21 Writers On Their Favorite Bookstores

Lynn Friedman, Flickr //  CC BY NC-ND 2.0
Lynn Friedman, Flickr // CC BY NC-ND 2.0

We all have our favorite spots for browsing the latest titles and uncovering hidden gems, but who better to share their picks of most beloved bookstores than the authors whose names appear on those hallowed store shelves. Spoiler: It's a very tough choice to make. 

1. HANYA YANAGIHARA // AUTHOR OF A LITTLE LIFE

"Three Lives & Company, in New York's West Village, is the kind of tiny, cheery bookshop that exists only in movies, and that people come to New York hoping to find (well, I did). If you go at 5 p.m. on any weekend, there's a lovely, two-glasses-of-rosé kind of intimacy that settles in, an impromptu salon of regulars, the very well-read bookselling staff, and tourists all talking books."

2. AND 3. HOLLY BLACK AND CASSANDRA CLARE // AUTHORS OF THE MAGISTERIUM SERIES

Black: "That’s a tough question. I am lucky enough now to live in a place where there are a lot of great local bookstores. There’s Amherst Books, which is right down the street from me and always has books I never find anywhere else. There’s Odyssey Books, which has a fantastic children and young adult section and people ready to recommend great things, and then a bit further from town, there’s a used bookstore near a waterfall, called The Book Mill. It’s a great store and I particularly love their slogan: 'Books You Don’t Need In a Place You Can’t Find.'"

Clare: "It’s a tie between Books of Wonder, because that’s where I bought children’s books while I was in college, and Hatchards in London, because that’s where the characters in Georgette Heyer’s novels buy their books."

4. POROCHISTA KHAKPOUR // AUTHOR OF THE LAST ILLUSION

marfa book co storefront
Monica D., Flickr // CC BY 2.0

"It’s a tie between Marfa Book Company in Marfa, Texas, for its good looks, and Square Books in Oxford, Mississippi, for sentimental reasons (my first Faulkner pilgrimage when I was in college)."

5. MALLORY ORTBERG // AUTHOR OF TEXTS FROM JANE EYRE

"Feldman's in Menlo Park, California, because it's where I discovered Shirley Jackson by accident my junior year in high school."

6. AND 7. HEATHER COCKS AND JESSICA MORGAN // AUTHORS OF THE ROYAL WE

Morgan: "We had an event for The Royal We at Kramerbooks in Washington, D.C., and I fell in love. Not just because they have a bar, but—they have a bar! And it's open 24 hours! And the staff is awesome! If I lived in D.C., I would literally spend all of my money there. Take my money, Kramerbooks!"

Cocks: "Kramerbooks is one of my favorites too. There's also an amazing place in downtown Los Angeles called The Last Bookstore. It's most famous for the labyrinth of $1 books on the mezzanine, which features an actual tunnel you can walk through. It's just beautiful."

8. MEGAN ABBOT // AUTHOR OF THE FEVER

"If I can qualify it as my favorite bookstore-for-whom-my-debt-is-the-greatest, it’d be Murder by the Book in Houston, its extraordinary owner McKenna Jordan, and its brilliant booksellers. They serve as one of the great beacons of light in the crime-fiction community. And they always recommend the best books to me. I never leave empty-handed, whether it’s Sally pressing Ben H. Winters’s novels into my hands or John sending me a long-out-of-print sensation novel (Mary Braddon’s The Face in the Glass)."

9. SARAH VOWELL // AUTHOR OF LAFAYETTE IN THE SOMEWHAT UNITED STATES

Country Bookshelf interior
N i c o l a, Flickr // CC BY 2.0

"Country Bookshelf in my hometown of Bozeman, Montana, for bogarting my babysitting money throughout my formative years; Politics and Prose in Washington, D.C.; Elliott Bay in Seattle; Powell's in Portland, Oregon; and an honorable mention to Eslite in Taiwan for making book shopping second only to dumpling eating as Taipei's favorite pastime."

