CLOSE
YouTube
YouTube

10 Haunting Documentaries That Are Stranger Than Fiction

YouTube
YouTube

Featuring serial killers, brutal maulings, and unsolved mysteries, documentaries can be far creepier than anything George Romero has ever imagined—because they depict things that really happened. These 10 films are impossibly disturbing, based on true events, and guaranteed to stick with you long after the end credits have rolled. 

1. GRIZZLY MAN (2005)

Grizzly Man is a nature documentary like none you’ve ever seen: Struggling actor and alcoholic Timothy Treadwell was always an eccentric who felt more comfortable among animals than he did people. One summer, Treadwell sold everything and moved up to Alaska to live in the wilderness among the grizzly bears, filming them and closely interacting with them. Directed by Werner Herzog, Grizzly Man takes Treadwell’s astonishing footage and pieces together his life during the 13 summers that Treadwell spent in exile. Until Treadwell and his girlfriend, Amie Huguenard, were attacked and killed by one of the animals he loved, while one of Treadwell’s cameras caught the audio of the attack.

Why it’s so creepy: Herzog chooses not to include the audio of Treadwell’s death in the final film, but the attack and what’s on the tape is discussed in graphic (and unsettling) detail. EHerzog surmises that the bear who ultimately killed Treadwell was likely one of the animals that he filmed, and loved. This puts the viewer in an uncomfortable position: Watching Treadwell film and play alongside the bears, knowing that he’s likely engaging with his future killer.

2. THERE’S SOMETHING WRONG WITH AUNT DIANE (2011)

From the movie’s offset, we know that something terrible has happened. The documentary opens with several harried calls to 911, describing a horrific crash off the Taconic State Parkway. The crash, which occurred in 2009, would later become known as the worst Westchester County traffic fatality in 30 years, killing eight people including the driver, Diane Schuler, her two-year-old daughter, and her three young nieces. The film documents the Schuler family and their quest to piece together Diane’s final moments: Why did Schuler, a responsible and devoted mom on her way home from a family camping trip, drive the wrong way down the Taconic Parkway?

Why it’s so creepy: There’s Something Wrong With Aunt Diane profiles a woman who seems to have everything under control. At the time of her death, Schuler had two adorable kids, a happy marriage, and a successful career with a six-figure income. So when the film reveals why Schuler drove nearly two miles down the Taconic Parkway in the wrong direction with five young children in tow, the reason is almost too terrible to believe. Aunt Diane compels viewers and, at the same time, mystifies us with the eternal question: How well can you really know another person?

3. BOY INTERRUPTED (2009)

When filmmaker Dana Perry’s son Evan turned five years old, she noticed that he had a strange preoccupation with death and dying. Perry immediately took Evan to a therapist, and she and her filmmaker husband Hart flipped on the camera to record his increasingly bizarre behavior. As Evan grows, the Perrys document Evan’s tumultuous struggle with depression and bipolar disorder, culminating in his suicide in 2005 at the age of 15. Boy Interrupted becomes the Perry’s loving tribute to a son who both mystified and terrified them.

Why it’s so creepy: Boy Interrupted shows that mental illness and suicide doesn’t discriminate. Filmmakers Hart and Dana Perry are obviously attentive, caring parents, and many times they literally uproot their lives to support Evan through his struggle. But bipolar disorder has a suicide rate of nearly 17 percent—and that’s an uncomfortable fact that the Perrys put in the forefront of their film. Watching their story unfold, and knowing that nothing can stop the slow decline into Evan’s suicide, will send shivers down your spine.

4. THE JINX (2015)

HBO’s The Jinx tells the story of Robert Durst, heir to one of the oldest real estate companies in New York City and the prime suspect in series of bizarre crimes, including the disappearance of his wife, Kathleen, in 1982. The Jinx is a documentary miniseries, one that takes six episodes to detail every bizarre crime in which Durst is involved. After his wife’s disappearance, Durst’s close friend Susan Berman is found murdered in 2000 when Kathleen’s case is reopened. Durst maintains his innocence in both crimes and flees to Galveston, Texas. But when police catch up to him one year later, Durst has been implicated in yet another murder (Durst is charged and pleads self-defense, by the way). Director Andrew Jarecki (who directed 2010’s All Good Things, a feature based on Durst) examines Durst’s alleged crimes, documents the trial for his most recent murder, and speculates whether Durst is actually guilty of all three crimes—or just one of the unluckiest men on the planet. 

