etc. Such cases engage the audience because it’s an emotional tie that’s been broken (the recurring plot on many soap operas).

6. THE AUDIENCE, HOWEVER, IS NOT SO REAL.

Regular viewers will note that the same faces seem to pop up in the audience regularly. Those folks in the spectator seats are paid extras (often aspiring actors) who earn $8 per hour to sit and look attentive. Prospective audience members apply for the limited amount of seats by emailing their contact information along with a clear headshot to one of Judge Judy’s production coordinators (sorry, we cannot provide that info). If chosen, the spectator must dress appropriately (business casual or better) and arrive promptly for the 8:30 a.m. call time. Audience members must pass through metal detectors on their way in and are not allowed to bring cell phones or any electronic devices with them, and food, drinks and chewing gum are also verboten. Spectators are rearranged after each case so it’s not as obvious that it’s the same group of people, and the most attractive folks are always seated in the front row (it’s Hollywood, after all). The audience is instructed to talk animatedly amongst themselves in between each case so that Officer Byrd’s “Order in the court!” admonition has more impact. Bad behavior is grounds for immediate expulsion (in front of 10 million viewers, as Judge Judy likes to remind us).

7. JUDGE JUDY DRESSES CASUALLY FOR THE JOB.

Sheindlin has been known to publicly chastise litigants who come to her courtroom in skimpy clothing or “beach attire,” but behind that bench and under that robe she is usually sporting jeans and a tank top or T-shirt.

8. OFFICER BYRD IS A REAL BAILIFF.

Brooklyn native Petri Hawkins Byrd earned his B.Sc. degree from the John Jay College of Criminal Justice in 1989 and started working in the Brooklyn Family Court system. He first worked with Judge Sheindlin when he transferred to the Manhattan Family Court. “We [the court officers] used to call her the Joan Rivers of the judicial system,” he recalled in a 2004 interview. “She was just hilarious.” Byrd relocated to San Mateo, California in 1990 to work as a Special Deputy U.S. Marshal and a few years later he read an item in Liz Smith’s gossip column about Sheindlin’s upcoming TV show. He sent his old colleague a congratulatory letter and added, “If you need a bailiff, I still look good in uniform.”

9. DESPITE HIS SOMETIMES IMPOSING COURTROOM DEMEANOR, OFFICER BYRD IS ALSO A VERY FUNNY GUY.

He is a talented impressionist, but his sense of humor almost cost him his job—or so he thought at the time. Once, back when he was working with the feisty Judge Sheindlin in New York, he donned her robe and reading glasses to entertain his co-workers with a barrage of Judyisms. Of course, as always seems to happen when one mocks the boss in the workplace, he was caught in the act.

10. THE OCCASIONAL CELEBRITY RELIES ON JUDGE JUDY’S BRAND OF JUSTICE.

Depending upon your own definition of “celebrity”, of course. Actress Roz Kelly (Pinky Tuscadero on Happy Days) appeared on the show in 1996 as the plaintiff, suing her plastic surgeon for a leaky breast implant that was impeding her acting career. One year later, former Sex Pistol John Lydon (a.k.a. Johnny Rotten) appeared as a defendant when drummer Robert Williams, who was hired to support Lydon on a solo tour, sued the singer for lost wages and an assault. Despite Lydon’s occasional bad courtroom behavior, the decision was made in his favor.

11. THE STAR ORIGINALLY DIDN’T WANT THE SHOW NAMED AFTER HER.

Sheindlin first envisioned calling her show Hot Bench, a term used frequently in the appellate court, but the producers wisely advised her that the term was meaningless to TV viewers who didn’t work in the legal system. Her next thought was Judy Justice, since she’d overheard her court officers warning deadbeat parents who were delinquent in child support payments that they were in for a load of "Judy Justice" if they weren’t prepared to cough up some money. In retrospect, Sheindlin realized the wisdom in calling the show Judge Judy: She couldn’t be easily replaced, as the various judges had been on The People’s Court. However, after 19 years on the air, she still does not refer to herself by that sobriquet; whether introducing herself to someone or advertising her show in a promotional clip, she is always either “Judge Sheindlin” or “Judge Judy Sheindlin.”

12. JUDGE SHEINDLIN INHERITED HER SENSE OF HUMOR FROM HER FATHER.

Murray Blum, Judy’s beloved father, was a dentist whose office was in the family home. In those days—before sedation dentistry was an option—a dentist’s best tool to distract nervous patients was the gift of gab, and Murray became a master storyteller out of necessity. Years of listening to her father at the dinner table and at family gatherings taught Judy how to deliver a punchline. One evening outside of a hotel in Hollywood, Sheindlin was approached by a woman who introduced herself as Lorna Berle. She told the judge that her husband Milton was a huge fan and asked if she would mind talking to him for a moment. The elderly comic slowly emerged from a limo and Judy greeted him by singing the theme song to Texaco Star Theater, her favorite TV show as a child. Milton Berle complimented her in return, saying “Kid, you’ve got great comic timing.”

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