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10 Highest-Grossing Movie Franchises of All Time

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Marvel Studios

Months before Avengers: Infinity War even opened, box office analysts were predicting big things from the super-sized Marvel team-up. But even the most enthusiastic prognosticators seemed to underestimate the film, which managed to smash all previous global opening weekend records with its massive $630 million haul.

While it’s still got a ways to go to make more than the original The Avengers film earned in 2012, this latest film in the Marvel Cinematic Universe will only ensure the franchise's dominance over all other film series well into 2018 and beyond. (Yes, Star Wars included.) Here are the 10 highest-grossing movie franchises of all time, based on worldwide box office stats, courtesy of The Numbers.

1. MARVEL CINEMATIC UNIVERSE

Worldwide Gross: $15,482,764,918

Though it seems a bit unfair, the whole of the Marvel Cinematic Universe—including The Avengers, Iron Man, Captain America, and Guardians of the Galaxy movies—is officially a single franchise in Hollywood's eyes. Which makes it a tough one to beat, with 19 films (and counting) in the past 10 years, led (financially-speaking) by The Avengers ($1,519,479,547), Avengers: Age of Ultron ($1,408,218,722), and Black Panther ($1,333,109,489). Ant-Man and the Wasp will hit theaters in July, followed by Captain Marvel in early 2019.

2. STAR WARS

Daisy Ridley and Mark Hamill in 'Star Wars: The Last Jedi'
Jonathan Olley, Lucasfilm

Worldwide Gross: $8,926,772,232

Though it's been more than 40 years since the original Star Wars film hit theaters and entranced moviegoers, since Disney purchased the franchise in 2012, they've been making up for lost time with new entries in the original space opera, plus a bunch of standalone series—including a recently announced new one courtesy of Game of Thrones creators David Benioff and D.B. Weiss. While it may take the Mouse House a couple of years to match Marvel's quantity of films, at the rate they're cranking them out, we probably won't have too long to wait. Solo: A Star Wars Story arrives in theaters on May 25, 2018.

3. HARRY POTTER

Worldwide Gross: $8,532,684,345

The big-screen incarnation of J. K. Rowling’s boy wizard has proven to be just as profitable as the book version. Since 2001, nine movie adaptations have been released, beginning with Harry Potter and the Sorcerer’s Stone. While nearly all of them—including 2016's Fantastic Beasts and Where to Find Them—have approached the $1 billion mark, 2011's Harry Potter and the Deathly Hallows: Part II brought in the biggest profit, with a worldwide take of $1,341,511,219. With two more Fantastic Beasts movies on the way in the next two years—Fantastic Beasts: The Crimes of Grindelwald drops on November 16, 2018—his box office behemoth shows no signs of slowing down.

4. JAMES BOND

Daniel Craig stars at James Bond in 'Spectre' (2015)
Metro-Goldwyn-Mayer Pictures/Columbia Pictures/EON Productions

Worldwide Gross: $7,077,929,291

While "Who will play the next James Bond?" is a question as old as this movie franchise itself, one thing that's never in question is 007's ability to attract an audience—and he only seems to be getting better with age. Bond's Daniel Craig era has seen some of its most critically acclaimed, and profitable, entries in the series, which kicked off in 1963 with Dr. No. But the franchise’s high position on this list is largely thanks to 2012’s Skyfall, which earned $1,110,526,981 around the world.

5. THE LORD OF THE RINGS

Worldwide Gross: $5,895,804,182

First, it’s important to note that Peter Jackson’s Middle Earth franchise includes not just The Lord of the Rings trilogy, but all three of The Hobbit movies as well. While the former series might be the more critically acclaimed of the two, when all is said and done, both series contributed to the franchise’s position here: Among the six films, 2003’s The Lord of the Rings: The Return of the King ($1,141,403,341) and 2012’s The Hobbit: An Unexpected Journey ($1,017,003,568) are the two biggest moneymakers.

6. FAST AND THE FURIOUS

Worldwide Gross: $5,139,434,105

It’s possible that even the producers of the Fast and the Furious series themselves are a little surprised by just how popular the franchise has become, with eight adrenaline-fueled films that seem to grow more popular with each entry. While the first film in the series, 2001’s The Fast and the Furious, made a respectable $206,512,310, 2017's The Fate of the Furious made nearly six times that amount—a grand total of $1,237,466,026. So it should come as no surprise that two more are already in the works.

7. X-MEN

Stephen Merchant and Hugh Jackman in 'Logan' (2017)
Ben Rothstein - © 2017 Marvel. TM and © 2017 Twentieth Century Fox Film Corporation

Worldwide Gross: $5,016,911,347

Though the X-Men are a Marvel creation, they're treated as their very own (mutant) entity in the box office world. Which is particularly impressive when you consider that the franchise's 10 films will be have generated enough dough on their own to compete at the same level as their cinematic parent. While 2017's Logan made an impressive $615,577,068 at the box office—and managed to be that rare comic book movie that scored an Oscar nomination for its script—it's Ryan Reynolds's Deadpool that's leading this series in box office dollars, with a worldwide gross of $801,029,249 on the first movie. Given the excitement that's already surrounding May's sequel, expect that number to climb even higher. And quickly.

8. SPIDER-MAN

Worldwide Gross: $4,858,774,307

Sam Raimi’s 2002 Spider-Man kicked off a new era in comic book moviemaking with its audience-friendly mix of action, humor, and just a little camp. His final film for the series, Spider-Man 3, earned the most money of the bunch, with a box office total of $894,860,230. Two reboots later, audiences don't seem to be tiring of the ever-changing web-slinger; 2017's Spider-Man: Homecoming took in a not-too-shabby $880,206,511 (and a sequel is already in production for 2019).

9. BATMAN


© TM & DC Comics/Warner Bros. Entertainment Inc.

Worldwide Gross: $4,572,000,197

Though the final tally above represents more than a quarter-century of Batman movies—going back to Tim Burton and Michael Keaton’s 1989 original and spanning the less memorable Val Kilmer and George Clooney years—the real earnings in this franchise have come from Christopher Nolan’s reboots. In fact, 2012’s The Dark Knight Rises earned $1,084,439,099 on its own, accounting for nearly one-quarter of the franchise's entire haul. And in case you're wondering: yes, 2016's Batman v Superman: Dawn of Justice is officially part of the franchise.

10. PIRATES OF THE CARIBBEAN

Worldwide Gross: $4,505,013,091

First it was a Disney theme park ride, then it was a box office smash success and one of the few times that Johnny Depp agreed to make a truly “commercial” film. But over the course of nearly 15 years, from 2003 to 2017, the swashbuckling series has managed to plunder more than $4.5 billion in ticket sales—even if its most recent entry, 2017's Dead Man Tell No Tales, was one of its least impressive earners with (a still-impressive) $794,758,876. At the time, no additional films are on the docket.

All figures courtesy of The Numbers.

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Jenny Anderson, Getty Images for Tony Awards Productions
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10 Things You Might Not Know About Tina Fey
Jenny Anderson, Getty Images for Tony Awards Productions
Jenny Anderson, Getty Images for Tony Awards Productions

Tina Fey has transformed modern comedy more than just about anyone else. From the main stage of Second City to the writer’s room of SNL to extremely fetch comedy blockbusters, Elizabeth Stamatina Fey has built a national stage with a dry, eye-popping sarcasm and political satire where no one is safe. She has a slew of Emmys, Golden Globes, SAG, PGA, and WGA awards to prove it—plus a recent Tony nomination (her first). But, more importantly, she’s the closest thing we have to a national comic laureate.

Here are 10 facts about a fantastically blorft American icon.

