15 Behind-the-Scenes Facts About Taxi

Paramount Home Entertainment
Paramount Home Entertainment

Unlike many sitcoms of its era, Taxi focused on a group of blue-collar workers who—despite having aspirations of bigger and better careers—were never really destined to be anything other than what they were: cab drivers. The series won 18 Emmy Awards during its five-year run and will always be remembered not only for its clever writing but also for some truly quirky characters and sometimes bittersweet storylines. On the 40th anniversary of its premiere, here are some behind-the-scenes facts about the beloved sitcom.

1. THE SERIES WAS INSPIRED BY A MAGAZINE ARTICLE.

When The Mary Tyler Moore Show ended its successful seven-season run, co-creator James L. Brooks formed a new production company, the John Charles Walters Company, with David Davis, Ed. Weinberger, and Stan Daniels, all writer/producers whom he had worked with on The Mary Tyler Moore Show. Brooks got the idea to create an ensemble show set at a New York cab company after reading “Night Shifting for the Hip Fleet,” an article about a Greenwich Village taxi garage that ran in New York Magazine in 1975.

2. TONY DANZA WAS "DISCOVERED" IN THE BOXING RING.

In the mid-1970s “Tough” Tony Danza was a professional boxer who trained at Gleason’s Gym in Brooklyn. Gleason’s was home to many famous fighters, and the go-to place for filmmakers and authors who were researching the sport. That was how producers Larry Gordon and Joel Silver happened to be ringside one night when Danza knocked out Billy Perez and they invited him to audition for Walter Hill's The Warriors, which they were producing. He was just about ready to ink a deal with them, too, when James L. Brooks called and asked him to read for the part of a boxer on his upcoming sitcom, Taxi.

3. "TONY BANTA" STARTED OUT AS "PHIL RYAN."

The original boxer character Brooks had in mind was an Irish heavyweight named Phil Ryan, but he liked Danza’s audition enough to tailor the part to the actor. So Phil Ryan became Phil Banta, an Italian middleweight. Danza was impressed when three days into rehearsal he got the news that his character’s name had been changed to “Tony” Banta. “They must really like me,” he said at the time. That little ego boost didn’t last long; producer Ed. Weinberger revealed to Danza that they’d changed the name because they had a feeling that he wouldn’t remember to answer to “Phil.”

4. THE PRODUCERS WANTED JUDD HIRSCH, BUT HIRSCH DIDN'T WANT A SERIES.

Judd Hirsch was primarily a stage actor who had done a few films. In 1977 he guest starred on two episodes of The Mary Tyler Moore Show spin-off Rhoda, and decided that he didn’t enjoy working on television. His agent contacted him shortly after his appearance, however, and informed him that the Taxi producers really wanted him for the role of Alex Reiger on their new show.

Hirsch read the pilot script and worried that the show would probably last at least three seasons and he didn’t want to be committed that long; he wanted to be free to do plays and perhaps films. He instructed his agent to make the producers an offer they wouldn’t accept ... but to his surprise, they accepted it. They also put his name over the title of the show, which surprised him, and he worried that it would cause resentment from his castmates on the set.

5. DANNY DEVITO TRASH-TALKED HIS WAY INTO THE ROLE OF LOUIE DE PALMA.

When casting director Joel Thurm asked Danny DeVito to audition for Taxi, both Michael Douglas and Jack Nicholson warned DeVito against doing television because “it uses you up.” “Sure, they could say that, they were big rich movie stars,” DeVito later recalled during an interview for the Archive of American Television. But DeVito loved the Taxi pilot script and decided to go into full “Louie” mode for his audition.

DeVito walked into the conference room where Brooks, Weinberger, Daniels, and Davis were sitting, waiting expectantly. He took one step then threw the script onto the coffee table and bellowed, “One thing I wanna know before we start—who wrote this sh**?!” Luckily his outrageousness paid off; the producers not only laughed at his opening gambit, they proceeded to guffaw at his every remark that followed.

6. MANDY PATINKIN AUDITIONED FOR THE ROLE OF ALEX.

While Judd Hirsch was still undecided, Broadway and film star Mandy Patinkin was a contender for the role of Alex Rieger; in fact, when Tony Danza auditioned, he read with Patinkin, not Hirsch. Patinkin later showed up in a memorable guest spot in the episode “Memories of Cab 804."

7. BOBBY WHEELER WAS SUPPOSED TO BE BLACK.

The character of aspiring actor Bobby Wheeler was originally written with a black actor in mind. Blazing Saddles’s Cleavon Little was in serious contention for the part, and it eventually came down to him and Jeff Conaway. Conaway had a foot in the door with the production team by way of a guest appearance on The Mary Tyler Moore Show. (He’d also recently co-starred in the film Grease, though it hadn’t yet been released.) The series creators had Conaway in mind for the role of naive John Burns, but Conaway thought he was better suited for the Bobby character and campaigned for the part. He was eventually given a reading with Judd Hirsch which ultimately won him the role.

8. ANDY KAUFMAN'S CONTRACT ONLY REQUIRED HIM TO WORK TWO DAYS PER WEEK.

Taxi’s producers were fans of Andy Kaufman’s stand-up comedy and were anxious to have his “Foreign Man” character (renamed Latka Gravas for the series) on the show. Kaufman wasn’t anxious to work the long hours required for a series, so concessions were made. He only came to the studio on Tuesdays for the run-through and Fridays for the actual taping. A stand-in for Latka was used during rehearsals for the rest of the week. Even with such a light work schedule, Kaufman was still frequently late, holding up production and irritating some of his co-stars.

9. KAUFMAN'S CONTRACT STIPULATED THAT HIS ALTER EGO, TONY CLIFTON, BE GIVEN A SEPARATE CONTRACT.

Tony Clifton was another of Kaufman’s characters, a sleazy, obnoxious Vegas lounge-lizard. Kaufman insisted not only that Tony Clifton be written into several Taxi episodes, he also insisted that Clifton be treated as a separate and unique entity, with his own contract, dressing room, and parking spot. Kaufman also required that all the staff and actors address him as “Tony,” never “Andy.”

Clifton was cast as Louie’s brother in the episode “A Full House for Christmas,” and he didn’t endear himself to the cast when he arrived late and then retreated to his dressing room for over an hour to have very loud sex with two prostitutes he had brought with him. When rehearsals finally got underway, Tony kept changing the dialogue and announced that he’d written parts for his hooker friends as well. Jeff Conaway stormed off the set and Judd Hirsch got into a shouting match with Tony that ended up with punches thrown. Ed. Weinberger summoned security guards to escort Tony Clifton off the Paramount lot, which Andy Kaufman later stated had been his entire purpose behind that bit of “theater.”

10. REVEREND JIM'S LOOPY CHARACTER WAS ORIGINALLY ASSIGNED TO TONY.

The evolution of the show's characters got a little confusing: In the beginning, Phil Ryan (the boxer) was supposed to be somewhat punch drunk and dim-witted. When Tony Danza was hired, the producers decided that he was more convincing playing a young, somewhat naive and innocent type, rather than a confused bumbler. Problem was, Randall Carver had already been cast as John Burns, a wide-eyed country bumpkin new to New York City. As season one progressed, the producers realized that the two characters were too similar and their lines were almost interchangeable. So John Burns was written out after the first season and Christopher Lloyd, who played 1960s drug casualty Reverend Jim Ignatowski, was added to the cast to provide the eccentric goofiness originally intended for Tony Banta.

11. REVEREND JIM'S CLOTHES CAME FROM CHRISTOPHER LLOYD'S OWN WARDROBE.

Well, sort of. The old unwashed jeans were his, and the shoes belonged to his ex-father-in-law. The jacket was something his next door neighbor found discarded in his shrubbery while he was gardening one day. When Lloyd arrived in that outfit for his audition, unshaven and unshampooed, the receptionist thought he was a homeless person who had managed to wander past security and onto the Paramount lot. He said she looked genuinely surprised to find his name on the appointment list.

12. THE THEME SONG WAS CHANGED AT THE LAST MINUTE.

The original choice for the theme song was “Touchdown,” by jazz musician Bob James. But a James composition that was used for a sequence in the series's third episode, “Blind Date,” somehow seemed more appropriate. The melancholy tune was played while Alex walks up to an apartment door on his dubious second date with the acidic Angela Matusa.

13. BOBBY WHEELER WAS WRITTEN OFF AFTER JEFF CONAWAY WAS FIRED.

In 2008, Jeff Conaway told the Calgary Herald that he quit the show in 1981 because "they dishonored me. They disrespected me, they didn't keep their deal. You know I didn't have to do a TV series at that time—I had a movie career going. I mean if I had not done that series I'd be a $20 million movie actor right now. I'm better than most of those jerks out there. When I left the show it dropped 20 rating points and it was cancelled."

It’s possible that Conaway's declaration was colored by a call Taxi writer/producer Sam Simon made to Howard Stern’s radio program two months earlier where he described finding Conaway, a known drug addict, on the floor of his dressing room one day, too high to report for filming. His lines were divvied up between Danny DeVito and Christopher Lloyd with no reduction in the amount of audience laughter, which is when the producers realized that Bobby Wheeler was expendable. Conaway passed away in 2011 at the age of 60.

14. THAT'S TONY DANZA DRIVING THE CAB IN THE OPENING CREDITS.

He’s piloting his Checker cab across New York’s Queensboro Bridge. The segment loops several times while the credits appear onscreen, giving the appearance of a taxi traveling on an endless bridge, getting nowhere, much like the characters in the show.

15. TAXI WAS CANCELED NOT ONCE, BUT TWICE.

ABC, which had been Taxi’s home for four seasons, abruptly canceled the show in 1982. The cast bid their farewells but then got the news that both NBC and HBO were interested in picking up the series. NBC won the bidding war and ran the series for one more season, which put it just over the 100 episodes necessary to make a good syndication package.

Additional Sources:
Happier Days: Paramount Television's Classic Sitcoms 1974-1984, by Marley Brant
The Taxi Book: The Complete Guide to Television's Most Lovable Cabbies, by Jeff Sorensen
Andy Kaufman: The Truth, Finally, by Bob Zmuda and Lynne Margulies
Sitcom: A History in 24 Episodes from I Love Lucy to Community, by Saul Austerlitz

Possible Star Wars: Episode IX Leak Predicts a Traitor Within the First Order

Lucasfilm
Lucasfilm

by Natalie Zamora

A rumored leak circulating the internet recently is a fresh take on most theories for the upcoming Star Wars: Episode IX, as it has nothing to do with Rey's true ​parentage, how Luke Skywalker will ​come back, or Poe Dameron's ​sexuality. Instead, this new bit of possibly real information is about the First Order.

An unknown source has revealed to ​​Express.co.uk that there is a traitor within the First Order, as part of the Episode IX storyline will involve Kylo Ren trying to find a mole in his team, after becoming suspicious someone is giving out information to the Resistance.

This plot point "will have a cat and mouse element to it, similar to Revenge of the Sith where the Jedi were trying to find out who the Sith lord is—which turned out to be Palpatine.”

Domhnall Gleeson in Star Wars: Episode VIII - The Last Jedi (2017)
Lucasfilm

The report also references a different leak from May 2018, which claimed General Hux would be a mole inside the First Order. This wouldn't be too surprising, as Kylo and Hux have had quite the rivalry since The Force Awakens. Both parties competed to be Supreme Leader Snoke's favorite, and now with Snoke gone, the relationship between the two men should be interesting. It wouldn't be hard to see Hux turning on Kylo.

However, Hux obviously despises the Resistance. Would he help them just to betray someone who has more power than him? It might be more believable to think he would find other ways to steal the power away
from Kylo rather than disturbing the First Order. Hux wants to defeat both Kylo and the Resistance, and we don't see him compromising.

This is an interesting "leak" to keep in mind as we get more details about Episode IX, however. At the moment, we really don't have much information about the final film in the Skywalker Saga, so any rumors are worth exploring.

Star Wars: Episode IX hits theaters December 20, 2019.

LeBron James Enlists Black Panther Director Ryan Coogler to Produce Space Jam Sequel

Pascal Le Segretain, Getty Images
Pascal Le Segretain, Getty Images

by Dana Samuel

According to The Hollywood Reporter, Black Panther director Ryan Coogler is teaming up with LeBron James to finally make a Space Jam sequel. The original, released in 1996, starred Michael Jordan, with cameos from other NBA stars and characters from Looney Tunes; it grossed more than $250 million worldwide (making it the highest-grossing basketball movie of all time, according to THR).

THR reports that the film is reportedly going to begin production in 2019, during the NBA off-season; Coogler will be the producer of the sequel and Random Acts of Flyness creator Terence Nance will direct.

Coogler's work on Black Panther was not only groundbreaking, but the film broke several box office records and it has become the highest grossing film by a black director.

James is a huge Black Panther fan. “I loved his vision," he told THR, "so for Ryan to be able to bring that to kids, it’s amazing. ... The Space Jam collaboration is so much more than just me and the Looney Tunes getting together and doing this movie ... I'd just love for kids to understand how empowered they can feel and how empowered they can be if they don't just give up on their dreams. And I think Ryan did that for a lot of people.”

This project has been highly anticipated for years, and we have our fingers crossed for more details to be revealed soon.

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