Lionsgate Home Entertainment
Lionsgate Home Entertainment

13 Spooky Facts About The Monster Squad

Lionsgate Home Entertainment
Lionsgate Home Entertainment

One part The Goonies, one part Ghostbusters, and one part Abbott and Costello Meet Frankenstein, after being overlooked in its initial release, The Monster Squad has been reanimated as a cult classic. On the 30th anniversary of its release, let's take a look back at some of its behind-the-scenes trivia.

1. DIRECTOR FRED DEKKER WAS REJECTED BY TWO FILM SCHOOLS.

As a teenager, Fred Dekker applied to become a film student at both USC and UCLA. However, those universities both had other ideas. “Both film schools rejected me,” said Dekker on The Monster Squad’s 20th anniversary DVD, “but both accepted me in their curriculum, so I just couldn’t necessarily be in the film department.” The aspiring director enrolled at USC, where he reluctantly pursued a bachelor’s degree in English. “The fact that I was an English major was just kind of a nuisance. What I really wanted to do was just hang with my friends and make movies.”

2. THE FLICK GOT A BRIEF SHOUT-OUT IN NIGHT OF THE CREEPS.

When he received the greenlight for The Monster Squad (which he’d co-written with Shane Black), Dekker was busy shooting 1986’s Night of the Creeps. The cult classic involves alien parasites that enter their victims’ mouths and turn them into walking, braindead corpses. Pause the above trailer at the 29-second mark and, in a shameless plug, you’ll notice the words “Go Monster Squad!” conspicuously graffitied onto the bathroom wall.

3. THE CREATURE DESIGNERS WORKED HARD TO AVOID LEGAL PROBLEMS WITH UNIVERSAL.

First and foremost, The Monster Squad is an affectionate tribute to Universal’s iconic horror movies of the 1930s, ‘40s, and ‘50s. Nevertheless, the studio passed on producing the film, which was ultimately picked up by TriStar. This forced The Monster Squad’s visual effects team to get creative.

“Although we were doing a movie that was a takeoff on the Universal classics,” said legendary monster creator Stan Winston, “… none of our designs infringed on the original designs of the Universal characters. There were subtle changes; we had to be sure that nothing about them could be considered a copyright infringement of a design.” Which is why Dracula has no Lugosi-esque widow’s peak, Frankenstein monster’s neck bolts have migrated to his temples, and Wolfman has pointy ears and a face that Dekker describes as “more lupine” than what Universal had come up with.

4. CASTING THE MUMMY INVOLVED A BIZARRE WANT AD.

Mummies aren’t usually noted for their girth. “I’ve always been super skinny,” says actor Michael Reid MacKay. One fateful day, a friend pointed out an unusual casting advertisement in Variety. “It said, ‘Looking for an extremely thin actor on the verge of anorexia,” MacKay recalled. He headed straight for the studio and, after showing off some creepy gestures, won the part of the Mummy.

5. ASHLEY BANK TURNED DOWN A ROLE IN FATAL ATTRACTION TO PLAY FIVE-YEAR-OLD PHOEBE.


Lionsgate Home Entertainment

“Monster made me an offer first,” remembers Ashley Bank. “Had Fatal Attraction been shot in Los Angeles, I probably would have done both, but it was in New York, so I had to do The Monster Squad. My parents wanted me to have more fun. It was a bigger part, and it would be a kids’ movie that I could actually see … I never regretted it at all.”

6. AN EARLY DRAFT OF THE SCRIPT INVOLVED VAN HELSING FIGHTING DRACULA WITH MACHINE GUNS.

The Monster Squad co-writer Shane Black initially wanted a far more overblown—and expensive—opening scene. In the 2007 DVD documentary Monster Squad Forever, Dekker recalled that Black envisioned Van Helsing laying siege to Dracula’s castle “on a zeppelin with machine guns.” Racing out to meet him would be “40 vampire brides riding horses.” Dekker quickly burst Black’s bubble. “‘I said, ‘We can’t make this. This is the first five minutes of the movie and [we’d have] already spent … $100 million!’”

7. THE MONSTER SQUAD’S TREEHOUSE IS LITTERED WITH HORROR EASTER EGGS.

You’ve got to hand it to these kids: they know how to decorate. Wallpapering their arboreal hangout spot are posters and stills from movies that span the history of horror, including fan favorites like This Island Earth (1955), Vampire Circus (1972), and The Being (1983).

8. DUNCAN REGEHR BEAT OUT LIAM NEESON FOR THE ROLE OF DRACULA.

In 1986, Liam Neeson was still a relative unknown and, like many struggling actors, decided to try out for a horror movie. Apparently, he nailed his audition with a superb take on the Count. “We thought for sure we [were] going to hire this guy,” producer Jonathan Zimbert revealed in Monster Squad Forever. “Then Duncan came in and was not only as brilliant, but he was terrifying also.” Twenty years later, Wizard magazine named Regehr the “greatest Dracula of all time” for his chilling performance in The Monster Squad.

9. GILLMAN KO’D A STUNT MAN DURING THE FILM'S CLIMAX.

Creature builder Tom Woodruff, Jr. had always wanted to climb into a monster suit and wreak havoc in a major motion picture. With The Monster Squad, he smelled a golden opportunity. Late in the pre-production phase, nobody had yet been cast as Gillman (a.k.a. the Creature from the Black Lagoon). So Woodruff, who was working on Wolfman’s animatronics, asked to be considered for the job.

His wish was granted, but the gig wasn’t all fun and games. The Monster Squad’s final battle sees a few sherriff’s deputies clubbing the fishy humanoid. Though these prop weapons were soft on the outside, they had hard interiors. As sculptor Matt Rose notes 25 minutes into the clip below, Woodruff winced with every strike.

“They were wailing on him,” Rose recalled. “They’d stop and Tom would just say through the Gill mask ‘Hey guys, do you mind just taking it easy a little bit?” Alas, these pleas fell on deaf ears. After a few tiring takes, Rose remembers that, “One of the bigger guys was in the wrong place at the wrong time.” Since Woodruff’s vision was limited by the suit, he didn’t see the stunt man and accidentally slugged him right in the face.

“[He] fell like a sack of potatoes, straight on his a**,” said Rose. For a few unsettling moments, the stunt man just laid there with a glazed look in his eyes. Evidently, there was a pair of badly-placed rivets on the inside of his helmet. The blow drove these into his forehead and, once the hat was removed, two streams of blood spurted forth. Thankfully, he wasn’t seriously hurt.

10. DRACULA AND FRANKENSTEIN’S MONSTER NEVER BROKE CHARACTER IN FRONT OF THE KIDS.

Tom Noonan (Frankenstein’s Monster) made it a point to never greet the young stars with anything more than a grunt, and he never let them see him without his monstrous makeup. “The first time that I met Tom, I was 25,” Ashley Bank quipped. “I never met Tom [on the set]. I only met Frankenstein.”

Regehr, too, always stayed in costume around the children. Yet, he did make one minor adjustment whenever Bank walked by: Near the end of the picture, the script calls for Dracula to lift up Phoebe by the chin; as he clutches her, his teeth sharpen, his eyes redden, and he lets loose a mighty hiss. To really get a good scare out of her, Regehr made sure that Bank never saw him wearing his fangs or crimson contact lenses. When the time came to shoot the moment in question, he put them on when she wasn’t looking.

Dekker—who knew all about Regher’s plan—told Bank “You’re gonna have to scream in this scene.” “When?” she asked. “Oh, you’ll know,” he replied. And sure enough, she did. Bank’s terrified cry was, in her own words, “100 percent real.”

11. WHILE DELIVERING THE FINAL LINE, ANDRE GOWER WAS TOLD TO IMITATE CLINT EASTWOOD.

Moments before the credits roll, a victorious Sean (Andre Gower) looks squarely at the camera lens and says “We’re The Monster Squad.” Wanting the line to sound cool without getting campy, Dekker instructed Gower to “do it like Clint.”

12. THE MOVIE SPENT JUST TWO WEEKS IN THEATERS.

Released on August 14, 1987, The Monster Squad was both a commercial and critical flop. Vincent Camby of The New York Times called it “a silly attempt to cross breed an Our Gang comedy with a classic horror film, which usually means that both genres have reached the end of the line.” After a two-week theatrical run, the movie was pulled. However, it slowly built a following via video rentals and cable broadcasts.

Today, The Monster Squad commands a dedicated fan base. When the cast and crew reunited for a special two-night showing at Austin’s Alamo Drafthouse Cinema in 2006, both screenings sold out. As Dekker once put it, “It took 20 years for the movie to find its audience.”

13. TRAGICALLY, BRENT CHALEM (“HORACE”) DIED OF PNEUMONIA AT AGE 22.

He’ll always be remembered for his talent, his warmth, and the immortal line “Wolfman’s got nards!”

nextArticle.image_alt|e
MGM Home Entertainment
11 Fun Facts About A Fish Called Wanda
MGM Home Entertainment
MGM Home Entertainment

In 1988, the British heist comedy A Fish Called Wanda had audiences in the UK and across the pond rolling in the aisles. Thirty years later, the Oscar-winning ensemble movie about a clueless (but don’t call him stupid) weapons expert, a bumbling barrister, a quick-witted femme fatale, and a stuttering con artist remains a cult favorite. Starring John Cleese, Kevin Kline, Michael Palin, Jamie Lee Curtis, and of course, the eponymous fish, the film is packed with smart writing, silly slapstick, and some of the strongest comic performances of its starring actors’ careers. Here are 11 facts about A Fish Called Wanda for your unreserved enjoyment (just don’t ask us to repeat the part in the middle).

1. IT WAS DIRECTOR CHARLES CRICHTON’S FIRST FILM IN TWO DECADES.

Back in the 1950s, Charles Crichton was a famous director of Ealing Comedies—a series of comedy films produced by London’s Ealing Studios—who was known for his work on films like The Titfield Thunderbolt (1953), Hue and Cry (1947), and The Lavender Hill Mob (1951). By 1988, however, he hadn’t directed a feature film in two decades (though he had worked on TV shows and documentary shorts). He came out of semi-retirement to work on what would become his final film at the behest of John Cleese.

2. CRICHTON AND JOHN CLEESE SPENT FIVE YEARS WRITING THE FILM.

A Fish Called Wanda was years, even decades, in the making. Cleese and Crichton first met and began discussing ideas for a comedy heist film, inspired by The Lavender Hill Mob, all the way back in 1969. Though they parted ways professionally, Cleese continued to look for opportunities to collaborate on a film with Crichton. More than a decade later, he finally got his chance when he found himself working with Crichton on a series of business management training videos.

Though Crichton was already in his late seventies, Cleese managed to convince the semi-retired director to brainstorm ideas for a feature film with him. For the next few years, the two met periodically to throw around ideas and work on the script. All in all, the entire scriptwriting and pre-production process took more than five years and cost $150,000 of Cleese’s own money.

3. IT WAS INSPIRED BY THE EALING COMEDIES.

Unsurprisingly, A Fish Called Wanda was heavily indebted to the Ealing Comedies, especially Crichton’s own The Lavender Hill Mob, a heist comedy which starred Alec Guinness and Stanley Holloway as a pair of bumbling bank robbers. Cleese, however, claimed the parallels between the Ealing Comedies and A Fish Called Wanda were unintentional, but embraced the comparison.

“I knew that my memory of all these great Ealing films was very present, although I wasn’t consciously trying to write an Ealing comedy,” Cleese explained. “But I do remember when we interviewed Johnny Jympson when we were looking for an editor, and Johnny’d read it, and he came in and sat down, and Charlie said, ‘What’d you think?’ and Johnny was almost nervous and he hemmed and hawed a little bit and then he said very uncertainly, ‘Well, it’s an Ealing comedy, isn’t it?’ and we both said, ‘Yes!’”

4. THE ACTORS HELPED SHAPE THEIR CHARACTERS.

Cleese encouraged Kevin Kline, Michael Palin, and Jamie Lee Curtis to contribute ideas and help develop their characters. Curtis, in particular, was responsible for major changes to Wanda’s personality. "She was a sexually brazen, cold-hearted manipulator, who simply wanted money,” Curtis told The New York Times. “I didn't find that real. I decided she didn't altogether know what she wanted, but finds a wonderful power in manipulating people and feels personal satisfaction in trying to fool them. She plays a slightly different role for each man, yet she enjoys being herself, and she's not cold-hearted, not vicious.''

Curtis told The New York Times she reveled in the rare opportunity to shape her own character: ''Most films, one person is in charge, and you're afraid even to raise your hand with a suggestion,'' she explained. ''That's frustrating if you're a bright person and trust your instincts. But this was totally a collaborative effort, and I'm afraid it's spoiled me.'' She was, apparently, so enthusiastic a contributor over the course of a two-week rehearsal period that Palin gave her a shirt that read, “Wait, I have an idea.”

5. KEVIN KLINE’S CHARACTER WAS INSPIRED BY A LOS ANGELES SELF-HELP GURU.

In A Fish Called Wanda, Kline’s Otto is a pseudo-intellectual who constantly misinterprets everything from the teachings of Buddhist philosophy to the writings of Nietzsche. According to Cleese, his character was inspired by the real-life self-help guru Zen Master Rama, sometimes called the “yuppie guru.”

“I got the real key to the character out of Los Angeles Magazine,” Cleese explained in an interview. “I found a double-page spread for a guru, and I’m pretty sure his name was Zen Master Rama, and he looked about 32 and very unsure of himself, and he had a funny sort of hairstyle like a dandelion at the end of September. But the key thing was the line across the top of this two page advertisement for the seminars he ran at weekends, which was ‘Buddhism gives you the competitive edge.’ And I thought this was unbelievably funny.”

6. CLEESE’S CHARACTER WAS NAMED AFTER CARY GRANT.

Cleese named his character Archie Leach after movie star Cary Grant, who was born Archibald Leach. Though Cleese’s bumbling lawyer has little in common with the famously debonair Grant, Cleese explained that he chose the name because he and Grant shared a hometown, and because it was the closest he would ever get to “being Cary Grant.”

7. THE ORIGINAL ENDING WAS MUCH DARKER.

A Fish Called Wanda started off as a much darker comedy, but test audiences in America were apparently uncomfortable with the film’s cruelty, and lack of romantic payoff, so Crichton and his cast went in for a few re-shoots. In addition to softening Palin’s character a bit, they ended up re-shooting the film’s ending three times.

“We played the whole movie with this very sort of dark intent—it was a very black comedy—and of course, when they tested the movie in America, it tested very funny, except that people didn’t like that there was no real love story,” Curtis said, further explaining:

“The original ending of the movie was much darker. The costume designer and I had a really great time costuming this character, and in a department store in London on sale, we found a pair of shark shoes, and we bought them because we just thought, ‘Well, she’s just a shark.’ And we wore them in that last scene, and literally the last shot of the movie was going down my leg and freeze framing on the shark shoe. And right then, you knew she was going to take him for everything. The minute they got off the plane, she was going to bop him on the head, take the stuff, and leave.”

8. CLEESE CUT A BIG CHUNK OF THE CATHCART TOWERS SCENE.

In addition to changing the ending, Cleese cut several minutes from the film’s penultimate scene, in which Archie tries to get the stuttering Ken (Palin) to telling him where Wanda, Otto, and the diamonds are. Ken, whose stutter gets worse under pressure, can’t seem to utter the two words “Cathcart Towers.”

Initially, the scene was a Monty Python-esque series of increasingly absurd stunts—Ken attempting to sing the words (which remains in the final film), Archie trying to feed a tissue through a typewriter, Ken writing in toothpaste on a window—but Cleese worried the scene, which arrives at the climax of the film, was overly long and dragging the plot down, and so deleted most of it.

9. ONE AUDIENCE MEMBER LAUGHED HIMSELF TO DEATH.

Ole Bentzen, a Belgian audience member, was so tickled by the scene in which Ken has French fries stuck up his nose, that he actually laughed himself to death. The scene reminded him of a similar experience at a family dinner, in which his family had shoved cauliflower up their noses to great comic effect. He began laughing so hard, his heart rate escalated dangerously, causing a fatal heart attack.

10. IT WAS NOMINATED FOR THREE OSCARS.

Comedy movies rarely fare well at the Oscars, but A Fish Called Wanda was an exception. The film was nominated for three awards: for Best Original Screenplay (for Cleese and Crichton), Best Director, and Best Supporting Actor for Kevin Kline, who took home the statuette.

11. IT WAS THE TOP VIDEO RENTAL OF 1989.

A Fish Called Wanda beat a number of higher-budget blockbuster movies, including Die Hard (1988) and Coming to America (1988), as well as the Oscar-winning Rain Man (1988), to become the top video rental of 1989. Its success was due, in part, to an advertising partnership with Cadbury Schweppes, which plastered grocery stores for weeks with ads for the film.

nextArticle.image_alt|e
Archive Photos/Getty Images
12 EGOT Winners (and 25 Almost-EGOTS)
Archive Photos/Getty Images
Archive Photos/Getty Images

Life should have been good for Miami Vice’s Philip Michael Thomas in 1985. He was the star of one of television’s biggest hits, had released his first album as part of a multimillion dollar deal with Atlantic Records, and was making a name for himself in the fashion world (or at least trying to) with his very own women’s clothing line. But Thomas still had loftier goals, both in mind and on the gold medallion he was so fond of wearing. That dream was an EGOT.

Though Thomas swore that the engraved letters E, G, O, and T on his prized necklace stood for energy, growth, opportunity, and talent, those around the then-36-year-old actor unanimously gave a different translation: Emmy, Grammy, Oscar, and Tony—the four awards Thomas had intended to win over the next few years. It’s now more than 30 years later and Thomas has yet to even be nominated for any one of those accolades.

While an EGOT may seem an unlikely reality for Thomas, it’s not an impossibility for all artists. If John Legend can beat out Benedict Cumberbatch to win this year's Emmy for Outstanding Lead Actor in a Limited Series or a Movie for Jesus Christ Superstar Live in Concert, he'll become the 13th member of the EGOT winners' circle—and one of its youngest. Here are the 12 current members, a couple of SHEGOTS, plus several artists who are just one award away.

1. RICHARD RODGERS

Richard Rodgers
Getty Images

Before there was even a name for it, American composer Richard Rodgers became the first person to EGOT (yes, the acronym can also be used as a verb) when he won an Emmy for the television documentary Winston Churchill: The Valiant Years. His Oscar came in 1945, when his “It Might as Well Be Spring” from State Fair was named Best Song. He earned Grammys in both 1960 and 1962, for the original cast recordings of The Sound of Music and No Strings, respectively. Between 1950 and 1962, he won six Tony Awards, three of them in that first year for South Pacific. The same year, South Pacific also earned Rodgers a Pulitzer Prize for Drama, which we guess makes him a PEGOT.

2. HELEN HAYES

Helen Hayes
Getty Images

In 1977, 15 years after Rodgers inaugurated the honor, actress Helen Hayes joined him as the first female EGOT—an honor that took her 45 years to achieve, the longest of any of her EGOT peers. Her road began in 1932, when she won the Oscar for The Sin of Madelon Claudet (she won a second Oscar for 1970’s Airport). Her first Tony came in 1947, for Happy Birthday, followed by another in 1958 for Time Remembered. And she won a Best Actress Emmy in 1953 for an episode of Schlitz Playhouse of Stars. But it would take more than two decades for her to nab that elusive second letter, which she did for Best Spoken Word Recording for Great American Documents.

3. RITA MORENO

Rita Moreno
Getty Images

Seven months after Hayes earned her EGOT, actress Rita Moreno did the same when she won her first of two consecutive Emmys for a guest spot on The Muppet Show in 1977 (the following year she won one for an appearance on The Rockford Files). But Moreno did it in about a third the time of Hayes, 16 years, which was an EGOT record until Lopez smashed it last night. Her Oscar came in 1961 as Best Supporting Actress in West Side Story, followed by a Best Recording for Children Grammy in 1972, for The Electric Company. In 1975, Moreno nabbed a Tony playing Googie Gomez in Terrence McNally’s The Ritz, a role she reprised in the 1976 big-screen version.

4. JOHN GIELGUD

John Gielgud
Getty Images

Unlike his three predecessors, the Oscar wasn’t the first award John Gielgud won to earn his EGOT. Instead it was the Tony, which he first won in 1948 for The Importance of Being Earnest. He won a second Tony in 1961, as the director of Big Fish, Little Fish. Next came the Grammy, in 1979, for his dramatic recording of Ages of Man. In 1981, Gielgud took home the Best Supporting Actor Oscar for his iconic role as Dudley Moore’s butler/sidekick in Arthur. And when he won the Emmy in 1991, for Outstanding Lead Actor in Summer’s Lease, he was 87 years old, making him the oldest EGOT-getter.

5. AUDREY HEPBURN

Audrey Hepburn
Getty Images

Unfortunately, Audrey Hepburn didn’t live long enough to enjoy her EGOT. Two of her awards—her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for the informational Gardens of the World with Audrey Hepburn—were awarded after her passing on January 20, 1993, which made her the first posthumous EGOT recipient. She did, however, have the chance to bask in the glow of her 1953 Oscar for Roman Holiday, and a Tony for Ondine one year later.

6. MARVIN HAMLISCH

Marvin Hamlisch
Getty Images

There’s a distinctively heavy emphasis on the “O” in composer Marvin Hamlisch’s EGOT, as he is the most Academy Award-winning of the bunch, with a total of three. All of them were awarded in 1973—two for The Way We Were and one for his score for The Sting. It was “The Way We Were” that earned him his first of four Grammys, too, in 1974. His collaboration with Barbra Streisand continued, and earned him two Emmys in 1995, for Barbra: The Concert. Hamlisch’s Tony came in 1976 for A Chorus Line, the musical that also got him a Pulitzer Prize, making him the only other PEGOT on this list.

7. JONATHAN TUNICK

Jonathan Tunick
Getty Images

Composer/conductor Jonathan Tunick’s path to EGOT glory was a straight shot over the course of 20 years: In 1977 he won an Oscar for A Little Night Music, followed by an Emmy for Music Direction in 1982 for Night of 100 Stars, a 1988 Grammy for Best Instrumental Arrangement for Cleo Laine’s “No One is Alone,” and, finally, a 1997 Tony for Best Orchestrations for Titanic.

8. MEL BROOKS

Mel Brooks
Getty Images

Yes, Mel Brooks can do it all. In June of 2001 he became the world’s eighth EGOT winner, just a few weeks shy of his 75th birthday, when he earned three Tony Awards—for Best Musical, Best Original Score, and Best Book of a Musical—for The Producers. It was The Producers that brought Brooks his Oscar as well, for Best Original Screenplay (albeit 33 years earlier). Brooks’s first award came in 1967, when he won the Emmy for writing The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special. Beginning in 1997, he won three consecutive Emmys, this time as a guest actor on the sitcom Mad About You. It was during that same period that he also won his first of three Grammys, in 1998 for Best Spoken Comedy Album for The 2000 Year Old Man in the Year 2000. In a 2013 NPR interview, Brooks mentioned this crowning achievement, saying, “I'm an EGOT, so I don't need any more [awards].”

9. MIKE NICHOLS

Mike Nichols
Getty Images

Mike Nichols earned his EGOT in the same year as Mel Brooks, though it took him a full 40 years to get there (versus Brooks’s 34). The late comedian-turned-director’s path began with a 1961 Best Comedy Performance Grammy for An Evening With Mike Nichols And Elaine May. In 1964, he won his first of nine Tony Awards for Barefoot in the Park (his second came a year later for The Odd Couple). In 1967 he was named Best Director at the Oscars for The Graduate. And in 2001 he won his first two of four Emmys—for Outstanding Directing and Outstanding Made for Television Movie—for Wit.

10. WHOOPI GOLDBERG

Whoopi Goldberg
Getty Images

If Philip Michael Thomas invented the idea of the EGOT, Tracy Morgan—as Tracy Jordan—brought the phrase back into popular use on 30 Rock, when he set the same goal and even wore the necklace. And they even got real-life EGOT winner Whoopi Goldberg to play along and poke fun at the debate over whether she should truly be included as her Emmy is a Daytime one. (“It still counts,” she told Tracy. “Girl’s gotta eat!”) Goldberg's first award was a 1985 Grammy for Best Comedy Recording of Whoopi Goldberg—Original Broadway Show Recording. Next came a 1990 Best Supporting Actress Oscar for Ghost. In 2002 she got her E and T: an Emmy for hosting Beyond Tara: The Extraordinary Life of Hattie McDaniel and a Tony as co-producer of Thoroughly Modern Millie, which won Best Musical.

11. SCOTT RUDIN

Scott Rudin
Getty Images

Scott Rudin is the first producer to EGOT. He earned his gold medallion in 2012 when The Book of Mormon: Original Broadway Cast Recording earned a Grammy for Best Musical Theater Album (an award Rudin shares with fellow EGOT Robert Lopez). Rudin’s first award—an Emmy—came in 1984, for the kid’s show He Makes Me Feel Like Dancin’. He earned his first of 15 Tony Awards in 1994 for Passion, and his most recent in 2017 for Hello, Dolly!. While Rudin is probably best known as a film producer, he’s only got one Oscar to his credit, a 2007 Best Picture statue for the Coen brothers’ No Country for Old Men.

12. ROBERT LOPEZ

Robert Lopez
Getty Images

In 2014, songwriter Robert Lopez became the newest EGOT when he and his wife, Kristen Anderson-Lopez, took home the Oscar for Best Original Song for Frozen’s “Let It Go.” (The pair won a second statuette earlier this year for the song "Remember Me" from Coco.) In addition to being the newest member of the EGOT winners' circle, he is also the youngest member of the club (he's 43 years old now, but had just turned 39 when he was "inducted.") Lopez is also the fastest artist to achieve the honor, taking just 10 years to earn all four awards, beginning with a 2004 Tony Award for Best Score for Avenue Q, followed by two Daytime Emmys in 2008 and 2010 for Outstanding Achievement in Music Direction and Composition for Wonder Pets. In 2012, Lopez and Rudin shared the Grammy for The Book of Mormon, making them the first pair of EGOTs to have a shared award get them into the circle.

(SH)EGOTS

Though the official number of EGOT winners is 12, it’s worth noting that there are a handful of other rather famous faces who have also earned all four awards ... but because at least one of them is a special or honorary award only—not a competitive one—their inclusion in the official club is questionable. Let’s call them SHEGOTs?

1. BARBRA STREISAND


Terry Fincher, Express/Getty Images

Amazingly, the only Tony Award that Barbra Steisand has on her mantel is a non-competitive one; in 1970, she was named Star of the Decade.

2. LIZA MINNELLI

Performer Liza Minnelli
Getty Images

Liza Minnelli may have been handed a Grammy Legend Award in 1990—but this legend has no competitive Grammy to speak (or sing) of.

3. JAMES EARL JONES

James Earl Jones accepts the Special Tony Award for Lifetime Achievement in the Theatre onstage during the 2017 Tony Awards at Radio City Music Hall on June 11, 2017 in New York City
Theo Wargo, Getty Images for Tony Awards Productions

Though he's been a Hollywood icon for decades, James Earl Jones's only Oscar win was an honorary one in 2012. He did receive a Best Actor nomination in 1971 for The Great White Hope, but lost out to George C. Scott for Patton. (It's worth noting that Scott had alerted the Academy ahead of time that he refused the nomination, so it was hardly surprising that he wasn't there to accept the actual award.)

4. ALAN MENKEN

Johnny Mercer Award Honoree Alan Menken performs onstage at the Songwriters Hall Of Fame 48th Annual Induction and Awards at New York Marriott Marquis Hotel on June 15, 2017 in New York City
Larry Busacca, Getty Images for Songwriters Hall Of Fame

Composer/songwriter Alan Menken won the Tony for Best Original Score for the Broadway version of Newsies in 2012, but his 1990 Emmy for his contribution to "Wonderful Ways to Say No," an anti-drug cartoon special, was an honorary one—leaving him one official award short of an EGOT.

5. HARRY BELAFONTE

Harry Belafonte attends the 2016 Library Lions Gala at New York Public Library - Stephen A Schwartzman Building on November 7, 2016 in New York City
Theo Wargo, Getty Images

In 2014, Harry Belafonte was awarded the Academy's Jean Hersholt Humanitarian Award—putting him in the elite class of a half-dozen (SH)EGOTs.

6. QUINCY JONES

Music producer Quincy Jones attends Spotify's Inaugural Secret Genius Awards hosted by Lizzo at Vibiana on November 1, 2017 in Los Angeles, California
Matt Winkelmeyer, Getty Images for Spotify

Music producer Quincy Jones may be one of the world's most award-winning artists, but a competitive Oscar has so far eluded him. Like Belafonte, the only Academy Award he has won is the Jean Hersholt Humanitarian Award (which he received in 1994). Beyond that, he is a seven-time Oscar nominee.

ALMOST EGOTS

While there are are a number of artists who came close to EGOT'ing during their lifetimes—including Robin Williams (who was short a Tony), Jessica Tandy (she was missing a Grammy), Henry Fonda (who was minus an Emmy), and Leonard Bernstein (who never won an Oscar)—the EGOT dream is still alive for dozens of artists.

1. JOHN LEGEND

If John Legend wins an Emmy this year, he'll become the 13th official member of the EGOT winners' circle.

2. JULIE ANDREWS

It's hard to believe that Julie Andrews has yet to win a Tony Award (though she's been nominated for three). If and when she does, she can add EGOT to her resume.

3. AND 4. ANDREW LLOYD WEBBER AND TIM RICE

Like Legend, Andrew Lloyd Webber and Tim Rice are just an Emmy short of an EGOT—which could change this year.

5. LIN-MANUEL MIRANDA

The Hamilton creator came so close to EGOT'ing last year. But something tells us it won't be long before he's inducted into this elite group of artists.

6. MARTIN SCORSESE

He may be one of the world's most acclaimed filmmakers, but it took him more than a quarter-century to earn his first (and so far only) Oscar. Hopefully a Tony will be next.

7. FRANCES MCDORMAND

Just below the EGOT, there's what is known as the Triple Crown of Acting: a performer who has won an Oscar, Emmy, and a Tony (but is missing a Grammy). Frances McDormand is among that group.

8. VIOLA DAVIS

Like McDormand, Viola Davis is part of the Triple Crown club.

9. RANDY NEWMAN

It took 20 years and 16 nominations, but Randy Newman finally became an Oscar winner in 2002 when he won the award for Best Original Song for "If I Didn't Have You" from Monsters, Inc. He still needs a Tony though.

10. AL PACINO

He's one of the most celebrated actors alive, but Al Pacino is no Grammy winner.

11. JOHN WILLIAMS

The iconic composer may hold the record for the most Oscar nominations for a living person, but John Williams has yet to receive a single Tony Award nomination.

12. CHER

The iconic singer is one Tony Award short of an EGOT.

13. ELTON JOHN

The "Rocket Man" singer is one Emmy Award away from an EGOT.

14. MAGGIE SMITH

Dame Maggie Smith may not have a Grammy Award, but she's a Triple Crown-winning actor who has earned the right to be addressed as "Dame."

15. COMMON

Rapper/poet/singer/producer Common only needs a Tony Award to complete his EGOT.

16. AND 17. RON HOWARD AND BRIAN GRAZER

Longtime producing partners Ron Howard and Brian Grazer have seemingly conquered every medium, but neither one has yet to win a Tony (though Grazer has come closer; he was nominated in 2008).

18. AND 19. TREY PARKER AND MATT STONE

The South Park creators are just an Oscar short of the EGOT goalpost.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios