New Line Cinema
New Line Cinema

13 Oversized Facts About Boogie Nights

New Line Cinema
New Line Cinema

Released on October 10, 1997, Boogie Nights starred Mark Wahlberg, Julianne Moore, Burt Reynolds, John C. Reilly, and Philip Seymour Hoffman as a group of 1970s Los Angeles Valley-based adult film actors. The 155-minute feature was writer-director Paul Thomas Anderson’s sophomore feature, and also his breakout film. It received three Oscar nominations, including one for Reynolds (his first), and was a modest hit at the box office. The movie was loosely based on the life of legendary porn star John Holmes, and a short film Anderson made when he was still a teenager, 1988's The Dirk Diggler Story, about a well-endowed porn star. Here are some protruding facts about the epic dramedy, to celebrate its 20th anniversary.

1. WAHLBERG INITIALLY DIDN’T WANT TO BE IN THE MOVIE, BECAUSE OF SHOWGIRLS.

At this stage in Mark Wahlberg’s career, he had a hit song under the name Marky Mark, had done The Basketball Diaries—which is how Anderson discovered him—and was basically an underwear model. In Grantland’s oral history, Wahlberg explained why he didn’t want to read the script. “Showgirls had just come out. That movie was a disaster. And you know, coming from the underwear background, the music stuff, I was like, ‘Ehh, I don’t want to do this.’ But there was just so much hype around the script. So finally I started reading it. I got 35 pages into it, I put it down, I said, ‘I’ve got to meet the director.’ I said, ‘This guy either finally wants me to take the Calvin Kleins off, or he wants to make a really serious movie.’”

2. BURT REYNOLDS DISLIKED PAUL THOMAS ANDERSON AND THE MOVIE.

It’s no secret the pair didn’t get along on set. Reynolds, who played porn filmmaker Jack Horner, recently told GQ why their personalities clashed. “I think mostly because he was young and full of himself. Every shot we did, it was like the first time [that shot had ever been done].” He also told The Guardian that he turned down acting in Anderson’s follow-up, Magnolia, because “I’d done my picture with Paul Thomas Anderson, that was enough for me.”

In addition to not being a fan of Anderson, Reynolds didn’t like the movie either. “I just didn’t like the subject matter,” he told 11th Hour. “I thought I did a good job, I certainly worked hard on that film, but I was never crazy about it.”

3. REYNOLDS AND ANDERSON NEARLY CAME TO PHYSICAL BLOWS.

Burt Reynolds stars in 'Boogie Nights'
New Line Cinema

Everybody on the set knew Reynolds had a temper, and everybody knew the director and Reynolds didn’t quite get along. But there was an incident when the two almost got into a physical fight. One day on set Reynolds felt Anderson was disrespecting him. The film’s first AD, John Wildermuth, tells this story: “Burt got so frustrated he pulled Paul outside into the backyard and started yelling at him, like a father, you know? ‘You f--kin’ little punk kid, don’t tell me what to do.’” Actor Tom Lenk added, “All of a sudden we saw fists flying. We saw some fists flying from Burt Reynolds. I hope I don’t get in trouble for saying this, but it was like he was trying to punch our director in the face.”

4. ANDERSON THINKS A GOOD PORN STAR NAME SHOULD HAVE TWO “G”S AND ONE “K” IN IT.

The director told NPR he’s not sure how he came up with the name Dirk Diggler, but for some reason he wrote the name down on an index card when he was 17 years old. “I mean, I think a good porn name has to have two Gs in it. It just—it just looks good and it sounds good for a good porn name. And you know, a K is pretty important, too. So you know, I wish I really knew, but it just kind of hit me like it hit him, I guess, like ‘Dirk Diggler,’ wow.” 

5. THE STUDIO HAD A PROBLEM WITH MULTITASKING ACTORS.

The original cut Anderson turned in to New Line Cinema would’ve been rated NC-17, so in order to get an R rating, he had to reedit some of the sex scenes. Their main issue? “They had a problem with humping and talking at the same time,” he told NPR. “And essentially it boiled to when they said ‘She's humping there and she’s talking. Can you pick one?’ And I said, ‘Well, the talking is more important.’ So we just went and shot a shot of Nina Hartley, and I said, ‘Nina, hump once, stop, say your lines, and we’ll move on.’ And we did that and put it in and got the R.” 