1. SHE DID A BOOK REPORT ON COMEDY WHEN SHE WAS 11.

Fey got a very early start in comedy, watching a lot of The Mary Tyler Moore Show, Bob Newhart, and Norman Lear shows as a kid. Her father and mother sneaked her in to see Young Frankenstein and would let her stay up late to watch The Honeymooners. So it’s no surprise that she chose comedy as the subject of a middle school project. The only book she could get her hands on was Joe Franklin’s Encyclopedia of Comedians, but at least she made a friend. "I remember me and one other girl in my 8th grade class got to do an independent study because we finished the regular material early, and she chose to do hers on communism, and I chose to do mine on comedy," Fey told The A.V. Club. "We kept bumping into each other at the card catalog."

2. THE SCAR ON HER FACE CAME FROM A BIZARRE ATTACK THAT OCCURRED WHEN SHE WAS A CHILD.

Fey’s facial scar had been recognizable but unexplained for years until a profile in Vanity Fair revealed that the mark on her left cheek came from being slashed by a strange man when she was five years old. “She just thought somebody marked her with a pen,” her husband Jeff Richmond said. Fey wrote in Bossypants that it happened in an alleyway behind her Upper Darby, Pennsylvania, home when she was in kindergarten.

3. HER FIRST TV APPEARANCE WAS IN A BANK COMMERCIAL.

Saturday Night Live hired Fey as a writer in 1997. In 1995 she had the slightly more glamorous job of pitching Mutual Savings Bank with a radical floral applique vest and a handful of puns on the word “Hi.” In a bit of life imitating art, just as Liz Lemon’s 1-900-OKFACE commercial was unearthed and mocked on 30 Rock, the internet discovered Fey’s stint awkwardly cheering on high interest rates a few years ago and had a lot to say about her '90s hair.

4. SHE WAS THE FIRST WOMAN TO BE NAMED HEAD WRITER OF SNL.

Four years after that commercial and two after she joined Saturday Night Live’s writing staff, Fey earned a promotion to head writer. Up until that point, the head writers were named Michael, Herb, Bob, Jim, Steve. You get the picture. She acted as head writer for six seasons until moving on to write and executive produce 30 Rock. Since her departure, two more women (Paula Pell and Sara Schneider) have been head writers for the iconic show.

5. SHE’S THE YOUNGEST MARK TWAIN PRIZE WINNER.

Established in 1998, the Kennedy Center’s hilarious honor has mostly been awarded to funny people in the twilight of their careers. Richard Pryor was the first recipient, and comedians who made their marks decades prior like Lily Tomlin, Whoopi Goldberg, and George Carlin followed. Fey earned the award in 2010 when she was 40 years old, and the age of her successors (Carol Burnett, Bill Murray, Eddie Murphy, David Letterman ...) signals that she may hold the title of youngest recipient for some time.

6. SHE WROTE SATIRE FOR HER HIGH SCHOOL NEWSPAPER.

Fey was an outstanding student who was involved in choir, drama, and tennis, and co-edited the school’s newspaper, The Acorn. She also wrote a satirical column addressing “school policy and teachers” under the pun-tastic pseudonym “The Colonel.” Fey also recalled getting in trouble because she tried to make a pun on the phrase “annals of history.” Cheeky.

7. SHE MADE HER RAP DEBUT WITH CHILDISH GAMBINO ON "REAL ESTATE."

Donald Glover (a.k.a. Childish Gambino) first gained notice as a member of Derrick Comedy in college, and Fey hired him at the age of 23 to write for 30 Rock. Before jumping from that show to Community, Glover put out his first mixtape under his stage name. After releasing his debut album, Camp, in 2011, Gambino dropped a sixth mixtape called Royalty that featured Fey rapping on a song called “Real Estate.” “My president is black, and my Prius is blue!"

8. SHE VOICED PRINCESSES IN A BELOVED PINBALL GAME.

Between the bank commercial and Saturday Night Live, Fey has an intriguing credit on her resume: the arcade pinball machine “Medieval Madness.” Most of the game’s Arthurian dialogue was written by Second City members Scott Adsit (Pete Hornberger on 30 Rock) and Kevin Dorff, who pulled in fellow Second City castmate Fey to voice for an “Opera Singer” princess, Cockney-speaking princesses, and a character with a southern drawl. (You can hear some of the outtakes here.)

9. SHE USED MEAN GIRLS TO PUSH BACK AGAINST STEREOTYPES OF WOMEN IN MATH.

Tina Fey and Lindsay Lohan in 'Mean Girls' (2004)
Paramount Home Entertainment

There’s a ton of interesting trivia about Mean Girls, Fey’s first foray into feature film screenwriting. She bid on the rights to Rosalind Wiseman’s book that inspired the movie without realizing it didn’t have a plot. She initially wrote a large part for herself but kept whittling it down to focus on the teenagers, and her first draft was “for sure R-rated.” Fey also chose to play a math teacher to fight prejudice. “It was an attempt on my part to counteract the stereotype that girls can’t do math. Even though I did not understand a word I was saying.” Fey used a friend’s calculus teacher boyfriend’s lesson plans in the script.

10. SHE SET UP A SCHOLARSHIP IN HER FATHER’S NAME TO HELP VETERANS.

Fey’s father Donald was a Korean War veteran who also studied journalism at Temple University. When he died in 2015, Fey and her brother Peter founded a memorial scholarship in his name that seeks to aid veterans who want to study journalism at Temple.

"He was really inspiring," Fey said. "A lot of kids grow up with dreams of doing those things and their parents are fearful and want them to get a law degree and have things to fall back on, but he and our mom always encouraged us to pursue whatever truly interested us." Fey also supports Autism Speaks, Mercy Corps, Love Our Children USA, and other charities.

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Twentieth Century Fox Film Corporation
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Deadpool Fans Have a Wild Theory About Who Cable Really Is
Twentieth Century Fox Film Corporation
Twentieth Century Fox Film Corporation

Deadpool 2 is officially in theaters and ruling the box office just like its predecessor did back in 2015. But this installment is about more than just crude jokes and over-the-top action scenes; it also includes the debut of a longtime Marvel character that fans have been clamoring to see on the big screen since 2000’s X-Men hit theaters: Cable.

But the Cable in Deadpool 2 isn’t quite the one fans have gotten used to in the books—for starters, his powers and backstory are reined in considerably. While it’s easy to assume that’s by design, so that audiences can better relate to the character (which is played by Josh Brolin), some fans have speculated that the changes are because, well, this character isn’t really Cable at all; instead, Screen Rant has a theory that this version of the character is actually none other than an older Wolverine from the future.

So how can Wolverine be Cable? Well, it’s actually quite easy, considering that Wolverine was Cable in Marvel’s Ultimate Universe comics, which was a series of books in the 2000s that completely reimagined the regular Marvel Universe. In this reality, a grizzled, aged Wolverine takes on the Cable nickname and travels back in time to prevent a takeover of Earth from the villain Apocalypse.

We were already introduced to Apocalypse in 2016’s X-Men: Apocalypse, and while he was defeated in the end, Screen Rant theorizes that he could return like he does in the Ultimate X-Men comics: by inhabiting the body of Nathaniel Essex, a.k.a. Mister Sinister. Essex was already name-dropped in Apocalypse and Deadpool 2, so it stands to reason that there might be some larger story on the horizon for him.

This would, of course, lead to more X-Men movies down the road, with Cable revealing his true nature and teaming with a crew of mutants that includes the classic X-Men cast as well as their younger selves to battle a newly formed Apocalypse. It’d also allow the character of Wolverine to live on in Brolin, leaving Hugh Jackman to enjoy a retired life without claws.

Obviously this is just one fan theory based on a comic storyline from over a decade ago. It would also have to ignore a whole host of continuity problems—including the events of Logan. But having a twist with Cable actually being Wolverine from the future (and likely from a different reality) is the type of headache-inducing madness the comics are known for.

[h/t: Screen Rant]

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