12 Shiny Facts About Rudolph the Red-Nosed Reindeer

CBS
CBS

You know Dasher and Dancer and Prancer and Vixen, and by now you certainly know Rudolph as well. But Rudolph wasn't always the star of the show—he didn't even exist until 1939, while the rest of Santa's coursers have been around since Clement Moore's 'Twas the Night Before Christmas, which was written in 1823. Here are 12 other facts you might not know about the world's most famous reindeer.

1. RUDOLPH WAS CREATED FOR MONTGOMERY WARD.

In 1939, execs for the Montgomery Ward department store decided they needed a character for the freebie coloring books they were handing out to kids who visited Santa. That character ended up being Rudolph, who was an immediate hit with the kiddies. Montgomery Ward gave out 2.4 million copies of the Rudolph booklet in the first year alone.

2. THE WRITER WHO INVENTED THE CHARACTER WAS GOING THROUGH A DIFFICULT TIME.

Robert May, a copywriter for Montgomery Ward’s mail order catalog division, was the employee tasked with writing a story and creating a marketable character for the coloring book. May started the process in early 1939, but that summer, his wife died from cancer, leaving him a widower with a 4-year-old daughter. Though his boss tried to reassign the project, May insisted on finishing it himself. “I needed Rudolph more than ever,” he later admitted. He completed the story in August. Though Montgomery Ward could have kept the copyright for themselves, they handed it over to a financially struggling May in 1947.

3. HE COULD HAVE BEEN ROLLO OR REGINALD INSTEAD OF RUDOLPH.

Other names were considered before May settled on the name we know today. Rollo was rejected for sounding too sunny and happy; Reginald sounded too British. Romeo and Rodney were also in the running.

4. MAY’S ORIGINAL STORY IS A BIT DIFFERENT THAN THE SONG.

In the story May told in that original coloring book, Santa finds Rudolph while delivering presents to the reindeer village. In the story, Santa often had problems delivering gifts because no one remembered to leave lights on for him—and in Rudolph’s dark house, Santa “tripped on the rug, and fell flat on his back.” When he discovers Rudolph and his glowing nose, a lightbulb of his own goes off, and he invites Rudolph to help him with the rest of his drop-offs. Dutiful Rudy leaves his parents a note, then helps save the day.

5. RUDOLPH ALMOST USED A DIFFERENT METHOD TO GUIDE SANTA’S SLEIGH.

Instead of having a red, glowing nose that cut through the fog, May considered giving Rudolph large, headlight-like eyes that would light the way. After much consideration, he decided mean kids would be more likely to make fun of a red nose than huge eyes.

6. FINLANDERS KNOW RUDOLPH AS PETTERI PUNAKUONO.

Petteri is Rudy's Finnish counterpart. The Finnish legend of Santa Claus (a.k.a. Joulupukki) doesn't name his reindeer the same way we do—Dasher, Dancer, Donner, and so on—so the beginning of the song doesn't start out the same way. Instead of running through the laundry list of reindeer, the Finnish version translates to something like, "You remember Cinderella, Snow White, and Sleeping Beauty, Little Red Riding Hood and the Grey Wolf, but this reindeer is often forgotten."

7. HE HAS A SON NAMED ROBBIE.

At least he does according to the BBC. They developed three cartoons based on Rudolph's offspring, but the name of Robbie's famous dad is never actually mentioned. The plot line tells us that the villain of the series, Blitzen, can't stand to hear Rudolph's name. In reality, it's because the BBC couldn't get permission to use it (or didn't want to pay to use it).

If you haven't seen the British version but still remember Robbie, that's because Fox Family ran the show for a few years in the early 2000s with redubbed voices, including Ben Stiller as Robbie, Hugh Grant as Blitzen, Britney Spears as Donner, and Brad Garrett as Prancer.

8. THE RUDOLPH SONG WAS RECORDED A DECADE AFTER THE CHARACTER WAS INVENTED.

It was May's brother-in-law, Johnny Marks, who wrote the lyrics for the famous song; Gene Autry recorded it. Autry nearly passed on the tune, but his wife urged him to give it a shot. Since Autry recorded it, the tune has sold more than 150 million copies.

