11 Expert Facts About Léon: The Professional

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It's been over two decades since writer/director Luc Besson’s Léon: The Professional hit theaters, and we’re willing to bet that you’ve yet to shake off how the movie made you feel. The crime thriller that launched Natalie Portman’s career, and put French actor Jean Reno front and center in Hollywood, Léon tells the story of a professional assassin who takes in his pre-teen neighbor after her family is murdered. The two then develop a friendship so close that you might still find yourself fearing it could cross the line of appropriateness (even if you've seen the film 100 times and breathed a sigh of relief at its outcome). With its boundary-pushing plot and expert direction, the film is widely (and rightly) regarded as one of Besson’s best works.

1. NATALIE PORTMAN’S PARENTS WERE COMPLETELY AGAINST HER PLAYING MATHILDA.

It was an extremely complicated role for an 11-year-old: Not only would she have to deal with a broken home and violence, but she’d also have to deal with the unwanted sexualization of a young girl. In Starting Young, a documentary about Portman that’s included on the 10th anniversary DVD edition of Léon, the actress admits that after she read the script, she was so moved to tears by the film that she knew she had to have the role. Her parents weren’t as convinced. “My parents were like, ‘There is no way you’re doing this movie. This is absolutely inappropriate for a child your age ... and I was like, ‘This is the greatest thing I’ve ever read! You’re gonna ruin my life!’” she shares in the doc. “[I] was basically just fighting with them so much.”

2. IN THE ORIGINAL SCRIPT, LÉON ACCIDENTALLY WALKS IN ON MATHILDA WHILE SHE'S IN THE SHOWER.

Portman’s parents were understandably not comfortable with this scene. In Starting Young, Portman notes that her parents scaled the sexual undertones way back. It was a point they made sure to detail in their daughter’s contract.

3. RENO AND PORTMAN WEREN’T ALLOWED TO REHEARSE THE FILM’S MOST CONTROVERSIAL SCENE, WHERE MATHILDA PUTS ON A DRESS GIVEN TO HER BY LÉON.

Up until the moment of the dress scene—which was deleted in the original U.S. theatrical version for its racy content (it would be restored a decade later)—it’s easy to believe that Léon acts as a person stuck between childhood and adult male. It isn’t until this turning point that one begins to worry. Here, Mathilda makes Léon tell her he likes her dress and whispers to him the importance of a girl’s first time having sex. He rejects her advances, but the tension is evident in his expression.

As Reno puts it in the film’s DVD commentary, it’s “the beginning of the perversity.” Reno often asked the director when they would read the part, and Besson would avoid the question. Not being able to read the scene helped Besson and his cast genuinely capture the awkwardness the characters felt at that moment. “[Léon and Mathilda’s] relationship was very connected and very strange,” Reno concluded.

4. PORTMAN’S PARENTS ARE THE REASON WHY MATHILDA QUITS SMOKING IN THE FILM.

As per the agreement Portman’s parents outlined with Besson, the actress was allowed five fake cigarettes in her hand during the entire film shoot, and she was never allowed to inhale a single one of them. If you pay close attention to her character, you'll see that she only puts the cigarette to her lips, but never blows smoke out. Additionally, her parents demanded that her character quit smoking at some point in the movie. In the film, Léon scolds Mathilda for smoking, and later you see her throwing her unfinished cigarette away when she’s alone.

5. PORTMAN’S MARILYN MONROE IMPRESSION IN THE FILM WAS INSPIRED BY MIKE MYERS.

During her audition, Besson asked Portman if she could do any celebrity impressions; what you see in the film is the entire arsenal that she presented to the director. While she was obsessed with Gene Kelly and Madonna as a kid, her Marilyn Monroe impression was done without having seen any of the legendary bombshell’s work. “I had never seen the original Marilyn tapes at all,” Portman says in Starting Young. She goes on to admit that her impression was informed by a vague memory of Mike Myers impersonating Monroe in Wayne’s World.

6. BESSON GOT THE IDEA FOR LÉON WHILE WORKING ON LA FEMME NIKITA.

In the 1990 film La Femme Nikita, Reno plays Victor the Cleaner, an operative sent in to salvage Nikita’s botched mission. According to the DVD commentary, Besson was so inspired to explore Reno’s character further that he developed a story around him, which became Léon. Fortunately (in retrospect) for the director, when filming of The Fifth Element was delayed due to Bruce Willis’s schedule, Besson was afforded the time to shoot The Professional as a passion project.

7. THE CHELSEA HOTEL WAS USED FOR THE INTERIOR SHOTS OF MATHILDA AND LÉON’S APARTMENT BUILDING.

Léon and Mathilda’s apartment building might look like a place where burnouts escape to cook some meth, but the spot is actually an iconic part of New York City history. The Chelsea Hotel was once a place where Allen Ginsberg and Gregory Corso enjoyed philosophical exchanges; Bob Dylan, Janis Joplin, Charles Bukowski, Tom Waits, Patti Smith, Leonard Cohen, and Iggy Pop all called it home; Arthur C. Clarke wrote 2001: A Space Odyssey while staying there; Andy Warhol filmed Chelsea Girls within its walls; and Sid Vicious’s girlfriend, Nancy Spungen, was found stabbed to death there (leading to Vicious’s arrest).

8. THE CITY OF NEW YORK INSPIRED THE FILM.

While the film was shot in both Paris and New York City, Besson has noted that Léon is first and foremost a New York movie. “When it comes to Léon I feel comfortable in New York because for me, in New York, you can be invisible. You can see someone lying on the street and no one will stop,” Besson told Stumped Magazine. “If you have no phone and no credit cards, no one knows where you are … One more thing: you can’t shoot Léon in France because in France in every building you have a concierge and she knows everything. She is glue with the police all the time so you can’t be invisible in Paris.”

9. GARY OLDMAN’S CLASSIC DELIVERY OF THE LINE “BRING ME EVERYONE!” WAS PURPOSELY MEANT TO MAKE LUC BESSON LAUGH.

Never one to under-serve his characters, Gary Oldman—as Stansfield, the film’s drug-addicted DEA agent antagonist—gave Besson everything he had, creating one of the most memorable (and now classic) moments of the film. “What’s funny is that the line was a joke and now it’s become iconic,” Oldman told Playboy. “I just did it one take to make the director, Luc Besson, laugh. The previous takes, I’d just gone, ‘Bring me everyone,’ in a regular voice. But then I cued the sound guy to slip off his headphones, and I shouted as loud as I could. That’s the one they kept in the movie. When people approach me on the street, that’s the line they most often say.”

10. BESSON HAS SHUT DOWN RUMORS THAT A SEQUEL IS IN THE WORKS.

So stop asking. During his press tour for Lucy, Besson told The Guardian, "You can't imagine how many people ask me for a Léon sequel. Everywhere I go they ask me. If I was motivated by money, I would have done it a long time ago. But I don't feel it."

In an earlier interview with Cinema Blend, Besson elaborated on the topic, saying, “Natalie is old now, she's a mother … It's too late. If I got an idea tomorrow about a sequel, of course I would do it. But I never came up with something strong enough. I don't want to do sequels for money; I want to do a sequel because it's worth it. I want it to be as good or better than the original."

11. JEAN RENO PLAYED LÉON AS EMOTIONALLY REPRESSED TO MAKE SURE THE AUDIENCE KNEW HE HAD NO SEXUAL DESIRE FOR MATHILDA.

In the DVD commentary, Reno says he made a conscious decision to make Léon a little slow so that he didn’t come off as physically threatening to Portman’s character. “[Léon is] somebody who’s lost his parents, an immigrant, in fact ... If you’re not smart, it means no brain, means not a lot of words, so you have to put a lot of emotions. You defend yourself in that way, the instinctive,” Reno says about portraying Léon. “If you’re slow, [Mathilda] will control the situation."

Reviews.org Wants to Pay You $1000 to Watch 30 Disney Movies

Razvan/iStock via Getty Images
Razvan/iStock via Getty Images

Fairy tales do come true. CBR reports that Reviews.org is currently hiring five people to watch 30 Disney movies (or 30 TV show episodes) for 30 days on the new Disney+ platform. In addition to $1000 apiece, each of the chosen Disney fanatics will receive a free year-long subscription to Disney+ and some Disney-themed movie-watching swag that includes a blanket, cups, and a popcorn popper.

The films include oldies but goodies, like Fantasia, Bambi, and A Goofy Movie, as well as Star Wars Episodes 1-7 and even the highly-anticipated series The Mandalorian. Needless to say, there are plenty of options for 30 days of feel-good entertainment.

In terms of qualifications: applicants must be over the age of 18, a U.S. resident, have the ability to make a video reviewing the films, as well as a semi-strong social media presence. On the more fantastical side, they are looking for applicants who “really, really lov[e] Disney” and joke that the perfect candidate, “Must be as swift as a coursing river, with all the force of a great typhoon.” You can check out the details in the video below.

Want to put yourself in the running? Be sure to submit your application by Thursday, November 7 at 11:59 p.m. at the link here. And keep an eye out for Disney+, which will be available November 12.

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.


Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

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