Disaster At Loos

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 203rd installment in the series.   

September 25-28, 1915: Disaster at Loos 

The bloodiest defeat suffered by the British so far in the First World War, Loos was a monument to the incredible bravery of British soldiers and the confusion or outright incompetence of their commanders. The attack proceeded despite a general acknowledgement that British artillery faced a dire shortage of artillery shells, using thousands of new, totally untested troops, and involving the first (also untested) British use of poison gas in the war. In short it was a recipe for disaster, and that is what they got. 

The assault would be carried out by the British First Army under General Douglas Haig, as part of French chief of the general staff Joseph Joffre’s ambitious plan calling for simultaneous attacks by the French Tenth Army in Artois and the French Third and Fourth Armies in Champagne. Together, Joffre hoped these coordinated offensives would form the arms of a giant pincer, cutting off the German armies in northern France.

The British First Army was composed of the I Corps and IV Corps, which would carry out the initial attack, and XI Corps, held in reserve to exploit the hoped-for strategic breakthrough. The I Corps, under Hubert Gough, consisted of the 2nd Division, 7th Division, and 9th Division; the IV Corps, under Henry Rawlinson, the 1st Division, 15th (Scottish) Division, and 47th (London) Division; and the XI Corps, under Richard Haking, the 12th (Eastern) Division, 21st Division, 24th Division, 46th (North Midland) Division, and the Guards Division, as well as the Cavalry Corps – although only the 21st and 24th Divisions were available when the battle began. 

The six divisions in the I and IV Corps who would lead the attack were given a daunting task. Although they enjoyed a two-to-one advantage over the Germans to begin with, the terrain was extremely unfavorable for an attack on the well-entrenched defenders: across the battlefield the German trenches were at least two hundred yards away from the British trenches, and in some places as much as 4,000 yards – all over a flat, featureless plain gently sloping upwards to elevated German positions, giving the latter an ideal vantage point for artillery spotting. 

After a final bombardment which mostly failed to cut the barbed wire in front of the German trenches (above), at dawn on September 25, 1915, the British opened 5,500 cylinders containing over 150 tons of chlorine gas, relying on prevailing winds to carry the gas over the German lines – but the weather failed to cooperate, and on the British left the gas swept back over the British lines, causing 2,200 casualties before the attack even began. 

Following this distinctly unpromising start, the British attack fell prey to further confusion, as some troops couldn’t hear the orders to attack over the incredible din of the artillery: the 15th (Scottish) Division, assigned to cross 1,500 yards to capture Loos itself, only realized it was time to attack when the division’s bagpiper marched along the parapet of the trench, piping them to battle – an incredible act of bravery for which he later received the Victoria Cross.

The troops who went over the top found themselves in a surreal and supremely dangerous scene, advancing across flat, open fields behind the gas cloud, mingling with smoke from artillery shells and lit by flares and “star shells,” while German machine guns and rifles crackled (top). One soldier in the London Irish of the 47th Division, Patrick MacGill, recalled: 

The air was vicious with bullets; a million invisible birds flicked their wings very close to my face. Ahead the clouds of smoke, sluggish low-lying fog, and fumes of bursting shells, thick in volume, receded towards the German trenches, and formed a striking background for the soldiers who were marching up a low slope towards the enemy’s parapet, which the smoke still hid from view. 

Even more bizarre, to show their disdain for danger the London Irish of the 47th Division dribbled a football across no man’s land as they advanced (below). 

Another soldier, John Jackson of the Scottish 6th Camerons, remembered the advance on Loos, where he states they killed Germans trying to surrender: 

In short rushes we kept on, grim and determined, through a tangled growth of long grass, till we came to the enemy front line… In spite of growing losses in our own ranks we kept on driving the Germans before us and soon had them on the run for the village, and here they set up a desperate defence. Their machine guns took a terrible toll from our thinning ranks, but still we hung on till we were again in hand-to-hand conflict with them. From house to house, and cellar to cellar, we hunted them. Machine-gunners slaying us from their hidden posts, threw up their hands crying “Kamerad”, when we got within striking distance, but they deserved and received no quarter. Cold steel and bombs did their duty then, and the village was strewn with dead and running with blood. 

The attackers suffered breathtaking casualties, as thousands were gunned down in the barbed wire entanglements, with the 47th Division, 7th Division, and 9th Division suffering especially heavy losses; the 9th Division was tasked with capturing a fortress-like complex called the Hohenzollern Redoubt, while the 7th Division had to capture another strongpoint called “The Quarries.” But despite the appalling losses, through sheer willpower they succeeded in capturing the German trenches along a stretch 4.5 miles long and up to two miles deep. 

The battle had reached a critical moment, and decisions now would later stir enormous controversy: Haig and Gough both claimed that if they had been able to employ the 21st Division and 24th Division, held in reserve, to follow up the gains of the 9th Division on the afternoon of September 25, they would have completed the strategic breakthrough and shatter the German front. However British Expeditionary Force commander Sir John French refused to allow them to use the reserves at first, fearing a sudden German counterattack and arguing that the first wave troops should be able to carry the offensive through to the end. 

As a result, the reserves didn’t arrive at the front until the evening of September 25 and didn’t go into action until the following day – a crucial delay which gave the Germans a chance to rush reinforcements to plug the gap in their lines. Overnight seven new German divisions arrived and dug in along new defensive positions, including a long, low hill east of Loos called “Hill 70.” Much of the fighting over the following days would be a futile contest for control of the hill. 

One of the British reinforcements, W. Walker, recalled moving up the frontline positions in heavy autumn rain, which turned the battlefield into a quagmire, and seeing the ruins of Loos on the night of September 25 (above): 

It began to grow dark. Vivid wicked flashes could be seen and bright dazzling balls of red, green, and yellow light illuminated the flattish land in front… After stumbling on for another half-hour, sometimes up to the knees in liquid mud, I could observe by the light of the sky signals the ruined outline of a village. It was Loos. The moon now shone revealing the roofless walls of the houses, the open spaces where houses had once stood, marked by heaps of rubble. The village was slowly vanishing under the pounding of the guns. A German trench ran along the side of the street. 

Another one of the reinforcements, James N. Hall, recalled the chaotic scene as they waited to move forward through the unfamiliar trenches: 

We halted to wait for our trench guides at the village of Vermelles, about three miles back of our lines. The men lay down thankfully in the mud and many were soon asleep despite the terrific noise. Our batteries, concealed in the ruins of houses, were keeping up a steady fire and the German guns were replying almost as hotly. The weird flashes lit up the shattered walls with a fascinating, bizarre effect. By their light, I saw men lying with their heads thrown back over their pack-sacks, their rifles leaning across their bodies; others standing in attitudes of suspended animation. The noise was deafening.

Unbeknownst to them, the men of the 21st Division and 24th Division were in for an even more brutal reception than the first wave of attackers (most of them so depleted they could contribute little to the second push). The assault on Hill 70 began at 11 am on September 26, and by nightfall the 21st Division and 24th Division were basically destroyed, while the 1st Division, assigned to capture the nearby village of Hulluch, was in tatters. Walker recalled the attack on German positions on Hill 70:

The shell-fire was deafening enough, but the clatter that commenced with our further advance was abominable. It was as if the enemy were attacking with a fleet of motorcycles – it was the hellish machine guns. I saw no foe. Where he was I couldn’t gamble: somewhere in front, how distant or how near no one seemed to know. The firing was indescribably fierce; an invisible hail of lead winged past my ears unceasingly; one flicked my sleeve. How pitiful it is to recall. Our chaps fell like grass under the mower, mostly shot in the guts… Groans and shouting were added to the clamour. 

At some point in the afternoon Walker became a casualty as well: 

A bullet hit me; I feel its sharp sting yet; it felled me to the ground… it had pierced a hole in my right elbow. There was nothing for it but to walk, and, although the fire was growing intense, I managed to dodge the rest… It took me a long time to get to the casualty clearing station. There appeared to be hundreds of wounded all making for the same place… On arrival at the dressing station, came inoculation against tetanus; two delirious days spent in a ruined byre awaiting the ambulance. 

The experience of lying out in the open for days, either waiting for stretcher bearers or an ambulance, was a common one for wounded men at Loos, as at other battles. Harold Peat, a Canadian private, remembered lying wounded in the ruins of a farmhouse for two days before he was rescued: “I never lost consciousness. Darkness came and dawn. Another day went by and the shelling went on as before. Another night, another dawn and then two Highland stretcher-bearers came in.” Meanwhile troops occupying the captured German trenches confronted gruesome tasks, as described by Hall: “Many of the men had been literally blown to pieces, and it was necessary to gather the fragments in blankets. For weeks afterward we had to eat and sleep and work and think among such awful sights. We became hardened to them finally.” 

The last available reserve, the Guards Division, arrived to reinforce the beleaguered British troops on Hill 70 on September 27, but it was far too late to restore the momentum of the offensive. On September 28 the British positions had stabilized in a new defensive line, although the Germans succeeded in recapturing the Hohenzollern Redoubt on October 3rd. By October 8th, when a German counterattack failed, the Battle of Loos was effectively over. 

To the east the French offensive in Champagne was also grinding to a halt amid similar scenes of carnage and suffering. At first the French, who had a much larger supply of artillery shells than the British, succeeded in destroying the German frontline trenches – but the attack was frustrated by barbed wire in front of the German reserve trenches which lay behind. Mildred Aldrich, an American woman living in a small French village, transcribed a letter from a French soldier describing the French attack: 

At daybreak the bombardment recommenced--a terrible storm of shells of every calibre--bombs, torpedoes [mortar shells]--flew overhead to salute the Boches, and to complete the destruction which had been going on for three days… All along our front, in both directions, all we could see was a thick cloud of dust and smoke… Once there I seem to remember nothing in detail. It was as if, by enchantment, that I found myself in the midst of the struggle, in heaps of dead and dying. When I fell, and found myself useless in the fight, I dragged myself, on my stomach, towards our trenches. I met stretcher-bearers who were willing to carry me, but I was able to crawl, and so many of my comrades were worse off, that I refused. I crept two kilometres like that until I found a dressing-station. I was suffering terribly with the bullet in my ankle. They extracted it there and dressed the ankle, but I remained, stretched on the ground, two days before I was removed, and I had nothing to eat until I reached here yesterday--four days after I fell. But that could not be helped. There were so many to attend to. 

Edmond Genet, an American volunteering with the French Foreign Legion, described the effects of the French artillery bombardment in Champagne: 

The bombardment of the German trenches before the charge was terrific. The German line looked like a wall of fire and hellish flames from the bursting shells… We followed up the Colonials and passed part of the late morning in the captured German trenches. They were battered beyond description and filled with dead – mostly Germans… The sight of the dead lying about was awful. Most of them had been literally torn to pieces by the exploding shells. The sight of one will never pass from my memory. A Colonial was in a sitting posture against a small embankment. There was an expression of agonizing terror on his features, and no wonder, for below his waist he had been blown to shreds. One of his feet, the only thing recognizable of his lower anatomy, was lying several yards in front of him. I think we all shuddered as we passed.

Like the British, the French offensive also suffered from a failure to bring up reinforcements in time, according to the soldier Louis Barthas, who described the unnerving experience of trying to navigate through unfamiliar trenches filled with wounded men: 

We passed through the ruined village of La Targette; then we got caught up in an entanglement of trenches, crossing and recrossing the same places without finding the right path. We came upon men, isolated or in small groups, heading to the rear. Most gave no response to our questions. Others exclaimed, “The poor guys, the poor guys…” or “It’s horrible, frightful.” They seemed half-crazy… Soon whole battalions and companies were getting mixed up in an inextricable confusion… 

In a letter home Genet painted a picture of abject misery as the French offensive petered out in the final days of September: 

We continued on our advance until darkness set in and lay all that night in a drenching rain in watery mud. Sleep was practically impossible. Shells were dropping around us every few minutes and anyway the horrors of the day just closed were too awful to allow pleasant dreams or even sleep to follow. All night the cries of the dying could be heard. I felt as though I were in some weird nightmare. I wish it had been, for then I could have awakened and found it to be only a dream. 

The Allied losses were staggering: the British suffered 60,000 casualties, including 11,000 dead (among them Rudyard Kipling’s son John), while the French suffered 192,000 casualties, presumably with a similar proportion killed in action. According to the British soldier Jackson, “The losses of the division ran into the thousands and our own battalion had lost 700 out of 950 who went into action.” Genet, in the French Foreign Legion, estimated: “In an attack we made on September 28, out of our company of 250 there are not quite 60 left…” The Germans sustained around 150,000 casualties. 

British and French newspapers did their best to paint the fall offensive as a great victory, but ordinary people were fast becoming inured to official propaganda. Aldrich later wrote in her diary: “For several days our hearts were high. Then there began to creep into the papers hints that it had been a gallant advance, but not a great victory, and far too costly, and that there had been blunders…” And the British diarist Vera Brittain remembered the slow dawning of reality on the home front:

“Two Real Victories at Last!” announced the Daily Mail in exuberant headlines… Gradually, after a few days in which the awful sluggishness of the hours seemed a specially devised torture of hell, came the usual apologetic modifications of our “great victory,” and, still later, the lists showing that price that we had paid for this sorry achievement. The country, though growing accustomed to horror, staggered at the devastating magnitude of the cost of Loos. 