Why it’s so creepy: Bob Durst is like that weird uncle you only see at Christmas: He’s quiet, mild-mannered, and even a little likeable at times. Watching him recount his friends’ deaths, completely emotionless, is chilling. And knowing that he likely could have killed several people in cold blood? Unsettling. (Also unsettling? His beady, black eyes.)

5. BLACKFISH (2013)

Have you ever seen those SeaWorld commercials where the dolphin trainers are talking about how much they love whales? Blackfish is the reason those commercials exist in the first place. It’s a riveting documentary that covers the story of Tilikum, a captive killer whale that mauled a SeaWorld trainer in 2010. What begins as an expose of Tilikum (who apparently has killed before) gradually turns into an indictment of SeaWorld as a whole.

Why it’s so creepy: If you have any childhood memories of SeaWorld, prepare to have them forever ruined. The whales appear happy when performing in front of a crowd—but according to Blackfish, that’s almost certainly a ruse. Seeing footage of Tilikum playing around with trainer Dawn Brancheau before her death, and knowing what will eventually happen between them, is eerie.

6. DEAR ZACHARY (2008)

Don’t Google this film. It’s best to go into Dear Zachary knowing as little about what happens as possible.

Without giving too much away, the gist is this: Dear Zachary is director Kurt Kuenne’s attempt to immortalize his best friend Andrew Bagby, a physician killed in cold blood by his estranged girlfriend, Shirley Turner. Kuenne seeks out friends and family to sing their praises of his late friend—and then the film takes a shocking turn. Turner, Bagby’s killer, announces while in police custody that she’s four months pregnant with Bagby’s child. And Kuenne’s film becomes something entirely different: A critique of the Newfoundland legal system, an exposé of the custody case between Turner and Bagby’s parents, and a letter to Zachary, Bagby’s son, about the man his father once was.

Why it’s so creepy: Not only is the viewer subjected to graphic details about Bagby’s murder, Kuenne also uses archival footage of Turner and Bagby during their brief relationship. Watching Turner interact on camera with Bagby, hearing about what she did in the hours after Bagby’s death, and seeing footage of her eventually mothering Bagby’s child will leave you with chills whenever she’s onscreen.

7. THE BRIDGE (2006)

San Francisco’s Golden Gate Bridge is one of the world's most popular tourist sites—and according to this film, it’s the most popular spot to commit suicide. Over the course of one year, filmmaker Eric Steel and his crew spent hundreds of hours filming footage of the Golden Gate Bridge, and managed to capture the deaths of nearly two dozen jumpers. Steel then interviews the families of some of the individuals and sets out to discover what draws so many people to the Golden Gate Bridge—and what compels some to end their lives there.

Why it’s so creepy: Several suicides are caught on film. Enough said.

8. PARADISE LOST (1996)

In 1993, the bodies of three mutilated children were discovered in a wooded area of West Memphis, Arkansas. Quickly, after one teen admits to being an accomplice, a trio of teenagers is arrested in connection with the crime, tried in a court of law, and found guilty. An open-and-shut case, right? Wrong. The film, which follows the families of the victims and the accused throughout the trial and its aftermath, is equal parts true crime documentary and an indictment of a small-town criminal justice system. Was the teenager’s confession coerced? Were the murderers ever really caught? 

Why it’s so creepy: If the opening footage of three mutilated kids isn’t creepy enough for you, the entire movie is replete with graphic retellings of the crime. But the more frightening part of watching the film is the growing realization that the three teenagers accused of the crime—Damien Echols, Jessie Misskelley, and Jason Baldwin—might possibly be innocent. The Emmy-winning documentary was followed up two sequels, in 2000 and 2011—with the final film detailing the West Memphis Three's release from prison.

9. THE IMPOSTER (2012)

When 13-year-old Nicholas Barclay goes missing in 1994, his family gradually accepts that he may not be coming home. But three years later, in 1997, Barclay’s family gets a phone call that Nicholas has been found—alone and terrified—in Spain, thousands of miles from his Texas hometown. Stunned, his family joyfully welcomes him home. But it soon becomes clear that the boy who went missing three years prior is not the same person—literally—as the one who comes home.

Why it’s so creepy: Since the name of the documentary is The Imposter, it’s pretty obvious from the start that the person claiming to be Nicholas Barclay isn’t actually Nicholas Barclay. But what kind of person would impersonate a missing child? Director Bart Layton manages to snag one-on-one interviews with the man who pretended to be Barclay, and hearing him retell how he manipulated the Barclay family (often smiling and laughing good-naturedly while he recounts the story) will give you goosebumps.

10. ALBERT FISH: IN SIN HE FOUND SALVATION (2007)

Albert Fish was one of the country’s most depraved serial killers—and considering that serial killers are pretty depraved to begin with, that’s saying something. Fish suffered from extreme mental illness from an early age and began experimenting with extreme taboos as a young adult, eventually moving on to prostitution, child molestation, and murder. This documentary goes into graphic detail about the hundreds of murders Fish was linked to—and the hideous way he disposed of the bodies afterward.

Why it’s so creepy: Fish was extremely candid about his crimes, and kept detailed, first-person accounts of them which are read throughout the documentary. At one point, Fish actually details the murder of one young girl in a letter and then mails the letter to her mother. It’s almost impossible to listen to what Fish did—or see reenactments of Fish walking hand-in-hand with his victims—and not feel chills.

nextArticle.image_alt|e
NBC
arrow
entertainment
15 Surprising Facts About Hill Street Blues
NBC
NBC

Until the impressive record was surpassed by The West Wing in 2000, Hill Street Blues held the title of most Emmy-awarded freshman series, with eight trophies for its debut season alone (despite its basement-level ratings). The drama that chronicled the lives of the men and women working the Hill Street police station beat has been credited with changing television ever since its debut in 1981.

Among Hill Street Blues's innovations are the use of handheld cameras, a large ensemble cast, multi-episode story arcs, and a mix of high drama and comedy—elements which still permeate the small screen today. Here are 15 facts about the groundbreaking series.

1. STEVEN BOCHCO AND MICHAEL KOZOLL CREATED IT, DESPITE NOT WANTING TO DO ANOTHER COP SHOW.

MTM Enterprises was specifically hired by NBC to create a cop show, so Steven Bochco (who later co-created L.A. Law and NYPD Blue) and Michael Kozoll (co-writer of First Blood) agreed to do it—as long as the network left them “completely alone to do whatever we want,” according to Bochco. NBC agreed, and the two wrote the pilot script in 10 days.

2. IT WAS INFLUENCED BY A 1977 DOCUMENTARY.

The show's creators looked to The Police Tapes, a 1977 documentary that chronicled a South Bronx police precinct during a particularly hostile time in New York City's history, for inspiration. NBC's then-president Fred Silverman was inspired to create a cop show in the first place after seeing Fort Apache, the Bronx (1981), which stars Paul Newman as a veteran cop in a South Bronx police district.

3. BRUCE WEITZ HAD AN AGGRESSIVE AUDITION.

Bruce Weitz landed the role of undercover officer Mick Belker by playing the part. "I went to the audition dressed as how I thought the character should dress—and loud and pushy," Weitz recalled. "When I got into the room, I jumped up on [MTM co-founder] Grant Tinker's desk and went after his nose. I heard he said afterwards, 'There's no way I can't offer him the job.'"

4. JOE SPANO THOUGHT HE WAS MISCAST.

Joe Spano in 'Hill Street Blues'
NBC

Joe Spano auditioned for the role of Officer Andrew Renko, but ended up playing Lieutenant Henry Goldblume. “I was always disappointed that I didn’t end up playing Renko,” Spano told Playboy in 1983. Spano also wasn't a fan of his character's penchant for bow ties, which he claimed was Michael Kozoll's idea. "I fought it all the way," he said. "I thought it was a stereotypical thing to do. But it actually turned out to be right. You don’t play into the bow tie—you fight against it."

5. BARBARA BOSSON WAS BOCHCO’S WIFE, BUT WASN’T PLANNING ON BEING A SERIES REGULAR.

Barbara Bosson played Fay, Captain Frank Furillo’s ex-wife, who was only supposed to appear in the first episode in order to “contextualize” the captain, according to Bochco. But when Silverman watched the episode, he asked, “She’s going to be a regular, right?”

6. IT TOOK MIKE POST TWO HOURS TO WRITE THE ICONIC THEME SONG.

The composer—who also wrote the themes for The Greatest American Hero, Magnum, P.I., The A-Team, NYPD Blue, and Law & Order—was instructed by Bochco to write something “antithetical” to the visuals. Post wanted to add more orchestration to the piano piece; Bochco disagreed.

Post also spent four to five hours writing five minutes of new music for each episode of Hill Street Blues.

7. THE PILOT TESTED POORLY.

According to a network memo, among the many problems test audiences noted were that "the main characters were perceived as being not capable and having flawed personalities ... Audiences found the ending unsatisfying. There are too many loose ends ... 'Hill Street' did not come off as a real police station ... There was too much chaos in the station house, again reflecting that the police were incapable of maintaining control even on their home ground." NBC picked it up anyway.

8. RENKO WAS SUPPOSED TO DIE IN THE FIRST EPISODE, AND COFFEY WAS SUPPOSED TO DIE AT THE END OF THE FIRST SEASON.

Charles Haid had other projects lined up, so he agreed to take the part of Renko, a man destined to die almost immediately. But another series Haid was relying on didn’t get picked up, and NBC claimed Renko tested too well for him to meet an early end. Ed Marinaro's Coffey was meant to be shot and killed in “Jungle Madness,” the final episode of the first season. The ending was changed to make it a cliffhanger, and Marinaro’s character survived.

9. THEY HAD HISTORICALLY BAD SEASON ONE RATINGS.

A 'Hill Street Blues' cast photo
NBC Television/Getty Images

In its first season, Hill Street Blues show finished 87th out of 96 shows, making it the lowest-rated drama in television history to get a second season. Bochco credited the show’s renewal to two things: NBC being a last place network at the time, and the NBC sales department noticing that high-end advertisers were buying commercial time during the show.

10. THEY NEVER SPECIFIED WHERE THE SHOW WAS LOCATED, BUT IT’S PROBABLY CHICAGO.

The exterior of the Maxwell Street police station in Chicago filled in for the fictitious Hill Street precinct for the opening credits and background footage. It was added to the National Register of Historical Places in 1996 and is currently the University of Illinois at Chicago police department headquarters.

11. PLENTY OF FUTURE STARS MADE EARLY APPEARANCES.

Don Cheadle, James Cromwell, Laurence Fishburne, Tim Robbins, Andy Garcia, Cuba Gooding Jr., Danny Glover, Frances McDormand, and Michael Richards all found early work on the series.

12. SAMMY DAVIS JR. WANTED ON THE SHOW.

Sammy Davis Jr.
Michael Fresco, Evening Standard, Getty Images

Unfortunately, it never happened. Sometime after Bochco wrote in a reference to the singer, Davis and Bochco ran into each other. Davis said he loved it and started jumping up and down.

13. BOCHCO HAD A WAR WITH THE CENSORS.

Loving to use puns for titles, Bochco wanted to title an episode “Moon Over Uranus,” after Cape Canaveral was just in the news. Standards and Practices said no. Bochco eventually got his way, and proceeded to name the next two season three episodes “Moon Over Uranus: The Sequel” and “Moon Over Uranus: The Final Legacy.”

14. DAVID MILCH AND DICK WOLF’S CAREERS WERE LAUNCHED FROM IT.

David Milch (co-creator of NYPD Blue and creator of Deadwood) went from Yale writing teacher to a TV script writer through his former Yale roommate, Jeff Lewis. His first script for the show was season three's “Trial by Fury” episode, which won an Emmy, a WGA Award, and a Humanitas Prize. He later became an executive producer on the show. The first TV script credited to Dick Wolf (creator of the Law & Order franchise) was the season six episode, "Somewhere Over the Rambow." His first sole credit, for “What Are Friends For?,” earned Wolf an Emmy nomination in 1986.

It’s also worth noting that journalist and author Bob Woodward received a writing credit for season seven's “Der Roachenkavalier” and David Mamet penned the same season's “A Wasted Weekend” for his first television credit.

15. DENNIS FRANZ’S CHARACTER HAD A BRIEF, COMEDIC SPIN-OFF.

Dennis Franz (later Andy Sipowicz on NYPD Blue) first played corrupt cop Sal Benedetto in five episodes, before reappearing for the final two seasons as Lt. Norman Buntz. After Hill Street Blues ended its seven-season run, Franz reprised the latter character in Beverly Hills Buntz, which ran for one season beginning in 1987. In the 30-minute dramedy, Buntz was a private investigator after quitting the police force. Only nine episodes were broadcast by NBC.

nextArticle.image_alt|e
Kim Cook/Investigation Discovery
arrow
entertainment
20 Fascinating Facts About Investigation Discovery
Kim Cook/Investigation Discovery
Kim Cook/Investigation Discovery

Pop quiz: In which Colorado city did Joe Kenda spend more than 20 years as a homicide detective? If you knew the answer was Colorado Springs, you must be an ID Addict. In 2008, Discovery Communications launched Investigation Discovery, the 24/7 true crime network that has had fans (Lady Gaga among them) glued to their television sets ever since.

In honor of the channel’s 10th anniversary, we did a little investigating of our own and uncovered 20 things you might not have known about Investigation Discovery.

1. IT BEGAN AS AN ANCIENT HISTORY NETWORK.

Investigation Discovery began its life in 1996 as Discovery Civilization, a network dedicated to showcasing content related to ancient history. In 2002, The New York Times purchased a 50 percent stake in the network with an eye toward shifting its focus to current events; in 2003, it relaunched as Times Discovery. But that idea didn’t last long. In 2006, The New York Times sold its stake in the network, which is when Discovery Communications saw an opportunity to turn it into a 24/7 true crime network—and Investigation Discovery, as we know it today, was born.

On January 26, 2008, Newsday reported that, “Tomorrow, the Discovery Times digital channel morphs into Investigation Discovery. (ID, get it?) Premiere night features Deadly Women (tomorrow at 8 p.m.), about female killers, and a related episode of 48 Hours: Hard Evidence (tomorrow at 9 p.m., all on ID).” (Both programs are still staples of the channel’s lineup.)

2. IT WAS INSPIRED BY THE SUCCESS OF LAW & ORDER AND CSI.

In a 2015 interview with The New York Times, ID group president Henry S. Schleiff said that part of the inspiration for creating a crime-all-the-time network was the long-running popularity of crime television franchises like Law & Order, CSI, and NCIS. Schleiff believed the network would be successful if they could brand it as “a place where viewers can consistently know that regardless of the hours, regardless of the day, that they will always be able to flip to this network and know that they are going to get a story of the mystery, crime, suspense genre.”

3. THERE WAS AN ECONOMIC BENEFIT TO CREATING A CRIME CHANNEL, TOO.

While there was data that told Schleiff and his fellow executives that there was a thirst for an all-crime network, the fact that it would be cost-effective didn’t hurt in swaying the powers that be. According to The New York Times, by filling a network with “ripped from the headlines” stories featuring reenactment actors (read: no stars), the cost to produce one hour of content for Investigation Discovery would be about $300,000—“roughly a tenth of the cost of an average scripted network drama.”

4. IT WAS WILDLY SUCCESSFUL FROM THE GET-GO.

While ID’s first two aforementioned iterations didn’t quite grab viewer interest, Investigation Discovery was a hit from the very beginning. “When Court TV became truTV in 2008, Discovery filled cable’s crime-story void with the renamed Investigation Discovery,” wrote The Washington Post in 2013. “In place of current affairs, suddenly, was Deadly Affairs.”

5. WOMEN LOVE IT.

A still from 'Deadly Women' on Investigation Discovery
Investigation Discovery

Investigation Discovery continually ranks among the top five cable networks for female viewers, and is particularly popular among the coveted 24- to 54-year-old audience.

When asked “Why are women obsessed with true crime television?” by Crains New York in 2016, Schleiff responded that, “Women love exercising their great puzzle-solving skills and intuition, which is really what most of our true crime stories are about. It’s an investigation, it’s a mystery, and women love that. The other thing that we hear in focus groups is that women say, ‘I want to use my free time in a useful way.’ Women feel that 
they can learn from watching ID. I don’t know if they are learning how to kill their husbands or not.”

6. MANY OF THE PERPETRATORS ARE FEMALE, TOO.

In addition to being the primary audience, the network produces several series that focus on female perpetrators with titles like Deadly Women, Wives With Knives, and How (Not) To Kill Your Husband. “I think when we think of women, we think of mothers, nurturers,” Detroit-based ID fan Kim Cumms told Jezebel. “So to see a woman who’s out there doing the killing simply because she wants to or because she had to, it’s like, ‘Wow, what pushes a woman to that point?’”

7. SERIES TITLES ARE THE RESULT OF GROUP BRAINSTORMS.

Who the (Bleep) Did I Marry? Wives With Knives. Young, Hot & Crooked. I Married a Mobster. Investigation Discovery executives know that a great title can make or break a series, so they take the task of naming their shows seriously … well, sort of.

“We do have title brainstorms,” senior executive producer Pamela Deutsch told The Washington Post. “They are sort of fun to sit through.” When coming up with the title for what would eventually become Prison Wives, some people in the room were pushing for Penal Attraction. But according to Deutsch, “You know when you’ve crossed the line.”

“We have a completely dysfunctional group over here,” Schleiff told Crains New York. “I’m very proud of that. Our process is sitting at a table at a staff meeting; everyone yells out what might work. There’s no organization to it.”

8. THERE ARE SOME CRIMES THAT ARE OFF-LIMITS.

Though the network deals in death and crime, there are some topics that ID executives do their best to stay away from—number one being crimes that involve children. “It’s just too sad, and the audience will just push back,” Schleiff told the Washingtonian. Revenge crimes are also not ideal. “[Schleiff] calls it sad upon sad,” vice president of development Winona Meringolo said.

9. ONE REENACTMENT SCENE WAS A LITTLE TOO REAL.

Peter Muggleworth, who has done some reenactment acting for the network, was filming a scene for Nightmare Next Door, in which he played a kidnapper/murderer, when things got a little too real.

“When we were shooting the scene where I march the neighbor out by the highway and execute him, we had to shoot along a real highway, as the guardrail was essential to the accuracy of the scene,” Muggleworth told The Washington Post. The scene was also being filmed during rush hour, which led several motorists to believe that what they were seeing was real.

“A fleet of police cars come flying down the road and peeled into the field where we were shooting,” Muggleworth explained. “Apparently, they had received many phone calls from motorists who thought they had just witnessed a murder. Meanwhile, I’m standing in the field over the ‘dead’ body holding a prop .357 Magnum. I immediately threw the gun away and put my hands up.”

When the situation eventually got sorted out, a few of the officers agreed to become a part of the scene. “We got some good shots of them from their knees down walking around the corpse,” Muggleworth said.

10. LOOKING LIKE THE REAL PERSON IS THE MAIN CRITERIA FOR BEING A REENACTMENT ACTOR.

A still from 'Deadly Sins'
Investigation Discovery

While some ID series require a bit of acting experience on the part of its participants, the most important requirement for reenactment actors (many of whom do not have to deliver any lines) is to look like the real person involved in the case.

“The way they cast these things is by posting a photograph of a real-life criminal or historical figure and putting out a call for actors that resemble him or her,” an anonymous (and veteran) reenactment actor told Hopes & Fears. “That’s literally the only parameter. A lot of times you have people applying to these things because they see it as a stepping stone to more serious gigs or greater visibility. I can't count the number of times I’ve been sitting around a table in the holding area of casting with a bunch of people who have MFAs from Yale or Tisch worth hundreds of thousands of dollars and are still doing this crap.”

11. THE PRODUCTIONS AREN’T USUALLY VERY LAVISH.

If you think that being a reenactment actor comes with craft services and lots of pampering, think again. The Washington Post reported that, “Cast members usually do their own makeup, bring their own wardrobe, and even compile their own research on the real-life people they portray.”

12. MURDERERS AND VICTIMS MAKE THE MOST MONEY.

If you’re considering a career in reenactment acting, you’ll want to aim for playing either a murderer or a victim. Mike Hoover, a sixty-something retiree from Virginia Beach, has appeared on a few different series and told the New York Post that he has been paid from $75 to $450 a day for the work.

“Depending on who you are playing, you may be there just for an hour,” Hoover said. “I worked my way up from being a family member to a witness to the victim. My next accomplishment will be the murderer—the murderer and the victim get paid the most.”

13. FOR SOME VIEWERS, IT’S CATHARTIC.

While the idea of watching violent acts play out on television may not be the preferred genre of entertainment for all audiences, some ID fans believe that the network can be a cathartic experience.

“I think most women in their lives have been in a bad relationship that either felt off or went really bad, and watching these stories sort of lets you play that out,” Rebecca Lavoie, a true crime writer who has appeared as an expert on several ID shows, told the Washingtonian in 2015.

In the same article, ID fan and sexual abuse survivor Jennifer Norris said that, “These shows help me see that I am not the only one that was crushed by the crimes of these people. They validate the way that I feel.”

14. IT’S THERAPEUTIC FOR SOME OF THE NETWORK’S STARS AS WELL.

That catharsis that viewers get goes the other way, too. “[Making this ID show is] therapeutic to me,” Homicide Hunter star, and retired detective, Joe Kenda told Jezebel. “There are many moments that you would like to forget, but you cannot forget … You can’t unsee certain things. I’ve said more to that camera than I’ve ever said to a person. There have been occasions when my wife will be watching the show. I’ll see her looking at me in front of the TV, I’ll say ‘What are you looking at?’ She’ll say, ‘I never knew you did that.’ What do you talk about when you come home, How was your day? Not in my business.”

15. JOE KENDA IS THE NETWORK’S UNDISPUTED STAR.

Joe Kenda stars in 'Homicide Hunter'
Kim Cook/Investigation Discovery

Though the network features dozens of original series, its highest-rated show is Homicide Hunter: Joe Kenda. The series, which showcases the celebrated career of the former lieutenant who spent more than 20 years working with the Colorado Springs Police Department, attracts an average of 1.6 million viewers.

16. WHEN VIEWERS TUNE IN, THEY STAY TUNED IN.

Based on Nielsen data, the Los Angeles Times reported that when the average ID viewer tunes in, he or she stays tuned in for an average of 54 continuous minutes—“the most of any broadcast or cable network in the women 25-to-54 age group.”

17. THERE ARE SOME VERY FAMOUS ID ADDICTS.

There are several A-list names among ID’s most devoted viewers. Lady Gaga, Serena Williams, and Nicki Minaj are just a few of the network’s famous fans.

18. FANS CAN GATHER AT IDCON.

In 2016, Investigation Discovery hosted its first-ever true crime fan convention, known as IDCON, in New York City. “This is the kind of thing our fans would quote-unquote almost kill to attend,” Schleiff told USA Today. He was right: Tickets to the inaugural event (which Mental Floss attended) sold out in less than 24 hours, and more than 7000 ID Addicts put their names on the event’s waiting list.

The event brings audiences together with some of their favorite ID personalities and hosts a range of panels and conversations on crime-related topics. In 2017, they hosted a second IDCON. While no dates have yet been announced for 2018, stay tuned!

19. KENDA BELIEVES ID'S POPULARITY IS BASED IN STRONG STORYTELLING.

While Kenda admits that, “The twists and turns, the unknown factor, gives people an opportunity to be an armchair detective in some way,” he believes that the network’s popularity can be attributed to something much more basic. “[T]here’s another fascination as well, and it’s been true for 6000 years. People have gathered around the fire and looked at someone and said, ‘Tell me a story.’ If you can tell a story in an interesting way, you have people’s attention. If it’s a subject that fascinates, you have their undivided attention.”

20. THE NETWORK HAS GONE GLOBAL.

A still from 'On the Case With Paula Zahn'
Miller Mobley/Investigation Discovery

Based on ID’s popularity in America, the network began expanding into global markets just a year after its launch. “Crime is universal,” Discovery Communications president/CEO David M. Zaslav told The New York Times. “The stories are set in an American town, but it could be anywhere.” As a result, ID programming has rolled out into hundreds of international markets, including England, Ireland, France, Denmark, Mexico, Croatia, Poland, Romania, Hungary, Greece, India, and South Africa.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios