Myles Aronowitz, Netflix
Myles Aronowitz, Netflix

10 Super Facts About Jessica Jones

Myles Aronowitz, Netflix
Myles Aronowitz, Netflix

Jessica Jones is back! After a more than two-year wait, fans of Marvel's rough-around-the-edges superhero-turned-private eye are celebrating the arrival of her Netflix series' second season (and binge-watching it accordingly). Here are 10 things you might not have known about the character.

1. SHE WAS THE FIRST CHARACTER CREATED FOR MAX COMICS.

In 2001, writer Brian Michael Bendis and artist Michael Gaydos created Jessica Jones for MAX Comics, an imprint of Marvel. As the star of the comic book series Alias, Jones was the first character created for the new publishers, which allowed for more explicit content than its parent company.

Born Jessica Campbell, she got her superpowers when her family was in a tragic car accident with a military vehicle carrying radioactive chemicals; Jessica was the only survivor. After several months in a coma, Jessica was adopted by the Jones family. Shortly thereafter, she discovered that the chemicals had given her special abilities, including super strength, resistance to physical injury, and the power of flight (though she never quite mastered that one).

2. THE SERIES WAS ORIGINALLY DEVELOPED FOR ABC.

Before Jessica Jones arrived on Netflix in 2015, showrunner Melissa Rosenberg had originally developed a series based on the superhero for ABC in December of 2010. The pilot, which was originally called A.K.A. Jessica Jones, featured references to Tony Stark and Stark Industries, and acknowledged the Marvel Cinematic Universe. Unfortunately, ABC passed on the series in 2012. A year later, Netflix partnered with Marvel and Disney for four new live-action TV series and a mini-series. Rosenberg was brought on to develop, produce, and write a new version of Jessica Jones, which joins the Marvel/Netflix roster of TV shows, including Daredevil, Luke Cage, Iron Fist, and The Defenders, a team-up miniseries.

3. JESSICA JONES WAS ALMOST SPIDER-WOMAN.

Krysten Ritter in Jessica Jones
David Giesbrecht, Netflix

Jessica Jones made her first appearance in Alias #1, as a former costumed superhero who left her post to become a private investigator. Alias ran for 28 issues between 2001 and 2004. Co-creator Brian Michael Bendis originally made the story’s protagonist Jessica Drew, a.k.a. Spider-Woman, but created Jessica Jones instead, “Which is good,” Bendis told USGamer, “because had we used Jessica it would have been off continuity and bad storytelling.”

4. SHE HAD A HIGH SCHOOL CRUSH ON PETER PARKER.

Jessica Jones went to Midtown High School in Queens, which is the same high school Peter Parker attended. In fact, Jessica had a crush on Parker while they were classmates. He believed they had a special connection because both of them had lost their families under random and tragic circumstances. After Peter Parker became Spider-Man, Jones (not knowing it was Parker) saw the web slinger protect their school from the evil Sandman, which inspired her to use her superpowers for good. 

5. HER FIRST ATTEMPT AT SUPERHEROISM DIDN’T GO SO WELL.

David Tennant and Krysten Ritter in 'Jessica Jones'
David Giesbrecht, Netflix

Jewel was the identity Jones adopted for her first attempt at being a costumed superhero, and she didn’t do much to make a name for herself. It wasn’t until she came under the mind control of one of Daredevil’s foes, Zebediah Killgrave (The Purple Man, who is portrayed by former Doctor Who star David Tennant), that Jones saw any real action. Ordered to kill Daredevil, Jones arrived at the Avengers Mansion, where she battled the Scarlet Witch, Iron Man, and Vision. Fortunately, she was spotted by her longtime friend Carol Danvers (Captain Marvel), who took her to safety. After another several months in a coma, Jones was watched over by S.H.I.E.L.D. and eventually regained her mind and identity with the help of some psychic therapy, courtesy of the X-Men’s Jean Grey.  

6. SHE IS MARRIED TO LUKE CAGE.

The super-pair met when Jones donned the hardened vigilante identity Knightress. After dealing with the supervillain the Owl, Jones and Cage had a drunken one-night stand. They then started to have an on-again/off-again relationship. Then she became pregnant with their daughter, Danielle, who was named after Daniel Rand (Iron First), Luke’s best friend.

7. SHE BRIEFLY TOOK A MARRIED SUPERHERO NAME.

Mike Colter as Luke Cage in 'Jessica Jones'
Myles Aronowitz, Netflix

After marrying Cage, Jones joined the New Avengers and changed her superhero name to Power Woman as a tribute to her husband’s superhero identity, Power Man. But due to the stress of the job and the potential threat to their new family, the pair left the New Avengers and started a new life. Cage later started up another superhero team called the Mighty Avengers, but Jones, annoyed and irritated with her husband, opted not to join because she wanted to raise Danielle instead. 

8. SHE LOGGED SOME TIME AS A REPORTER.

Bendis followed up the success of Alias with The Pulse in 2004. It centered on Jones taking a job as a “vigilante analyst" with The Daily Bugle publisher J. Jonah Jameson. Working alongside reporter Ben Urich, Jones was tasked with uncovering the true identity of Spider-Man, but ultimately discovered that the Green Goblin was really Norman Osborn (which did not sit well with Osborn).

9. SHE SPENT SOME TIME UNDERGROUND.

During Marvel’s Civil War, Iron Man and Captain Marvel confronted Jones and Cage about registering with the authorities under the Superhuman Registration Act, which enforced a “mandatory registration of super-powered individuals with the government.” Unwilling to register, Jones and Cage were forced to go underground. 

10. CAPTAIN MARVEL WAS REPLACED BY TRISH WALKER.

James McCaffrey, Krysten Ritter, and Rachael Taylor in 'Jessica Jones'
David Giesbrecht, Netflix

Jones’s longtime friend Carol Danvers was originally going to appear in an early version of the TV show. Her character was scrapped and replaced with Trish "Patsy" Walker when the series moved from ABC to Netflix. Marvel then decided to feature Carol Danvers as the star of her own feature film, Captain Marvel, which is due in theaters in early 2019. Oscar-winner Brie Larson will play the title role.

“Back when it was at ABC Network, I did use Carol Danvers," showrunner Melissa Rosenberg explained. "But between then and when it ended up on Netflix ... the MCU shifted, and it also shifted away from the universe in the [comic] book ... But as it turned out, Patsy Walker ended up being [a] much more appropriate fit with Jessica. It was better that her best friend was not someone with powers. It actually ends up being a really great mirror for her.”

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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iStock
Hollywood's 5 Favorite Movie Villains
iStock
iStock

Movie villains are meant to bring out the best in a hero, but with the right script, director, and performer in place, these bad guys can sometimes steal the show from their clean-cut rivals.

Take any horror movie, for example—chances are you’re not watching Friday the 13th to root for the absentminded teenagers down at Camp Crystal Lake. And Steven Spielberg certainly didn’t become a household name by directing a shark movie titled Three Guys on a Boat Drinking Narragansett.

The Hollywood Reporter set out to celebrate these iconic agents of evil by surveying 1000 professionals in the entertainment industry (directors, producers, entertainment attorneys, etc.) on their favorite movie villains. A rogues' gallery of murderous AI, mafia bosses, and a diabolical fashion magazine editor all made the top 25 list as the worst of the worst, and while they’re all deserving, the top five are the gold standard. They include:

5. Nurse Ratched: Played by Louise Fletcher in One Flew Over the Cuckoo's Nest (1975)
4. The Joker: Played by Heath Ledger in The Dark Knight (2008)
3. The Wicked Witch of the West: Played by Margaret Hamilton in The Wizard of Oz (1939)
2. Hannibal Lecter: Played by Anthony Hopkins in The Silence of the Lambs (1991), Hannibal (2001), and Red Dragon (2002)
1. Darth Vader: Played by David Prowse and James Earl Jones in the Star Wars movies (Prowse 1977-1983, Jones 1977-present)

That top spot might not come as a surprise to most, unless you’re still in your twenties: According to The Hollywood Reporter, survey respondents in that age group put Darth Vader in the sixth spot—behind Regina George from Mean Girls.

To check out the entire list, head to The Hollywood Reporter.

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