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10 Fascinating Facts About Thunderball

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We’ve seen 20 (21 if you count the unofficial Never Say Never Again) James Bond films since the release of Thunderball 50 years ago, but it still hovers over Bond fandom like few other entries in the franchise can. It’s not necessarily the best movie in the ongoing spy saga (a lot of fans would give that honor to Goldfinger), nor is it the most expensive (that’s the recently released Spectre), but it is one of the most iconic Bond installments, a film that came along at exactly the right time and courted fans in exactly the right way. So, to celebrate its enduring legacy five decades after its release, here are 10 fascinating facts about the fourth big-screen James Bond adventure, from its odd origins to its wild stunt work.

1. IT STARTED AS A FILM, THEN BECAME A BOOK, THEN BECAME A FILM AGAIN.

In 1959, Bond creator Ian Fleming began considering a film version of his character, and collaborated with producer Kevin McClory and writer Jack Whittingham on a screenplay treatment. Fleming eventually tired of the movie business, and went back home to Jamaica to write his next Bond novel, Thunderball. McClory later sued, claiming the novel used elements from the film they’d worked on together. The suit settled out of court, but McClory was granted certain rights to Thunderball in the process, and ultimately served as a producer on the movie. Nearly two decades after Thunderball was released, he served as an executive producer on Never Say Never Again, a Bond film that saw the return of Sean Connery in the title role for the first time in more than a decade (produced by Warner Bros. and not Bond’s home studio of MGM). The plot is in many ways identical to Thunderball.

2. TERENCE YOUNG WAS NOT THE ORIGINAL DIRECTOR.

Producers Albert R. “Cubby” Broccoli and Harry Saltzman originally wanted Guy Hamilton—fresh off the success of the third Bond film, Goldfinger—to direct Thunderball, but Hamilton didn’t feel he had the energy.

“I was drained of ideas,” Hamilton said in an interview for The Making of Thunderball. “I was very fond of Bond, but felt that I had nothing to contribute until I’d recharged batteries.”

Producers then turned to Terence Young, who’d directed both Dr. No and From Russia with LoveThunderball would be his final Bond film. Hamilton later went on to direct Connery again in Diamonds Are Forever, and Roger Moore in Live and Let Die and The Man with the Golden Gun.

3. HUNDREDS OF ACTRESSES WERE CONSIDERED FOR THE ROLE OF DOMINO.

The role of Domino Derval was set to be the most complex Bond Girl yet, and producers looked at hundreds of actresses for the role. Among the biggest names were Julie Christie, Raquel Welch, and Faye Dunaway, but the role eventually went to Claudine Auger, a former Miss France. Even Thunderball co-star Luciana Paluzzi auditioned for the role, but was actually overjoyed when she found out she’d be playing villain Fiona Volpe instead.

4. THE JETPACK REALLY WORKED, BUT THE PILOT WOULDN’T FLY WITHOUT A HELMET. 

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The Bell Rocket Belt used in the film’s opening sequence was a real working jetpack, and two qualified pilots were flown to France to operate it for the moment when Bond lifts off. Bill Suitor, who flew the jetpack on camera, was initially asked if he would mind flying without a helmet so that Bond could look cooler. Suitor refused for safety reasons, which is why Connery wore a helmet in the final film.

5. A CHASE SCENE NEARLY KILLED A STUNTMAN.

For the scene in which Fiona Volpe uses rockets launched from a motorcycle to blow up Count Lippe’s car, stuntman Bob Simmons was tasked with driving the car, then leaping out after the explosion took place. Simmons leapt out as the car crashed into a ditch, then seemed to disappear. As the crew frantically searched for him, Simmons walked up behind director Terence Young and asked him if he’d done the scene right. Footage from another angle later showed that Simmons had actually tried to stand up in the ditch and fallen backwards into the flaming car before escaping the scene.

