10 Surprising Facts About Mary Shelley's Frankenstein

Theodore Von Holst (1810-1844) - Tate Britain. Public Domain, Wikimedia Commons
Theodore Von Holst (1810-1844) - Tate Britain. Public Domain, Wikimedia Commons

Frankenstein, the story of a mad scientist who brings the dead back to life, only to discover that he has created a monster, continues to be one of our lasting horror stories. Here are the nuts and bolts about the 200-year-old tale that forever touched on our fears about what can go wrong when people play God.

1. FRANKENSTEIN WAS WRITTEN BY A TEENAGER.

Mary Shelley’s teenage years were eventful, to say the least. At age 16, she ran away with the poet Percy Bysshe Shelley. Over the next two years, she gave birth to two children. In 1816, the couple traveled to Switzerland and visited Lord Byron at Villa Diodati. While there, 18-year-old Mary started Frankenstein. It was published in 1818, when she was 20 years old.

2. THE NOVEL CAME OUT OF A GHOST STORY COMPETITION.


F.G. Gainsford, Wikimedia Commons

The Shelleys visited Switzerland during the “year without a summer.” The eruption of Mount Tambora in Indonesia had caused severe climate abnormalities and a lot of rain. Stuck inside, the group read ghost stories from the book Fantasmagoriana. It was then that Lord Byron proposed that they have a competition to see who could come up with the best ghost story: Byron, Mary, Percy, or the physician John Polidori.

In the end, of course, Mary won the contest. Neither Byron nor Percy finished a ghost story, although Polidori wrote The Vampyre, which later influenced Bram Stoker while writing Dracula.

3. MARY SAID SHE GOT THE IDEA FROM A DREAM.

At first, Mary had writer’s block, unable to come up with a good idea for a ghost story. Then she had a waking dream—“I did not sleep, nor could I be said to think,” she said. In the introduction to the 1831 edition of Frankenstein [PDF], she described the vision as follows:

“I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life. … He sleeps; but he is awakened; he opens his eyes; behold, the horrid thing stands at his bedside, opening his curtains and looking on him with yellow, watery, but speculative eyes.”

Mary opened her eyes and realized she’d found her story. “What terrified me will terrify others,” she thought. She began working on it the next day.

4. SHELLEY WROTE FRANKENSTEIN IN THE SHADOW OF TRAGEDY.


Richard Rothwell, Wikimedia Commons

Before she started Frankenstein, Mary gave birth to a daughter, Clara, who died six weeks later. (In fact, only one of Mary’s four children lived to adulthood.) Soon after the baby died, she wrote in her journal, “Dream that my little baby came to life again—that it had only been cold & that we rubbed it by the fire & it lived—I awake & find no baby—I think about the little thing all day.” This circumstance, as well as the suicide of her half-sister, must have contributed to the novel.

5. FRANKENSTEIN WAS THE NAME OF THE SCIENTIST, NOT THE MONSTER.

In the novel, Victor Frankenstein is the scientist. The monster remains unnamed and is referred to as "monster," “creature,” "demon," and "it.” But if you’ve made the mistake of calling the monster Frankenstein, you’re not alone. Everyone from The Reef novelist Edith Wharton to the writers of the movie Abbott and Costello Meet Frankenstein has done it.

6. THE NOVEL SHARES ITS NAME WITH A CASTLE.


Pascal Rehfeldt, Wikimedia Commons // CC-BY-SA-3.0

Mary said she made up the name "Frankenstein." However, Frankenstein is a German name that means Stone of the Franks. What’s more, historian Radu Florescu claimed that the Shelleys visited Castle Frankenstein on a journey up the Rhine River. While there, they must have learned about an unbalanced alchemist named Konrad Dippel, who used to live in the castle. He was trying to create an elixir, called Dippel's Oil, which would make people live for over a hundred years. Like Victor Frankenstein, Dippel was rumored to dig up graves and experiment on the bodies.

7. MANY THOUGHT PERCY SHELLEY WROTE THE WORK.

Frankenstein was first published anonymously. It was dedicated to William Godwin, Mary’s father, and Percy Shelley wrote the preface. Because of these connections, many assumed that Percy Shelley was the author. This myth continued even after Frankenstein was reprinted in Mary’s name. In fact, some people are still arguing that Percy authored the book. While he edited the book and encouraged Mary to expand the story into a novel, actual authorship is a stretch.

8. THE BOOK WAS ORIGINALLY SLAMMED BY CRITICS.

The title page of the original edition of Mary Shelley's 'Frankenstein'
Public Domain, Wikimedia Commons

When Frankenstein came out in 1818, many critics bashed it. “What a tissue of horrible and disgusting absurdity this work presents,” John Crocker, of the Quarterly Review, wrote. But gothic novels were all the rage, and Frankenstein soon gained readers. In 1823, a play titled "Presumption; or The Fate of Frankenstein" cemented the story’s popularity. In 1831, a new version of the book was published, this time under Mary’s name.

9. FRANKENSTEIN WAS CONSIDERED THE FIRST SCIENCE FICTION NOVEL.

In penning her gothic novel, Shelley was writing the first major science fiction novel, as well as inventing the concept of the “mad scientist” and helping establish what would become horror fiction. The influence of the book in popular culture is so huge that the term “Frankenstein” has entered common speech to mean something unnatural and horrendous.

Mary went on to write other science fiction, such as her 1826 short story Roger Dodsworth: The Reanimated Englishman, about a man who has been frozen in ice, and her novel The Last Man, about a survivor in a world destroyed by plague, from the same year.

10. THOMAS EDISON ADAPTED THE STORY FOR FILM.

In 1910, Thomas Edison made a one-reel, 15-minute film of Frankenstein, one of the first horror movies ever made. It was thought lost until it was rediscovered in the 1950s. Watch it above.

Can You Identify the Classic Novel by Its Opening Lines?

Annotations in Copy of Shakespeare's First Folio May Have Been John Milton's

GeorgiosArt/iStock via Getty Images
GeorgiosArt/iStock via Getty Images

It's a well-known literary fact that William Shakespeare had an enormous influence on "Paradise Lost" poet John Milton, and new evidence suggests that super fan Milton—who even wrote a poem called "On Shakespeare"—might have owned his idol's first folio.

The folio, which contains 36 of Shakespeare’s plays, was published in 1623—seven years after the Bard’s death. An estimated 750 first folios were printed, with only 233 of them known to have survived, including one with annotations written throughout it. As it turns out, those scribbles might be Milton's.

According to The Guardian, Cambridge University fellow Jason Scott-Warren believes that Milton wrote those important annotations. Scott-Warren read an article about an anonymous annotator written by Pennsylvania State University English professor Claire Bourne. The Folio copy in question has been stored in the Free Library of Philadelphia since 1944, and Bourne was able to date the annotator back to the mid-1600s. (Milton died in 1674.) It was Scott-Warren who noticed that the handwritten notes looked similar to Milton’s handwriting.

"It shows you the firsthand encounter between two great writers, which you don’t often get to see, especially in this period,” Scott-Warren told The Guardian. “A lot of that kind of evidence is lost, so that’s really exciting.”

If the writing does indeed belong to Milton, it’s not the first time the poet has left notes on another writer's work; he supposedly marked up his copy of Giovanni Boccaccio’s Life of Dante as well. Scott-Warren and Bourne plan to pair up to find out if Milton left annotations on any other notable works.

"It was, until a few days ago, simply too much to hope that Milton’s own copy of Shakespeare might have survived—and yet the evidence here so far is persuasive,” Dr. Will Poole, a fellow and tutor at Oxford's New College said. "This may be one of the most important literary discoveries of modern times."

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