See the previous installment or all entries.

nextArticle.image_alt|e
© TM & DC Comics/Warner Bros. Entertainment Inc.
19 Surprising Facts About The Dark Knight
© TM & DC Comics/Warner Bros. Entertainment Inc.
© TM & DC Comics/Warner Bros. Entertainment Inc.

Christopher Nolan didn’t set out to make sequels. As the director of hit thrillers like Memento and Insomnia, his personal style never seemed to mesh with the idea of helming a mega-franchise. After reenvisioning the Caped Crusader with 2005’s Batman Begins, though, Nolan couldn’t stop thinking about how his version of Batman would respond to the introduction of The Joker. The result was The Dark Knight, a hyper-real exploration of how chaos shakes up the mission of the righteous, complete with huge stars, incredible stunts, and an Oscar-winning performance by the late Heath Ledger. To revisit this landmark movie, which was released 10 years ago, here are 19 fascinating facts about The Dark Knight.

1. IT HAS MANY COMIC BOOK INSPIRATIONS.

While it doesn’t adapt any one specific story to the screen, The Dark Knight did draw inspiration from several specific Batman stories in the pages of DC Comics. When researching and writing the film, director Christopher Nolan and his brother, co-writer Jonathan Nolan, specifically went back to The Joker’s very first appearance in 1940’s Batman #1 in search of how best to introduce the character. Co-writer David S. Goyer, himself a DC Comics contributor, also cites the classic stories The Long Halloween, The Dark Knight Returns, and The Killing Joke as keys to his research, with elements from each making their way into the film.

2. THE JOKER ALSO HAD DIVERSE INSPIRATIONS.

Heath Ledger in 'The Dark Knight' (2008)
© TM & DC Comics/Warner Bros. Entertainment Inc.

In addition to classic Joker stories like The Killing Joke, Nolan and star Heath Ledger drew on a diverse array of influences both in and out of comics to craft the film’s version of the Clown Prince of Crime. Before attempting to write the character, the Nolan brothers revisited Fritz Lang’s classic film The Testament of Dr. Mabuse as a study in how to write supervillains. Visually, Nolan also specifically cited the work of painter Francis Bacon as a touchstone for Joker’s distorted view of the world.

As for Ledger, he famously locked himself away in a hotel room for weeks, experimenting with voices and mannerisms until he developed something he was satisfied with. Among his inspirations: Sex Pistols icons Johnny Rotten and Sid Vicious and the anarchist character Alex from Stanley Kubrick’s classic film A Clockwork Orange.

3. NOLAN WAS INITIALLY RELUCTANT TO MAKE A SEQUEL.

The Dark Knight is the first Christopher Nolan film to be a sequel, and though Batman Begins ends with Gordon handing Batman the Joker card as a kind of setup for the next film, the director wasn't exactly determined to return to Gotham City. Nolan and Goyer had ideas for how a trilogy of films would happen, of course, but after Batman Begins hit big, Nolan instead went off to make magician drama The Prestige. Ultimately, the lure of telling a Joker story proved too enticing for Nolan to pass up, and he eventually re-teamed with Goyer to begin mapping out the story that would become The Dark Knight

“I didn’t have any intention of making a sequel to Batman Begins and I was quite surprised to find myself wanting to do it,” Nolan told Empire Magazine. “I just got caught up in the process of imagining how you would see a character like The Joker through the prism of what we did in the first film.”

4. HEATH LEDGER WAS THE FIRST CHOICE TO PLAY THE JOKER.

Though other stars like Adrien Brody expressed an interest in playing the film’s key villain, Heath Ledger was the only name on Nolan’s wish list.

“When I heard he was interested in the Joker, there was never any doubt. You could just see it in his eyes,” Nolan told Newsweek. “People were a little baffled by the choice, it's true, but I've never had such a simple decision as a director.” 

5. YES, HEATH LEDGER REALLY DID KEEP A JOKER DIARY.

Because of the actor’s untimely death in January 2008, at the age of just 28, Ledger's performance as The Joker has been somewhat mythologized by fans, so the idea that he kept a secret “Joker diary” while getting into character might sound apocryphal. In fact, Ledger really did make a diary while preparing to play the character. It included various clipped art (Alex from A Clockwork Orange figures heavily), stylized notes, and even lines from the script recopied in his own handwriting. In 2013, Ledger’s father Kim revealed the diary in a documentary, and noted that his son did immersive work like this for every role but “really took it up a notch” for The Joker.

6. MAGGIE GYLLENHAAL WASN’T THE ONLY ACTRESS CONSIDERED FOR RACHEL DAWES.

For the role of Bruce Wayne’s childhood friend and current Gotham City assistant district attorney Rachel Dawes, Nolan had to look for a replacement. Katie Holmes played the role in 2005’s Batman Begins, but opted out of the sequel ostensibly so she could act in the comedy Mad Money. So Nolan went in search of other actresses and ultimately decided on Maggie Gyllenhaal for the role. Gyllenhaal was the final choice, but she wasn’t the only one. Other actresses up for the role included Rachel McAdams and Emily Blunt.

7. GYLLENHAAL TOOK THE ROLE BASED ON NOLAN’S PRESENCE ALONE.

For many actors, the prospect of starring in a sequel to a hit film is a major draw. For others, the prospect of finally being a part of a Batman film would do the trick. For Gyllenhaal, who stepped in as Rachel Dawes, there was only one key reason to say yes: Christopher Nolan.

“When Chris approached me about the film, it was almost incidental that it was about Batman,” Gyllenhaal said. “I was lured into becoming intrigued by the character through the process of making the movie. From the very beginning, Chris was so interesting and engaging—and so interested in me and my ideas about Rachel—that I wanted to be a part of it.”

8. AARON ECKHART WASN’T THE ONLY STAR CONSIDERED FOR HARVEY DENT.

Though The Dark Knight is unquestionably a Batman movie, Nolan and company didn’t consider the Caped Crusader to be the film’s main character.

“Bruce Wayne was the protagonist of the first film,” Goyer said, “but we decided early on that he would not be the protagonist of the second film—that, in fact, Harvey Dent would be.”

To that end, finding the right actor to play Gotham’s district attorney was crucial. Nolan ultimately chose Aaron Eckhart, who reminded him of Robert Redford, to play the part, but Eckhart wasn’t the only star considered. Other potential Harvey Dents included Matt Damon, Mark Ruffalo, and Ryan Phillippe.

9. MICHAEL CAINE DIDN’T THINK THE FILM WOULD WORK ... UNTIL LEDGER WAS CAST.

Batman fans weren’t the only skeptics when it came to Nolan’s decision to deliver a new cinematic Joker. Michael Caine, who played Bruce Wayne’s loyal butler Alfred, was very apprehensive when  Nolan told him The Dark Knight’s villain would indeed be the Clown Prince of Crime, namely because Jack Nicholson’s performance as the character in 1989’s Batman still cast a very large shadow.

“You don’t try and top Jack,” Caine said.

When Nolan informed Caine that Ledger had been cast in the role, though, the film legend came around.

“I thought: ‘Now that’s the one guy that could do it!’ [laughs] My confidence came back. And then when I did this sequence with Heath, I knew we were in for some really good stuff.

10. THE JOKER’S SCARS WERE INSPIRED BY A REAL PERSON.

Nolan deliberately resisted the idea of giving The Joker an origin story in the film, opting instead to portray him as a force of pure anarchy with no discernible motivation other than chaos. For this reason, the character’s scarred face—as opposed to the chemically-induced frozen grin given to the character’s previous movie incarnation—had no clear source. In fact, the character deliberately tells different stories to different characters to explain where the scars came from. As a result, prosthetics supervisor Conor O’Sullivan was driven to take inspiration for the scars from real life. So, he used an actual man on the street as a reference.

“I immediately thought of the punk and skinhead era and some unsavory characters I had come across during this time,” O'Sullivan recalled. “The terminology for this type of wound is a ‘Glasgow’ or ‘Chelsea smile.’ My references had to be real. A delivery of fruit machines was made to the estate near my workshop and the man delivering them had a ‘Chelsea smile.' I plucked up the courage to ask him for a photo and he told me the story of how he had got his scars while being involved with “a dog fight”; needless to say I didn't pursue the matter, but the photos proved to be very useful reference.”

11. LEDGER LICKED HIS LIPS BECAUSE OF THE JOKER PROSTHETICS.

One of the most identifiable characteristics of Ledger’s portrayal of The Joker is the way he almost constantly licks his lips inside and out, probing his scars with his tongue over and over again. It adds energy to the character as well as a certain menacing quality, but it apparently was not planned. According to dialect coach Gerry Grennell, who worked with Ledger on the film, that tic arose because the scar prosthetics—which extended into Ledger’s mouth—would loosen as he performed. So, he licked his lips repeatedly in an effort to keep them in place.

"The last thing that Heath wanted to do was go back and spend another 20 minutes or half hour trying to get the lips glued back again, so he licked his lips. A lot,” Grennell recalled. “And then slowly, that became a part of the character.

12. THE MOVIE MADE IMAX HISTORY.

Though IMAX cameras are now on the verge of being used to shoot entire feature films, at the time The Dark Knight was made, the format was primarily used for documentary films to showcase things like the wondrous detail of nature. Nolan had longed for years to bring the format to features, and opted to use the ultra-heavy, ultra-expensive cameras to film several major sequences in The Dark Knight. Most famously, the film’s prologue—featuring The Joker’s bank robbery—was filmed on IMAX and released early, in its entirety, as a teaser.

13. THE JOKER FREAKED CAINE OUT SO MUCH, HE FORGOT HIS LINES.

For the scene in which Bruce Wayne is hosting a fundraiser for Harvey Dent in his elegant Gotham City townhouse, Ledger and a group of Joker goons were meant to burst into the party via the elevator. Caine, as Alfred, was supposed to be there waiting to greet guests as the elevator doors opened, only to be frightened by the appearance of The Joker. Caine was there waiting, the elevator doors opened, and he was apparently so frightened by what he saw that any lines he was meant to deliver during the scene completely left his mind.

"I was waiting for Batman's guests, but (the Joker) had taken over the elevator with—he has seven dwarfs and ... oh! wait until you see them,” he said while promoting the film. “So, I'd never seen any of it and the elevator door opened and they came out and I forgot every bloody line. They frightened the bloody life out of me.”

14. THE TRUCK FLIPPING SEQUENCE WAS DONE FOR REAL.

Embracing the hyperrealism of his version of Batman, Nolan opted to do many of The Dark Knight’s biggest stunts practically rather than relying on CGI. That includes arguably the biggest and most visually staggering stunt in the film: When Batman uses steel cables to flip The Joker’s 18-wheeler trailer over cab in the middle of a Gotham street. While another filmmaker might have opted to recreate the moment with computers or models, Nolan wanted to do it for real, on a real Chicago street. The task of pulling it off fell to special effects supervisor Chris Corbould, who ran tests in a more isolated area to ensure the flip wouldn’t harm any member of the crew or any neighboring buildings. With the tests successful, the production was primed to film the stunt … though Corbould still tried to talk Nolan into scaling it down.

“It was a funny thing—and this is always the way working with Chris—where he kept trying to talk me into a smaller vehicle,” Nolan said. “He said, ‘Can't it be one of those SWAT vans, not an articulated truck?!’ I kind of went along with that for a while and we storyboarded it that way and kept talking about it. And I finally just went to him and said, ‘Chris, you can do this, you're fine. It's gotta be a huge truck, it's gotta be a big 18-wheeler,’ and he went ‘Oh, all right,’ in that way he does, and he figured out a way to do it. Nobody had ever done it before and it was really a pretty amazing thing to watch."

15. CHRISTIAN BALE PERCHED ON SKYSCRAPERS HIMSELF AS BATMAN.

One of the most beautiful shots in the film finds Batman, cape billowing around him, perched atop Chicago’s Sears Tower as he surveys his city. It’s a gorgeous image, but also one that easily could have been carried out by a stuntman so Bale didn’t have to take the risk. The star was having none of that. When he found out his stuntman Buster Reeves was preparing to perform the perch, Bale rushed to convince Nolan that he should be the one to stand 110 stories above Chicago for the helicopter shot. 

“It was important for me to do that shot,” Bale explained, “because I wanted to be able to say I did it. 

Bale also opted to perform a similar stunt in which Batman stands on a ledge of the IFC2 building in Hong Kong. By then, he was quite comfortable with the height. 

16. BALE COULDN’T MANAGE THE BATPOD. 

One of the great visual hallmarks of Nolan’s Batman films is the introduction of the Batpod, The Dark Knight’s sleek motorcycle. While it may look like an oversized version of any other bike, the pod didn’t handle the same way, so a specially trained stunt driver was required. Jean-Pierre Goy was the man. He took to the vehicle immediately and trained for months to master the high-speed sequences required for the film. Bale, who was more than willing to volunteer to drive the Batpod, was ultimately only able to ride it when it was attached to camera rigs.

“Jean-Pierre was the only one who could master it,” Bale admitted. “Everybody else just fell off instantly.”

17. THE FILM INCLUDES A SMALL TRIBUTE TO LEDGER’S DAUGHTER.

For the scene in which The Joker sneaks into a panicked Gotham hospital to see Harvey Dent, Ledger dressed up in a nurse’s uniform. If you look closely, you’ll see that the nurse’s name tag reads “Matilda.” Matilda is Ledger’s daughter, who was born in 2005.

18. A SITTING U.S. SENATOR MADE A CAMEO.

When The Joker and his goons crash Bruce Wayne’s fundraising party, almost everyone in the room is intimidated into silence. One man, though, is not. He tells The Joker “we’re not intimidated by thugs,” and The Joker then grabs him and holds a knife to his mouth. That man is Patrick Leahy, the Democratic U.S. Senator from Vermont. A lifelong comic book fan, Leahy has appeared in five Batman films to date, including 2016’s Batman v Superman: Dawn of Justice, where he sat alongside actress Holly Hunter in a congressional hearing.

19. THE MAYOR OF A CITY CALLED “BATMAN” SUED THE PRODUCTION.

Weird lawsuits surrounding major motion pictures are nothing new, but The Dark Knight inspired a particularly strange one. In late 2008, after the film had opened to rapturous critical acclaim and enormous box office success, Huseyin Kalkan—the mayor of Batman, Turkey—sued Nolan and Warner Brothers for what he deemed a negative impact the film had caused on his city.

"There is only one Batman in the world. The American producers used the name of our city without informing us."

Needless to say, given that Batman is still as popular as ever, the suit didn’t go anywhere.

Additional Source:
The Art and Making of The Dark Knight Trilogy, by Jody Duncan Jesser and Janine Pourroy

10 Things That Went Disastrously Wrong on Disneyland’s Opening Day

Disneyland is commonly known as the “Happiest Place on Earth,” but when the park opened on July 17, 1955, it didn’t live up to its now-ubiquitous nickname. In fact, Disney employees who survived the day refer to it as “Black Sunday.” Here are 10 of the most disastrous things that went wrong.

1. FAKE TICKETS FLOODED THE PARK.

Disneyland’s opening day was “invite only” and not for public consumption. Tickets were mailed out and only reserved for special guests, including friends and family of employees, the press, and celebrities, such as Jerry Lewis, Debbie Reynolds, Sammy Davis, Jr., and Frank Sinatra. However, scores of counterfeit tickets were widespread on opening day. Disneyland was only expecting about 15,000 guests in total, but more than 28,000 people entered the park.

In addition, there were two sets of tickets with designated times: one for the morning and one for the afternoon. The time to leave Disneyland was printed on each ticket, so if it read 2:30 p.m., you were supposed to leave the park at that time to make way for the afternoon ticket holders to come in. Unfortunately, the morning ticket crowd didn’t leave, so attendance ballooned when the afternoon attendees were admitted.

There was even some money to be made from Disney's woes: one man set up a ladder outside one of the park's fences and charged $5 per person to climb it and sneak in.

2. TRAFFIC WAS BACKED UP FOR MILES.

Sukarno riding mini car with Walt Disney
Public Domain, Wikimedia Commons

Since Disneyland and the city of Anaheim were not prepared for the amount of people that showed up, California's Santa Ana Freeway that led into the park was backed up for seven miles. The traffic essentially shut down the freeway for hours. In fact, people were in their cars for so long that when they finally made it to Disneyland, there were reports of families taking restroom breaks in the parking lot and on the side of the freeway.

3. THE PARK WAS COVERED WITH WET PAINT AND WEEDS.

Completing Disneyland was a race to the finish. Walt Disney wanted a quick turnaround, and it took exactly one year and one day from announcement to opening day, with construction crews working around-the-clock to meet their deadlines. 

However, once the doors opened, guests could easily see that it was not completely finished. Workers were still painting structures and planting trees all over the park. Along the Canal Boats of the World (now the Storybook Land Canal Boats), weeds had yet to be removed from the riverbanks. And instead of landscaping the area, Walt Disney simply added signs with Latin plant names printed on them to make it look like they were meant to be there.

In addition, a number of rides were still under construction like Tomorrowland’s Rocket to the Moon, which showed a glimpse of what routine space travel would look like in the distant future of ... 1986.

4. NO FOOD, NO DRINK, NO FUN.

For the lucky people who made it into Disneyland on opening day, they experienced a shortage of food and beverages in every restaurant and concession stand in the park. Because of the unexpected influx of guests, virtually all food and drink inventory was wiped out within hours.

5. THERE WAS A PLUMBERS' STRIKE.

Entrance to Disneyland circa 1957
Public Domain, Wikimedia Commons

While there were plenty of water fountains on site, many of them were not working because of a plumbers’ strike during construction. Walt Disney had to choose between working water fountains or working restrooms for Disneyland on opening day, so he picked the latter because he felt the toilets were more important.

“A few weeks before the opening, there was a major meeting,” Dick Nunis, chairman of Walt Disney Attractions, explained to WIRED. “There was a plumbing strike. I’ll never forget this. I happened to be in the meeting. So the contractor was telling Walt, ‘Walt, there aren’t enough hours in the day to finish the restrooms and to finish all the drinking fountains.’ And this is classic Walt. He said, ‘Well, you know they could drink Coke and Pepsi, but they can’t pee in the streets. Finish the restrooms.’”

6. THE WEATHER WAS SCORCHING.

Although Walt Disney had no control over the weather, it contributed to the disastrous opening day experience at Disneyland. Temperatures reached an intense 100 degrees, which must have been unbearable in a park without working water fountains. The day was so hot that the fresh asphalt became like a sticky tar, with guests complaining that they were getting their shoes and high heels stuck in the pavement of Main Street, U.S.A.

7. THE RIDES WERE BREAKING DOWN.

Like so many of the other workers toiling to make Walt Disney's one-year deadline, both Disney Imagineers and construction workers rushed to complete the theme park. As a result, a number of rides—including Peter Pan’s Flight, 20,000 Leagues Under the Sea: Submarine Voyage, and Dumbo the Flying Elephant in Fantasyland—broke down or were closed altogether because they simply were not finished yet.

The growing pains didn’t stop on opening day. During the first few weeks after opening, the stagecoach ride in Frontierland permanently closed when it was discovered it would flip over if it was too top-heavy; 36 cars in Autopia crashed due to aggressive driving (ironically the ride was designed to help children learn respectful rules of the road); and a tiger and a panther escaped from the circus attraction, which resulted in a “furious death struggle” between the animals on Main Street, U.S.A.

8. THE MARK TWAIN RIVERBOAT SANK.

The iconic Mark Twain Riverboat in Frontierland was filled way over capacity on opening day, with about 500 people cramming into the attraction. This caused the boat to go off its track and sink in the mud, but the ordeal was far from over.

"It took about 20 to 30 minutes to get it fixed and back on the rail and it came chugging in," Terry O'Brien, who was working the ride on opening day, later recalled in an interview. "As soon as it pulled up to the landing, all the people rushed to the side to get off, and the boat tipped into the water again, so they all had to wade off through the water, and some of them were pretty mad."

9. SLEEPING BEAUTY’S CASTLE ALMOST CAUGHT FIRE.

A gas leak in the park prompted the closing of Adventureland, Fantasyland, and Frontierland for a few hours, while flames from the leak were seen trying to engulf Sleeping Beauty’s Castle. Walt Disney was so busy during opening day that he didn’t learn about the fire until the following day.

10. ABC'S LIVE SHOW FROM DISNEYLAND WAS A TRAIN WRECK.

Walt Disney had a partnership with the broadcast network ABC, which helped finance Disneyland with an investment of $5 million of the park’s $17 million price tag. In return, Walt Disney would host a weekly TV show about what people could expect to see in Disneyland, a full year before it was set to open its doors.

On opening day, Walt Disney hosted a 90-minute live TV special with co-hosts Art Linkletter, Bob Cummings, and future president Ronald Reagan. Over 90 million viewers tuned in to see the “Happiest Place on Earth.” And while the cameras showed the fun and excitement of Disneyland, the TV special obscured the numerous disasters described above.

However, the live broadcast itself was riddled with technical difficulties, such as guests tripping over camera cables all over the park, faulty miscues, on-air flubs, hot mics, and unexpected moments that were caught on camera—namely Bob Cummings caught making out with a dancer just before going on air.

“This is not so much a show, as it is a special event,” Art Linklater said during the live broadcast from Disneyland. “The rehearsal went about the way you'd expect a rehearsal to go if you were covering three volcanoes all erupting at the same time, and you didn't expect any of them. So, from time to time, if I say, ‘We take you now by camera to the snapping crocodiles in Adventureland,’ and instead, somebody pushes the wrong button, and we catch Irene Dunne adjusting her bustle on the Mark Twain, don't be too surprised.”

The live broadcast also featured the debut of the original Mouseketeers from The Mickey Mouse Club TV show, which premiered a few months later in 1955 on ABC. So at least something positive came out of all of it.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios