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40 Fascinating Facts About Your Favorite Horror Movies

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Now's the time when we pull out all of the scary movies in our collections and pile them up in preparation for a Halloween horror movie marathon. But before you grab the popcorn and dim the lights, bone up on your horror knowledge with these 40 facts about some of your favorite scary movies.

1. COUNT ORLOCK ONLY BLINKS ONCE IN NOSFERATU.

In the nine minutes of screen time Max Schreck has as Count Orlock in F.W. Murnau’s classic Nosferatu (1922), he blinks only one time (near the end of part one).

2. THE EXORCIST WAS THE FIRST HORROR FILM TO BE NOMINATED FOR A BEST PICTURE OSCAR.

The horror genre has never gotten much love from the Academy. Though there still seems to be a bias against scary movies during awards season, The Exorcist earned 10 Oscar nominations in 1974, including a Best Supporting Actress nod for Linda Blair, who was just 15 years old at the time.

3. ROBERT ENGLUND WAS NOT THE FIRST CHOICE TO PLAY FREDDY KRUEGER.


NEW LINE CINEMA

Wes Craven reportedly planned to have a stuntman play the seemingly immortal youth-hater known as Freddy Krueger, but (wisely) opted to go with an accomplished actor for the role instead. His first choice was the brilliant British character actor David Warner, who you'll no doubt recognize from Time Bandits, Titanic, and various incarnations of Star Trek. Warner had to pass on the project, which opened the door for the truly excellent Robert Englund.

4. PSYCHO IS THE FIRST AMERICAN FILM TO FEATURE A TOILET.

Psycho is the first American film to show a toilet on screen. It's also the first American film in which we hear a toilet being flushed. (That's just how repressed Americans were in the 1950s.)

5. STEPHEN KING WASN’T A FAN OF THE SHINING.

In 1983, Stephen King told Playboy, “I’d admired [Stanley] Kubrick for a long time and had great expectations for the project, but I was deeply disappointed in the end result. Parts of the film are chilling, charged with a relentlessly claustrophobic terror, but others fell flat.”

King didn’t like the casting of Jack Nicholson either, claiming, “Jack Nicholson, though a fine actor, was all wrong for the part. His last big role had been in One Flew Over the Cuckoo’s Nest, and between that and the manic grin, the audience automatically identified him as a loony from the first scene. But the book is about Jack Torrance’s gradual descent into madness through the malign influence of the Overlook—if the guy is nuts to begin with, then the entire tragedy of his downfall is wasted.”

6. JAWS DOESN’T FULLY APPEAR IN A SHOT UNTIL ONE HOUR AND 21 MINUTES INTO THE MOVIE.

While the lack of shark appearances works to heighten the tension in Jaws, the real reason the shark isn’t shown in full is because the mechanical shark that was built rarely worked during filming. Director Steven Spielberg had to create inventive ways (like Quint’s yellow barrels) to shoot around the non-functional movie shark. 

7. FAY WRAY THOUGHT SHE’D BE STARRING OPPOSITE CARY GRANT IN KING KONG.


WARNER HOME VIDEO

In his attempts to entice Fay Wray into starring in King Kong (1933), director Merian C. Cooper promised, “You're going to have the tallest, darkest leading man in Hollywood.” “While my thoughts were flying toward the hope that Cooper might be waiting for Cary's [Grant] arrival just as I was, Cooper went on to point at the giant ape and say, again, ‘The tallest, darkest leading man in Hollywood,’” recalled Wray.

8. IT TOOK SEVEN YEARS TO GET ALIENS MADE.

Why did it take seven years to get a sequel made? Lawyers and money, of course. Talk of a sequel began shortly after the original Alien (1979) was a hit, but it was delayed because of a dispute between the film’s producers and 20th Century Fox over the distribution of the original movie’s profits. Fox, reluctant to make a sequel because it would be expensive, finally agreed to it as a way of settling the beef with the producers—basically, “We won’t give you any more of the first movie’s profits, but we’ll greenlight a sequel, and you can make money from that.” (Amusingly, the same producers plus James Cameron and Gale Anne Hurd sued Fox again after Aliens, claiming the studio had used “creative accounting” techniques to avoid paying them.)

9. BRIAN DE PALMA DIDN’T SEE SISSY SPACEK AS CARRIE.

Though Brian De Palma was a fan of Sissy Spacek’s work, he was convinced that he had already found his Carrie in another actress. His decision to let Spacek audition at all was mostly out of courtesy to her husband, Jack Fisk, the film’s art director. "He told me that if I wanted to, I could try out for the part of Carrie White,” Spacek recounted to Rolling Stone. "There was another girl that he was set on and unless he was really surprised, she was the one. I hung up and decided to go for it."

Spacek showed up at her audition in an old dress she hadn’t worn since grade school and with her hair slicked back with Vaseline. When she was done, she waited in the parking lot while her husband reviewed her audition with the rest of the production team. After Fisk came out to tell her that the part was hers, “We sped off before anybody could change his mind,” Spacek said.

10. ROMAN POLANSKI AND JOHN CASSAVETES HAD DIFFERENT IDEAS FOR ROSEMARY’S BABY.

In her 1997 autobiography, What Falls Away, Mia Farrow recounted the tense relationship between Roman Polanski and her Rosemary’s Baby co-star, writing that in the film’s climactic scene, “John became openly critical of Roman, who yelled, ‘John, shut up!’ and they moved toward each other,” and nearly came to blows. Apparently, it was Ruth Gordon and her “consummate professionalism” that calmed the situation down.

11. IN 2015, GEORGE ROMERO FOUND NINE MINUTES OF LOST FOOTAGE FROM NIGHT OF THE LIVING DEAD.

Still from 'Night of the Living Dead'
Janus Films

While in Maryland for Monster-Mania Con this year, George Romeo shared that he recently unearthed a 16mm work print of Night of the Living Dead, which features approximately nine minutes of previously thought-to-be-lost footage at the jump cut in the basement, including “the largest zombie scene in the film.”

12. SERIAL KILLER ED GEIN INSPIRED THREE MAJOR HORROR MOVIES.

You’ve likely heard of Ed Gein. His house of horrors made headlines for years after he was sent to a mental hospital for his actions. They were so memorable, in fact, that he inspired some of the most iconic thrillers of all time: Psycho, The Silence of the Lambs, and The Texas Chainsaw Massacre. Among the items discovered at his Plainfield, Wisconsin farm were four noses, nine masks made of human skin, numerous decapitated heads, lampshades and bowls made of skin, lips being used as a pull on a window shade, and a belt made from nipples. Gein later admitted to only two murders and said most of the items had come from late-night cemetery raids.

13. THE HALLOWEEN SCRIPT DIDN'T CALL FOR A SPECIFIC KIND OF MASK.

The mask for Michael Myers was only described as having “the pale, neutral features of a man,” and for the movie the design was boiled down to two options—both were cheap latex masks painted white and bought for under $2 apiece at local toy stores by production designer Tommy Lee Wallace. One was a replica mask of a clown character called “Weary Willie” popularized by actor Emmett Kelly, and the other was a stretched out Captain Kirk mask from Star Trek. Carpenter chose the whitewashed Kirk mask because of its eerily blank stare that fit perfectly with the Myers character. 

14. THE BABADOOK SCARED THE HELL OUT OF WILLIAM FRIEDKIN.


IFC Films

On November 30, 2014, Jennifer Kent’s The Babadook got a major publicity boost when The Exorcist director William Friedkin tweeted: “I've never seen a more terrifying film than The Babadook. It will scare the hell out of you as it did me.”

15. A DOUBLE AMPUTEE WAS USED TO CREATE THE THING’S QUINTESSENTIAL SPECIAL EFFECT.

One of the most memorable scenes in John Carpenter's The Thing (often referred to as the “chest chomp”) occurs when Dr. Copper (Richard Dysart) attempts to revive Norris (Charles Hallahan) with a defibrillator. As he presses the paddles to his patient’s skin, Norris’ chest opens up and Copper’s forearms disappear into the cavity, where they are severed below the elbow by a set of jaws inside Norris’ chest.

In order to pull this off, special makeup effects designer Rob Bottin (known for his work on RoboCop, Total Recall, Se7en, and Fight Club) found a man who had lost both of his arms below the elbow in an industrial accident. Bottin fit the man with two prosthetic forearms consisting of wax bones, rubber veins, and Jell-O. Then, for the wide-angle shot, he fit the man with a skin-like mask taken from a mold of Dysart’s face (à la Hannibal Lecter) and placed the ersatz arms into the chest cavity, where a set of mechanical jaws clamped down on them. As the actor pulled his arms away, the Jell-O arms severed below the elbows. The rest is practical effects history.

16. THE ORIGINAL ENDING OF FRIGHT NIGHT WAS MUCH DIFFERENT.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

17. THE STARS OF THE BLAIR WITCH PROJECT USED GPS TRACKERS TO FIND THEIR INSTRUCTIONS FOR THE DAY.


Artisan Entertainment

Production programmed wait points in the GPS unit for the actors to locate milk crates with three little plastic canisters in them. Each plastic canister contained notes on where the story was going for each actor, who would not show the other two their paper. From that point they were free to improvise the dialogue, provided they followed the general instructions given to them.

18. PARANORMAL ACTIVITY IS THE MOST PROFITABLE FILM OF ALL TIME.

Often compared to The Blair Witch Project because of its low-budget nature and huge grosses, 10 years after The Blair Witch Project’s release, the original Paranormal Activity ousted the earlier horror film as the most profitable movie, based on return on investment (ROI). The Blair Witch Project cost about $60,000 to make whereas Paranormal Activity’s initial budget was just $15,000. Blair Witch grossed $248.6 million worldwide, which comes out to a 414,233 percent return on investment. After grossing $65 million, it was calculated that Paranormal Activity made a 433,900 percent ROI. Of course that doesn’t factor in its final worldwide gross of $193 million (which, if you do the math on that total, works out to a 1,286,566 percent ROI).

19. SCREAM WAS ORIGINALLY TITLED SCARY MOVIE.

The original title of the film was Scary Movie, but it was changed to Scream by the Weinstein brothers in the middle of production. They allegedly decided on the change because Harvey Weinstein was listening to the Michael Jackson song “Scream” in his car with his brother Bob. They both liked the title for a horror movie.

20. THE BLOB IS BASED ON A (SUPPOSEDLY) TRUE STORY.

On September 27, 1950, The Philadelphia Inquirer ran an article with the headline "Flying ‘Saucer’ Just Dissolves." The night before, police officers John Collins and Joe Keenen swore that they’d watched a mysterious object fall from the sky. Rushing towards the landing site, the men stumbled upon a purple, jelly-like mass. Collins and Keenen immediately summoned two of their colleagues, who arrived just in time to watch the material evaporate without a trace. The FBI was contacted, a press conference was held, and the whole mess became a national laughing stock.

Fast forward to 1957: That year, producer Jack H. Harris was looking to make a creature feature, but he couldn’t come up with a decent premise. So he asked his friend, Irvine H. Millgate, to try and devise one. "It’s gotta be a monster movie," explained Harris. "It’s gotta be in color instead of black and white. It can’t be a cheapy creepie, it’s gotta have some substance to it. It’s gotta have characters you can believe in. And there’s gotta be a unique monster—never been done before. And the method of killing the monster would have to be something that grandma could have cooked up on her stove." Millgate remembered the Philly incident and the rest is history.

21. JOEL COEN GOT HIS FIRST BREAK AS AN ASSISTANT EDITOR ON THE EVIL DEAD.

Before becoming the Oscar-winning filmmaking duo he and his brother Ethan are today, Joel Coen got his start as an assistant editor on The Evil Dead. Inspired by Raimi’s DIY filmmaking, Joel and his brother created a pitch trailer (much like Raimi’s Within the Woods) to raise money for their first feature, Blood Simple. While Dan Hedaya stars in the final film, Bruce Campbell plays the lead in the two-minute trailer.

22. TIM BURTON WAS IN CONTENTION TO DIRECT GREMLINS.

There was a lot of buzz surrounding Tim Burton after the success of his short film, Frankenweenie—so much so that Steven Spielberg considered him to direct Gremlins. But the fact that Burton had yet to direct a feature film worked against him, and the gig was given to Joe Dante. A year later, Burton released his first theatrical feature, Pee-wee’s Big Adventure.

23. BOB CLARK’S IDEA FOR A BLACK CHRISTMAS SEQUEL SOUNDS AWFULLY FAMILIAR.

A Christmas Story (1983) will be a lasting part of Bob Clark’s legacy, but for horror fans, the work he did in the 1970s is just as important. Films like Children Shouldn’t Play With Dead Things (1972) and Deathdream (1974) got him notice, but Black Christmas (1974), one of the first slasher films, became a cult classic and earned him a dedicated following.

Clark said in an interview that John Carpenter asked him if he had considered making a sequel to Black Christmas. “I was through with horror," Clark explained. "I didn't come into the business to do just horror.” Carpenter asked him what the sequel would be like if he did want to make one, and Clark gave him an idea that should sound very familiar to fans of the genre: “I said it would be the next year and the guy would have actually been caught, escape from a mental institution, go back to the house and they would start all over again. And I would call it Halloween."

24. GENE HACKMAN WAS SLATED TO STAR IN—AND DIRECT—THE SILENCE OF THE LAMBS.

Gene Hackman and Orion Pictures split the $500,000 needed for the movie rights to the book. But Hackman dropped out days after he watched clips of himself at the 1989 Oscars as FBI Agent Alan Parker in the violent Mississippi Burning, deciding not to follow up a dark role with an even more unlikeable character.

25. CHILD’S PLAY WAS INSPIRED BY A REAL EVENT. (YES, CHILD'S PLAY.)


20th Century Fox Home Entertainment

In 1909, Key West painter and author Robert Eugene Otto claimed that one of his family's servants placed a voodoo curse on his childhood toy, Robert the Doll. Supposedly, the doll would mysteriously move from room to room, knock furniture over, and conduct conversations with Otto. Robert the Doll was left in the attic until Otto's death in 1974, when new owners moved into his Florida home. The new family also claimed mysterious activities would happen in the house connected to the doll. Today, Robert the Doll is on display at the Custom House and Old Post Office in Key West, Florida.

26. THE CONJURING’S ED AND LORRAINE WARREN ARE REAL-LIFE PARANORMAL INVESTIGATORS.

The Conjuring is based on real-life paranormal investigators Ed and Lorraine Warren and their experience with the Perrons, a family who moved into a Rhode Island farmhouse and experienced ghostly and terrifying occurrences in 1971.

"When Insidious came out and was successful the story about the Warrens came to me and I was like, 'Oh, my gosh, this is really cool,'” director James Wan told Entertainment Weekly in 2013. "But I didn’t just want to make another ghost story or another supernatural film. One thing I had never explored was the chance to tell a story that’s based on real-life characters, real-life people. So those were the things that led me to The Conjuring."

The Warrens also had a possessed Raggedy Ann doll that was the inspiration for the spin-off film Annabelle. Allegedly, a demon spirit possessed the Raggedy Ann doll, which is currently on display and under lock and key at the Warrens' Occult Museum in Monroe, Connecticut.

27. DAMIEN ORIGINALLY HAD A DIFFERENT NAME IN THE OMEN.

Screenwriter David Seltzer planned to name his antichrist Domlin after the “total obnoxious brat” child of a friend, until his wife convinced him that it would be a horrible thing to do to the kid. (Not to mention friendship-ending.) He landed on Damien after Father Damien, who started the first leper colony in the Hawaiian islands.

28. THE CREATURE FROM THE BLACK LAGOON WAS MODELED AFTER THE OSCAR STATUETTE.

Universal managed to snag an up-and-coming filmmaker with a prestigious resume to direct Creature from the Black Lagoon: Jack Arnold, whose documentary With These Hands had received an Academy Award nomination. Though he didn’t get the Oscar, Arnold kept the souvenir certificate that the Academy always mailed to its nominees. The little card would go on to become an unexpected source of inspiration behind the scenes of Creature from the Black Lagoon.

As Arnold told Cinefantastique magazine in 1975, “There was a picture of the Oscar statuette on it. I said, ‘If we put a gilled head on [the figurine], plus fins and scales, that would look pretty much like the kind of creature we’re trying to get.’ So they made a mold out of rubber, and gradually the costume took shape.” At first, the creature had what leading lady Julie Adams (credited as Julia Adams) described as an “eel-like” physique. Slick and streamlined, the outfit didn’t come with much in the way of fins, ridges, or body armor. These were later enhanced to give the monster a more menacing appearance. 

29. BRUCE CAMPBELL MADE $93,000 FOR ARMY OF DARKNESS.


Scream Factory

To illustrate the plight of the working stiff actor, Bruce Campbell once provided a helpful breakdown of his salary for 1992’s second Evil Dead sequel, Army of Darkness. With a $500,000 salary nipped at by agents, managers, income taxes, and a now-ex wife, he figured he made roughly $93,000. But the film took two years to complete, meaning his net profit for portraying horror icon Ash in a major motion picture was less than $50,000 a year.

30. AN ACTUAL WITCH WAS HIRED TO HELP MAKE THE CRAFT MORE AUTHENTIC.

To make sure that the depiction of Wicca in The Craft was as close to real life as it could be, the filmmakers hired Pat Devin as a consultant. Devin is a member of one of the largest and oldest Wiccan religious organizations in United States, Covenant of the Goddess, and at the time she was the First Officer of the group’s Southern California Local Council. Devin played a big role in the production process and at times worked directly with the actresses. “A lot of my suggestions were acted upon and virtually all of my suggestions were given careful consideration,” Devin shared, “ even if they didn’t all end up in the final version of the film.”

31. THE NAME OF THE DEMON IN THE EXORCIST IS PAZUZU.

Though it’s never stated in the film, the demon that takes possession of Regan MacNeil has a name: Pazuzu, which is taken from the name of the king of the demons in Assyrian and Babylonian mythology. 

32. WES CRAVEN REGRETTED TEASING A SEQUEL IN A NIGHTMARE ON ELM STREET.

Craven was rather staunchly opposed to any sort of "sequel tease" finale, but the big boss (that'd be New Line's Bob Shaye) insisted on one. “Bob wanted a hook for a sequel,” Craven told Vulture. “I felt that the film should end when Nancy turns her back on Freddy and his violence—that’s the one thing that kills him. Bob wanted to have Freddy pick up the kids in a car and drive off, which reversed everything I was trying to say—it suddenly presented Freddy as triumphant. I came up with a compromise, which was to have the kids get in the convertible, and when the roof comes down, we’d have Freddy’s red and green stripes on it. Do I regret changing the ending? I do, because it’s the one part of the film that isn’t me.”

33. STANLEY KUBRICK ALLEGEDLY TYPED ALL OF THOSE “ALL WORK” PAGES IN THE SHINING.


Warner Home Video

No one is quite sure whether Kubrick typed 500 pages of “All work and no play makes Jack a dull boy.” Kubrick didn’t go to the prop department with this task, using his own typewriter to make the pages. It was a typewriter that had built-in memory, so it could have turned out the pages without an actual person. But the individual pages in the film contain different layouts and mistakes. Some claim that it would have been characteristic of the director to individually prepare each page. Alas, we’ll never know—Kubrick never addressed this question before he died.

34. THE ENDING OF PSYCHO WAS SPOILED MONTHS BEFORE THE FILM'S RELEASE.

Despite Hitchcock's fervent and admirable attempts at keeping the project a secret, both Variety and The Hollywood Reporter published very thorough spoilers regarding the Psycho plot months before the film actually came out.

35. STEVEN SPIELBERG THOUGHT HIS DVD COPY OF PARANORMAL ACTIVITY WAS HAUNTED.

As the urban legend goes, Spielberg, whose DreamWorks Studios was considering distributing Paranormal Activity, took a DVD of the movie home to watch, but then got freaked out when the door to his bedroom locked by itself. “So the whole story about how the doors to his bedroom got locked from the inside ... personally I believe it,” Peli told Moviefone. “It’s not something the marketing department just came up with before releasing the movie.” Spielberg famously carried the DVD to work in a trash bag because he thought it was haunted. Despite the shock, Spielberg loved the movie and suggested a new ending that was used in the theatrical release.

36. DREW BARRYMORE WAS SLATED TO STAR IN SCREAM.

Barrymore changed her mind about playing the lead five weeks before production was set to begin. Barrymore instead suggested she play Casey Becker, the teen terrorized by the killer in the opening scene, to cleverly subvert audience expectations that a star of her stature would survive the movie. Casting directors approached Alicia Witt, Brittany Murphy, and Reese Witherspoon to take over the Sidney Prescott role before eventually casting Neve Campbell.

37. JAMES CAMERON HAD TO QUASH A MUTINY ON THE SET OF ALIENS.


20th Century Fox Home Entertainment

Aliens was shot at England’s historic Pinewood Studios, which provided its own unionized crew members for productions using the facilities. Some of these workers resented the 14-hour days and, having no idea what James Cameron was capable of (The Terminator hadn’t opened yet), thought he was in over his head. In particular, the first assistant director thought he should be directing Aliens. He mocked Cameron, called him “guv’nor,” rolled his eyes at him ... and got himself fired for insubordination. The new first assistant director behaved respectfully, and things were better after that.

38. SISSY SPACEK WAS ADAMANT THAT HER OWN HAND APPEAR IN CARRIE’S FINAL SCENE.

Though Brian De Palma wanted to get a stunt person for the final scene, where Sue Snell visits Carrie’s grave, Spacek insisted that it needed to be her hand that was shown, which required her to be buried in the ground. “I laughed about that,” Spacek told NPR. "I do all my own foot and hand work, and always have."

39. BUFFALO BILL’S DANCE IN THE SILENCE OF THE LAMBS WAS NOT IN THE SCRIPT.

But it was in the original book, and Ted Levine, the actor who played the serial killer Jame Gumb, insisted that the scene be included because it helped explain the demented character better.

40. JAWS ORIGINALLY ENDED JUST LIKE MOBY DICK.

The original ending in the script had the shark dying of harpoon injuries inflicted by Quint and Brody à la Moby Dick, but Spielberg thought the movie needed a crowd-pleasing finale and came up with the exploding tank as seen in the final film. The dialogue and foreshadowing of the tank were then dropped in as they shot the movie.

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6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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Mister Rogers Is Now a Funko Pop! and It’s Such a Good Feeling, a Very Good Feeling
Amazon
Amazon

It’s a beautiful day in this neighborhood for fans of Mister Rogers, as Funko has announced that, just in time for the 50th anniversary of Mister Rogers’ Neighborhood, the kindest soul to ever grace a television screen will be honored with a series of Funko toys, some of them limited-edition versions.

The news broke at the New York Toy Fair, where the pop culture-loving toy company revealed a new Pop Funko! in Fred Rogers’s likeness—he’ll be holding onto the Neighborhood Trolley—plus a Mister Rogers Pop! keychain and a SuperCute Plush.

In addition to the standard Pop! figurine, there will also be a Funko Shop exclusive version, in which everyone’s favorite neighbor will be wearing a special blue sweater. Barnes & Noble will also carry its own special edition, which will see Fred wearing a red cardigan and holding a King Friday puppet instead of the Neighborhood Trolley.

 

Barnes & Noble's special edition Mister Rogers Funko Pop!
Funko

Mister Rogers’s seemingly endless supply of colored cardigans was an integral part of the show, and a sweet tribute to his mom (who knitted all of them). But don’t go running out to snatch up the whole collection just yet; Funko won’t release these sure-to-sell-out items until June 1, but you can pre-order your Pop! on Amazon right now.

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