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11 Oo-De-Lally Facts About Robin Hood

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Hollywood has come up with countless versions of Robin Hood and his Merry Men over the years, but only one of them stars a fox, a badger, and a wolf. If Disney's 1973 version of Robin Hood is one of your favorite adaptations (along with this one, of course), read on for a few fun facts.

1. Robin Hood was the result of another movie getting canned.

Disney had been considering making a movie about Reynard the Fox since at least the 1930s. Reynard was a lesser-known fable from the 1100s that told the tales of a scoundrel fox. The problem was, Reynard skewed more toward villain than antihero, which ended up being a challenge for the writers. Despite scripts and storyboards, the Reynard movie still hadn’t come to fruition more than two decades later. Animator Ken Anderson eventually blended the idea into the Robin Hood script, reasoning that Robin Hood’s outlaw status made him sort of Reynard-like.

2. Robin's voice, Brian Bedford, is a Shakespearean-Trained Actor.

The Tony Award-winning Brian Bedford is well known for his Shakespearean work, including acting and directing in the Stratford Festival.

3. “The Phony King of England” was likely based on a real song.

It has been said, but never confirmed, that author Rudyard Kipling penned the lyrics to the bawdy pub song “The Bastard King of England.” Whoever’s responsible, it’s likely that the much tamer “The Phony King of England” was inspired by the dirty version. Have a listen:

4. There's a notable fight song during a chase sequence.

The University of Wisconsin’s fight song, “On Wisconsin,” makes an appearance when Lady Kluck takes on the hippo guards.

5. Allan-a-Dale the Rooster may sound familiar to you.

Roger Miller was a respected singer-songwriter in Nashville long before Disney recruited him to voice and write songs for Allan-a-Dale. Miller worked with legends like Minnie Pearl, Chet Atkins, George Jones, and Ernest Tubb before writing his biggest hit, “King of the Road.”

6. A deleted scene shows another one of Prince John’s schemes.

In it, Prince John dictates a letter to Sir Hiss in which he pretends to be Maid Marian. It’s all part of luring Robin Hood into a trap, of course. You can see the storyboards with rough voiceover work here.

7. “Love” was nominated for an Oscar.

The ballad that plays while Robin and Marian make eyes at each other was written by Floyd Huddleston and George Bruns. Nancy Adams, Huddleston’s wife, provided Maid Marian’s singing voice for the song. Though "Love" was nominated at the 1974 Academy Awards, it lost to “The Way We Were” from the movie of the same name.

8. Robin Hood reuses pieces of other Disney movies.

The dance sequence that goes with “The Phony King of England” was made from a potpourri of dances from other Disney movies, including Snow White and the Seven Dwarfs and The Aristocats. This was achieved by an animation technique called “rotoscoping,” where animators trace over the frames of old footage to use it in a different environment.

9. Friar Tuck was originally a pig.

Animator Ken Anderson first conceived Friar Tuck as a pig, but then decided that the church might take that particular depiction as a slight. He’s not the only character that switched animals: the Sheriff of Nottingham was supposed to be a goat, but changed to a wolf to seem more villainous.

10. Robin was wounded in an alternate ending.

Near the end of the movie, Robin is struck by an arrow and whisked off to the safety of a church. Prince John finds his hideout and is about to kill both Robin and Maid Marian when King Richard bursts in, back from the Crusades. From there on out, the ending is about the same: Prince John and his cohorts are banished to the rock pile, and Robin and Marian get married. Check out the storyboards:

11. It was Disney's biggest hit.

Despite mixed reviews from critics and fans alike, Robin Hood ended up doing very well at the box office, taking in $9.5 million. At the time, it was Disney’s biggest box office total to date.

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Revisit Your Teen Years With Vintage Sweet Valley High Editions
Always Fits
Always Fits

The '80s and '90s were a special time to be a reading-obsessed child. Young adult series like The Baby Sitter’s Club and Sweet Valley High were in their prime (and spawning plenty of spinoffs and blatant knockoffs), with numerous books a year—Sweet Valley High creator Francine Pascal published 11 books in her series in 1984 alone.

You can't find original Sweet Valley High books on the shelves anymore (unless you want to read the tweaked re-release versions published in 2008), but fans of Jessica and Elizabeth no longer have to trawl eBay looking for nostalgic editions of their favorite installments of the series. Always Fits, a website that sells gifts it describes as “nostalgic, feminine, feminist and wonderful,” has tracked down as many vintage teen series from the '80s and '90s as it can, including a number of Sweet Valley High books.

A stack of Sweet Valley High books
Always Fits

The collection of books was sourced by the Always Fits team from vintage shops and thrift stores, and covers editions released between 1983 and 1994 (the series ran until 2003). While you can’t get a shiny new copy of books like Double Love, you can pretend that the slightly worn editions have been sitting on the bookshelf of your childhood bedroom all along.

Each of the Sweet Valley High books comes with an enamel pin inspired by the cover for one of the series's classic titles, Secrets. Unfortunately, you can’t pick and choose which installment you want—you’ll have to content yourself with a mystery pick, meaning that you may get In Love Again instead of Two-Boy Weekend. Hopefully you’re not trying to fill in that one hole from your childhood collection. (You may not be able to get Kidnapped by the Cult!, but it appears that Crash Landing!, with its amazingly ridiculous paralysis storyline, is available.)

The Sweet Valley High book-and-pin set is $18, or you can get a three-pack of random '80s books for the same price.

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10 Things You Might Not Know About Love Connection
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Between September 19, 1983 and July 1, 1994, Chuck Woolery—who had been the original host of Wheel of Fortune back in 1975—hosted the syndicated, technologically advanced dating show Love Connection. (The show was briefly revived in 1998-1999, with Pat Bullard as host.) The premise featured either a single man or single woman who would watch audition tapes of three potential mates discussing what they look for in a significant other, and then pick one for a date. The producers would foot the bill, shelling out $75 for the blind date, which wasn’t taped. The one rule was that between the end of the date and when the couple appeared on the show together, they were not allowed to communicate—so as not to spoil the next phase.

A couple of weeks after the date, the guest would sit with Woolery in front of a studio audience and tell everybody about the date. The audience would vote on the three contestants, and if the audience agreed with the guest’s choice, Love Connection would offer to pay for a second date.

The show became known for its candor: Couples would sometimes go into explicit detail about their dates or even insult one another’s looks. Sometimes the dates were successful enough to lead to marriage and babies, and the show was so popular that by 1992, the video library had accrued more than 30,000 tapes “of people spilling their guts in five-minutes snippets.”

In 2017, Fox rebooted Love Connection with Andy Cohen at the helm; the second season started airing in May. But here are a few things you might not have known about the dating series that started it all.

1. AN AD FOR A VIDEO DATING SERVICE INSPIRED THE SHOW.

According to a 1986 People Magazine article, the idea for Love Connection came about when creator Eric Lieber spied an ad for a video dating service and wanted to cash in on the “countless desperate singles out there,” as the article states. “Everyone thinks of himself as a great judge of character and likes to put in two cents,” Lieber said. “There’s a little yenta in all of us.”

2. CONTESTANTS WERE GIVEN SOMETHING CALLED A PALIO SCORE.

Staff members would interview potential contestants and rate them on a PALIO score, which stands for personality, appearance, lifestyle, intelligence, and occupation. Depending on the results, the staff would rank the potential guests as either selectors or selectees.

3. IN 1987, THE FIRST OF MANY LOVE CONNECTION BABIES WAS BORN.

John Schultz and Kathleen Van Diggelen met on a Love Connection date, which didn’t end up airing. “They said, ‘John, she’s so flat, if you can’t rip her up on the set, we can’t use you,’” he told People in 1988. “I said, ‘I can’t do that.’” However, they got married on an episode of Hollywood Squares. As the article stated, “Their son, Zachary, became the first baby born to a Love Connection-mated couple.”

4. IT LED TO OTHER DATING SHOWS, LIKE THE BACHELOR.

Mike Fleiss not only created The Bachelor and The Bachelorette, but he’s also responsible for reviving Love Connection. “I always had a soft spot for that show,” Fleiss told the Los Angeles Times in 2017. He said he was friends with Lieber and that the show inspired him to “venture into the romance TV space.” “I remember it being simple and effective,” he said about the original Love Connection. “And I remember wanting to find out what happened on those dates, the he said-she said of it all. It was intriguing.”

5. A FUTURE ACTOR FROM THE SOPRANOS WAS A CONTESTANT.

Lou Martini Jr., then known as Louis Azzara, became a contestant on the show during the late 1980s. He and his date, Angela, hit it off so well that they couldn’t keep their hands off one another during the show. Martini famously talked about her “private parts,” and she referred to him as “the man of my dreams.” The relationship didn’t last long, though. “I had just moved to LA and was not ready to commit to anything long-term," Martini commented under the YouTube clip. "The show was pushing me to ask her to marry me on the show!" If Martini looks familiar it’s because he went on to play Anthony Infante, Johnny Sack’s brother-in-law, on four episodes of season six of The Sopranos.

6. BEFORE THE SHOW WENT OFF THE AIR, A LOT OF CONTESTANTS GOT MARRIED.

During the same Entertainment Weekly interview, the magazine asked Woolery what the show’s “love stats” were, and he responded with 29 marriages, eight engagements, and 15 children, which wasn’t bad considering 2120 episodes had aired during its entire run. “When you think that it’s someone in our office putting people together through questionnaires and tapes, it’s incredible that one couple got married, much less 29,” he said.

7. CHUCK WOOLERY WAS AGAINST FEATURING SAME SEX COUPLES.

In a 1993 interview with Entertainment Weekly, the interviewer asked him “Would you ever have gay couples on Love Connection?” Woolery said no. “You think it would work if a guy sat down and I said, ‘Well, so where did you meet and so and so?’ then I get to the end of the date and say, ‘Did you kiss?’ Give me a break,” he said. “Do you think America by and large is gonna identify with that? I don’t think that works at all.” What a difference a quarter-century makes. Andy Cohen, who is openly gay, asked Fox if it would be okay to feature gay singles on the new edition of Love Connection. Fox immediately agreed.

8. ERIC LIEBER LIKED THE SHOW’S “HONEST EMOTIONS.”

When asked about the show's winning formula, Lieber once said: “The show succeeds because we believe in honest emotions. And, admit it—we’re all a little voyeuristic and enjoy peeking into someone else’s life.”

9. IN LIVING COLOR DID A HILARIOUS PARODY OF THE SHOW.

In the first sketch during In Living Color's pilot—which aired April 15, 1990—Jim Carrey played Woolery in a Love Connection parody. Robin Givens (played by Kim Coles) went on a date with Mike Tyson (Keenan Ivory Wayans) and ended up marrying him during the date. (As we know from history, the real-life marriage didn’t go so well.) The audience had to vote for three men: Tyson, John Kennedy Jr., and, um, Donald Trump. Tyson won with 41 percent of the vote and Trump came in second with 34 percent.

10. A PSYCHOLOGIST THOUGHT THE SHOW HAD A “MAGICAL HOPEFULNESS” QUALITY.

In 1986, People Magazine interviewed psychologist and teacher Dr. Richard Buck about why people were attracted to Love Connection. “Combine the fantasy of finding the perfect person with the instant gratification of being on TV, and the two are a powerful lure,” he said. “There’s a magical hopefulness to the show.”

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