The Olympic Sprinter Who Nearly Lost Her Medals Because of Her Autopsy

Youtube // Rob Lucas
Youtube // Rob Lucas

In April 1911, a baby was born in a small village in tsarist Poland. Her parents named her Stanislawa, and that summer, at the tail end of the first large wave of pre-World War I Polish immigration to the United States, Julian and Weronika Walasiewiczowna packed up their daughter and moved to Ohio. They anglicized their surname to Walsh to better fit in and shortened their daughter's name to Stasia and, later, Stella. The family settled into a Cleveland neighborhood called Slavic Village, Julian found a solid job in a steel mill, and the couple had two more American-born daughters.

Little Stella grew up a girl stuck between identities—the Midwestern American life was the only one she knew, and yet when her athletic prowess catapulted her to international acclaim, she was forced to compete for the country of her birth. After decades of fighting for the chance to represent the United States at the Olympic games, she was never able to live out her dream of winning a medal for the stars and stripes.

But, unbeknownst to most (though speculation abounded), Stella Walsh was also physically stuck between identities. The world was shocked when, following her murder in a mugging gone awry, her autopsy revealed that Walsh had ambiguous genitalia. For the woman once regarded as the world's greatest female athlete, questions arose as to the legitimacy of her titles, and her integrity after a lifetime of living and competing as a woman.

A BULLY FOR "BULL MONTANA"

Youtube // Rob Lucas

At her Cleveland high school in the 1920s, Stella matured into an athletic superstar. She played on numerous sports teams—including the boys' baseball team—and amassed an impressive collection of ribbons, trophies, and medals from track meets. She had a distinctly masculine appearance, however, and other students teased her for it. At 5 feet 9 inches, her stocky build, muscular arms, and thick neck earned her the macho nickname of Bull Montana—a reference to the contemporary wrestler/actor Lewis Montagna who went by the same name. She was bullied, but she also proved time and again that she was the best athlete around.

After high school, Walsh took a job as a file clerk for the New York Central Railroad, but sports continued to be her passion, and she joined her employer's athletic association. Although she was a Polish—not American—citizen, she competed in track and field events in international competitions in both Poland and the United States, winning gold medals for running and the long jump. In 1930, her time of 6 seconds broke the world record for the 50-yard dash at the Millrose Games in New York City, and she quickly became a local celebrity in Cleveland, appearing frequently in the sports section of the newspaper and winning the title of "Miss Stadium" in the city's 1931 popularity contest.

THE PURSUIT OF OLYMPIC GLORY

Youtube // Rob Lucas

With several world records under her belt and a newfound global audience, Walsh took action to become an American citizen. In 1930 she applied for citizenship with the goal of competing for the U.S. on its home turf of Los Angeles at the 1932 Summer Olympic games. But then the Great Depression hit home, and not only did Walsh's father lose his full-time steel mill position, but Stella was laid off from her job just a week before she was set to take her oath of citizenship.

Sensing an opportunity, the Polish consulate offered Walsh a paying job and a scholarship for higher education, provided she abandon her plan to become a legal American and instead compete for her birth country. Reluctantly, she agreed to their terms—this was long before athletes had sponsorships and paid endorsement deals, and they were expected to fully fund their own training and travel. She was just 21, and she didn't have much of a choice if she wanted to compete. "I’m not trying to duck the United States," Walsh told reporters at the time, "But I can’t run forever. If a big company like the New York Central can’t give me a job, where can I get one?"

At the 1932 Olympics in Los Angeles, Walsh ran as Stanislawa Walasiewicz (a shortened version of her birth name) and handily set and immediately matched her own world record for the 100-meter dash, running it in 11.9 seconds during two preliminary heats and the final medal race. She won the gold for Poland—one of the two the country took home that year.

As a result, Stella's star continued to rise; she won awards and honors from the Polish government and media. She used her promised scholarship to study physical education and journalism at a women’s college in Warsaw, but she longed to return to the States. She felt isolated and missed the higher "standard of living" that she'd been accustomed to her whole life. Within six months of moving to the Polish capital, she severely sprained her ankle and decided to return home to Cleveland to mend.

Between 1933 and 1935, Walsh won big at various competitions like the Women’s World Games, earning medals and breaking records for the 100-meter dash, hurdles, broad jump, and shot put events. Newspapers admiringly referred to her as "The Queen of Sprint" and "The Cleveland Flyer."

Stella Walsh (right) and Helen Stephens at the 1936 Olympic Games. Photo courtesy of Getty Images

By 1936, Walsh was prepared for the Summer Olympics in Berlin and hoped to defend her Olympic record and gold in the 100-meter. But this time, an 18-year-old bullet from Missouri lined up next to her. American Helen Stephens—who grew up just a couple hundred miles away from Walsh—had taken the world record in Kansas City the previous year. She would take the gold in Berlin as well, giving the U.S. a set of shimmering 100-meter victories (this was, after all, the Olympics headlined by legend Jesse Owens).

Accounts vary, but whether it was a livid Walsh or incensed Polish journalists, someone leveled the accusation that Stephens was competing under false pretenses. A Polish newspaper reported a rumor—which was quickly picked up by the AP—that the 6-foot-tall Stephens was actually a man disguised as a woman to give "himself" an unfair advantage against female athletes. Humiliated by the allegations, Stephens was forced to submit to a genital inspection—the first of its kind—by the Olympic committee to clear her of gender fraud. They determined that she was in fact female, and Stephens later successfully sued a magazine for implying that she was a man. But the indictment proved to be a bit of a red herring—Stephens may have had nothing to hide, but Walsh did.

AN AMERICAN UNRECOGNIZED

Youtube // Rob Lucas

After the Berlin Olympics, Walsh announced her retirement, but she never actually quit competing. She participated in events like women's (baseball) pitching and basketball games, and in 1937, tied Stephens's 100-meter record. In 1954, at age 43, she won her fifth consecutive U.S. pentathlon championship. She'd made a plea to the Olympic committee before the 1952 games to let her run for the United States. "I pay taxes and I vote like any other American," she said, having become an American citizen in the years following World War II, when there was no longer much of a Poland to speak of. "I want to represent this country" [PDF].

That appeal didn't work; at the time, International Olympic Committee rules stated that after an athlete had competed on behalf of one country, they could not later compete for another. But an ill-advised "cupid's clause" in the IOC guidelines soon became the loophole that would finally allow Walsh to try out for the U.S. team. According to the new rule, if, say, a female athlete who had competed for one country were to marry a man from another, she would now be permitted to compete for her husband's country. "Stella could take a crack at the 1956 Olympics if she corners an American husband between now and the try outs this summer," a sports columnist for the L.A. Times noted, though he added that it didn't "seem likely." Never one to lose a challenge, Walsh soon married Harry Olson, a former boxer who worked as a draftsman for a California aviation company. He was 12 years her junior.

Somewhat suspiciously, Walsh revealed their marriage—which took place in Las Vegas—on the eve of the Olympic trials for the 1956 Melbourne games. "I have competed five times for my native country, Poland, in Olympics and women's Olympiads," she told reporters of her now-legal bid to run as an American. "But my greatest ambition is to run for my adopted country, America, in the November Olympics at Melbourne, Australia."

The stunt worked—she did get to compete at the American trials, but, after coming in a disappointing third in her 200-meter heat, she failed to make the team. Stella and Harry separated a couple of months later (though they never officially divorced), and after a few years of setting up training schools for girls in California (and trying out for the American Olympics team one last time in 1960), she eventually moved back to her family in Cleveland.

Through her fifties and sixties, Walsh organized athletic competitions and scholarships for Polish-American athletes, coached young sprinters, and worked as a bartender in Cleveland. In her spare time, she was known to challenge younger people to race her, knowing that, even at her age, she’d likely outrun them. The people in her community were aware of the rumors about her gender, but she was accepted for who she was, and no one questioned her about her masculine appearance. The days of Bull Montana were in her distant past. She was a cherished hometown celebrity, and in 1970, Cleveland’s mayor proclaimed April 13 as Stella Walsh Day, and the U.S. Track and Field organization inducted her into their hall of fame in 1975.

A SECRET EXPOSED

YouTube // Rob Lucas

In December 1980, Walsh was in a Cleveland parking lot when she was approached by two men with a gun. When they tried to grab her purse, the 69-year-old Walsh fought back. The gun fired, hitting her in the chest. When local TV stations reported Walsh’s death, they also reported information that the coroner’s office had leaked about her preliminary autopsy report: Stella Walsh—who was considered one of the greatest female athletes of all time—had male genitalia.

One of Cleveland’s local TV stations, WKYC Channel 3, sued the county coroner’s office to compel them to release Walsh’s official autopsy report. Her family and supporters protested, not wanting the salacious results to be made public, but within days, national newspapers like The Washington Post were speculating about her gender identity with headlines like "Heroine or Hero?". A judge sided with Channel 3, and the coroner, Samuel Gerber, released Walsh’s autopsy report on January 23, 1981.

His examination revealed that Walsh lacked female reproductive organs (no uterus, ovaries, vagina) and instead had a non-functioning, underdeveloped penis. Genetically, she had mosaicism, a cellular mutation that resulted in Walsh having mostly male (XY) chromosomes along with a few cells with X0 chromosomes (the 0 indicating a missing X chromosome). Gerber speculated that at birth, Stella probably had ambiguous genitalia and, as was customary in those cases in those days, her parents decided to raise her as a girl. Significant physical differences weren't typically noticed until children with mosaicism reached puberty, and in the 1920s and '30s, terms and conditions like intersex and transgender were neither known nor acknowledged.

Reaction to the news that Stella was intersex was mixed. Many people in Cleveland’s tight-knit Polish neighborhoods defended her, arguing that she was still a sports hero and role model. Others were shocked at the deceit, and a new nickname cropped up: "Stella the Fella," one far worse than the Bull Montana taunts she'd endured as a teen. Her former husband, Harry Olson, spoke to reporters and called her a freak of nature, though he also admitted that they'd had intimate relations and he hadn't realized there was anything suspect. Some of Stella's childhood friends and neighbors stated in interviews that they had always known about her physical differences, but it had also been an accepted reality.

"When she grew up … other boys and girls knew she had these physical deformities," an outspoken friend of Walsh's told reporters. "She was ridiculed. We knew this. She was a hermaphrodite. It was common knowledge that she had this accident of nature." Still, as he and others pointed out, Walsh didn't live her life pretending to be something she wasn't. She may have been self-conscious—another childhood friend admitted on TV that she had seen Stella’s "mutation" when she was changing in a locker room once and that Walsh felt extreme shame and embarrassment about her body, an anecdote that further shed light on Walsh's longtime standoffishness in locker rooms and tendency to request private rooms rather than bunk with other athletes on trips—but Walsh had always lived her life as a woman.

"I knew there was something different about Stella," one of Walsh's former trainees told SB Nation, "but she lived so supremely as a woman and never discussed that particular thing."

SUBSEQUENT TESTING IN SPORTS

Because of her autopsy results, Stella faced a posthumous backlash from other athletes who questioned if it was fair that they lost medals and competitions to an athlete who had male genitalia and presumably more testosterone than they did. Did Stella start the rumor about her Olympics competitor Helen Stephens being a man to take attention away from her own nebulous gender? Would Walsh have been able to run as fast as she had and to break so many world records if she hadn’t been intersex? Should the IOC rescind her medals? The short answer: It’s complicated.

When Walsh competed in the Olympics, the IOC didn’t conduct routine gender verification tests (which started in the late 1960s), and no doctor diagnosed her with a gender-related condition. Studies have shown that some people with mixed male and female chromosomes don’t have excess "male" strength; it depends on how well the individual’s androgen receptors function.

Although the IOC examines intersex athletes on a case by case basis, its policy on transgender athletes is more clear cut. Since 2004, both female-to-male and male-to-female transgender athletes have been allowed to compete in the Olympics, and now for this coming Olympics, male-to-female athletes must have officially declared their gender and have testosterone level below a certain amount for 12 months prior to and throughout competition [PDF] (female-to-male athletes have no such restrictions). In 2009, the International Association of Athletics Federations made a South African runner, Caster Semenya, undergo gender determination testing. Although the findings were supposed to be confidential, leaked results claimed to have shown that she was intersex—she had neither ovaries nor a uterus but did have internal, undescended testicles. After a forced year-long hiatus from competing, she was allowed to run again, winning a silver medal in the 800-meter event at the 2012 Olympics. Semenya is currently set to make a comeback in this summer's Rio games.

For the 2012 London Olympics, the IOC released their updated regulations [PDF] for determining what to do with intersex female athletes with elevated androgen levels, who may be unfairly benefiting from the performance enhancing effects of male hormones, such as greater speed, power, and strength. The regulations stated that a confidential, expert panel consisting of a gynecologist, genetic expert, and endocrinologist can, if requested, investigate an athlete’s medical history and testosterone blood levels. If the panel determines that the athlete’s condition does not give her a competitive advantage, then the athlete will be allowed to compete. If the athlete has functional androgen receptors and testosterone in the range of normal for males, that athlete will be ineligible for competition.

For Stella Walsh, though, medical knowledge and societal attitudes in her competing years were not as evolved as they are today. The IOC decided against rescinding any of Walsh’s medals because gender determination tests were not conducted during the years she participated as an Olympian. As the county coroner who conducted her autopsy stated, "Socially, culturally, and legally, Stella Walsh was accepted as a female for 69 years. She lived and died as a female."

Walsh's birth and death certificates both list her as female, but the controversy surrounding her sex would have mortified her in life. A better, and more representational legacy of Stella Walsh rests on her drive to train hard and never stop competing. As sports columnist Dan Coughlin, a longtime friend of hers, wrote years later, Walsh was always a world-class athlete, first and foremost. "She trained relentlessly. She was always an Olympian … Whatever she was, she was one of a kind."

16 Soothing Facts About Muzak

Keith Brofsky/iStock via Getty Images
Keith Brofsky/iStock via Getty Images

Whether you know it as background music, elevator music, or, as Ted Nugent once called it, an “evil force causing people to collapse into uncontrollable fits of blandness,” Muzak has ruled speakers for the better part of a century. Press play on your favorite easy-listening album and scroll on for some unforgettable facts about the most forgettable genre of music.

1. Muzak is a brand name.

Much like Chapstick, Popsicle, and a certain type of vacuum-sealing plastic food container, Muzak is a registered trademark. It began as the name of the company that first produced the easy-listening instrumental tunes that played in factories, elevators, and department stores. As its popularity grew, people started to use Muzak as a generic term for all background music.

2. Muzak was invented by a U.S. army general.

Major General George Owen Squier
Library of Congress // Public Domain

During World War I, Major General George Owen Squier used electrical power lines to transmit phonograph music over long distances without interference. He patented this invention in 1922 and founded Wired Radio, Inc. to profit from the technology. The company first devised a subscription service that included three channels of music and news and marketed it to Cleveland residents for $1.50 per month. When Squier and his associates realized their product was a little too close to regular (free) radio, they started pitching it to hotel and restaurant owners, who were more willing to pay for a steady broadcast of background music without interruptions from radio hosts or advertisements.

3. The name is a portmanteau of music and Kodak.

In 1934, Squier changed the name of his business from Wired Radio to Muzak, combining the first syllable of music with the last syllable of Kodak, which had already proven to be an extremely catchy, successful name for a company.

4. Muzak has been releasing instrumental covers of pop songs since its inception.

The first-ever original Muzak recording was an instrumental medley of three songs performed by the Sam Lanin Orchestra: “Whispering,” by John and Malvin Shonberger, “Do You Ever Think of Me?” which was covered by Bing Crosby, and “Here in My Arms,” by Lorenz Hart and Richard Rodgers from the 1925 Broadway musical Dearest Enemy.

5. Muzak was briefly owned by Warner Bros.

The sound of Muzak was wafting across the country by the end of the 1930s, which caught the ears of Warner Bros. The company bought Muzak in 1938, fostered it for about a year, and then sold it to three businessmen: Waddill Catchings, Allen Miller, and William Benton (Benton would later publish the Encyclopaedia Britannica and serve as a U.S. senator for Connecticut).

6. Muzak was designed to make factory workers more productive.

Muzak manufactured soundtracks, based on a theory called “stimulus progression,” that consisted of 15-minute segments of background music that gradually ascended in peppiness. The method was meant to tacitly encourage workers to increase their pace, especially during the productivity lulls that often occurred during the late morning and mid-afternoon.

7. Muzak helped calm anxious elevator passengers.

Since more advanced electric elevators diminished the need for elevator operators in the mid-20th century, passengers were often left alone with an unsettling silence that made them all too aware that they were hurtling upward or downward in a steel box. Soft, calming Muzak played through speakers offered the perfect distraction.

8. There’s a reason Muzak's tempo is slower in supermarkets.

Just like factory workers might move faster while listening to fast-paced tracks, you might slow down while shopping to slower-tempo Muzak—which is exactly what supermarket owners want you to do. The more time you spend in a store, the more likely you are to toss a few extra snacks in your cart. (It's unclear whether the slower music might inhibit the productivity of supermarket workers.)

9. More than one U.S. president endorsed Muzak.

Muzak was installed in the White House during Dwight D. Eisenhower’s administration, but he was arguably only the second biggest presidential fan of the genre. Lyndon B. Johnson actually owned Muzak franchises in Austin while serving as a U.S. Senator from Texas.

10. Andy Warhol was also a fan of Muzak.

Andy Warhol
Graham Wood/Evening Standard/Hulton Archive/Getty Images

Pop culture aficionado Andy Warhol supposedly said, “I like anything on Muzak—it’s so listenable. They should have it on MTV.”

11. Ted Nugent offered to buy Muzak for $10 million to “shelve it for good.”

In 1986, the Whackmaster put in a bid to purchase Muzak from parent company Westinghouse just to shut it down. According to the Ottawa Citizen, he called it an “evil force” that was “responsible for ruining some of the best minds of our generation.” Westinghouse rejected the bid.

12. Muzak didn’t formally introduce vocals until 1987.

As part of a rebranding campaign to modernize Muzak, the company started adding voice-accompanied tunes in 1987. Before that, Muzak broadcasts had only featured voices twice. The first was an announcement that Iran had freed American hostages in 1981, and the second was as part of a worldwide radio broadcast of “We Are the World” in 1985.

13. 7-Elevens blared Muzak in parking lots to chase off loiterers.

7-Eleven storefront at night
Mike841125, Wikimedia Commons // Public Domain

In 1991, 7-Eleven parking lots in Southern California became well-trafficked watering holes for youth who evidently had no place else to go. To deter them from loitering with skateboards, beer, and lots of teen angst, the stores blared Muzak—and it worked. “It will keep us away,” one young loafer told the Los Angeles Times. “But they’re torturing themselves more than us because they have to sit inside and listen to it.”

14. Seattle is the capital of Muzak.

Though it's well known as the birthplace of grunge, Seattle also had a thriving elevator music scene. Muzak based its corporate headquarters there in the 1980s, and three other leading background (and foreground) music corporations opened in the city over the years: Yesco Foreground Music, Audio Environments Inc., and Environmental Music Service Inc.

15. Kurt Cobain wanted Muzak to cover Nirvana songs.

When an interviewer told the Seattle-based rock star that Muzak didn’t recreate Nirvana tracks because it found them too aggressive for its purposes, an amused Cobain said, “Oh, well, we have some pretty songs, too. God, that’s really a bummer. That upsets me.”

16. It’s no longer called Muzak.

In 2013, an Ontario-based sensory marketing company called Mood Media acquired Muzak. The company, which provides music, smells, signs, lights, and interactive displays to businesses to achieve a certain mood, consolidated all of its services under the Mood brand, effectively killing the Muzak name (at least officially).

The History Behind 7 New York City Street Names

deberarr/istock via getty images
deberarr/istock via getty images

Modern life means constantly rushing to get places, especially in New York. Whether it’s the daily grind to get to work or the rush to hit happy hour, residents are probably concentrating more on getting somewhere than carefully considering the details of their surroundings.

But next time you're in New York—or if you're a resident already—try looking up from your phone to take a peek at the street names above you. Along with your more common numbered designations and things like "Park Avenue," you’ll notice the city has some pretty strange denominations. Here are seven of the more eye-catching, and the brief history behind their names.

1. Asser Levy Place

Tucked between the generically named 23rd and 25th streets, Asser Levy Place stands out like a sore thumb. Located not far from Stuyvesant Town, this unassuming street bears the name for a pretty prominent historical figure.

Said to have been born in what is now Poland and Lithuania, Asser Levy was one of the first Jewish settlers to land in the predominantly Dutch New Amsterdam. The governor at the time, Peter Stuyvesant, was “violently opposed” to the freshly emigrated Jewish community, unhappy at the fact that they were now allowed to trade and reside within the area [PDF]. Levy was not only the first kosher butcher in the land but also the first Jew to gain rights of citizenship in the country. Additionally, Levy donated funds to help New York fight the British Crown, and eventually took up arms against the British himself.

2. Maiden Lane

The history behind Maiden Lane’s designation is just as picturesque as it sounds. Known to Dutch settlers as Maagde Paatje (or “maiden path”), this portion of land once ran alongside a brook where women and girls would wash clothing. There are darker associations with the area too, though: Maiden Lane also saw a brutal slave revolt in 1712.

Today the street is one of many centers of commerce for the city, although the concrete still holds remnants of the city’s more ornate past. Passersby can take a look at the Barthman Clock, a 19th-century timepiece embedded into the intersection of Maiden Lane and Broadway.

3. Mott Street

Located primarily in the heart of Chinatown, Mott Street’s modern associations aren’t the most flattering. Once the site of multiple crime scenes and illegal activities, the street has garnered a somewhat seedy reputation over time.

But before it became affiliated with the seedy underbelly, Mott Street had patriotic associations. Joseph Mott, the street’s namesake, owned a tavern used as headquarters for General George Washington in 1775. His descendants proved dedicated to equally worthy causes, with Dr. Valentine Mott rising to prominence as one of America’s most influential surgeons.

4. Pearl Street

Before the concrete jungle fully took over, the streets of New York were dominated by oysters. Due to their bountiful number, the shells of shucked clams would pile up into what archaeologists call middens—large piles of domestic waste that have survived the centuries. One particularly large heap was located on the modern-day Pearl Street, giving rise to the mollusk-related moniker. Oddly, however, these oysters were not the pearl-producing kind—although they dominated a good portion of the New York market for quite some time.

5. Minetta Lane

Speaking of water-related items, did you know a once-babbling creek was paved over by one of the city’s more famous streets? That’s right: Known to the Dutch as Mintje Kill or “small stream,” Minetta Brook was “[a] brisk little brook full of trout,” according to one 19th century source, that was covered by the city’s expansion around the 1820s. It was also where a community of “half free” African Americans resided in the 17th century—former enslaved people that were allowed to live on the land by paying annual fees.

6. MacDougal Street

MacDougal Street is known for its vibrant nightlife and for hosting the early days of Bob Dylan’s career. But it also holds claim to a not-so-well-known spelling error.

The street was named for one Alexander Mcdougall, a Scotsman who emigrated to what would become the United States as a child in 1740 and settled in New York. Mcdougall made a name for himself in the mercantile trade and shipping business and was an early defender of American independence. He openly voiced his opinions against British rule, and was even imprisoned for passing out revolutionary pamphlets. His colorful life saw him commissioned as a colonel in the First New York Infantry during the Revolutionary War, become a member of the Continental Congress, and rise as the first president of the Bank of New York. However, how or why the second L in his name was dropped in the naming of the street remains a mystery.

7. Margaret Corbin Drive

Located at the city’s far northern tip, Margaret Corbin Drive is named for a young Pennsylvanian woman whose tough life molded her into a tougher lady. Her childhood saw the death of her father by Native Americans and her mother’s capture soon after; years later, the British killed her husband during the Battle of Fort Washington. Margaret, who was standing by his side at the time, quickly took his place in the conflict by handling his cannon—receiving several bullets as a result.

The U.S. government recognized her bravery by providing her disability compensation (as well as rum and whiskey rations) for many years. Although sometimes remembered as a “haughty and disagreeable eccentric,” the affectionately called “Captain Molly” is forever memorialized by the street running along the site where her brave acts took place.

SECTIONS

arrow
LIVE SMARTER