6. THE BRITISH MILITARY THOUGHT BOND’S MINIATURE OXYGEN TANK WAS REAL. 

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Early in the film, Q gives Bond a tiny breathing apparatus that allows him to survive underwater for several minutes, and Bond puts it to good use when trapped in a closed pool with a bunch of sharks. The scene was so convincing that a member of the Royal Engineers called chief draftsman Peter Lamont and asked him how long the apparatus actually worked. Lamont replied “as long as you can hold your breath.” When the engineer countered that Bond was underwater for several minutes onscreen, Lamont replied it was “the skill of the editor.” The engineer eventually hung up.

7. THREE PEOPLE NARROWLY ESCAPED SHARK ATTACKS.

The scenes involving villain Emilio Largo’s shark-filled pool proved difficult for a number of reasons. Stuntman Bill Cummings, for a shot in which Largo throws someone into the pool to be devoured, asked for 250 pounds of hazard pay because he was actually being asked to leap onto a live shark (he survived). For the scenes in which Bond himself was trapped in the pool, things got trickier. Sean Connery was wary of swimming unprotected with live sharks, so production designer Ken Adam constructed an underwater partition made of Plexiglas, with one problem:

“What I didn’t tell Sean was that I could only get so much Plexiglas,” Adam later said.

So, there was a four-foot gap in the partition, and sure enough, one of the sharks managed to find it, leaving Connery with just enough time to escape the pool.

For a shot in which a shark swims toward Bond as he’s exiting the pool, missing him by inches, the crew decided to use a dead shark pulled by wires to reduce the danger. Special effects coordinator John Stears got in the pool to control the shark, surrounded by other live sharks, and as they began to shoot it became clear the shark wasn’t really dead. As it began moving, other sharks took notice, and a feeding frenzy ensued, leaving Stears in the middle of a bloodbath. As Stears yelled “Get me out of here!” Young shouted “Turn the cameras!,” hoping to capture the scene on film. Stears survived, and went on to win an Oscar for Best Visual Effects for Thunderball (he won a second Oscar in 1978 for a little film called Star Wars).

8. THE FILM’S CLIMACTIC EXPLOSION WAS BIGGER THAN ANYONE EXPECTED.

For the scene in which Largo’s yacht, the Disco Volante, crashes onto rocks and explodes, Stears turned to U.S. Air Force Lieutenant Colonel Charles Russhon, who’d also helped the Bond crew gain access to Fort Knox for Goldfinger. Russhon provided the production with experimental rocket fuel to help with the explosion, and Stears­—having no idea how powerful the stuff really was—loaded the yacht with it. The resulting explosion was so huge that it launched the boat into the air, almost causing it to land on the crew.

“I said ‘I don’t want to worry you guys, but the boat is coming down on top of us,’” Stears later recalled.

When the crew returned to Nassau after shooting the scene, they discovered the power of the explosion had also shattered windows all along Bay Street. They were 30 miles away from Nassau when the explosion occurred.

9. THE ORIGINAL THEME SONG WAS VERY DIFFERENT.

For the film’s theme, composers John Barry and Leslie Bricusse initially wrote a tune called “Mr. Kiss Kiss, Bang Bang” (which is why there’s a location called the “Kiss Kiss Club” in the film), and asked “Goldfinger” vocalist Shirley Bassey to sing it. Dionne Warwick later re-recorded the song, and producers were initially going to include it in the film, as long as the lyrics began after the title Thunderball appeared onscreen. Eventually, though, fearing there would be confusion if the theme song didn’t include the movie’s title in the lyrics, the song was pulled. Barry and lyricist Don Black then wrote “Thunderball,” performed by Tom Jones in the final film.

10. SEAN CONNERY DID NOT GO TO ANY PREMIERES BECAUSE FANS WERE TOO ENTHUSIASTIC.

Thunderball was a massive success, and the film’s release was met with an incredible reception. Some theaters stayed open 24 hours a day to keep screening the movie, and cast members attended various premiere events around the world (Molly Peters, who played Patricia Fearing, believes she saw the movie 16 times that year). One actor who didn’t go to the premieres, though: Sean Connery. Why? Because the Goldfinger premiere in Paris had been so huge that a female fan climbed into the car he was driving, prompting him to shy away from the Thunderball attention.

Additional Source: The Making of Thunderball and The Thunderball Phenomenon (1995)

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25 Fascinating Facts About Breaking Bad
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Ben Leuner/AMC

On January 10, 2008, Breaking Bad made its debut. Though it didn’t premiere to over-the-top ratings, over the course of five seasons, it morphed into a television phenomenon—thanks in large part to word of mouth and the increasing popularity of binge-watching. At its most basic level, it’s the story of a soft-spoken chemistry teacher who, after being diagnosed with lung cancer, risks everything he has worked for to make sure his family will be taken care of in the event of his death. But, like all great TV shows, the story is really not that simple. And it evolves over time, with each season somehow—and miraculously—managing to top the one before it.

Regularly cited as one of the greatest television series of all time (Rolling Stone ranked it number three on its list of the 100 best shows, right in between Mad Men and The Wire), here are 25 things you might not have known about Breaking Bad, in honor of its 10th anniversary.

1. LOTS OF NETWORKS PASSED ON IT, INCLUDING HBO.

In 2016, it was announced that Vince Gilligan is working on a limited series about Jim Jones for HBO. But the “It’s not TV” network wasn’t always so hot on Gilligan. In a 2011 interview, Gilligan shared that he pitched Breaking Bad to HBO, and that it was “the worst meeting I’ve ever had.”

"The trouble with Hollywood—movies and TV—is people will leave you dangling on the end of a meat hook for days or weeks or months on end,” Gilligan said. “That happened at HBO. Like the worst meeting I ever had … The woman we [were] pitching to could not have been less interested—not even in my story, but about whether I actually lived or died.”

HBO wasn’t the only network that ultimately said no to Walter White: Showtime, TNT, and FX all passed on Breaking Bad, too, for various reasons.

2. THE NETWORK REALLY WANTED MATTHEW BRODERICK TO STAR.

It’s impossible to imagine Breaking Bad with anyone other than Bryan Cranston in the lead role, but he wasn’t as well known when the series kicked off, and AMC wanted a star. They were particularly interested in casting either Matthew Broderick or John Cusack in the lead.

"We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed.

"We needed somebody who could be dramatic and scary yet have an underlying humanity so when he dies, you felt sorry for him,” Gilligan said. “Bryan nailed it."

3. JESSE PINKMAN WASN’T SUPPOSED TO LIVE PAST SEASON ONE.

Aaron Paul in 'Breaking Bad'
Doug Hyun/AMC

While Breaking Bad ultimately ended up being largely about the tumultuous partnership between Walter White and Jesse Pinkman, Jesse wasn’t originally intended to be a major character. While it’s often stated that he was supposed to be killed off in episode nine, and that it was the 2007-2008 Writers Guild of America strike that saved him, Gilligan set the record straight in 2013, saying it became clear much earlier than that that Jesse’s character—and his relationship to Walter—was integral to moving the show forward.

“The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.”

When asked during a Reddit AMA about how he would have felt if Jesse had been killed off in season one, Paul posited that, “My career would be over. And I would be a sobbing mess watching week to week on Breaking Bad.”

4. THE WRITERS STRIKE DID CHANGE THE STORY ARC FOR SEASON ONE, WHICH TURNED OUT TO BE A GOOD THING.

The Writers Strike did end up shortening the show’s first season, which forced Gilligan to cut two episodes that would have seen Walter’s transformation into Heisenberg happen much more quickly—and violently. Gilligan was glad it worked out the way it did.

“We had plotted out all our episodes before the show ever went on the air, and we didn't know how well the show would be received,” Gilligan told Creative Screenwriting. “Not knowing how the public would take to it, you tend to want to be a little more sensational. You want to really keep the show exciting and interesting and keep 'em watching. All of that to say that those last two episodes, because of that, would have been really big episodes, and would have taken the characters into a hugely different realm than that they were already in, and it would have been a hard thing to come back from, coming into season two.”

“We're not just doing those two episodes coming into season two,” he added. “We threw those out completely and we're starting somewhere else. We're building more slowly than we otherwise would have built. I think that's really good, because I know we've all had our favorite shows that were really interesting up to a certain point, but maybe they just go too far, and then there's no going back from it. To me, the trick is to do as little as possible with the characters, and yet keep them as interesting as possible. It's a real balancing act.”

5. THE DEA HELPED OUT, AND EVEN TAUGHT BRYAN CRANSTON AND AARON PAUL HOW TO COOK METH.

Because of the subject matter, the show’s creators thought it was only right to inform the Drug Enforcement Administration (DEA) what they were making—and welcome their help. “We informed them—with all due respect and consideration—that we’re doing this show, and ‘Would you like to be a part of it in a consultancy in order to make sure that we get it right?’” Cranston told High Times. “They had the choice to say, ‘We don’t want anything to do with it.’ But they saw that it might be in their best interest to make sure that we do it correctly. So DEA chemists came onboard as consultants and taught Aaron Paul and me how to make crystal meth.”

6. THE SCIENCE IS SOUND, BUT NOT PERFECT. AND THAT WAS INTENTIONAL.

Vince Gilligan and Bryan Cranston on the set of 'Breaking Bad'
Doug Hyun/AMC

Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, began serving as a science advisor on the show midway through the first season, and was tasked with making sure the show got its science right—or, at least as “right” as is safe.

“I don’t think there’s any popular show that gets it 100 percent right, but that’s not the goal,” Nelson told Mental Floss in 2013. “The goal is not to be a science education show; the goal is to be a popular show. And so there’s always going to be some creative license taken, because they want to make the show interesting.”

Of course—particularly with a show about drug-making—you don’t want to give viewers a primer on how to start their own meth empires. “In the case of Walter White, his trademark is the blue meth,” Nelson said. “In reality, it wouldn’t be blue; it would be colorless. But this isn’t a science education show. It’s a fantasy. And Vince Gilligan did a fantastic job of getting most of the science right. And I am just thrilled with that. I think Vince Gilligan is a genius, and you can quote me on that!”

7. THAT ICONIC BLUE METH IS ROCK CANDY.

Whenever you see Walter and Jesse’s signature blue meth, what you’re actually seeing is blue rock candy. More specifically: blue rock candy from The Candy Lady, a boutique candy store in Albuquerque. (They have a whole line of Breaking Bad-inspired treats, which they sell under The Bad Candy Lady line.)

8. GUS FRING’S ROLE WAS SUPPOSED TO BE MUCH SMALLER.

Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.”

When Gilligan offered him another seven episodes for season three, Esposito countered that he wanted a bigger role. “There was some negotiating and I ended up doing 12,” Esposito said. “I wanted to create a character who became intrinsic to the show. And at some point, I realized that I had slid into the Breaking Bad family. Vince told me that I changed the game and raised the bar for the show. And I’m proud of that, but I could only do that because of the depth of the writing and due to the chemistry between Bryan Cranston and myself. And their writing inspired me to think, to create someone who was polite, threatening and poignant.”

9. GIANCARLO ESPOSITO CHANNELED HIS INNER EDWARD JAMES OLMOS.

Giancarlo Esposito in 'Breaking Bad'
Ursula Coyote/AMC

In the mid-1980s, Giancarlo Esposito made a few guest appearances on Miami Vice. The experience clearly had an effect on him, as he used Edward James Olmos’s character from that series, Lieutenant Martin Castillo, as a model for Gus Fring.

“Eddie did very little and he was very convincing,” Esposito told the Toronto Sun. “I also thought he was a bit flat, but he did very, very little in playing [Castillo] and I thought it was really effective. Juxtaposed to Philip Michael [Thomas] and Don [Johnson], who were at times a bit full of themselves but were doing a little bit of acting, Eddie was just doing his job. And I wanted Gus to be in that mode."

10. GILLIGAN GOT SOME HELP FROM THE WALKING DEAD CREW FOR FRING’S FINAL EPISODE.

Fring’s final sendoff is one of the most memorable visual images from the entire series—and they were able to enlist the help of some true gore experts. “Indeed we did have great help from the prosthetic effects folks at The Walking Dead,” Gilligan told The New York Times. “And I want to give a shout-out to Greg Nicotero and Howard Berger, and KNB EFX, those two gentlemen and their company, because their shop did that effect. And then that was augmented by the visual effects work of a guy named Bill Powloski and his crew, who digitally married a three-dimensional sculpture that KNB EFX created with the reality of the film scene. So you can actually see into and through Gus’s head in that final reveal. It’s a combination of great makeup and great visual effects. And it took months to do."

11. YES, AARON PAUL DOES SAY “BITCH” A LOT—BUT PROBABLY NOT AS MUCH AS YOU THINK.

While any Jesse Pinkman impression ends with a “bitch,” by one calculation, Paul uses the word a total of 54 times throughout the series. Which, considering there are 62 episodes, seems a little on the low side.

12. PAUL RELEASED A “YO, BITCH” APP.

Aaron Paul in 'Breaking Bad'
AMC

Even if that above number seems underwhelming, Pinkman’s favorite add-on became so synonymous with Paul that, in 2014, the actor released an app called Yo, Bitch.

13. WALTER’S BOSS AT THE CAR WASH IS A CHEMIST IN REAL LIFE.

Marius Stan, who played Bogdan, Walter’s boss at the car wash, wasn’t a familiar face to many of the show’s viewers. That’s because the series was his (and his eyebrows’) acting debut. In real life, rather coincidentally, he has a PhD in chemistry and, according to a Reddit AMA, is a “Senior Computational Energy Scientist at Argonne National Lab—which is one of the national laboratories under the U.S. Dept. of Energy—and a Senior Fellow at the University of Chicago, the Computation Institute."

14. WALTER WHITE’S ALTER EGO IS A NOD TO A REAL PERSON.

Walter White’s drug kingpin alter ego, Heisenberg, is a nod to Werner Heisenberg, a Nobel Prize-winning physicist who developed the principle of uncertainty.

15. HEISENBERG’S SIGNATURE HAT WAS A MATTER A PRACTICALITY. 

Bryan Cranston in 'Breaking Bad'
Frank Ockenfels 3/AMC

Heisenberg’s porkpie hat came to identify Walter White’s dark side, but it originated from a very practical place. “Bryan kept asking me, after he shaved his head, ‘Can I have a hat?’ because his head was cold,” Kathleen Detoro, the show’s costume designer, explained. “So I would ask Vince and he kept saying no; Jesse wore the hats. Finally, Vince said, ‘I think there’s a place …’ It was Bryan asking for a hat, me asking Vince, and then Vince figuring out where in the story it makes sense: It’s when he really becomes Heisenberg.” (If you want to buy your own Heisenberg hat, it was made by Goorin.)

16. THE WHITES’ HOUSE HAS BECOME A TOURIST ATTRACTION—AND LOTS OF PIZZA HAS BEEN THROWN ON THE ROOF.

Though Walter White and his family live at 308 Negra Arroyo Lane, the home that you see in exterior shots is actually located at 3828 Piermont Drive NE, a private home in Albuquerque that has become a pretty major tourist attraction. Many fans, caught up in the excitement of seeing the home where Walter White managed to hurl the world’s largest pizza onto the roof in one swift move, have attempted to recreate that scene—leaving the home’s owner with a regular mess.

In 2015, Gilligan appealed to the show’s fan base to refrain from throwing pizza onto the home’s roof. “There is nothing original, or funny, or cool about throwing a pizza on this lady’s roof,” Gilligan said. “It’s been done before—you’re not the first.”

“And if I catch you doing it, I will hunt you down,” added Jonathan Banks, in true Mike Ehrmantraut fashion.

17. CRANSTON MANAGED TO GET THAT PIZZA THROW IN ONE TAKE.

Speaking of that infamous pizza scene: It really was Cranston who threw it, and he managed to do it in one take. Gilligan called it a “one-in-a-million shot.”

18. TUCO GAVE JESSE A CONCUSSION.

A fight scene between Jesse and Tuco (Raymond Cruz) turned serious when Cruz ended up accidentally knocking Paul unconscious. “Yeah, Raymond Cruz who played Tuco gave me a concussion during the episode ‘Grilled,’ where Tuco takes Walt and Jesse to his shack in the middle of nowhere where we meet the famous Uncle Tio,” Paul said in a Reddit AMA. “Tuco takes Jesse and he throws him through the screen door outside, and if you watch it back you'll notice that my head gets caught inside the wooden screen door and it flips me around and lands me on my stomach and the door splinters into a million pieces. Raymond just thought I was acting so he continued and kicked me in the side and picked me up over his shoulder and threw me against the house, but in reality I was pretty much unconscious ... I kept pleading to him, saying ‘stop.’ The next thing I know I guess I blacked out and I woke up to a flashlight in our eyes and it was our medic. And then I hopped up acting like nothing wrong, but it appeared like I was drunk, and I kept saying, ‘Let's finish the scene’ but then my eye started swelling shut so they took me to the hospital. Just another fun day on the set of Breaking Bad!”

19. JANE’S DEATH WAS THE HARDEST SCENE FOR PAUL TO SHOOT.

When asked about the hardest scene to shoot during a Reddit AMA, Paul said that it was Jane’s death. “I honestly think the hardest scene for me to do was when Jesse woke up and found Jane lying next to him dead,” Paul said. “Looking at Jane through Jesse's eyes that day was very hard and emotional for all of us. When that day was over, I couldn't be happier that it was over because I really, truly felt I was living those tortured moments with Jesse.”

The scene was hard on Cranston, too, who reportedly spent 15 minutes crying after filming was complete.

20. MIKE’S DEATH WAS HARD FOR EVERYONE.

Jonathan Banks in 'Breaking Bad'
Frank Ockenfels/AMC

When asked about filming his final scene, Jonathan Banks shared that, “The crew on the set that day all wore black armbands all day long. There are a lot of friends on that crew. It was an emotional day to say the least on set—a lot of tears. Tough day, brother.”

21. JESSE’S TEETH STILL BOTHER GILLIGAN.

When asked about whether he had any regrets about the show or any of its storylines, Gilligan admitted to one: "One thing that sort of troubled me, looking back over the entirety of the show: Jesse's teeth were a little too perfect. There were all the beatings he took, and, of course, he was using meth, which is brutal on your teeth. He'd probably have terrible teeth in real life."

22. WARREN BUFFET RESPECTS WALTER WHITE’S BUSINESS ACUMEN.

Warren Buffet was a fan of the series, and even showed up to its fifth season premiere. On the red carpet, he expressed admiration of Walter White’s entrepreneurship, calling him "a great businessman," and saying that, "he’s my guy if I ever have to go toe-to-toe with anyone."

23. THERE ARE 62 EPISODES IN TOTAL—A NUMBER THAT HAS A SPECIAL MEANING. 

The cast of 'Breaking Bad'
Frank Ockenfels/AMC

Over the course of five seasons, Breaking Bad produced a total of 62 episodes—which is no arbitrary number. The 62nd element on the periodic table is Samarium, which is used to treat a range of cancers, including lung cancer.

24. THE FINAL DEATH TOLL IS PRETTY IMPRESSIVE.

Though you may have underestimated the number of times Jesse uttered “bitch,” you might be surprised by how many people were killed throughout the show’s entire run: 270. (BuzzFeed created a thorough breakdown of some of the most memorable ones.)

25. IN 2016, A METH COOK NAMED WALTER WHITE WAS WANTED BY THE AUTHORITIES.

In 2016, a 55-year-old man named Walter White rose to the top of Tuscaloosa, Alabama’s most wanted list for manufacturing and selling meth. Though White wasn’t a teacher, there have been other real-life stories that mirrored Walter White’s descent into the criminal underworld: In 2012, a chemistry teacher named William Duncan was arrested for selling meth; in 2011, Irina Kristy, a 74-year-old math professor, was arrested for running a meth lab.

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7 Things You Might Not Know About Audrey Hepburn
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Hulton Archive, Getty Images

Though she’ll always be known as the little-black-dress-wearing big-screen incarnation of Holly Golightly from Breakfast at Tiffany’s, there’s probably a lot you don’t know about Audrey Hepburn, who passed away in Switzerland on January 20, 1993.

1. HER FIRST ROLE WAS IN AN EDUCATIONAL FILM.

Though 1948’s Dutch in Seven Lessons is classified as a “documentary” on IMDb, it’s really more of an educational travel film, in which Hepburn appears as an airline attendant. If you don’t speak Dutch, it might not make a whole lot of sense to you, but you can watch it above anyway.

2. GREGORY PECK WAS AFRAID SHE’D MAKE HIM LOOK LIKE A JERK.

Hepburn was an unknown actress when she was handed the starring role of Princess Ann opposite Gregory Peck in 1953’s Roman Holiday. As such, Peck was going to be the only star listed, with Hepburn relegated to a smaller font and an “introducing” credit. But Peck insisted, “You've got to change that because she'll be a big star and I'll look like a big jerk.” Hepburn ended up winning her first and only Oscar for the role (Peck wasn’t even nominated).

3. SHE’S AN EGOT.

In 1954, the same year she won the Oscar for Roman Holiday, Hepburn accepted a Tony Award for her title role in Ondine on Broadway. Hepburn is one of only 12 EGOTs, meaning that she has won all of the four major creative awards: an Emmy, Grammy, Oscar, and Tony. Unfortunately, the honor came to Hepburn posthumously; her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for Gardens of the World with Audrey Hepburn were both awarded following her passing in early 1993.

4. TRUMAN CAPOTE HATED HER AS HOLLY GOLIGHTLY.

Blake Edwards’s Breakfast at Tiffany’s may be one of the most iconic films in Hollywood history, but it’s a miracle that the film ever got made at all. Particularly if you listened to Truman Capote, who wrote the novella upon which it was based, and saw only one actress in the lead: Marilyn Monroe. When asked what he thought was wrong with the film, which downplayed the more tawdry aspects of the fact that Ms. Golightly makes her living as a call girl (Hepburn had told the producers, “I can’t play a hooker”), Capote replied, “Oh, God, just everything. It was the most miscast film I’ve ever seen. It made me want to throw up.”

5. HOLLY GOLIGHTLY’S LITTLE BLACK DRESS SOLD FOR NEARLY $1 MILLION.

Audrey Hepburn in 'Breakfast at Tiffany's'
Keystone Features, Getty Images

In 2006, Christie’s auctioned off the iconic Givenchy-designed little black dress that Hepburn wore in Breakfast at Tiffany’s for a whopping $923,187 (pre-auction numbers estimated that it would go for between $98,800 and $138,320). It was a record-setting amount at the time, until Marilyn Monroe’s white “subway dress” from The Seven Year Itch sold for $5.6 million in 2006.

6. SHE SANG “HAPPY BIRTHDAY” TO JFK IN 1963.

One year after Marilyn Monroe’s sultry birthday serenade to John F. Kennedy in 1962, Hepburn paid a musical tribute to the President at a private party in 1963, on what would be his final birthday.

7. THERE’S A RARE TULIP NAMED AFTER HER.

Photo of Audrey Hepburn
Hulton Archive, Getty Images

In 1990, a rare white tulip hybrid was named after the actress and humanitarian, and dedicated to her at her family’s former estate in Holland.

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