The First Woman to Hike the Appalachian Trail Was 67 Years Old

Sometime in the 1950s, Emma Gatewood read a National Geographic article about the Appalachian Trail, which mentioned that no woman had ever completed the entire 2050-mile hike. The mother of 11, and grandmother of 23, told her daughter Rowena, “If those men can do it, I can do it.” And in 1955, at 67 years old, she did.

Gatewood, who left an abusive husband after 30 years of marriage and raised her last three children alone, was nothing if not tough. Known as “Grandma Gatewood,” she hiked the entire trail by herself, without a sleeping bag, tent or compass. According to The Washington Post, Gatewood wore out six pairs of sneakers over the course of her 146-day walk, and carried little more than a blanket and shower curtain to protect her from the elements. 

After completing the hike, she told Sports Illustrated:

"I thought it would be a nice lark. It wasn't. There were terrible blow downs, burnt-over areas that were never re-marked, gravel and sand washouts, weeds and brush to your neck, and most of the shelters were blown down, burned down or so filthy I chose to sleep out of doors. This is no trail. This is a nightmare. For some fool reason they always lead you right up over the biggest rock to the top of the biggest mountain they can find. I've seen every fire station between here and Georgia. Why, an Indian would die laughing his head off if he saw those trails. I would never have started this trip if I had known how tough it was, but I couldn't and I wouldn't quit.”

But Gatewood didn’t just hike the trail once—she returned again in 1957, becoming the first person of either gender to walk the entire trail twice. Then, in 1964, walking the trail in sections, she became the first person to complete it three times. It seemed that Gatewood had caught the hiking bug, and for the next few years, she spent most of her time outdoors, cumulatively walking thousands of miles. 

According to The Washington Post, the publicity she brought had a major impact on the future of the Appalachian Trail: “Media coverage of her hike led to repairs and restoration of the trail and may, indeed, have saved the trail from falling into ruin. It also inspired a new crop of hikers.”

To learn more about Grandma Gatewood, check out Ben Montgomery’s book Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail, or look out for a screening of the recently completed documentary Trail Magic, which features interviews with Gatewood’s daughter and great-granddaughter (for a list of upcoming screenings check out their Facebook page).

[h/t The Washington Post]

The Time Baby Ruth Sued Babe Ruth

Allsport/Hulton Archive/Getty Images
Allsport/Hulton Archive/Getty Images

In 1920, the Curtiss Candy Company introduced the Baby Ruth candy bar, causing a certain baseball player with a very similar name to take notice. Babe Ruth was having a monstrous year—his 54 home runs in the 1920 season were more than any other team in the American League. If you were going to misappropriate someone’s name for a candy bar, Ruth’s was a logical choice.

Sensing opportunity, the Great Bambino struck back by creating his own Babe Ruth Home Run Bar. Curtiss quickly sued Ruth’s company for trademark infringement. But what happened next was surprising: When the Sultan of Swat accused the company of using his name, Curtiss feigned shock. Its bar was named after “Baby” Ruth Cleveland, daughter of President Grover Cleveland.

For years, this has been the oft-repeated explanation, but the argument makes no sense. Cleveland had been out of office for more than two decades and dead for 12 years when the bar debuted. “Baby” Ruth herself had died of diphtheria in 1904, at just 12 years old. Although the country’s most famous baseball star would seem much more likely to have a namesake candy than a former president's departed child, the courts sided with Curtiss.

When Ruth learned of the verdict, he bellowed, “Well, I ain’t eatin’ your damned candy bar anymore!” Somehow, the Baby Ruth bar survived without his support.

What Is the Wilhelm Scream?

iStock
iStock

What do Star Wars, The Lord of the Rings, Pirates of the Caribbean, Harold and Kumar Go to White Castle, Toy Story, Reservoir Dogs, Titanic, Anchorman, 22 Jump Street, and more than 200 other films and TV shows have in common? Not much besides the one and only Wilhelm Scream.

The Wilhelm Scream is the holy grail of movie geek sound effects—a throwaway sound bite with inauspicious beginnings that was turned into the best movie in-joke ever when it was revived in the 1970s.

Just what is it? Chances are you’ve heard it before but never really noticed it. The Wilhelm Scream is a stock sound effect that has been used in both the biggest blockbusters and the lowest low-budget movies and television shows for over 60 years, and is usually heard when someone onscreen is shot or falls from a great height.

First used in the 1951 Gary Cooper western Distant Drums, the distinctive yelp began in a scene in which a group of soldiers wade through a swamp, and one of them lets out a piercing scream as an alligator drags him underwater.

As is the case with many movie sound effects, the scream was recorded later in a sound booth with the simple direction to make it sound like “a man getting bit by an alligator, and he screams.” Six screams were performed in one take, and the fifth scream on the recording became the iconic Wilhelm (the others were used for additional screams in other parts of the movie).

Following its debut in 1951, the effect became a regular part of the Warner Bros. sound library and was continually used by the studio’s filmmakers in their movies. Eventually, in the early 1970s, a group of budding sound designers at USC’s film school—including future Academy Award-winning sound designer Ben Burtt—recognized that the unique scream kept popping up in numerous films they were watching. They nicknamed it the “Wilhelm Scream” after a character in the first movie they all recognized it from, a 1963 western called The Charge at Feather River, in which a character named Private Wilhelm lets out the pained scream after being shot in the leg by an arrow.

As a joke, the students began slipping the effect into the student films they were working on at the time. After he graduated, Burtt was tapped by fellow USC alum George Lucas to do the sound design on a little film he was making called Star Wars. As a nod to his friends, Burtt put the original sound effect from the Warner Bros. library into the movie, most noticeably when a Stormtrooper is shot by Luke Skywalker and falls into a chasm on the Death Star. Burtt would go on to use the Wilhelm Scream in various scenes in every Star Wars and Indiana Jones movie, causing fans and filmmakers to take notice.

Directors like Peter Jackson and Quentin Tarantino, as well as countless other sound designers, sought out the sound and put it in their movies as a humorous nod to Burtt. They wanted to be in on the joke too, and the Wilhelm Scream began showing up everywhere, making it an unofficial badge of honor. It's become bigger than just a sound effect, and the name “Wilhelm Scream” has been used for everything from a band name, to a beer, to a song title, and more.

But whose voice does the scream itself belong to? Burtt himself did copious amounts of research, as the identity of the screamer was unknown for decades. He eventually found a Warner Bros. call sheet from Distant Drums that listed actors who were scheduled to record additional dialogue after the film was completed. One of the names, and the most likely candidate as the Wilhelm screamer, was an actor and musician named Sheb Wooley, who appeared in classics like High Noon, Giant, and the TV show Rawhide. You may also know him as the musician who sang the popular 1958 novelty song “Purple People Eater.”

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