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11 Bloodthirsty Facts About Little Shop of Horrors

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At first, the horrifically hilarious musical remake wasn't a huge hit. Since then, you might say it has grown on people.  

1. IT CAN BE TRACED BACK TO A BET.

The Little Shop of Horrors (1960) has been called “the best film that was ever shot in two days.” Strictly speaking, this isn’t entirely true. According to some accounts, the project was born when director Roger Corman—who had a knack for making cult classics on the cheap—bet his brother, Gene, that he could rehearse and shoot an entire film during the last week of 1959.

Using leftover sets from an earlier movie, Corman spent Monday through Wednesday going through the motions with his actors before shooting on Thursday and Friday. Most sources end the story right here. What generally goes unreported is the fact that Corman called his cast back for re-shoots and new sequences over the next two weekends.

The Little Shop of Horrors was also one Jack Nicholson’s earliest roles (he plays a masochistic dental patient). This future star later reminisced about the film’s tight budget, saying that Corman wouldn’t even pay to make copies of the script.  

After its release, the picture became a popular title on late-night telecasts. It also inspired a hit off-Broadway show. Premiering on May 6, 1982, the original production ran for a month, until it got picked up by a producer and began an impressive 2209-performance run over the next five years, making it, at the time, the highest-grossing off-Broadway production ever. The $25 million film adaptation of the musical hit theaters in 1986.

2. THE BIGGEST PLANT PUPPET REQUIRED UP TO 60 TECHNICIANS TO OPERATE.

If Little Shop of Horrors was green-lit today, its leafy, extraterrestrial villain would probably be computer-animated. Back in the mid-1980s, though, this technology hadn’t yet come of age. Fortunately, the movie’s director, Frank Oz, knew puppetry inside and out. A key collaborator of Jim Henson's, Oz had spent 10 years voicing Fozzie Bear, Miss Piggy, and others before he was hired to helm Little Shop of Horrors.

Oz's biggest challenge was creating the plant itself. Named Audrey II, it not only grows from a sapling to a giant over the course of the film, but it also sings, shimmies, and eats people alive. Technicians built six animatronic flytraps of varying sizes for the film. The smallest was a mere 4 inches tall and the largest stood over 12 feet in height. Used toward the climax of the movie, it required as many as 60 human operators

3. ONE SONG FORESHADOWED ARIEL'S BIG SHOWSTOPPER IN THE LITTLE MERMAID.

Though several musical numbers that had appeared in Little Shop of Horrors’s off-Broadway score were cut from the film, “Somewhere That’s Green” survived the transition. In the song, Audrey—a downtrodden slum-dweller—yearns for the greener pastures of suburbia. No doubt a certain sea princess could relate. Lyricist Howard Ashman and composer Alan Menken, who worked together on the musical and 1986 film, also collaborated on Disney’s The Little Mermaid. Described as an “I Want” song, Little Mermaid's “Part of Your World” was heavily influenced by “Somewhere That’s Green.” In fact, Menken says that they “used to jokingly call this one ‘Somewhere That’s Wet.’”

4. TWO OF JIM HENSON'S KIDS WERE INVOLVED.

Before Audrey II reaches its full size, the plant sings for some supper in “Feed Me.” On the film’s DVD commentary, Oz notes that Brian Henson—who currently chairs the Jim Henson Company—was the puppet’s main operator throughout this scene. A few minutes later, viewers see his little sister Heather Henson doing a cameo as an abused dental patient.

5. STEVE MARTIN SUSTAINED A MINOR INJURY DURING "FEED ME."

When Orin Scrivello, D.D.S. (Martin) and his long-suffering girlfriend Audrey (Ellen Greene) walk up to her apartment, the deranged dentist kicks open the building’s door. On the DVD commentary, Oz mentions that Martin had previously tried opening it by hand only to have the glass unexpectedly shatter, cutting his palm.

6. AUDREY II MADE THE ACTORS TAKE THINGS SLOW. 

The foam rubber lips on Audrey II couldn’t move fast enough to synch up with the audio during any of his songs. As Oz explains at 4:10 in the above video, the team responded by filming the puppets at a slower-than-average rate of 12 or 16 frames per second, then speeding up the footage to the standard 24 frames per second. Whenever Rick Moranis (who played Seymour Krelborn) or one of the other actors sang side-by-side with the monster, he or she was really lip-syncing in slow motion. “It was a b*tch,” says Oz.

7. BILL MURRAY'S DIALOGUE WAS IMPROVISED. 

No script? No problem. Murray was invited to portray a giddy, Nicholson-esque masochist opposite Martin’s sadistic character in Little Shop of Horrors. The former SNL cast member took the gig, but asked if he could go off-script. “Look,” Oz told him, “as long as you’re the masochist and Steve’s the sadist, I don’t care.” Murray proceeded to ad-lib his way through the scene, using different lines in every take.

8. A TV-FRIENDLY VERSION OF "MEAN GREEN MOTHER FROM OUTER SPACE" ROCKED THE 1987 ACADEMY AWARDS. 

Written specifically for the film by Ashman and Menken, this brassy number has power-crazed Audrey II drop a few expletives. “Mean Green Mother from Outer Space” netted an Oscar nomination for Best Original Song, and the plant’s voice actor—R&B legend Levi Stubbs (lead singer of the Four Tops)—was invited to sing it at the ceremony. Obviously, some editing was needed. In the end, Top Gun’s “Take My Breath Away” took home the prize, despite Stubbs’s inspired performance.

9. A SURREAL DREAM SEQUENCE WAS AXED.

In the original edit of “The Meek Shall Inherit" segment, Seymour battles his inner demons through a Dalí-esque nightmare that involves bodily transformation, Greek columns, and a bleeding painting. The odd sequence ultimately landed on the cutting room floor.

10. THE ORIGINAL ENDING WAS CUT, TOO.

Spoiler alert: In Corman’s The Little Shop of Horrors, Seymour grabs a knife and leaps into the open maw of his dastardly plant, killing them both. The musical wraps up on an even grimmer note: Not only does Audrey II eat all of the principal characters, but the finale reveals that an army of the plant's ravenous offspring has laid waste to cities all across the nation.

Oz spent roughly one-fifth of his movie’s budget bringing a version of this apocalyptic conclusion to the silver screen. Completing the elaborate sequence—which referenced Godzilla, War of the Worlds, and countless other sci-fi classics—took just under one year.

When Little Shop of Horrors ran its first preview in San Jose, test audiences could barely contain their enthusiasm—at first. “For every musical number,” recalls Oz, “there was applause, they loved it, it was just fantastic … until we killed our two leads. And then the theater became a refrigerator, an ice box. It was awful.” Another screening in Los Angeles provoked a similar reaction.

The ending needed a complete overhaul. As Oz told Entertainment Weekly, “We had to cut that ending and make it a happy ending, or a satisfying ending. We didn’t want to, but we understood they couldn’t release it with that kind of a reaction.” Reluctantly, Ashman cooked up a merrier resolution. The discarded ending has since been restored on a 2012 director’s cut DVD.

11. LITTLE SHOP OF HORRORS SPAWNED A SHORT-LIVED CARTOON SERIES.

Simply titled Little Shop, the show ran on Fox Kids in 1991. Starring a young Seymour and “Junior,” his rapping prehistoric flytrap, it only lasted for 13 episodes. 

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20 Things You Might Not Know About Mr. Show
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You never need an excuse to look back at Mr. Show with Bob and David, but given that today is co-creator Bob Odenkirk's 55th birthday, now seems to be as good a time as any.

1. BOB ODENKIRK AND DAVID CROSS’S FIRST MEETING DID NOT GO VERY WELL.

Following four years of writing on Saturday Night Live, Odenkirk was in Los Angeles in 1992 as a writer for the Chris Elliott Fox cult classic Get a Life. David Cross was a comedian in L.A. after performing for years in Boston. One boring afternoon, Cross asked friend and fellow stand-up Janeane Garofalo if she knew anybody that played basketball. The two went to Odenkirk’s house, and Garofalo introduced David to Bob and then asked if he wanted to play basketball. He said no.

2. ODENKIRK AND CROSS FIRST WORKED TOGETHER ON THE BEN STILLER SHOW.

Despite their inauspicious beginning, the two ended up having numerous fruitful collaborations, starting with their work on The Ben Stiller Show. Odenkirk was a writer/performer on the short-lived but Emmy award-winning sketch show with Garofalo, Stiller, and Andy Dick. Cross was brought in in the middle of the show’s 13-episode run as a writer.

3. THE CO-STARS FIRST PERFORMED ON STAGE TOGETHER AS "THE THREE GOOFBALLZ."

Odenkirk and Cross performed sketch comedy together at the Diamond Club in Los Angeles, with a third improviser that, the joke went, would either be deceased or out elsewhere getting high.

4. "THE THREE GOOFBALLZ' WAS ALMOST THE TITLE OF MR. SHOW

Odenkirk also pitched the title Grand National Championships, but David Cross was never a fan of it.

5. JACK BLACK, SARAH SILVERMAN, AND OTHER FUTURE STARS APPEARED ON THE SHOW BEFORE THEY WERE FAMOUS.

Black was in four episodes of Mr. Show, starring in the classic Jesus Christ Superstar parody “Jeepers Creepers.” Silverman was a performer in 10 episodes. Mary Lynn Rajskub, best known as Chloe on 24, was a featured actress in the first two years. Tom Kenny, the voice of SpongeBob SquarePants, was a series regular for a majority of the run. Scott Adsit, a.k.a. 30 Rock’s Pete Hornberger, was in six episodes.

6. PATTON OSWALT WARMED UP THE MR. SHOW CROWD.

In addition to performing stand-up before tapings and keeping the studio audience interested in between scenes, Oswalt played Famous Mortimer in the episode “Operation: Hell on Earth” (but was credited as “Patton Oswald.”)

7. HOMELESS PEOPLE WERE NOT KIND TO THE ORIGINAL SETS.

Because the pilot episode was shot at a “down and dirty,” small Central Hollywood club, the sets had to be placed outside, where homeless people defecated on them.

8. YOU MIGHT ALSO RECOGNIZE SOME OF THE WRITING STAFF.

Dino Stamatopoulos was already on the original writing staff of Late Night with Conan O’Brien and had written for David Letterman before writing for Cross and Odenkirk. He would later create three shows and play Starburns on Community. Writer/performer Scott Aukerman co-created and executive produces Between Two Ferns, and created and stars on Comedy Bang! Bang!. Writer/performer Paul F. Tompkins hosted VH-1’s Best Week Ever! and currently hosts the satirical debate show No, You Shut Up!, where he moderates discussions by a panel full of puppets. Bob Odenkirk’s brother Bill has written ten episodes of The Simpsons.

9. THE DIRECTORS OF LITTLE MISS SUNSHINE LEARNED HOW TO DIRECT COMEDY FROM MR. SHOW.

Valerie Faris and Jonathan Dayton were known for directing music videos like The Smashing Pumpkins’ “Tonight, Tonight” and Jane’s Addiction’s “Been Caught Stealing,” and decided to direct two Mr. Show episodes to expand their filming vocabulary. The husband and wife team were behind the camera for the classic sketch “Monk Academy.”

10. ONE SKETCH WAS INFLUENCED BY LOUIS C.K.

One of the first sketches in the show’s history involved Odenkirk playing a priest forced to do rather unpleasant and un-priestly things. The idea sprang from a conversation David Cross had with fellow young Boston comic Louis C.K., where Louis talked about annoying people that try to claim a prize on a bet that their friends never agreed to in the first place.

11. HBO ONLY CENSORED THE SHOW ONCE.

Throughout four years and 30 episodes, the lone note Odenkirk and Cross got from HBO was to get rid of a line where one character tells another to have sex with a baby. Odenkirk admitted that being told to edit it out “wasn’t too much to ask.”

12. THEY ONLY RECEIVED ONE VIEWER COMPLAINT.

The only angry letter that Odenkirk and Cross were ever made aware of was from a military veteran who was offended by the sketch in “Who Let You In?” where Cross’s performance artist character attempts to defecate on the American flag. The two stars actually called the viewer and discovered that he didn’t watch the entire sketch, and therefore never realized that Cross’ character was never able to actually go through with it.

13. ONE SKETCH WAS CUT FROM THE SHOW SIX TIMES AND NEVER MADE IT TO AIR.

A sketch called “Party Car,” a joke on old, low-quality shows filled with '70s celebrities was cut from half a dozen scripts and never filmed. It would have featured Nipsey Russell, Zsa Zsa Gabor, (or reasonable facsimiles), and a baby in a balloon-filled car.

14. BOB ODENKIRK GOT IN TROUBLE FOR USING A PICTURE OF HIS DEAD GRANDFATHER.

Because the sketch “Old Man In House” needed a photo of an old man, and the elderly gentleman was not the butt of the joke, Odenkirk thought it would be fine. Instead, some Odenkirks were “very upset.”

15. CROSS WAS PAYING OFF HIS STUDENT LOAN DEBTS THROUGHOUT MOST OF THE SERIES.

David Cross and Amber Tamblyn
Frazer Harrison/Getty Images

Despite executive producing and co-creating a series on television, Cross had trouble paying off his student loan debts from his time at Emerson College. Figuring that the person calling from the bill collection agency wouldn’t believe that he couldn’t pay if he knew his job status, Cross pretended that he worked at Mr. Show as a messenger.

16. ONE PERSON WAS GIVEN A "SPECIAL THANKS" IN THE CLOSING CREDITS OF EVERY EPISODE AS A JOKE.

As Cross once explained, Rick Dees was thanked in the credits of the pilot episode, even though he was “certainly nobody we would ever thank, or be in a position to thank.” Some personalities that were thanked for no discernable reason were Greg Maddux, Rodion Romanovich Raskolnikov, Gabe Kaplan, and Howard Zinn.

17. HBO CHANGED THE TIME SLOT FOR ITS FINAL SEASON, AND IT WAS "DEMORALIZING."

After airing Fridays at midnight for the first three seasons, HBO moved the show to Mondays at the same time, confusing some loyal viewers, and the ratings decreased as a result. Bob Odenkirk told a reporter that, after 30 episodes, HBO was still treating the cast and crew as “second-class citizens,” and that they were “demoralized” by the slot shift.

18. BOB AND DAVID TOLD A STUDIO AUDIENCE THAT THEY HAD JUST WITNESSED THE FINAL EPISODE, AND THEY WEREN'T JOKING.

“Patriotism, Pepper, and Professionalism,” the 40th and final episode of Mr. Show, was taped on November 21, 1998. After the final sketch was filmed, Odenkirk and Cross made their announcement, although the show’s cancellation wasn’t made official for another few months.

19. THERE WAS A MR. SHOW MOVIE THAT WENT STRAIGHT TO VIDEO.

Run Ronnie Run focused on David Cross’s redneck criminal character Ronnie Dobbs. It was filmed in 2001, but never made it to theaters. Bob Odenkirk admitted that the movie wasn’t perfect, but he blamed the poor quality on director Troy Miller, for not allowing himself and Cross to edit the movie.

20. THE TWO HAVE REUNITED A FEW OTHER TIMES.

David Cross and Bob Odenkirk star in 'W/ Bob and David'
Saeed Adyani/Netflix

In 2002, Bob, David, and Mr. Show writer/performers Brian Posehn, John Ennis, and Stephanie Courtney (Flo in the Progressive commercials) toured the country to perform some of the show’s sketches and material from their unproduced screenplay Mr. Show: Hooray For America! The next year, Odenkirk guest starred as Dr. Phil Gunty on a season one episode of Arrested Development, alongside Cross’ character Tobias Fünke.

In 2012, Odenkirk, Cross, and Posehn went on a six-city tour to promote their book filled with more unproduced material. Bob and David appeared briefly together the next year on an episode of Aukerman’s Comedy Bang! Bang! In 2015, 20 years after Mr. Show's debut, Netflix premiered W/ Bob and David, a five-episode sketch comedy show created by and starring the duo.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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