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14 Colorful Facts About Reservoir Dogs

Lions Gate Films Home Entertainment
Lions Gate Films Home Entertainment

Many directors come to the world’s attention gradually and quietly over the course of a few films. Quentin Tarantino is not one of those directors. His feature debut, Reservoir Dogs, blasted Sundance audiences’ faces off in January of 1992 before doing the same in Cannes, Toronto, and at your local multiplex exactly 25 years ago today. Seldom has a filmmaker’s debut attracted so much controversy and acclaim, or inspired so much discussion about the meaning of “Like a Virgin.” Let’s put on our black suits and skinny ties and dive into the nitty-gritty. Don’t forget to tip your waitress!

1. IT WAS THE DARLING OF SUNDANCE 1992 ... AND THEN DIDN’T WIN ANYTHING.

Reservoir Dogs had its world premiere at the 1992 Sundance Film Festival, where it was the buzziest movie on the schedule (assisted by an industry pre-screening a few weeks earlier). Quentin Tarantino later recounted how everyone kept telling him the jury awards were going to come down to either his film or one other (though people had different ideas of which other film was his main competition). And in the end? Of the eight awards given to non-documentary features, Reservoir Dogs received zero of them.

2. MOST OF IT WAS FILMED IN A MORTUARY.

The empty building where our multi-colored heroes rendezvous after the robbery was actually a disused mortuary. When Harvey Keitel and Steve Buscemi go to that back room to argue and wash blood off themselves, you can clearly see plastic tubes, embalming fluid, and such. It’s a fitting location to use, considering the way the movie ends.

3. TIM ROTH’S CHARACTER’S APARTMENT WAS UPSTAIRS FROM THE MORTUARY.

For a location scout, finding one building that can serve two different purposes is like hitting a home run.

4. IT WENT THROUGH SEVERAL CASTING PERMUTATIONS.

In the early stages, Tarantino was going to play Mr. Pink himself, with producer Lawrence Bender as Nice Guy Eddie. Steve Buscemi was later considered for Nice Guy Eddie, but ended up playing Mr. Pink, a role for which Michael Madsen (Mr. Blonde) auditioned. Samuel L. Jackson and Ving Rhames both almost played Holdaway (the cop Tim Roth works with in flashbacks). Robert Forster, who later appeared in QT’s Jackie Brown, auditioned for the part of Joe, which went to Lawrence Tierney.

5. THERE WERE SOME UNUSUAL OFFERS FROM PRODUCERS.

While searching for producers to finance the film and save them from having to make it themselves on a minuscule budget, Tarantino and Bender fielded several offers that sounded good but had a catch to them. One producer offered $1.6 million, but only if the ending was changed so that everyone who was dead came back to life, the whole thing having been a hoax or a con of some kind. Another offered $500,000 … but only if his girlfriend could play Mr. Blonde. (Bender said it was such a bizarre idea that he and Tarantino actually considered it.)

6. MR. BLUE HAD BEEN A BANK ROBBER IN REAL LIFE.

Before he was an actor, Eddie Bunker was a criminal, spending much of the first half of his life in various correctional facilities. He went straight in 1975, at the age of 42, writing several crime novels (Tarantino was a fan), and eventually doing some acting and screenwriting. Eleven years before Reservoir Dogs, he wrote a semi-autobiographical novel with a prescient title: Little Boy Blue.

7. HARVEY KEITEL WAS THE LEAD CHARACTER IN GETTING THE FILM MADE, TOO.

When Tarantino and Bender were trying to get the project off the ground, they got a lucky break. Bender was taking an acting class from one Peter Floor, who asked the boys who their dream choice would be for the lead in Reservoir Dogs. Well, that’d be Harvey Keitel, Bender said. As it happened, Floor’s ex-wife, also an acting coach, knew Keitel from the Actors Studio in New York, and got him a copy of the script. Keitel loved it and signed on immediately as star and producer, which helped attract Chris Penn and Michael Madsen.

8. LAWRENCE TIERNEY WAS CRAZY.

This is a recurring theme in stories about Tierney (see also: his one-time guest spot as Elaine’s dad in a season two episode of Seinfeld). The legendary tough guy and frequently off-the-wagon drinker got into a heated argument with Tarantino during the first week of shooting, ending with QT firing him. (He recanted.) Other cast members talked about going out drinking with Tierney, who once ended up with his pants down outside a bar. Coincidentally, Tierney and Bunker had worked together before, kind of: they got into a fistfight in an L.A. parking lot sometime in the 1950s. (According to Bunker, Tierney didn’t recall the incident.)

9. TARANTINO GOT ENCOURAGEMENT FROM TERRY GILLIAM.

In June 1991, Tarantino took his screenplay and a few actors to the Sundance Institute’s screenplay workshop. Several of the judges were very positive about it (some weren’t), but the most encouraging was the man who’d made Time Bandits, Brazil, and (to be released a few months later) The Fisher King. Terry Gilliam’s best piece of advice to Tarantino, a first-time director, was to learn to delegate. As Tarantino later told Charlie Rose, when he asked Gilliam how to bring his vision to the screen, “he said, ‘Well, Quentin, you have to understand, as a director you don’t have to do that. Your job is to hire talented people who can do that. You hire a cinematographer who can get the kind of quality that you want … You have a talented costume designer who can give the colors that you need and the flamboyance or not that you want … Your job is articulating to them what you want on the screen.’ And then, all of a sudden, the whole mystical shaman, mystic thing that I thought directing was just went boom. And I realized I could do that … I can describe what I want. I know what’s in my head.”

10. IT WAS HOT. SO VERY, VERY HOT.

The movie was shot in July and August in Los Angeles, which is not a comfortable place to be in July and August. What’s more, it was shot inside a stuffy warehouse crammed with very hot lights. Oh, and everybody was wearing black suits. Tim Roth said it got so hot in there that the pool of fake blood he was lying in would glue him to the floor.

11. A MISTAKE LED TO ONE OF THE FILM’S MYSTERIES.

In the climactic showdown, Joe’s pointing a gun at Mr. Orange (on the floor, already dying), Mr. White is pointing a gun at Joe, and Nice Guy Eddie (Joe’s son, played by Chris Penn) is pointing a gun at Mr. White. Joe shoots Orange, White shoots Joe, Eddie shoots White … but four gunshots are heard, and everyone who wasn’t already on the ground ends up that way. So who shot Nice Guy Eddie? (You can find T-shirts asking that question.) The only logical answer, and the way it was supposed to have played out, is that Mr. White did. He shot Joe, then shot Eddie at the same time Eddie was shooting him. But according to Chris Penn, when they filmed it, the squib on Keitel’s (Mr. White’s) body went off slightly prematurely, Keitel went down as he fired his second shot (which looks like it’s still aimed at Joe), and then Penn’s squib exploded as planned. Penn noticed right away that it was ambiguous, but Tarantino decided to leave it that way.

12. WHATEVER EXPLANATION YOU’VE HEARD FOR THE TITLE PROBABLY ISN’T TRUE.

Tarantino told potential investors that “reservoir dog” was a gangster term from French films like Breathless and Bande à Parte, and that it meant “rat.” That wasn’t true; Tarantino just knew that investors would want an explanation for the title, and that they wouldn’t know those films well enough to contradict him. Later, the widely told story was that it came from Tarantino’s days working at a video store, when he recommended Louis Malle’s Au revoir les enfants (1987) and the customer misheard it as “reservoir dogs.” (But Tarantino expert Dale Sherman points out in his book, Quentin Tarantino FAQ: Everything Left to Know About the Original Reservoir Dog, that Au revoir les enfants wasn’t available to rent until after Tarantino’s employment at the video store.) Another version of the story has Tarantino’s girlfriend recommending that movie, and QT himself mishearing it. Yet others have suggested that it was a combination of Au revoir les enfants and Sam Peckinpah’s Straw Dogs (1971). Tarantino has never given a clear, plausible explanation for the title, so quit asking him.

13. THE EAR-CUTTING SCENE INVOLVED SOME IMPROVISATION.

Kirk Baltz, who played poor Officer Marvin Nash, ad-libbed the exclamation, “I’ve got a little kid at home!” It was allegedly so shocking that Michael Madsen, who had an 18-month-old son, had to take a break to regain his composure. Madsen later did some macabre improvisation of his own, talking into the severed ear.

14. THE TORTURE SCENE WAS TOO MUCH FOR MANY VIEWERS—INCLUDING HORROR ICON WES CRAVEN.

The man who made The Last House on the Left, The Hills Have Eyes, and A Nightmare on Elm Street walked out of Reservoir Dogs while Officer Nash was being tortured. It was at the Toronto International Film Festival in September 1992, a few weeks before the theatrical release. Craven later recalled, “When I was out in the lobby, this kid came pounding out of the shadows and said, ‘You’re Wes Craven, right?’ I said yeah, and he said, ‘And you’re leaving because you can’t take it?’ I said yeah, and he said, ‘I just scared Wes Craven!’ It was Quentin Tarantino, and I didn’t know who he was at the time. But I just don’t like watching people get tortured.” Fair enough, sir.

Additional sources:
Interviews included in the DVD special features Quentin Tarantino: The Pocket Essential Guide, by D.K. Holm Quentin Tarantino FAQ: Everything Left to Know About the Original Reservoir Dog, by Dale Sherman

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The Muppets are Getting a Reboot (Again)
Frazer Harrison, Getty Images
Frazer Harrison, Getty Images

The Muppets have entertained audiences from television sets and movie screens. Now, The Hollywood Reporter reports the beloved characters are coming to your computer. Jim Henson's classic characters are being rebooted for Disney's new streaming service.

This isn't the first time Disney has attempted to repackage The Muppets for TV since acquiring the property in 2004. In 2015, a mockumentary-style show, simply titled The Muppets, premiered on ABC, but it was canceled after one season in light of underwhelming reviews. Disney is also producing a CGI update of the animated series Muppet Babies this March. Unlike that show, this upcoming series will star the original adult characters.

Disney has yet to announce a premiere date or even a premise for the new streaming show. Audiences can expect to see it sometime after the Netflix competitor launches in fall of 2019.

The Muppets will be accompanied by streaming versions of other classic Disney properties. Series based on Monsters Inc. (2001) and The Mighty Ducks (1992) as well as film reboots of The Parent Trap (1998) and Honey, I Shrunk the Kids (1989) are all expected to appear exclusively on the streaming service.

[h/t The Hollywood Reporter]

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15 Educational Facts About Old School
DreamWorks
DreamWorks

Old School starred Luke Wilson as Mitch Martin, an attorney who—after catching his girlfriend cheating, and through some real estate and bitter dean-related circumstances—becomes the leader of a not-quite-official college fraternity. Along with his fellow thirtysomething friends Bernard (Vince Vaughn) and newlywed Frank (Will Ferrell), they end up having to fight for their right to maintain their status as a party-loving frat on campus.

The film, which was released 15 years ago today, marked Vaughn’s return to major comedies and Ferrell’s first major starring role after seven years on Saturday Night Live. Here are some facts about the movie for everyone, but particularly for my boy, Blue.

1. THE IDEA ORIGINATED WITH AN AD GUY.

Writer-director Todd Phillips was talking to a friend of his from the advertising industry named Court Crandall one day. Crandall had seen and enjoyed Phillips's movie Frat House (1998) and told his director buddy, “You know what would be funny is a movie about older guys who start a fraternity of their own.” After being told by Phillips to write it, he presented Phillips with a “loose version” of the finished product.

2. SOME OF THE FRAT SHENANIGANS WERE REAL.

While Crandall received the story credit for Old School, Phillips and Scot Armstrong received the credit for writing the script. Armstrong put his own college fraternity experiences into the script. “We were in Peoria, Illinois, so it was up to us to entertain ourselves," Armstrong shared in the movie's official production notes. "A lot of ideas for Old School came from things that really happened. When it was cold, everyone would go stir crazy and it inspired some moments of brilliance. Of course, my definition of ‘brilliance' might be different from other people's.”

3. IVAN REITMAN HELPED OUT.

Ivan Reitman, director of Stripes and Ghostbusters, was an executive producer on the film. Phillips and Armstrong wrote and rewrote every day for two months at Reitman’s house, an experience Phillips described as comedy writing “boot camp.”

4. THE STUDIO DIDN’T WANT VINCE VAUGHN.

Vince Vaughn in 'Old School' (2003)
DreamWorks

It didn’t seem to make a difference to DreamWorks that Phillips and Armstrong had written the role of Bernard with Vince Vaughn in mind—the studio didn't want him. After his breakout success in Swingers, Vaughn had taken roles in dramas like the 1998 remake of Psycho. “So when Todd Phillips wanted me for Old School, the studio didn’t want me,” Vaughn told Variety in 2015. “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me.”

5. RECYCLED SHOTS OF HARVARD UNIVERSITY WERE USED.

The film was mainly shot on the Westwood campus of UCLA. The aerial shots of the fictitious Harrison University, however, were of Harvard; they had been shot for Road Trip (2000).

6. VINCE VAUGHN FANS MIGHT RECOGNIZE THE CHURCH.

In the film, Frank gets married at Westminster Presbyterian Church in Pasadena, California. Vaughn and Owen Wilson were in that same church two years later for Wedding Crashers (2005).

7. WILL FERRELL SCARED MEMBERS OF A 24-HOUR GYM.

Frank’s streaking scene was shot on a city street. As Ferrell remembered it, one of the storefronts was a 24-hour gym with Stairmasters and treadmills in the window. “I was rehearsing in a robe, and all these people are in the gym, watching me. I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”

8. FERRELL REALLY WAS NAKED.

Ferrell justified it by saying it showed his character falling off the wagon. “The fact that it made sense was the reason I was really into doing it, and why I was able to commit on that level," Ferrell told the BBC. "If it was just for the sake of doing a crazy shot, then I don't think it makes sense.” Still, Ferrell needed some liquid courage, and was intimidated by the presence of Snoop Dogg.

9. ROB CORDDRY WAS NOT NAKED, BUT HE STILL HAD TO SIGN AWAY HIS NUDITY RIGHTS.

Old School marked the first major film role for Rob Corddry, who at the time was best known as a correspondent for The Daily Show. He had a jewel bag around his private parts for his nude scene, but his butt made it into the final cut. He had to sign a nudity clause, which gave the film the right to use his naked image “in any part of the universe, in any form, even that which is not devised.”

10. SNOOP DOGG AGREED TO CAMEO SO HE COULD PLAY HUGGY BEAR IN STARSKY & HUTCH.

Phillips admitted to essentially bribing the hip-hop artist/actor, using Snoop Dogg’s desire to play the street informant in the modern movie adaptation of the classic TV show (which Phillips was also directing) to his advantage. “So when I went to him I said, 'I want you to do Huggy Bear,' he was really excited. And I said, 'Oh yeah, also will you do this little thing for me in Old School a little cameo?' So he kind of had to do it I think."

11. SNOOP WANTED TO HANG OUT WITH VINCE VAUGHN ON SET, BUT NOT LUKE WILSON.

Snoop Dogg in 'Old School' (2003)
Richard Foreman, Dreamworks

Vaughn and his friends accepted an invitation to hang out in Snoop Dogg’s trailer to play video games on the last day of shooting. Vaughn recalled seeing Luke Wilson later watching the news alone in his trailer; he had not been informed of the get-together.

12. WILSON WAS TEASED BY HIS CO-STARS.

Vaughn, Wilson, and Ferrell dubbed themselves “The Wolfpack”—years before Phillips directed The Hangover—because they would always make fun of each other. A particularly stinging exchange had Ferrell refer to Legally Blonde (which Wilson had starred in) as Legally Bland. Wilson said it didn’t make him feel great. Wilson retorted by telling Ferrell that "the transition from TV to the movies isn't a very easy one, so you might just want to keep one foot back in TV just in case this whole movie thing falls through!"

13. TERRY O’QUINN SCARED HIS SONS INTO THINKING THEY WERE TRIPPING.

Terry O’Quinn (who went on to play John Locke on Lost the following year) agreed to play Goldberg, uncredited, in what was a two-day job for him. He neglected to inform his sons he was in the movie, and when they saw it, one of them called their father. “I got a call from my sons one night, and they said, ‘What were you doing in Old School? We didn’t even know you were in it!’ They said, ‘We’re sitting there, and the first time we see you, it’s, like, in a reflection in a window. And when we saw it, and we both thought we were, like, tripping or something!’”

14. THE EARMUFFS WERE IMPROVISED.

Before filming, Vaughn worked with Ferrell to figure out their characters' backstories and how they knew each other; he credited that with helping him figure out who Bernard was, which led to several ad-libbed moments. “The earmuff scene where he swears in front of the kids, and then I tell the kid to earmuff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are,” Vaughn explained.

15. FERRELL AND VAUGHN DIDN’T LOVE A SCRIPT FOR A SEQUEL.

Armstrong had written Old School Dos in 2006, which saw the frat going to Spring Break. Ferrell said that he and Vaughn read the script but felt like they would just be “kind of doing the same thing again.” Wilson, on the other hand, was excited over the new script.

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