6. THERE ARE NO CHARACTER ARCS.

Mark Wahlberg as Dirk Diggler in 'Boogie Nights'
New Line Cinema

Instead of following the template of having the characters change and be different people at the end of the film, Anderson decided against it. “That doesn’t really happen here,” he told Indiewire in 1997. “Everybody is the same. Maybe if there’s a change, it’s like one degree. Normally you see a 90-degree change in a movie. To me, they’re all pretty much the exact same people as they were at the beginning of the movie.”

7. RON JEREMY CONSULTED ON THE MOVIE.

According to Grantland’s oral history, Anderson spent a year hanging out with legendary porn star Ron Jeremy, who’s listed in the Guinness Book of World Records as starring in the most porn films—2000 of them. “Nobody knew who Paul was or anything and Ronnie just, on good faith, immersed him in our business,” recalled adult film actress Veronica Hart. “And Ronnie ended up getting screwed out of the movie.”

Jeremy’s scene entailed being in a prison cell with The Colonel. Jeremy told The Independent that during the film’s production he invited Anderson and the cast to “a lot of my sets, but Burt Reynolds never came. He said, ‘I know porn: I don’t need to see that.’”

8. ALFRED MOLINA HAD NEVER HEARD “JESSIE’S GIRL” OR “SISTER CHRISTIAN.”

The London-born actor played drug dealer Rahad Jackson (supposedly based on Eddie Nash) and during the firecracker scene he sings along to two 1980s classics—Rick Springfield’s “Jessie’s Girl” and Night Ranger’s "Sister Christian." "When I said yes to the part, they sent me those two songs ... I knew neither of them because neither was released in England,” Molina told Grantland. “So I had to sit down for like three days on my own, playing those songs over and over and over so that I knew them backwards because they became so emblematic for the character.”

9. ANDERSON’S DAD—PLUS ROBERT DOWNEY JR.’S FATHER—INFLUENCED THE FIRECRACKER SCENE.

Alfred Molina in 'Boogie Nights'
New Line Cinema

Anderson’s father, Ernie, created a character named Ghoulardi for a Cleveland TV show, on which he’d sometimes set off fireworks on-air. The firecracker scene was also inspired by Robert Downey Sr.'s 1969 film, Putney Swope.

“If you watch Putney Swope ... there’s a wonderful piece of background action where a character throws a firecracker off in a scene and everyone turns around and looks,” Anderson told Creative Screenwriting. “I called up Robert Downey Sr. and I said, ‘You have a great piece of background action that I want to take and make a piece of foreground action.’ He said, ‘Great, be my guest.’”

10. THE FILM’S ENDING IS BASED ON RAGING BULL.

At the conclusion of the movie, Dirk Diggler recites his character’s dialogue while staring at himself in a mirror. He finishes with the quote, “I’m a star,” whereas in Raging Bull, Robert De Niro (as Jake LaMotta), quotes On the Waterfront and repeats, “I’m the boss.” “I was halfway through the scene when I realized I was writing something that really closely resembled Raging Bull,” Anderson told IndieWire.

“There’s an Al Pacino poster in [Dirk’s room in] the beginning of the movie, so you’ve got him playing Brock Landers playing Robert De Niro playing Jake LaMotta, playing Marlon Brando playing Terry (from On the Waterfront) doing Shakespeare. So you’ve got movie reference on top of movie reference. I just sort of stumbled into that, and thought not to shy away from stumbling into something that I had somehow sort of subconsciously gotten.”

11. ANDERSON SAYS THE MOVIE IS MOSTLY ABOUT FAMILY.

In 1998, Cinemattractions asked Anderson what he thought the film was about. “It’s about finding a family, to tell you the truth,” he said. “I know that sounds kinda preposterous, ‘cause it’s about porno! That’s a really kinda weird thing, is that you want to say ‘Well, it’s about the pornography industry’ and then you want to quickly say well, not really … But I think ultimately, the thing that I really liked most and really focused on is, that it’s about a lot of people searching for their dignity, and trying to find any kind of love and affection they can get. And they find it in really f***ked up and twisted ways—but they get it, you know?” But Anderson simplified the plot for Empire Magazine : “It’s about a guy with a big d**k."

12. WAHLBERG OWNS HIS PROSTHETIC APPENDAGE.

John C. Reilly and Mark Wahlberg in 'Boogie Nights'
New Line Cinema

Last year Wahlberg appeared on Late Night with Seth Meyers, where he discussed the delicate process of making Diggler’s famed organ and revealed that, “It’s actually the only prop that I’ve ever kept from a movie. I didn’t think there would be that much interest in it. But maybe at some point I can sell it at auction for charity.”

13. ANDERSON ISN’T INTERESTED IN MAKING A SEQUEL, MAINLY BECAUSE HE THINKS MOST OF THE CHARACTERS WOULD BE DEAD.

When the website Moviehole asked Anderson if he’d consider doing a sequel to Boogie Nights, Anderson said no. “[But] you know, I wonder how many of these characters would even still be alive?” he pondered. “Probably a few of them, but I fear that most of them might be dead. I doubt Dirk Diggler’s still alive. He’d be probably gone. I couldn’t see him making it. I can see Burt Reynolds’ character Jack Horner still going on, though."

nextArticle.image_alt|e
Always Fits
arrow
books
Revisit Your Teen Years With Vintage Sweet Valley High Editions
Always Fits
Always Fits

The '80s and '90s were a special time to be a reading-obsessed child. Young adult series like The Baby Sitter’s Club and Sweet Valley High were in their prime (and spawning plenty of spinoffs and blatant knockoffs), with numerous books a year—Sweet Valley High creator Francine Pascal published 11 books in her series in 1984 alone.

You can't find original Sweet Valley High books on the shelves anymore (unless you want to read the tweaked re-release versions published in 2008), but fans of Jessica and Elizabeth no longer have to trawl eBay looking for nostalgic editions of their favorite installments of the series. Always Fits, a website that sells gifts it describes as “nostalgic, feminine, feminist and wonderful,” has tracked down as many vintage teen series from the '80s and '90s as it can, including a number of Sweet Valley High books.

A stack of Sweet Valley High books
Always Fits

The collection of books was sourced by the Always Fits team from vintage shops and thrift stores, and covers editions released between 1983 and 1994 (the series ran until 2003). While you can’t get a shiny new copy of books like Double Love, you can pretend that the slightly worn editions have been sitting on the bookshelf of your childhood bedroom all along.

Each of the Sweet Valley High books comes with an enamel pin inspired by the cover for one of the series's classic titles, Secrets. Unfortunately, you can’t pick and choose which installment you want—you’ll have to content yourself with a mystery pick, meaning that you may get In Love Again instead of Two-Boy Weekend. Hopefully you’re not trying to fill in that one hole from your childhood collection. (You may not be able to get Kidnapped by the Cult!, but it appears that Crash Landing!, with its amazingly ridiculous paralysis storyline, is available.)

The Sweet Valley High book-and-pin set is $18, or you can get a three-pack of random '80s books for the same price.

nextArticle.image_alt|e
Telepictures
arrow
entertainment
10 Things You Might Not Know About Love Connection
Telepictures
Telepictures

Between September 19, 1983 and July 1, 1994, Chuck Woolery—who had been the original host of Wheel of Fortune back in 1975—hosted the syndicated, technologically advanced dating show Love Connection. (The show was briefly revived in 1998-1999, with Pat Bullard as host.) The premise featured either a single man or single woman who would watch audition tapes of three potential mates discussing what they look for in a significant other, and then pick one for a date. The producers would foot the bill, shelling out $75 for the blind date, which wasn’t taped. The one rule was that between the end of the date and when the couple appeared on the show together, they were not allowed to communicate—so as not to spoil the next phase.

A couple of weeks after the date, the guest would sit with Woolery in front of a studio audience and tell everybody about the date. The audience would vote on the three contestants, and if the audience agreed with the guest’s choice, Love Connection would offer to pay for a second date.

The show became known for its candor: Couples would sometimes go into explicit detail about their dates or even insult one another’s looks. Sometimes the dates were successful enough to lead to marriage and babies, and the show was so popular that by 1992, the video library had accrued more than 30,000 tapes “of people spilling their guts in five-minutes snippets.”

In 2017, Fox rebooted Love Connection with Andy Cohen at the helm; the second season started airing in May. But here are a few things you might not have known about the dating series that started it all.

1. AN AD FOR A VIDEO DATING SERVICE INSPIRED THE SHOW.

According to a 1986 People Magazine article, the idea for Love Connection came about when creator Eric Lieber spied an ad for a video dating service and wanted to cash in on the “countless desperate singles out there,” as the article states. “Everyone thinks of himself as a great judge of character and likes to put in two cents,” Lieber said. “There’s a little yenta in all of us.”

2. CONTESTANTS WERE GIVEN SOMETHING CALLED A PALIO SCORE.

Staff members would interview potential contestants and rate them on a PALIO score, which stands for personality, appearance, lifestyle, intelligence, and occupation. Depending on the results, the staff would rank the potential guests as either selectors or selectees.

3. IN 1987, THE FIRST OF MANY LOVE CONNECTION BABIES WAS BORN.

John Schultz and Kathleen Van Diggelen met on a Love Connection date, which didn’t end up airing. “They said, ‘John, she’s so flat, if you can’t rip her up on the set, we can’t use you,’” he told People in 1988. “I said, ‘I can’t do that.’” However, they got married on an episode of Hollywood Squares. As the article stated, “Their son, Zachary, became the first baby born to a Love Connection-mated couple.”

4. IT LED TO OTHER DATING SHOWS, LIKE THE BACHELOR.

Mike Fleiss not only created The Bachelor and The Bachelorette, but he’s also responsible for reviving Love Connection. “I always had a soft spot for that show,” Fleiss told the Los Angeles Times in 2017. He said he was friends with Lieber and that the show inspired him to “venture into the romance TV space.” “I remember it being simple and effective,” he said about the original Love Connection. “And I remember wanting to find out what happened on those dates, the he said-she said of it all. It was intriguing.”

5. A FUTURE ACTOR FROM THE SOPRANOS WAS A CONTESTANT.

Lou Martini Jr., then known as Louis Azzara, became a contestant on the show during the late 1980s. He and his date, Angela, hit it off so well that they couldn’t keep their hands off one another during the show. Martini famously talked about her “private parts,” and she referred to him as “the man of my dreams.” The relationship didn’t last long, though. “I had just moved to LA and was not ready to commit to anything long-term," Martini commented under the YouTube clip. "The show was pushing me to ask her to marry me on the show!" If Martini looks familiar it’s because he went on to play Anthony Infante, Johnny Sack’s brother-in-law, on four episodes of season six of The Sopranos.

6. BEFORE THE SHOW WENT OFF THE AIR, A LOT OF CONTESTANTS GOT MARRIED.

During the same Entertainment Weekly interview, the magazine asked Woolery what the show’s “love stats” were, and he responded with 29 marriages, eight engagements, and 15 children, which wasn’t bad considering 2120 episodes had aired during its entire run. “When you think that it’s someone in our office putting people together through questionnaires and tapes, it’s incredible that one couple got married, much less 29,” he said.

7. CHUCK WOOLERY WAS AGAINST FEATURING SAME SEX COUPLES.

In a 1993 interview with Entertainment Weekly, the interviewer asked him “Would you ever have gay couples on Love Connection?” Woolery said no. “You think it would work if a guy sat down and I said, ‘Well, so where did you meet and so and so?’ then I get to the end of the date and say, ‘Did you kiss?’ Give me a break,” he said. “Do you think America by and large is gonna identify with that? I don’t think that works at all.” What a difference a quarter-century makes. Andy Cohen, who is openly gay, asked Fox if it would be okay to feature gay singles on the new edition of Love Connection. Fox immediately agreed.

8. ERIC LIEBER LIKED THE SHOW’S “HONEST EMOTIONS.”

When asked about the show's winning formula, Lieber once said: “The show succeeds because we believe in honest emotions. And, admit it—we’re all a little voyeuristic and enjoy peeking into someone else’s life.”

9. IN LIVING COLOR DID A HILARIOUS PARODY OF THE SHOW.

In the first sketch during In Living Color's pilot—which aired April 15, 1990—Jim Carrey played Woolery in a Love Connection parody. Robin Givens (played by Kim Coles) went on a date with Mike Tyson (Keenan Ivory Wayans) and ended up marrying him during the date. (As we know from history, the real-life marriage didn’t go so well.) The audience had to vote for three men: Tyson, John Kennedy Jr., and, um, Donald Trump. Tyson won with 41 percent of the vote and Trump came in second with 34 percent.

10. A PSYCHOLOGIST THOUGHT THE SHOW HAD A “MAGICAL HOPEFULNESS” QUALITY.

In 1986, People Magazine interviewed psychologist and teacher Dr. Richard Buck about why people were attracted to Love Connection. “Combine the fantasy of finding the perfect person with the instant gratification of being on TV, and the two are a powerful lure,” he said. “There’s a magical hopefulness to the show.”

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios