10 Ancient Textiles That Will Blow Your Mind

iStock.com/Stopboxstudio
iStock.com/Stopboxstudio

Textiles made of organic fibers are easily destroyed by the ravages of time, as anyone who dragged around a favorite childhood blanket for years knows all too well. Insects, microorganisms, water, fire, and regular old wear-and-tear all destroy fabric, sometimes leaving behind only the most meager of scraps. When it comes to archaeological textiles, only in exceptional circumstances—very dry desert environments; very wet, waterlogged environments like peat bogs; and frozen environments like glaciers—can cloth beat time at its own game. Here are some textiles that laughed in the face of entropy.

1. LINEN TUNIC WITH 4000-YEAR-OLD HORIZONTAL PLEATS

There's plenty of linen to be found in ancient Egyptian tombs, but completely intact garments with horizontal pleats still crisp are rarer than hen's teeth. This long, slim-fit tunic was found in a Middle Kingdom tomb in Asyut on the west bank of the Nile, balled up in a coffin next to a skeletonized mummy of indeterminate gender. It dates to around 2000 BC and likely belonged to the person it was buried next to. Besides being a great rarity, this textile is also harboring a secret—the secret of how in the world those pleats were made. They're not stitched. It may have been some sort of stamping process applied when the linen was wet, but that would be some impressive stamping, given that the pleats held even after being balled up and entombed for 4000 years.

2. THE OLDEST TROUSERS IN THE WORLD

Discovered in the vast Yanghai cemetery near Turfan, northwestern China, these wool pants date to 1122-926 BC and still look fly as hell. Zig-zags decorate the lower legs and a handsome rhombic meander pattern embraces the knees. The ingenious ziggurat-shaped crotch piece, with its double lines of dark brown, is as snazzy as it is practical for the horse-riding nomad who prefers to avoid genital chafing in style. These are the oldest trousers in the world, as far as we know, courtesy of 3000 years spent in a gravel desert that's 122°F in the summer and -20°F in the winter.

3. THE OLDEST CARPET IN THE WORLD

The Pazyryk carpet, woven about 2500 years ago using the symmetrical double knot technique, was found in the grave of a Scythian aristocrat in the frigid, arid Altai Mountains of Siberia. The once-bright blue is a tad on the olive side now, the crimson more like burgundy, and the formerly sunny yellow a brownish gold, but it still dazzles with color and pattern. Twenty-four crossed stylized lotus buds grace the central square. Around them is a rectangle of 44 griffins, framed by another with 24 handsomely antlered fallow deer. Next is a border of crossed lotuses in alternating colors. They're framed by the widest border, featuring 28 men on horseback against a red field. The last rectangle closes the show with a display of almost 100 griffins.

4. EGTVED GIRL'S WRAP SKIRT

Egtved Girl was just a teenager, albeit a very wealthy, well-traveled one, when she died in 1370 BC. She was buried in a hollowed-out oak placed in a barrow outside Egtved, on Denmark's Jutland peninsula. Her body was almost entirely decomposed when her grave was excavated in 1921, but her long blonde hair survived perched atop her pristine clothing. She wore a short, woven wool tunic top and a corded wool skirt 15 inches long that was wrapped around her waist twice. The look was accessorized with a wool belt featuring a large bronze disc with a central spike that would make a rodeo champion feel painfully inadequate.

5. HULDREMOSE WOMAN'S CONTRASTING PLAIDS

Huldremose Woman was found in a peat bog on Jutland about 100 miles southwest of Egtved Girl's final resting place. She'd been buried there around the 2nd century BC, but thanks to the magical anaerobic environment of peat bogs, her soft tissues were preserved even down to her stomach contents. So was her outfit: a long plaid skirt, a plaid scarf (both wool), and two sheepskin capes, the outer one colorblocked with a light wool collar topping a dark-brown wool body. A couple of thousand years in a bog turned the skirt a mustard color and the scarf a chocolate brown, which gives them an Agatha Christie weekend-at-the-country-estate look today, but pigment analysis has found that the skirt was originally blue and the scarf red.

6. LADY DAI'S PAINTED SILK BANNER

The T-shaped painted silk funerary banner was one of many silk textiles found wrapped around the body of Xin Zhui, the Marquise of Dai, when her tomb and those of her husband and another relative, possibly their son, were excavated at the archaeological site of Mawangdui in Changsha, China, in the early 1970s. Xin Zhui outlived them both, dying in 163 BC, and her tomb is the best-preserved of the three. Her body survived in exceptional condition, as did the rich textiles that adorned it.

This banner was carried at her funeral before being deposited in her coffin. The painting is a rich representation of Han Dynasty mythology. The heavenly world presided over by the fire dragon is on top. In the middle is Lady Dai rising upwards toward the heavens with three of her maids, while her family prays for her soul's safe journey. At the bottom is the underworld where grotesques and sea creatures guard her dead body.

7. THE DAZZLING PARACAS TEXTILES

When embroidered ponchos, turbans, headbands, and other assorted wraps from an unknown Peruvian culture suddenly began to pop up in private collections in the early 20th century, archaeologists had to bribe looters to lead them to the spot: the Paracas peninsula in Peru, where the salty sands had preserved mummy bundles shrouded in layer upon layer of increasingly large, riotously colorful textiles. Made from cotton and the wool of camelids between 500 BC and 300 AD, the textiles were a group effort from the Paracas people, who used natural dyes to produce more than 200 different shades, and embroidered every stitch by hand with cactus thorn needles. Widely looted, smuggled, and mistreated even by museum professionals in the century since their discovery, the surviving Paracas textiles still stun with their color, craftsmanship, and variety.

8. EGYPTIAN SPLIT-TOE SOCKS

The sands of the Greek city of Oxyrhynchus in Egypt famously preserved a collection of papyri so huge that scholars have still only gone through 15% of them. The sand also kept a pair of flame-red wool split-toe socks from 250-420 AD in flawless condition. The socks were knitted using the ancient technique of nålbindning, a single-needle sewing method that long predates the two-needle knitting we know today. The toe configuration indicates they were worn with sandals, because fashion faux pas or not, thick wool socks that tie at the top are actually a really good idea when trudging around a hot desert in open shoes.

9. WARI FEATHER WALL HANGINGS

Neither desert, bog, nor permafrost is responsible for the survival of the glorious wall hangings of the pre-Incan Wari people of Peru. Pots get the credit this time. Ninety-six hangings were found rolled-up snugly in humaniform ceramic jars, their macaw feathers kept intact in brilliant color for at least a thousand years. An average of seven feet wide and two-and-a-half feet high, the hangings were made by painstakingly knotting each feather to a string and then stitching the string onto a plain weave cotton backing in overlapping rows. We know they were used as wall hangings, rather than cloaks or blankets, because there's a strip of woven camelid fibers with braided ties on the corners running along the top of each piece. Rothko, eat your heart out.

10. THE MANTLE OF ROGER II

It may or may not have actually belonged to Roger II, Norman king of Sicily from 1130 to 1154, but this mantle was made at his court and is certainly fit for a king. The mantle shape of traditional Byzantine liturgical dress may indicate a Byzantine origin for the shimmering crimson samite base, while the gold embroidery was crafted by Arabic artisans in Palermo. Divided by a stylized date palm, each half of the panel depicts a lion attacking a dromedary, a symbol of the Norman House of Hauteville's conquest of Muslim Sicily in 1072. The embroiderers did us the great courtesy of noting exactly where and when they did their work, in the Kufic inscription along the curved hem:

"Here is what was created in the princely treasury, filled with luck, illustration, majesty, perfection, longevity, superiority, welcome, prosperity, liberality, shine, pride, beauty, the achievement of desires and hopes, the pleasure of days and nights, without cease or change, with glory, devotion, preservation, protection, chance, salvation, victory and capability, in the capital of Sicily, in the year 528 AH [1133-1134 AD]."

It looks pretty great belted and paired with thigh-high boots, too, as Alexander McQueen proved in his final collection, alas left uncompleted by his premature death in 2010.

14 Revolutionary Facts About Bastille Day

Hulton Archive/Getty Images
Hulton Archive/Getty Images

On July 14, 1789, Parisian revolutionaries stormed the Bastille fortress, where Louis XVI had imprisoned many of his enemies—or those whom he perceived to be enemies of the state. For many, the place had come to represent nothing short of royal tyranny. Its sudden fall foretold the French revolution—along with a holiday that’s now celebrated throughout France and the world at large with cries of “Vive le 14 Juillet!

1. In France, nobody calls it "Bastille Day."

The day is referred to as la Fête Nationale, or “the National Holiday.” In more informal settings, French people also call it le Quatorze Juillet (“14 July”). "Bastille Day" is an English term that’s seldom used within French borders—at least by non-tourists.

2. Originally, the Bastille wasn't designed to be a prison.

The name “Bastille” comes from the word bastide, which means “fortification,” a generic term for a certain type of tower in southern France until it was eventually restricted to one particular Bastille. When construction began on the building in 1357, its main purpose was not to keep prisoners in, but to keep invading armies out: At the time, France and England were engaged in the Hundred Years’ War. The Bastille, known formally as the Bastille Saint-Antoinewas conceived as a fortress whose strategic location could help stall an attack on Paris from the east.

Over the course of the Hundred Years' War, the structure of the building changed quite a bit. The Bastille started out as a massive gate consisting of a thick wall and two 75-foot towers. By the end of 1383, it had evolved into a rectangular fortress complete with eight towers and a moat.

Such attributes would later turn the Bastille into an effective state prison—but it wasn’t actually used as one until the 17th century. Under King Louis XIII, the powerful Cardinal de Richelieu began the practice of jailing his monarch’s enemies (without a trial) inside; at any given time, the cardinal would hold up to 55 captives there.

3. The Bastille was loaded with gunpowder. 

In July 1789, France was primed for a revolt. Bad weather had driven food prices through the roof, and the public resented King Louis XVI’s extravagant lifestyle. To implement financial reforms and quell rebellion, Louis was forced to call a meeting of the Estates-General, a national assembly representing the three estates of France. The First Estate was the clergy, the Second Estate held the nobility, and all other royal subjects comprised the Third Estate. Each estate had a single vote, meaning two estates could defeat the other estate every time.

The Estates-General met in Versailles on May 5, 1789. Arguments between the Third Estate and the other two boiled over on June 20. King Louis responded by physically locking the common people’s representatives out of the room. The third estate, now calling themselves the National Assembly, reconvened on an indoor tennis court and pledged to remain active until a French constitution was established.

The King sanctioned the National Assembly on June 27, but then sent troops into Paris to deal with growing unrest. He made his problems worse by dismissing finance official Jacques Necker, who supported the Third Estate. The National Assembly and everyday citizens began to take up arms. On July 14, 1789, revolutionaries burst into a soldiers’ hospital in Paris and seized 3000 guns and five cannons. Then, they broke into the Bastille where a stockpile of gunpowder lay. 

4. The July 14 "storming" freed only a handful of prisoners ...

The French revolutionaries who broke into the Bastille expected to find numerous inmates. In reality, the prison was almost empty except for seven captives who seemed to be in relatively good health. We may never be certain of their identities. Some accounts claim that four of the prisoners had committed forgery, two were regarded as lunatics, and one was a disgraced nobleman. Other sources are less specific. A report penned on July 24 agrees that four were forgers and another came from an aristocratic family—but that the other two vanished before anyone could definitively identify them.

5. ... and the Marquis de Sade was almost among them.

You probably know him as the man whose conduct and erotic writings gave rise to the word sadism. In 1784, the aristocrat was transferred from another prison to the Bastille, where he languished for the next five years. Within those walls, de Sade penned several books—including his notorious novel One Hundred and Twenty Days of Sodom.

He surely would have been freed when the Bastille was stormed. But on June 2, de Sade started yelling at the passersby beneath his window, claiming that people were being maimed and killed inside and begging the people to save him. The episode got de Sade transferred once again—this time to an insane asylum outside Paris. His removal from the Bastille took place on July 4, 1789. Ten days later, rebels stormed inside.

6. Thomas Jefferson donated money to the families of the revolutionaries.

As America’s minister to France (and a big fan of revolution), Jefferson took a lively interest in the Bastille incident—which broke out while he was living abroad in Paris. Although Long Tom didn’t witness the event firsthand, he eloquently summarized everything he’d learned about the siege in a detailed letter to John Jay. On August 1, 1789, Jefferson wrote in his diary, “Gave for widows of those killed in taking Bastille, 60 francs.”

7. A huge festival was held exactly one year after the Bastille was stormed. 

By July 14, 1790, the Bastille had been destroyed, its pieces scattered across the globe by souvenir collectors. France now operated under a constitutional monarchy, an arrangement that divided power between King Louis XVI and the National Assembly. Meanwhile, hereditary nobility was outlawed.

To honor these advances, the government organized a huge event called the “Festival of the Federation,” which was to take place on the first anniversary of the Bastille showdown. As July 14 approached, French citizens from all walks of life came together and set up some 40,000 seats in preparation. When the big day finally arrived, King Louis arrived with 200 priests and swore to maintain the constitution. The Marquis de Lafayette—who’d famously helped orchestrate America’s revolution—stood by the monarch’s side. Later on, Queen Marie Antoinette got a huge cheer when she proudly showed off the heir apparent. Among the spectators was dramatist Louis-Sébastien Mercier, who later said, “I saw 50,000 citizens of all classes, of all ages, of all sexes, forming the most superb portrait of unity." 

8. Several different dates were considered for the French national holiday.

Here’s a trick question: What historical event does Bastille Day commemorate? If you answered “the storming of the Bastille prison,” you’re both right and wrong. In 1880, France’s senate decided that their homeland needed a national holiday. What the French statesmen had in mind was an annual, patriotic celebration dedicated to the country and her citizens. But the matter of choosing a date turned into an extremely partisan ordeal: Every available option irked somebody in the senate on ideological grounds. For instance, conservatives were dead-set against July 14 (at least at first) because they felt that the 1789 Bastille incident was too bloody to merit celebration.

Alternatives were numerous. To some, September 21 looked attractive, since the original French Republic was created on that day in 1792. Others favored February 24, which marked the birth of France’s second republic. Another option was August 4, the anniversary of the feudal system’s abolishment.

Ultimately, though, July 14 managed to win out. After all, the date marks not one but two very important anniversaries: 1789’s attack on the Bastille and 1790’s peaceful, unifying Festival of the Federation. So by choosing July 14, the senate invited all citizens to decide for themselves which of these events they’d rather celebrate. As Senator Henri Martell argued, anyone who had reservations about the first July 14 could still embrace the second. Personally, he revered the latter. In his own words, July 14, 1790 was “the most beautiful day in the history of France, possibly in the history of mankind. It was on that day that national unity was finally accomplished.”

9. Bastille Day features the oldest and largest regular military parade in Western Europe.

This beloved Paris tradition dates all the way back to 1880. In its first 38 years, the parade’s route varied wildly, but since 1918, the procession has more or less consistently marched down the Champs-Elysées, the most famous avenue in Paris. Those who watch the event in person are always in for a real spectacle—2015’s parade boasted some 31 helicopters, 55 planes, 208 military vehicles, and 3501 soldiers. It’s also fairly common to see troops from other nations marching alongside their French counterparts. Two years ago, for example, 150 Mexican soldiers came to Paris and participated.

10. In France, firemen throw public dances.

On the night of July 13 or 14, people throughout France live it up at their local fire departments. Most stations will throw large dance parties that are open to the entire neighborhood (kids are sometimes welcome). Please note, however, that some fire departments charge an admission fee. Should you find one that doesn’t, be sure to leave a donation behind instead. It’s just common courtesy.

11. The Louvre celebrates by offering free admission.

If you’re in Paris on Bastille Day and don’t mind large crowds, go say bonjour to the Mona Lisa. Her measurements might surprise you: The world’s most famous painting is only 30 inches tall by 21 inches wide.

12. Bastille Day has become a truly international holiday.

Can’t get to France on Bastille Day? Not a problem. People all over the world honor and embrace the holiday. In eastern India, the scenic Puducherry district was under French rule as recently as 1954. Every July 14, fireworks go off in celebration and a local band usually plays both the French and Indian national anthems. Thousands of miles away, Franschhoek, South Africa, throws an annual, two-day Bastille celebration—complete with a parade and all the gourmet French cuisine you could ask for.

Then there’s the United States, where dozens of cities organize huge festivals on this most French of holidays. New Orleans hosts a doggie costume contest in which pet owners are encouraged to dress up their pooches in handsome French garb. Or maybe you’d like to visit Philadelphia, where, at the Eastern State Penitentiary museum and historic site, Philly citizens re-enact the storming of the Bastille while guards keep the rebels at bay by hurling Tastykakes at them.

13. A huge solar flare once took place on Bastille Day.

NASA won’t be forgetting July 14, 2000 anytime soon. On that particular day, one of the largest solar storms in recent memory caught scientists off guard. An explosion caused by twisted magnetic fields sent a flurry of particles racing toward Earth. These created some gorgeous aurora light shows that were visible as far south as El Paso, Texas. Unfortunately, the particles also caused a few radio blackouts and short-circuited some satellites. Astronomers now refer to this incident as “The Bastille Day Event.”

14. You can find a key to the Bastille at Mount Vernon.

The Marquis de Lafayette, 19, arrived in the new world to join America’s revolutionary cause in 1777. Right off the bat, he made a powerful friend: George Washington instantly took a liking to the Frenchman and within a month, Lafayette had effectively become the general’s adopted son. Their affection was mutual; when the younger man had a son of his own in 1779, he named him Georges Washington de Lafayette.

The day after the storming of the Bastille, the Marquis de Lafayette became the commander of the Paris National Guard. In the aftermath of the Bastille siege, he was given the key to the building. As a thank-you—and to symbolize the new revolution—Lafayette sent it to Washington’s Mount Vernon home, where the relic still resides today

This story originally ran in 2016.

The Washington Monument Is Transforming Into a Full-Scale Saturn V Rocket for the 50th Anniversary of the Apollo 11 Moon Landing

The Saturn V rocket takes off on July 16, 1969.
The Saturn V rocket takes off on July 16, 1969.

Where better to celebrate the 50th anniversary of the first Moon landing than in front of a revered national monument that also happens to resemble a giant rocket?

Next week, DCist reports, the Smithsonian National Air and Space Museum will project an image of the 363-foot-tall Saturn V rocket that launched Buzz Aldrin, Neil Armstrong, and Michael Collins into space on July 16, 1969, onto the 555-foot-tall Washington Monument. Underneath the monument, flanked by screens playing a 17-minute program about the Moon landing, will be a 40-foot-wide replica of the iconic Kennedy Space Center countdown clock that NASA has called “one of the most-watched timepieces in the world.”

Illustration of the Saturn V rocket projected onto the Washington Monument
An illustration of what the Saturn V projection will look like on the Washington Monument.
Smithsonian National Air and Space Museum

Projecting an image onto an irregular object is a little more complicated than doing so on a run-of-the-mill, rectangular movie screen. The process is called projection mapping, which uses augmented reality to conform the projection to the object, making it seem like the projection is actually just part of the object. 59 Productions, the company behind this program, also created the video design for London’s 2012 Olympic Games opening ceremony and won a 2015 Tony Award for the video design of Christopher Wheeldon’s stage revival of An American in Paris.

So who exactly has to approve transforming one of our nation’s most famous monuments into a really tall, skinny optical illusion? In this case, the House of Representatives, the Senate, the secretary of the interior, and the president himself. Both houses of Congress unanimously passed the bipartisan resolution, H.J. Res. 60 [PDF], in mid-June, and the president signed it on July 5.

According to Ellen Stofan, director of the Smithsonian National Air and Space Museum, the larger-than-life nature of the setting befits the occasion. “The Washington Monument is a symbol of our collective national achievements and what we can and will achieve in the future,” she told DCist. “It took 400,000 people from across the 50 states to make Apollo a reality. This program celebrates them, and we hope it inspires generations too young to have experienced Apollo firsthand to define their own moonshot.”

You can see the Saturn V projection from 9:30 p.m. to 11:30 p.m. on July 16, 17, and 18. The best view is on the National Mall in front of the Smithsonian Institution Building (also known as the “Castle”) between 9th and 12th streets. The entire program, titled “Apollo 50: Go for the Moon,” will run at 9:30 p.m., 10:30 p.m., and 11:30 p.m. on Friday, July 19, and Saturday, July 20.

[h/t DCist]

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