9. SONGWRITER JOHNNY MARKS SPECIALIZED IN CHRISTMAS SONGS.

We have him to thank for Rudolph, obviously, but also "I Heard the Bells on Christmas Day," "Rockin' Around the Christmas Tree," "Silver and Gold," and "A Holly Jolly Christmas" (in addition to a bunch of lesser-known Christmas songs). The irony? Marks was Jewish.

10. RANKIN/BASS WASN’T THE FIRST TO FEATURE RUDOLPH ONSCREEN.

Though the 1964 Rankin/Bass stop-motion TV special is the longest-running holiday special ever, it wasn't the first to bring Rudolph to the screen. That honor goes to Fleischer Studios, which copyrighted a cartoon in 1948 as more advertising for Montgomery Ward.

11. THE PUPPETS USED IN THE RANKIN/BASS SHOW WERE REDISCOVERED IN 2006.

When they resurfaced, they did so on Antiques Roadshow in 2006. Well, not all of them—just Santa and Rudolph. A woman who worked for Rankin/Bass had stored them in her attic since at least the 1970s. Prior to that, she let her kids play with them. Rudolph lost his red nose, and let’s not even talk about how Santa lost his eyebrows. The puppets were fully restored after their trip to Antiques Roadshow and have since been displayed at the Center for Puppetry Arts.

12. THE SONG IS STILL COPYRIGHTED.

Along with "Jingle Bells," "Deck the Halls," and "Silent Night," “Rudolph the Red-Nosed Reindeer” is a Christmas staple. Unlike those other three songs, however, “Rudolph” is still copyrighted and his image is trademarked. The makers of Rudolph’s Reserve ale found this out the hard way in 2003. They later changed the name to “Rude Elf’s Reserve.”

10 Facts About DodgeBall: A True Underdog Story For Its 15th Anniversary

Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Twentieth Century Fox

June 18, 2004 saw the release of two wildly different films in American cinemas: Steven Spielberg’s The Terminal and a goofy, cameo-filled, wrench-chucking sports comedy called DodgeBall: A True Underdog Story. Guess which one came out on top at the box office? The sleeper hit both saluted and skewered the sports movie genre. It also gave Chuck Norris the chance to enjoy a free helicopter ride.

1. Dodgeball's creator was inspired by the book Fast Food Nation.

DodgeBall writer/director Rawson Marshall Thurber considered DodgeBall an homage to some of his favorite flicks, including Revenge of the Nerds (1984), Rocky (1976), and Bull Durham (1988). Another source of inspiration was Eric Schlosser’s Fast Food Nation, the nonfiction bestseller about the modern obsession with greasy, ready-made cuisine. Published in 2001, Fast Food Nation sold more than 1.4 million copies within five years. It also left plenty of fingerprints on Thurber’s script.

"I really took a cue from that—there's an absolute love/fear relationship thing in our culture," Thurber told Film Freak Central in 2014. "We're so weight conscious, so image conscious, so youth-oriented—and wrapped up with all that psychosis are these ad images of it being so cool and all-American and sexy to eat McDonald's and drink pop and all that. It pulls people in all sorts of different directions, so I wanted [Ben Stiller’s character] White Goodman to be sitting there with a doughnut and the car battery attached to his nipples … That situation with food, with sports, with so much of our culture. [It’s] already almost too surreal to satirize."

2. The movie's actors went through some rigorous training.

To ready themselves for the movie, Ben Stiller, Vince Vaughn, and the rest of the actors ran indoor dodgeball drills at what many of them have since described as a “boot camp.” According to Stiller, this basically consisted of “us at a gym a few times a week playing dodgeball.” While that may not sound too intense, the physicality of these sessions took its toll on the performers. “It’s a game for the young,” Stiller said. “It’s one thing when you’re eight, but when you’re 38, it gets really exhausting. After three or four minutes, you’re fried.” Practicing at his side was Stiller’s wife, Christine Taylor, who plays Kate Veatch of the Average Joe’s squad in DodgeBall.

3. Ben Stiller took Christine Taylor down with a dodgeball ... twice.

As a general rule, it’s never a good idea to hit one’s spouse in the face with a rubber ball while playing any sport, but that’s exactly what Stiller did to Christine Taylor—twice. Blow number one came during the boot camp; the second strike occurred while filming the epic Globo Gym/Average Joe’s showdown. The latter ball was intended to strike Vaughn, who reflexively flinched to get out of the way. In any event, Stiller admits that those two incidents put a temporary damper on the couple’s marital harmony “for like a week, because there’s no way to not get upset with somebody after you’ve done that. It just sent us both back to eighth grade." (Though the couple announced that they were divorcing in 2017, the split has never been made official, and the couple is still regularly seen together—sparking rumors of a reconciliation.)

4. Stiller borrowed much of his character's personality from 1995's Heavyweights.

The fact that Stiller borrowed some of White Goodman’s traits from Tony Perkis, the fanatical fat camp owner he played in 1995’s Heavyweights, won’t surprise anyone who has seen both films. DodgeBall’s White Goodman (as played by Stiller) is a bombastic, egomaniacal fitness guru with some inherited wealth and major insecurities. The same description also applies to Perkis. A lighthearted family comedy, Heavyweights didn’t fare well at the box office, grossing a meager $17.6 million. As such, when Stiller copied a few of Perkis’s mannerisms in DodgeBall, he figured that no one would notice.

"I always thought, ‘Well, nobody ever saw Heavyweights, so I can do this,” Stiller recalled. “But a lot of people saw Heavyweights … Apparently, it shows on the Disney Channel a lot or something.” Regarding the two characters, Stiller has said that Perkis is “definitely a first or second cousin” to Goodman.

5. Justin Long suffered a minor concussion on the set.

Justin Long, who plays Justin in the film, took some hard knocks while making this movie. For starters, a prop wrench made with hard rubber left a nasty cut on his eyebrow when Rip Torn, as Patches O’Houlihan, threw it at his face in one scene. Then, while filming another section of DodgeBall’s training montage, the actor was pelted with enough high-speed balls to render him "slightly concussed."

"They didn’t want me to drive home at the end of the day because I was a little off," Long told Today in 2017. “So next time you’re watching that and laughing, know that you’re laughing at my pain.” Still, the experience wasn’t all bad. According to New York Magazine, Long can often be seen riding a scooter adorned with the words “Average Joe’s,” a gift from Stiller.

6. Hank Azaria and Rip Torn didn't even try to synchronize their Patches O'Houlihan voices.

Early in the film, we get to watch an instructional video about dodgeball (and social Darwinism) hosted by a young Patches O’Houlihan, who is played by Hank Azaria. For the remainder of the film, however, it’s Rip Torn who portrays the seven-time ADAA all-star. You may have noticed that the two actors use very different accents in their respective scenes: Azaria, who joined the cast at Stiller’s invitation, called his performance “essentially a bad Clark Gable impression.” At the time, Torn’s sequences hadn’t been shot yet, leading someone in the crew to pipe up and say “You know, it’d be funny if Rip tries to emulate that voice!” “I was like, ‘Yeah, good luck walking up to Rip Torn and suggesting that he change his vocal quality in any way. Let me know how that goes for you,’” Azaria replied.

7. The Average Joe's team colors are an homage to Hoosiers.

Thurber, a fan of David Anspaugh’s Oscar-nominated Hoosiers (1986), tipped his hat to the Hickory Huskers’ red and yellow uniforms by giving the Average Joe’s squad—led by Vince Vaughn’s Pete LaFleur—an almost identical color scheme. 

8. Chuck Norris was reluctant to make a cameo.

The action star’s only scene was shot in Long Beach, California. Geographically speaking, this was problematic for Norris. “I was in L.A. when they asked me to do the cameo,” Norris told Empire Magazine. “I said no at first because it was a three-hour drive to Long Beach.” Hearing this, Stiller called Norris and begged him to reconsider. “He goes, ‘Chuck, please, you’ve got to do this for me!’” Norris recalled, “My wife said he should send a helicopter for me and that's what happened. I didn't read the screenplay, just did my bit where I stick my thumb up.”

After post-production on DodgeBall wrapped and Norris got around to seeing the finished product, he found himself enjoying most of it. However, there was one little moment in the final credits that really caught him off-guard. “In the end, when Ben’s a big fatty and watching TV, the last line of the whole movie is, 'F***ing Chuck Norris!' My mouth fell open ... I said, 'Holy mackerel!' That was a shock, Ben didn't tell me about that!"

9. One villain was originally supposed to be a robot.

By far the most mysterious player in the Purple Cobras lineup is Fran Stalinovskovichdavidovitchsky, an Eastern European all-star whom Goodman calls “The deadliest woman on earth with a dodgeball.” What’s the secret to her success? Well, in an early version of the screenplay, it’s revealed that Fran is actually a robot in disguise. Thurber ended up dropping the gag, which he considered too ridiculous—even by DodgeBall’s standards. However, when Missi Pyle was cast as Fran, the big twist hadn’t yet been cut.

“Initially, in the first script I read, she was a robot, like a sexy-bodied robot” Pyle explained. The original plan was to slowly pan the camera up over a partly-exposed Robo-Fran—with her metallic face and fake breasts on full display—at some point in the climax.

10. Alan Tudyk weighed in on a fan theory about Steve the Pirate.

In 2012, Redditor Maized made the case Steve the Pirate, Alan Tudyk’s swashbuckling oddball, is actually an “ex-Navy sailor who suffers from PTSD.” As evidence, Maized cited Steve’s tattoos, which bear a striking resemblance to those frequently worn by U.S. Naval recruits. In theory, the Average Joe’s patron uses his pirate persona to cope with his condition.

During a 2016 interview with Screen Crush, Tudyk was asked to offer his thoughts on the theory. With a chuckle, Tudyk replied that it “doesn’t seem like it’s impossible.” Emphasizing that he didn’t wish to “insult Navy sailors who have PTSD,” the actor said he’d consider taking the Redditor’s idea into account if a DodgeBall sequel is ever made.

Game of Thrones Director Said He Wanted to 'Kill Everyone' During the Battle of Winterfell

Iain Glen and Emilia Clarke in Game of Thrones.
Iain Glen and Emilia Clarke in Game of Thrones.
Helen Sloan, HBO

Now that Game of Thrones is over, it’s time to talk about the nitty-gritty of the episodes, particularly “The Long Night.” While the Battle of Winterfell may have been nerve-wracking to watch, there ended up being surprisingly fewer deaths than fans expected, considering the living were fighting the entire army of the dead.

Miguel Sapochnik, who directed the episode, was no beginner with battle scenes before taking on “The Long Night,” as he was also responsible season 6's iconic “The Battle of the Bastards” as well as the memorable season 5 episode “Hardhome.” While his list of Game of Thrones accomplishments is long, it turns out that Sapochnik's choices haven't always been in line with what showrunners David Benioff and D.B. Weiss want.

According to IndieWire, Sapochnik’s aesthetic choices, such as the decision to shoot shoot Cersei and Tommen shadowed by prison-like bars to represent Tommen’s imprisonment in season 5, were not favored by the showrunners. “[Benioff and Weiss] said [it was] ‘so self-conscious and we hate it basically,'” Sapochnik revealed at the time. Because of disagreements like this, the pair “visually policed” the director.

There was a difference of opinion between the director and the creators again for “The Long Night,” Sapochnik revealed on IndieWire's Filmmaker's Toolkit podcast. “I wanted to kill everyone,” the director said, as reported by Esquire. “I wanted to kill Jorah in the horse charge at the beginning. I wanted it to be ruthless, so in the first 10 minutes you could say all bets are off, anyone could die. But David and Dan didn’t want to. There was a lot of back-and-forth on that."

Ultimately, Sapochnik gave in to Benioff and Weiss’s plan for the episode, and the Battle of Winterfell had far fewer casualties than most of the series's other battle scenes.

[h/t Esquire]

SECTIONS

arrow
LIVE SMARTER