11 Expert Facts About Léon: The Professional

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It's been over two decades since writer/director Luc Besson’s Léon: The Professional hit theaters, and we’re willing to bet that you’ve yet to shake off how the movie made you feel. The crime thriller that launched Natalie Portman’s career, and put French actor Jean Reno front and center in Hollywood, Léon tells the story of a professional assassin who takes in his pre-teen neighbor after her family is murdered. The two then develop a friendship so close that you might still find yourself fearing it could cross the line of appropriateness (even if you've seen the film 100 times and breathed a sigh of relief at its outcome). With its boundary-pushing plot and expert direction, the film is widely (and rightly) regarded as one of Besson’s best works.

1. NATALIE PORTMAN’S PARENTS WERE COMPLETELY AGAINST HER PLAYING MATHILDA.

It was an extremely complicated role for an 11-year-old: Not only would she have to deal with a broken home and violence, but she’d also have to deal with the unwanted sexualization of a young girl. In Starting Young, a documentary about Portman that’s included on the 10th anniversary DVD edition of Léon, the actress admits that after she read the script, she was so moved to tears by the film that she knew she had to have the role. Her parents weren’t as convinced. “My parents were like, ‘There is no way you’re doing this movie. This is absolutely inappropriate for a child your age ... and I was like, ‘This is the greatest thing I’ve ever read! You’re gonna ruin my life!’” she shares in the doc. “[I] was basically just fighting with them so much.”

2. IN THE ORIGINAL SCRIPT, LÉON ACCIDENTALLY WALKS IN ON MATHILDA WHILE SHE'S IN THE SHOWER.

Portman’s parents were understandably not comfortable with this scene. In Starting Young, Portman notes that her parents scaled the sexual undertones way back. It was a point they made sure to detail in their daughter’s contract.

3. RENO AND PORTMAN WEREN’T ALLOWED TO REHEARSE THE FILM’S MOST CONTROVERSIAL SCENE, WHERE MATHILDA PUTS ON A DRESS GIVEN TO HER BY LÉON.

Up until the moment of the dress scene—which was deleted in the original U.S. theatrical version for its racy content (it would be restored a decade later)—it’s easy to believe that Léon acts as a person stuck between childhood and adult male. It isn’t until this turning point that one begins to worry. Here, Mathilda makes Léon tell her he likes her dress and whispers to him the importance of a girl’s first time having sex. He rejects her advances, but the tension is evident in his expression.

As Reno puts it in the film’s DVD commentary, it’s “the beginning of the perversity.” Reno often asked the director when they would read the part, and Besson would avoid the question. Not being able to read the scene helped Besson and his cast genuinely capture the awkwardness the characters felt at that moment. “[Léon and Mathilda’s] relationship was very connected and very strange,” Reno concluded.

4. PORTMAN’S PARENTS ARE THE REASON WHY MATHILDA QUITS SMOKING IN THE FILM.

As per the agreement Portman’s parents outlined with Besson, the actress was allowed five fake cigarettes in her hand during the entire film shoot, and she was never allowed to inhale a single one of them. If you pay close attention to her character, you'll see that she only puts the cigarette to her lips, but never blows smoke out. Additionally, her parents demanded that her character quit smoking at some point in the movie. In the film, Léon scolds Mathilda for smoking, and later you see her throwing her unfinished cigarette away when she’s alone.

5. PORTMAN’S MARILYN MONROE IMPRESSION IN THE FILM WAS INSPIRED BY MIKE MYERS.

During her audition, Besson asked Portman if she could do any celebrity impressions; what you see in the film is the entire arsenal that she presented to the director. While she was obsessed with Gene Kelly and Madonna as a kid, her Marilyn Monroe impression was done without having seen any of the legendary bombshell’s work. “I had never seen the original Marilyn tapes at all,” Portman says in Starting Young. She goes on to admit that her impression was informed by a vague memory of Mike Myers impersonating Monroe in Wayne’s World.

6. BESSON GOT THE IDEA FOR LÉON WHILE WORKING ON LA FEMME NIKITA.

In the 1990 film La Femme Nikita, Reno plays Victor the Cleaner, an operative sent in to salvage Nikita’s botched mission. According to the DVD commentary, Besson was so inspired to explore Reno’s character further that he developed a story around him, which became Léon. Fortunately (in retrospect) for the director, when filming of The Fifth Element was delayed due to Bruce Willis’s schedule, Besson was afforded the time to shoot The Professional as a passion project.

7. THE CHELSEA HOTEL WAS USED FOR THE INTERIOR SHOTS OF MATHILDA AND LÉON’S APARTMENT BUILDING.

Léon and Mathilda’s apartment building might look like a place where burnouts escape to cook some meth, but the spot is actually an iconic part of New York City history. The Chelsea Hotel was once a place where Allen Ginsberg and Gregory Corso enjoyed philosophical exchanges; Bob Dylan, Janis Joplin, Charles Bukowski, Tom Waits, Patti Smith, Leonard Cohen, and Iggy Pop all called it home; Arthur C. Clarke wrote 2001: A Space Odyssey while staying there; Andy Warhol filmed Chelsea Girls within its walls; and Sid Vicious’s girlfriend, Nancy Spungen, was found stabbed to death there (leading to Vicious’s arrest).

8. THE CITY OF NEW YORK INSPIRED THE FILM.

While the film was shot in both Paris and New York City, Besson has noted that Léon is first and foremost a New York movie. “When it comes to Léon I feel comfortable in New York because for me, in New York, you can be invisible. You can see someone lying on the street and no one will stop,” Besson told Stumped Magazine. “If you have no phone and no credit cards, no one knows where you are … One more thing: you can’t shoot Léon in France because in France in every building you have a concierge and she knows everything. She is glue with the police all the time so you can’t be invisible in Paris.”

9. GARY OLDMAN’S CLASSIC DELIVERY OF THE LINE “BRING ME EVERYONE!” WAS PURPOSELY MEANT TO MAKE LUC BESSON LAUGH.

Never one to under-serve his characters, Gary Oldman—as Stansfield, the film’s drug-addicted DEA agent antagonist—gave Besson everything he had, creating one of the most memorable (and now classic) moments of the film. “What’s funny is that the line was a joke and now it’s become iconic,” Oldman told Playboy. “I just did it one take to make the director, Luc Besson, laugh. The previous takes, I’d just gone, ‘Bring me everyone,’ in a regular voice. But then I cued the sound guy to slip off his headphones, and I shouted as loud as I could. That’s the one they kept in the movie. When people approach me on the street, that’s the line they most often say.”

10. BESSON HAS SHUT DOWN RUMORS THAT A SEQUEL IS IN THE WORKS.

So stop asking. During his press tour for Lucy, Besson told The Guardian, "You can't imagine how many people ask me for a Léon sequel. Everywhere I go they ask me. If I was motivated by money, I would have done it a long time ago. But I don't feel it."

In an earlier interview with Cinema Blend, Besson elaborated on the topic, saying, “Natalie is old now, she's a mother … It's too late. If I got an idea tomorrow about a sequel, of course I would do it. But I never came up with something strong enough. I don't want to do sequels for money; I want to do a sequel because it's worth it. I want it to be as good or better than the original."

11. JEAN RENO PLAYED LÉON AS EMOTIONALLY REPRESSED TO MAKE SURE THE AUDIENCE KNEW HE HAD NO SEXUAL DESIRE FOR MATHILDA.

In the DVD commentary, Reno says he made a conscious decision to make Léon a little slow so that he didn’t come off as physically threatening to Portman’s character. “[Léon is] somebody who’s lost his parents, an immigrant, in fact ... If you’re not smart, it means no brain, means not a lot of words, so you have to put a lot of emotions. You defend yourself in that way, the instinctive,” Reno says about portraying Léon. “If you’re slow, [Mathilda] will control the situation."

9 Surprising Facts About James McAvoy

Chris Jackson, Getty Images
Chris Jackson, Getty Images

Whether you know James McAvoy from the X-Men movies or have been a fan since his early gigs on British television, there's no denying that 2019 has already been a very good year for the Scottish actor. In addition to his starring role in M. Night Shyamalan's Glass, McAvoy is set to star in June's Dark Phoenix, will be taking on the role of an adult Bill Denbrough in It: Chapter 2 in October, and will appear in the upcoming TV version of His Dark Materials later this year. And to top it all off, he’s turning 40 on April 21.

In celebration of McAvoy's big day—and even bigger year—here are some things you might not know about the Golden Globe-nominated actor.

1. He was raised by his grandparents.

James McAvoy was born in Glasgow, Scotland, to a psychiatric nurse and a builder. However, his parents split when he was seven, and because his mother was in poor health, McAvoy and his sister went to live with their maternal grandparents. While his mother lived with them on and off throughout his childhood, McAvoy hasn’t spoken to his father since he was a kid.

2. He considered becoming a priest.

McAvoy was brought up in the Roman Catholic church, but that wasn’t the reason he considered becoming a priest. Long before he decided to go the drama school route, he considered entering the priesthood because he thought it would give him an excuse to travel the world.

"I wanted to be a missionary, but it was only because I wanted a free ticket to go and explore the world," McAvoy told The Telegraph in 2006. "I realized I was using God and religion to get my kicks so I knocked that on the head."

3. He married his on-screen love interest.

Anne-Marie Duff and James McAvoy attends the Suffragette Premiere during the Opening Night Gala during the BFI London Film Festival at Leicester Square on October 7, 2015 in London, England
John Phillips, Getty Images for BFI

While working on the UK version of Shameless in the early 2000s, McAvoy met his on-screen love interest and future wife, Anne-Marie Duff. The pair started a relationship that they kept very private, and married in 2006. They went on to also star in 2009’s The Last Station together, but McAvoy later announced he would no longer be working with his then-wife.

"You have to weigh it up against how much of a headache it would be. It exposes you to a lot of questions," he told USA Today in 2011. "I'm very big in saying that I don't agree that if you put yourself in the spotlight, you have to accept it. I do think that if you work together as husband and wife, you're kind of asking for it." Ultimately, the couple split in 2016.

4. Acting was never his plan.

In addition to the priesthood, McAvoy considered a few others careers before he settled on acting. In fact, acting kind of happened by accident. While speaking to The Guardian in 2006, McAvoy explained that it wasn’t until director David Hayman came to his school to speak about the entertainment business that he knew he wanted to give it a go. He was so sure, in fact, that he reportedly approached Hayman after the talk and asked him for some work. (McAvoy's first credited role was in 1995's The Near Room, which Hayman directed.)

“I always believed that I never wanted to be an actor; I only did it because I was allowed to do it and I had to do something,” McAvoy explained. “I felt as if my career just happened to me. I hadn't actually engaged in it. I suppose I felt totally disempowered, just by this fate thing.”

5. Band of Brothers was his big break.

McAvoy’s big break came in HBO’s 2001 miniseries Band of Brothers, produced by Steven Spielberg and Tom Hanks. The actor played character James W. Miller in just one episode, but that’s all it took for his phone to start ringing; shortly thereafter, McAvoy scored notable roles on BBC’s Shameless (2004), The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), and The Last King of Scotland (2006). He wasn't the only up-and-comer who made a name for himself with Band of Brothers: Michael Fassbender, Tom Hardy, and Dominic Cooper were among his co-stars.

6. He’s a Golden Globe nominee.

In 2007, McAvoy played Keira Knightley's love interest in Joe Wright’s period drama Atonement, based on the Ian McEwan novel. The role was one of the actor’s most moving performances to date, and scored him a Golden Globe nomination. Although he has wowed audiences in numerous parts since, such as the man with 23 different personalities in 2016’s Split (and 2019’s Glass), his role in Atonement has earned him the most critical acclaim. McAvoy, too, is a fan.

"[T]o find a film that was so epic, sweeping and romantic, yet be intelligent, was nice to me," McAvoy said. "Also the fact that it’s a very classic story, but it’s told in a very contemporary and modern way."

7. He was slightly tipsy the first time he met M. Night Shyamalan.

M. Night Shyamalan and James McAvoy attend the “Glass” Paris Gala Screening at la Cinematheque Francaise on January 07, 2019 in Paris, France
Kristy Sparow, Getty Images for Disney Studios

Speaking of Split and Glass: McAvoy was definitely in the right place at the right time—and in the right frame of mind—when he first met director M. Night Shyamalan. In a 2017 interview with The Guardian, McAvoy shared how he and Shyamalan just happened to cross paths at San Diego Comic-Con in 2015. "There was a big party, you couldn’t turn around without bumping into somebody off the telly," he said. "My mate Jesse was playing miniature golf in the middle of it. We were getting particularly drunk, and then I saw M. Night Shyamalan. He goes: ‘You’re James McAvoy!’ And I said: ‘You’re M Night Shyamalan! What do I call you?’ I was very drunk.”

Inebriated or not, Shyamalan saw something he liked. One month later, he was on the set of Split (in a role that Joaquin Phoenix was originally set to play, but dropped out of at the last minute).

8. He admires Samuel L. Jackson's no-nonsense attitude.

While promoting Glass, McAvoy participated in a lot of press events with Samuel L. Jackson, and was impressed by what he saw. "I saw examples of what I might be able to do when I got the balls he’s got,” McAvoy said. "That guy does not suffer fools, which is a positive quality. If he gets any kind of question that is in any way not thought out properly, he just drops the F-bomb and is like, ‘What are you talking about? What? What?’ He calls out [the journalist] so hard, and it’s the funniest thing."

9. He credits his success to a lot of luck.

When asked about the secret to his success, McAvoy doesn't mince words: "I got lucky," he told The Talks. "I got so f***ing lucky that I fell into the lap of a director when I was 16 and he gave me a part in a film and my horizons immediately exploded wide with all the weird people in it and all these crazy f***ing actors and directors and artistic people who were from all over the world. Through that one job I met people from England, I met people from America, and I met people from all over the place with challenging points of view and sympathetic points of view to mine. And then I went to a youth theater for six months as well, and that expanded my mind massively. It gave me so much more confidence to find out who I was and not be afraid of who I was simply because I’m in a scenario that I don’t understand ... I got really lucky. I got really, really lucky. It’s been a good ride for me."

Game of Thrones Star Sophie Turner Opened Up About Her Struggles With Depression

Helen Sloan, HBO
Helen Sloan, HBO

Playing one of the main characters on the most popular show currently on television isn't always as glamorous as it seems. Sometimes, the pressures of fame can be too much. Sophie Turner realized this while playing Sansa Stark on Game of Thrones, and has recently revealed how being in the public eye took a toll on her mental health.

Turner took on the role of Sansa Stark in 2011, when she was just a teenager, and she quickly became a household name. Now, at 23, she's come forward to Dr. Phil on his podcast Phil in the Blanks to explain how negative comments on social media affected her self-image and mental health.

"I would just believe it. I would say, ‘Yeah, I am spotty. I am fat. I am a bad actress.' I would just believe it," Turned explained. "I would get [the costume department] to tighten my corset a lot. I just got very, very self-conscious."

Later on, these feelings led to major depression. Turner developed a sense of isolation after she realized that all of her friends and family were going off to colleege while she was pursuing a sometimes-lonely acting career.

"I had no motivation to do anything or go out. Even with my best friends, I wouldn't want to see them, I wouldn't want to go out and eat with them," Turner explained. "I just would cry and cry and cry over just getting changed and putting on clothes and be like, 'I can't do this. I can't go outside. I have nothing that I want to do.'"

The feelings of depression stayed with Turner for most of the time she was filming Game of Thrones, and it's a battle she's still fighting. "I've suffered with my depression for five or six years now. The biggest challenge for me is getting out of bed and getting out of the house. Learning to love yourself is the biggest challenge," she continued.

The actress shared that she goes to a therapist and takes medication for her depression—two things that have helped her feel better.

Between Game of Thrones ending and planning her wedding to fiancé Joe Jonas, Turner may not have the time to take on many new acting roles in the near future. However, we'll continue to see her as Sansa Stark in the final season of Game of Thrones, and as Jean Grey in Dark Phoenix, which hits theaters on June 7.

[h/t: E! News]

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