10. LEIGH BARDUGO // AUTHOR OF SIX OF CROWS

"Books and Books in Miami—there's a bar! Drop by Once Upon a Time in Montrose, California, for just a few minutes and you instantly sense how important the store is to the community. Parnassus Books in Nashville, Tennessee, has a great crew of local authors, adorable dogs roaming the aisles, and [owner] Ann Patchett."

11. LEILA SALES // AUTHOR OF MOSTLY GOOD GIRLS

"Hatchards, in Piccadilly, London. Because it is old and huge and beautiful, and it feels like a palace of books. (And/or because I am one of those pretentious Americans who just likes British things better.) When my third book was published in the U.K., I got to sign stock at Hatchards, and that was the moment when I finally felt like, 'Wow, I am an author!'"

12. EMMA STRAUB // AUTHOR OF THE VACATIONERS

"I worked at Brooklyn's BookCourt for four years, so I feel an allegiance to them, partly because I already know where everything is. But I also feel devoted to Greenpoint/Jersey City's WORD, because they are the coolest and best, and I also feel devoted to Park Slope's Community, because they are the closest to my house and so I am there most often. How about I choose the Bank Street Children's Bookstore, on the Upper West Side, or Books of Wonder, near Union Square? Oh, Mental Floss. I can't choose."

13. ROXANE GAY // AUTHOR OF BAD FEMINIST

The last bookstore book tunnel
Omaromar, Flickr // CC BY-NC 2.0

"This is a tough choice because there are many I am fond of, but The Last Bookstore in Los Angeles. It is such a strange, quirky space that feels different each time."

14. ANN M. MARTIN // AUTHOR OF RAIN REIGN

"The Golden Notebook in Woodstock, New York, is small but carries a wide variety of titles, has a dedicated and involved staff of book lovers, champions local authors, and is a vibrant part of the community, sponsoring many author events. Books of Wonder in New York City is a children's-only bookstore with shelf after shelf of new titles and classics, a special interest in L. Frank Baum and the Wizard of Oz, a tantalizing case of old and rare books, and a passionate owner who regularly brings together children's authors and illustrators."

15. RAINA TELGEMEIER // AUTHOR OF SISTERS

green apple bookstore
Lynn Friedman, Flickr // CC BY NC-ND 2.0

"Just one?! There are so many great bookstores! Books of Wonder in New York, Powell’s in Portland, Green Apple in San Francisco … I’ll give a special shout-out to Kidsbooks in Vancouver, British Columbia. They specialize in children’s books, have amazingly creative window displays, know their customer base inside and out, and put on one of the finest events anywhere in the world. I have never felt like more of a rock-star author than when I visit Kidsbooks!"

16. AVA DELLAIRA // AUTHOR OF LOVE LETTERS TO THE DEAD

"Ah! Such a hard question. I have many favorite bookstores in different cities I’ve lived in and traveled to. But my first favorite bookstore is a great indie store in Albuquerque called Bookworks, where I’d go to browse during breaks from my first job and discovered many a wonderful title as a high schooler."

17. MARISSA MEYER // AUTHOR OF THE LUNAR CHRONICLES

Joseph Beth booksellers interior
Rich Bowen, Flickr // CC BY 2.0

"I'd have to go with Joseph-Beth Booksellers in Cincinnati. There's some nostalgia at play—they hosted my first book tour signing when Cinder came out in 2012, and they've thrown spectacular Lunar Chronicles events since then. Last time I was there, they even had TLC-themed cocktails at the cafe, and that sort of attention to detail really blows me away. On top of hosting great events, it's also a lovely, laid-back bookstore with great staff."

18. JAMES PATTERSON // AUTHOR OF THE MURDER HOUSE

"People often ask me what my favorite character is, among all those I’ve created. And I tend to dodge the question a bit, saying—quite truthfully—that it would be like picking a favorite child. It wouldn’t be fair to Lindsay or Rafe or Alex or Michael or Max to say one or the other was my favorite. Bookstores aren’t like children to me, but a similar principle applies. Maybe it’s more like picking a favorite adult family member. There, again, I have too many I love in too many different ways to pick a very favorite. I have great sentiment for my own local bookshop, Classic in Palm Beach. I dig The Village Bookstore in Pleasantville, Malaprops in Asheville, and all of the independent stores that I gave grants to last year. And I also am keen on the ones I didn’t get to give grants to last year. I hope to recognize more of them soon. And I am a huge, huge fan of Barnes & Noble and Books-a-Million and Hastings for their big focus on books. I am excessively fond of BJ’s, Costco, Kroger, Meijer, Sam’s Club, Target, Walmart, and other general merchandise stores for their innovative and wide presentation of books and their insistence that books be for sale in their stores even when they’re not the flashiest or most lucrative category of goods they sell. And I love e-book sellers too, for carving out a space in people’s screens where, rather than watching a video or seeing what celebrities are doing, you can actually read stories. Basically, if you sell books—if you take time and attention to bring books to people, if you favor what I consider to be one of the greatest cultural developments in human history and continue to make noise and draw people’s attention to it—then I favor you. How’s that for (with great candor, I swear) dodging a politically charged question?"

19. RAINBOW ROWELL // AUTHOR OF CARRY ON

"This is tough, but I'll say Waterstones Piccadilly, because if I'm there, it means I'm in London. Also, I once had an amazing beet salad at the restaurant on the top floor."

20. ELISABETH EGAN // AUTHOR OF A WINDOW OPENS

"Watchung Books in Montclair, New Jersey, is not only my favorite bookstore, it might just be my favorite place other than the Jersey shore. Not only do I love what they sell, I love the buzz of people talking about books and the smell of all those fresh pages. I live right around the corner, so I try to duck into the bookstore as often as possible. I also love walking my dog past the window at night and peering in like a creepy stalker. The sight of all those soldier-straight spines gives me the most delicious sense of peace."

21. KATHERINE APPLEGATE // AUTHOR OF CRENSHAW

"My favorite bookstore? Why not just ask me to pick my favorite child? (And honestly, I’ve never met a bookstore I didn’t like.) Still, one of my favorites is Anderson’s Bookstore in Naperville, Illinois. It somehow manages to display a vast and wonderfully curated selection, while staying comfortable and intimate. And the folks who work there are pretty swell."

7 Ways Victorian Fashion Could Kill You

An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.
An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.

While getting dressed in the morning can seem like a hassle (pajamas are so much more comfortable), few of us worry about our clothes leading to our death. That wasn’t the case during the Victorian era, when fashionable fabrics and accessories sometimes came at great price for both makers and wearers. In Fashion Victims: The Dangers of Dress Past and Present, Alison Matthews David, a professor in the School of Fashion at Ryerson University in Toronto, outlines the many toxic, flammable, and otherwise highly hazardous components of high style during the 19th century. Here are a few of the worst offenders.

1. Poisonous Dyes

A drawing of Victorian fashions likely made with arsenic dyes
A drawing of Victorian fashions likely made with arsenic dyes
Bloomsbury Visual Arts

Before the 1780s, green was a tricky color to create on clothes, and dressmakers depended on a combination of yellow and blue dyes to produce the hue. But in the late 1770s a Swedish/German chemist named Carl Wilhelm Scheele invented a new green pigment by mixing potassium and white arsenic on a solution of copper vitriol. The pigment was dubbed Scheele’s Green, and later Paris Green, among other names, and it became a huge sensation, used to color walls, paintings, and fabrics as well as candles, candies, food wrappers, and even children’s toys. Not surprisingly, it also caused sores, scabs, and damaged tissue, as well as nausea, colic, diarrhea, and constant headaches.

Although fashionable women wore arsenic-dyed fabrics—even Queen Victoria was depicted in one—its health effects were worst among the textile and other workers who created the clothes and often labored in warm, arsenic-impregnated rooms day after day. (Some scholars have even theorized that Napoleon might have been poisoned by the arsenic-laced wallpaper hung in his St. Helena home.)

Arsenical dyes were also a popular addition to artificial flowers and leaves, which meant they were frequently pinned to clothes or fastened on heads. In the 1860s, a report commissioned by the Ladies’ Sanitary Association found that the average headdress contained enough arsenic to poison 20 people. The British Medical Journal wrote of the green-clad Victorian woman: “She actually carries in her skirts poison enough to slay the whole of the admirers she may meet with in half a dozen ball-rooms.” Despite repeated warnings in the press, and from doctors and scientists, the Victorians seemed in love with emerald green arsenic dyes; ironically, they acted like a reminder of the nature then swiftly being lost to industrialization, David says.

2. Pestilential Fabrics

Soldiers of the Victorian era (and earlier) were plagued by lice and other body parasites that carried deadly diseases such as typhus and trench fever. But soldiers weren’t the only victims of disease carried via fabric—even the wealthy sometimes wore clothing that was made or cleaned by the sick in sweatshops or tenements, and which spread disease as a result. According to David, the daughter of Victorian Prime Minister Sir Robert Peel died after her riding habit, given to her by her father as a gift, was finished in the house of a poor seamstress who had used it to cover her sick husband as he lay shivering with typhus-induced chills. Peel’s daughter contracted typhus after wearing the garment, and died on the eve of her wedding.

Women also worried about their skirts sweeping through the muck and excrement of city streets, where bacteria was rife, and some wore special skirt-fasteners to keep them up from the gunk. The poor, who often wore secondhand clothes, suffered from smallpox and other diseases spread by fabric that was recycled without being properly washed.

3. Flowing Skirts

Giant, ruffled, crinoline-supported skirts may have been fine for ladies of leisure, but they weren’t a great combination with industrial machinery. According to David, one mill in Lancashire posted a sign in 1860 forbidding the “present ugly fashion of HOOPS, or CRINOLINE, as it is called” as being “quite unfitted for the work of our Factories.” The warning was a wise one: In at least one printing office, a girl was caught by her crinoline and dragged under the mechanical printing press. The girl was reportedly “very slim” and escaped unharmed, but the foreman banned the skirts anyway. Long, large, or draped skirts were also an unfortunate combination with carriages and animals.

4. Flammable Fabrics

A woman with her crinoline on fire
Bloomsbury Visual Arts

The flowing white cotton so popular in the late 18th and 19th centuries had dangers to both maker and wearer: It was produced with often-brutal slave labor on plantations, and it was also more flammable than the heavy silks and wool favored by the wealthy in the previous centuries. One type of cotton lace was particularly problematic: In 1809 John Heathcoat patented a machine that made the first machine-woven silk and cotton pillow “lace” or bobbinet, now better known as tulle, which could catch fire in an instant. The tulle was frequently layered, to add volume and compensate for its sheerness, and stiffened with highly combustible starch. Ballerinas were particularly at risk: British ballerina Clara Webster died in 1844 when her dress caught fire at London’s Drury Lane theatre after her skirt came too close to sunken lights onstage.

But performers weren’t the only ones in peril: Even the average woman wearing the then-popular voluminous crinolines was at risk of setting herself ablaze. And the “flannelette” (plain cotton brushed to create a nap and resemble wool flannel) so popular for nightshirts and undergarments was particularly combustible if hit with a stray spark or the flame of a household candle. So many children burned in household accidents that one company came out with a specially treated flannelette called Non-Flam, advertised as being “strong’y recommended by Coroners.”

5. Arsenic-Ridden Taxidermy

Dead birds were a popular addition to ladies’ hats in the 19th century. According to David, “fashions in millinery killed millions of small songbirds and introduced dangers that may still make some historic women’s hats harmful to humans today.”

But it wasn’t the birds that were the problem—it was the arsenic used on them. Taxidermists of the day used arsenic-laced soaps and other products to preserve birds and other creatures. In some cases, entire birds—one or several—were mounted on hats. Some Victorian fashion commentators decried the practice, though not because of the arsenic involved. One Mrs. Haweis, a writer on dress and beauty, began an 1887 diatribe against “smashed birds” with the sentence: “A corpse is never a really pleasant ornament.”

6. Mercury

No upper-class man of the Victorian era was complete without his hat, but many of those hats were made with mercury. As David explains, “Although its noxious effects were known, it was the cheapest and most efficient way to turn stiff, low-grade fur from rabbits and hares into malleable felt.” Mercury gave animal fur its smooth, glossy, matted texture, but that velvety look came at a high cost—mercury is an extremely dangerous substance.

Mercury can rapidly enter the body through the skin or the air, and causes a range of horrible health effects. Hatters were known to suffer from convulsions, abdominal cramps, trembling, paralysis, reproductive problems, and more. (A chemistry professor studying toxic exposure at Dartmouth College, Karen Wetterhahn, died in 1996 after spilling just a few drops of a supertoxic type of mercury on her glove.) To make matters worse, hatters who drank while they worked (not an uncommon practice) only hastened mercury’s effects by hampering the liver’s ability to eliminate it. While scholars still debate whether Lewis Carroll’s “mad hatter” was meant to show the effects of mercury poisoning, his trembling limbs and wacky speech seem to fit the bill.

7. Lead

A Victorian facial cream containing lead
A Victorian facial cream containing lead
Bloomsbury Visual Arts

Pallor was definitely in during the Victorian era, and a face spackled with lead white paint was long favored by fashionable women. Lead had been a popular ingredient in cosmetics for centuries, David writes, because it “made colors even and opaque and created a desirable ‘whiteness’ that bespoke both freedom from hard outdoor labor and racial purity.” One of the most popular lead-laced cosmetic products was called Laird’s Bloom of Youth; in 1869, one of the founders of the American Medical Association treated three young women who had been using the product and temporarily lost full use of their hands and wrists as a result. (The doctor described the condition as “lead palsy,” although today we call it wrist drop or radial nerve palsy, which can be caused by lead poisoning.) One of the women’s hands was said to be “wasted to a skeleton.”

This article was republished in 2019.

The 25 Highest-Paying Entry-Level Jobs for New Graduates

iStock/kali9
iStock/kali9

When they finish their final exams, college seniors can look forward to job hunting. Roughly 1.9 million students in the U.S. will receive their bachelor's degrees this school year, and while some new graduates may be happy to take the first job they're offered, others will be looking for something that pays well—even at the entry level. According to Glassdoor, recent grads qualified for the 25 jobs below will have the best luck.

To compile this list of the highest-paying entry-level jobs in the U.S., the job search website identified employment opportunities with the highest median bases salaries reported by users 25 or younger. Positions in the tech industry dominate the list. Aspiring data scientists can expect to make $95,000 a year at their first job out of college, while software engineers have a median annual base salary of $90,000. Other entry-level tech jobs like UX designer, Java developer, and systems engineer all start at salaries of $70,000 or more.

Banking and business positions, including investment banking analysta ($85,000), actuarial analysts ($66,250), and business analysts ($63,000), appear on the list as well. The only listed position that doesn't fall under the tech, finance, or business categories is for physical therapists, who report a median starting salary of $63,918.

You can check out the full list of the 25 highest-paying entry-level jobs below.

  1. Data Scientist // $95,000
  2. Software Engineer // $90,000
  3. Product Manager // $89,000
  4. Investment Banking Analyst // $85,000
  5. Product Designer // $85,000
  6. UX Designer // $73,000
  7. Implementation Consultant // $72,000
  8. Java Developer // $72,000
  9. Systems Engineer // $70,000
  10. Software Developer // $68,600
  11. Process Engineer // $68,258
  12. Front End Developer // $67,500
  13. Product Engineer // $66,750
  14. Actuarial Analyst // $66,250
  15. Electrical Engineer // $66,000
  16. Mechanical Engineer // $65,000
  17. Design Engineer // $65,000
  18. Applications Developer // $65,000
  19. Test Engineer // $65,000
  20. Programmer Analyst // $65,000
  21. Quality Engineer // $64,750
  22. Physical Therapist // $63,918
  23. Field Engineer // $63,750
  24. Project Engineer // $63,000
  25. Business Analyst // $63,000

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