15 Creepy Facts About Carrie

Scream Factory
Scream Factory

Brian De Palma has never met a genre he can’t tackle. Throughout his near-50-year career in Hollywood, he has famously dabbled in action films (Mission: Impossible, Snake Eyes), crime dramas (Carlito’s Way, The Untouchables), psychological thrillers (Raising Cain, Body Double), film noirs (Black Dahlia, Femme Fatale), and expletive-filled gangster movies (Scarface). But to this day, Carrie—his 1976 adaptation of Stephen King’s first novel—remains one of his most impressive achievements. And not just because it still manages to scare the bejesus out of audiences, even if they know what’s coming next. Here are 15 things you might not have known about the Oscar-nominated horror film.

1. IT WAS STEPHEN KING’S FIRST BIG-SCREEN ADAPTATION.

Author Stephen King poses at the premiere of IT in Bangor, Maine
Scott Eisen, Getty Images for Warner Bros.

Carrie marked a number of firsts for the soon-to-be bestselling author: In addition to being his first published novel, it was also the first of his stories to be made into a film. In the more than 40 years since the book’s release, King’s work has formed the basis for more than 100 movies, television movies, series, and episodes.

2. KING WAS PAID $2500 FOR THE FILM RIGHTS.

While speaking at a book event in Fort Myers, Florida in 2010, King recalled that he was paid just $2500 for the movie rights to Carrie—which may seem like a pittance, but he has no regrets. “I was fortunate to have that happen to my first book,” King said.

3. KING THOUGHT DE PALMA HANDLED THE MATERIAL IN A “MORE ARTISTIC” WAY THAN HE HAD.

Five years after the film’s release, King praised De Palma’s adaptation, noting that:

"De Palma's approach to the material was lighter and more deft than my own—and a good deal more artistic ... The book seems clear enough and truthful enough in terms of the characters and their actions, but it lacks the style of De Palma's film. The book attempts to look at the ant farm of high school society dead on; De Palma's examination of this 'High School Confidential' world is more oblique ... and more cutting.”

More than a quarter-century later, in a 2007 interview with Nightline, King seemed slightly less enthusiastic when he said that, "Carrie is a good movie. It hasn't aged as well as some of the other ones. But it's still pretty good."

4. KING’S NAME WAS MISSPELLED IN THE TRAILER.

King was such a newcomer at the time of Carrie's release his first name was actually misspelled in the movie's trailer (it was written as Steven, not Stephen).

5. THE STARS OF CARRIE COULD HAVE BEEN THE STARS OF STAR WARS.

Brian De Palma ended up casting for Carrie at the same time his good friend George Lucas was doing the same for a little sci-fi film he was making called Star Wars. So the two made the rather unorthodox decision to hold joint auditions, which ended up becoming a bit confusing. De Palma liked Amy Irving for the lead in Carrie, but she was also considered for Princess Leia in Star Wars. William Katt also auditioned for Star Wars, alongside Kurt Russell.

6. AMY IRVING AND WILLIAM KATT HAD DATED IN REAL LIFE.

Before being cast as Sue Snell and Tommy Ross, Bates High School’s golden couple, Irving and Katt had actually dated. “It was like a year before we tested for Carrie," Irving explained. "We were only together for a short time and then we became friends. Suddenly, we were tested for this film together. We tested with a scene that wasn't in the film, one of our big scenes that was cut out. It was in the back seat of a car and it was very physical. We were lucky because we'd been through that; we were very comfortable with each other, it was easy. We didn't end up having much together in the final print."

There was another personal connection within the film for Irving: her character’s mother in the film was played by her actual mom, Priscilla Pointer.

7. BRIAN DE PALMA DIDN’T SEE SISSY SPACEK AS CARRIE.

Though De Palma was a fan of Spacek’s work, he was convinced that he had already found his Carrie in another actress. His decision to let Spacek audition at all was mostly out of courtesy to her husband, Jack Fisk, the film’s art director. "He told me that if I wanted to, I could try out for the part of Carrie White,” Spacek recounted to Rolling Stone. "There was another girl that he was set on and unless he was really surprised, she was the one. I hung up and decided to go for it."

Spacek showed up at her audition in an old dress she hadn’t worn since grade school and with her hair slicked back with Vaseline. When she was done, she waited in the parking lot while her husband reviewed her audition with the rest of the production team. After Fisk came out to tell her that the part was hers, “We sped off before anybody could change his mind,” Spacek said.

8. IT WAS JOHN TRAVOLTA’S FIRST FILM.

John Travolta in 'Carrie' (1976)
Scream Factory

Travolta’s star was on the rise because of his role in Welcome Back, Kotter, but Carrie marked his big-screen debut.

9. PIPER LAURIE THOUGHT SHE WAS MAKING A SATIRE.

Piper Laurie, who earned an Oscar nomination for her role as Carrie’s fanatical mother, was all but retired when she agreed to play Margaret White (her last feature had been The Hustler in 1961). But her interpretation of the script was quite different than De Palma’s intention—which she didn’t realize until filming began.

"Once De Palma revealed that he didn’t want a satirical approach and said, ‘You’re going to get a laugh if you do that,’ I realized that he didn’t want laughs, at least not in our conscious performing,” Laurie told HollywoodChicago.com in 2011. "I just fully embraced the reality of what I was playing. I must say that I enjoyed having the childlike freedom to play act and be the evil witch. It was very freeing and fun to do."

Nancy Allen, who played mean girl Chris Hargensen, also believed that she and Travolta were there as a sort of comic relief; it wasn’t until she saw the final cut that she realized they were actually the villains.

10. SISSY SPACEK KEPT IN CHARACTER BY KEEPING TO HERSELF.

In order to fully embrace the alienation her character faces, Spacek spent most of the production isolated from the rest of the cast. In a 2013 interview with Vulture, co-star P.J. Soles recalled how on "the first or second day, Sissy came over to a group of us, maybe at lunch, I don’t remember, and said, ‘I love you guys, we’re going to have a great shoot, I’m very excited to be working on this. But I just want to let you guys know, I’m going to alienate myself from you. I want to feel that alienation. But I really like you and afterwards we’ll party and we’ll have a great time. But don’t take it personally. I just want to let you know I’m doing it on purpose because I want to get into the part.’ We all really respected her for that, and that made us even more eager and able to be as mean as we could to her, because we knew it was going to help her."

11. SISSY SPACEK WAS A HIGH SCHOOL HOMECOMING QUEEN.

Sissy Spacek in Carrie (1976)
Scream Factory

Okay, so maybe “Prom Queen” holds more clout. But somewhere in Spacek’s teenage possessions is the glitzy headgear she sported when she was crowned homecoming queen at Quitman High School in Texas.

12. SPACEK WAS ADAMANT THAT HER OWN HAND APPEAR IN THE FINAL SCENE.

Though De Palma wanted to get a stunt person for the final scene, where Sue Snell visits Carrie’s grave, Spacek insisted that it needed to be her hand that was shown, which required her to be buried in the ground. “I laughed about that,” Spacek told NPR. "I do all my own foot and hand work, and always have."

13. SPACEK LOVED TO WITNESS MOVIEGOERS’ REACTIONS TO THE ENDING.

“When I was in New York, and Carrie came out, I would go to theaters just for the last five minutes of the film to watch everyone jump out of their chairs,” Spacek recalled. “People are all relaxed. The music is really beautiful and relaxing, and all of a sudden that comes up, and people just go crazy.”

14. THERE ARE NODS TO PSYCHO.

Though De Palma had hoped to convince Bernard Herrmann to score the film, the legendary composer—who was best known for his collaborations with Orson Welles and Alfred Hitchcock—passed away in 1975, before Carrie went into production. But his influence is still felt throughout the film.

"When we originally put temporary music tracks on the film, we used a lot of Herrmann's music,” De Palma told Cinefantastique. "In the end, we used a very famous Italian piece of music for the processional walk to the grave—Albinoni I think it was … The flexing sound is very Psycho. I put in a temporary track and for all the flexes I put in a Psycho violin. We couldn't find the right sound, but anyway, it worked. Bernard came up with it, and Bernard, I'm glad we used it again!"

Carrie’s school, Bates High School, is yet another nod to Hitchock’s 1960 classic.

15. STEPHEN KING WOULD HAVE LOVED TO SEE LINDSAY LOHAN IN THE ROLE.

When word first spread in 2011 that a remake of Carrie was in the works, King was surprised: “Why, when the original was so good? I mean, not Casablanca, or anything, but a really good horror-suspense film, much better than the book.” But when it came to recasting the lead and choosing a new director, King had some ideas—specifically, “Lindsay Lohan as Carrie White… hmmm. It would certainly be fun to cast. I guess I could get behind it if they turned the project over to one of the Davids: Lynch or Cronenberg."

15 Fascinating Facts About Schindler’s List

Universal Pictures
Universal Pictures

In 1993, Steven Spielberg’s Schindler’s List brought to the screen a story that had gone untold since the tragic events of the Holocaust. Oskar Schindler, a Nazi party member, used his pull within the party to save the lives of more than 1000 Jewish individuals by recruiting them to work in his Polish factory. Here are some facts about Spielberg’s groundbreaking film on its 25th anniversary.

1. The story was relayed to author Thomas Keneally in a Beverly Hills leather goods shop.

In October 1980, Australian novelist Thomas Keneally had stopped into a leather goods shop off of Rodeo Drive after a book tour stopover from a film festival in Sorrento, Italy, where one of his books was adapted into a movie. When the owner of the shop, Leopold Page, learned that Keneally was a writer, he began telling him “the greatest story of humanity man to man.” That story was how Page, his wife, and thousands of other Jews were saved by a Nazi factory owner named Oskar Schindler during World War II.

Page gave Keneally photocopies of documents related to Schindler, including speeches, firsthand accounts, testimonies, and the actual list of names of the people he saved. It inspired Keneally to write the book Schindler’s Ark, on which the movie is based. Page (whose real name was Poldek Pfefferberg) ended up becoming a consultant on the film.

2. Keneally wasn't the first person Leopold Page told about Oskar Schindler.

The film rights to Page’s story were actually first purchased by MGM for $50,000 in the 1960s after Page had similarly ambushed the wife of film producer Marvin Gosch at his leather shop. Mrs. Gosch told the story to her husband, who agreed to produce a film version, even going so far as hiring Casablanca co-screenwriter Howard Koch to write the script. Koch and Gosch began interviewing Schindler Jews in and around the Los Angeles area, and even Schindler himself, before the project stalled, leaving the story unknown to the public at large.

3. Schindler made more than one list.

Liam Neeson, Agnieszka Krukówna, Krzysztof Luft, Friedrich von Thun, and Marta Bizon in Schindler's List (1993)
Universal Pictures

Seven lists in all were made by Oskar Schindler and his associates during the war, while four are known to still exist. Two are at the Yad Vashem in Israel, one is at the US Holocaust Museum in Washington, D.C., and one privately owned list was unsuccessfully auctioned off via eBay in 2013.

The movie refers to the first two lists created in 1944, otherwise known as “The Lists of Life.” The five subsequent lists were updates to the first two versions, which included the names of more than 1000 Jews who Schindler saved by recruiting them to work in his factory.

4. Steven Spielberg first learned of Schindler in the early 1980s.

Former MCA/Universal president Sid Sheinberg, a father figure to Spielberg, gave the director Keneally’s book when it was first published in 1982, to which Spielberg allegedly replied, “It’ll make a helluva story. Is it true?”

Eventually the studio bought the rights to the book, and when Page met with Spielberg to discuss the story, the director promised the Holocaust survivor that he would make the film adaptation within 10 years. The project languished for over a decade because Spielberg was reluctant to take on such serious subject matter. Spielberg’s hesitation actually stopped Hollywood veteran Billy Wilder from making Schindler’s List his final film. Wilder tried to buy the rights to Keneally’s book, but Spielberg and MCA/Universal scooped them up before he could.

5. Spielberg refused to accept a salary for making the movie.

Though Spielberg is already an extremely wealthy man as a result of the many big-budget movies that have made him one of Hollywood’s most successful directors, he decided that a story as important as Schindler’s List shouldn’t be made with an eye toward financial reward. The director relinquished his salary for the movie and any proceeds he would stand to make in perpetuity, calling any such personal gains “blood money.” Instead, Spielberg used the film’s profits to found the USC Shoah Foundation, which was established in 1994 to honor and remember the survivors of the Holocaust by collecting personal recollections and audio visual interviews.

6. Before Spielberg agreed to make the movie, he tried to get other directors to make it.

Part of Spielberg’s reluctance to make Schindler's List was that he didn’t feel that he was prepared or mature enough to tackle a film about the Holocaust. So he tried to recruit other directors to make the film. He first approached director Roman Polanski, a Holocaust survivor whose own mother was killed in Auschwitz. Polanski declined, but would go on to make his own film about the Holocaust, The Pianist, which earned him a Best Director Oscar in 2003. Spielberg then offered the movie to director Sydney Pollack, who also passed.

The job was then offered to legendary filmmaker Martin Scorsese, who accepted. Scorsese was set to put the film into production when Spielberg had an epiphany on the set of the revisionist Peter Pan story Hook and realized that he was finally prepared to make Schindler’s List. To make up for the change of heart, Spielberg traded Scorsese the rights to a movie he’d been developing that Scorsese would make into his next film: the remake of Cape Fear.

7. The movie was a gamble for Universal, so they made Spielberg a dino-sized deal.

When Spielberg finally decided to make Schindler’s List, it had taken him so long that Sheinberg and Universal balked. The relatively low-budget $23 million three-hour black-and-white Holocaust movie was too much of a risk, so they asked Spielberg to make another project that had been brewing at the studio: Jurassic Park. Make the lucrative summer movie first, they said, and then he could go and make his passion project. Spielberg agreed, and both movies were released in 1993; Jurassic Park in June and Schindler’s List in December.

8. Spielberg didn't want a movie star with Hollywood clout to portray Schindler.

Kevin Costner and Mel Gibson auditioned for the role of Oskar Schindler, and actor Warren Beatty was far enough along in the process that he even made it as far as a script reading. But according to Spielberg, Beatty was dropped because, “Warren would have played it like Oskar Schindler through Warren Beatty.”

For the role, Spielberg cast then relatively unknown Irish actor Liam Neeson, whom the director had seen in a Broadway play called Anna Christie. “Liam was the closest in my experience of what Schindler was like,” Spielberg told The New York Times. “His charm, the way women love him, his strength. He actually looks a little bit like Schindler, the same height, although Schindler was a rotund man,” he said. “If I had made the movie in 1964, I would have cast Gert Frobe, the late German actor. That’s what he looked like.”

Besides having Neeson listen to recordings of Schindler, the director also told him to study the gestures of former Time Warner chairman Steven J. Ross, another of Spielberg’s mentors, and the man to whom he dedicated the film.

9. Spielberg did his own research.

In order to gain a more personal perspective on the film, Spielberg traveled to Poland before principal photography began to interview Holocaust survivors and visit the real-life locations that he planned to portray in the movie. While there, he visited the former Gestapo headquarters on Pomorska Street, Schindler’s actual apartment, and Amon Goeth’s villa.

Eventually the film shot on location for 92 days in Poland by recreating the Płaszów camp in a nearby abandoned rock quarry. The production was also allowed to shoot scenes outside the gates of Auschwitz.

10. The little girl in the red coat was real.

Promotional image for 25th anniversary rerelease of Schindler's List.
Universal Pictures

A symbol of innocence in the movie, the little girl in the red coat who appears during the liquidation of the ghetto in the movie was based on a real person. In the film, the little girl is played by actress Oliwia Dabrowska, who—at the age of three—promised Spielberg that she would not watch the film until she was 18 years old. She allegedly watched the movie when she was 11, breaking her promise, and spent years rejecting the experience. Later, she told the Daily Mail, “I realized I had been part of something I could be proud of. Spielberg was right: I had to grow up to watch the film.”

The actual girl in the red coat was named Roma Ligocka; a survivor of the Krakow ghetto, she was known amongst the Jews living there by her red winter coat. Ligocka, now a painter who lives in Germany, later wrote a biography about surviving the Holocaust called The Girl in the Red Coat.

11. The movie wasn't supposed to be in English.

For a better sense of reality, Spielberg originally wanted to shoot the movie completely in Polish and German using subtitles, but he eventually decided against it because he felt that it would take away from the urgency and importance of the images onscreen. According to Spielberg, “I wanted people to watch the images, not read the subtitles. There’s too much safety in reading. It would have been an excuse to take their eyes off the screen and watch something else.”

12. The studio didn't want the movie to be in black and white.

The only person at MCA/Universal who agreed with Spielberg and director of cinematography Janusz Kaminski’s decision to shoot the movie in black and white was Sheinberg. Everyone else lobbied against the idea, saying that it would stylize the Holocaust. Spielberg and Kaminski chose to shoot the film in a grimy, unstylish fashion and format inspired by German Expressionist and Italian Neorealist films. Also, according to Spielberg, “It’s entirely appropriate because I’ve only experienced the Holocaust through other people’s testimonies and through archival footage which is, of course, all in black and white.”

13. Spielberg's passion project paid off in Oscars.

Schindler’s List was the big winner at the 66th Academy Awards. The film won a total of seven Oscars, including Best Picture and Best Director awards for Spielberg. Neeson and Ralph Fiennes were both nominated for their performances, and the film also received nods for Costume Design, Makeup, and Sound.

14. Schindler's List is technically a student film.

Steven Spielberg gives a speech
Nicholas Hunt, Getty Images

Thirty-three years after dropping out of college, Spielberg finally received a BA in Film and Video Production from his newly minted alma mater, Cal State Long Beach, in 2002. The director re-enrolled in secret, and gained his remaining credits by writing essays and submitting projects under a pseudonym. In order to pass a film course, he submitted Schindler’s List as his student project. Spielberg describes the time gap between leaving school and earning his degree as his “longest post-production schedule.”

15. Spielberg thinks the film may be even more important to watch today.

In honor of the film's 25th anniversary, it's currently back in theaters. But Spielberg believes that the film may be even more important for today's audiences to see. "I think this is maybe the most important time to re-release this film," the director said in a recent interview with Lester Holt on NBC Nightly News. Citing the spike in hate crimes targeting religious minorities since
2016, he said, "Hate's less parenthetical today, it's more a headline."

Additional Sources:
The Making of Schindler’s List: Behind the Scenes of an Epic Film, by Franciszek Palowski

An earlier version of this article appeared in 2015.

The Most-Searched Holiday Movie in Every State, Mapped

iStock.com/chrispecoraro
iStock.com/chrispecoraro

Do you live in a Gremlins state or a Home Alone state? StreamingObserver is here to tell you. The streaming-industry site recently used Rotten Tomatoes and other public data sources to figure out the most popular Christmas movies in each state. Spoiler: It’s a Wonderful Life isn’t quite the Christmas classic you thought it was.

The list takes some liberties with what might be considered a “Christmas” movie. Die Hard (a favorite in Missouri and Wisconsin) made the list, as did Batman Returns (California’s most-searched movie) and Edward Scissorhands (popular in Nevada and Arizona). They aren’t quite the traditional Hallmark holiday fare, but they each include at least some nod to the Christmas season.

Then there’s the more standard Yuletide entertainment, like A Christmas Carol (Tennessee’s favorite) and Frosty the Snowman (South Dakota's pick). Christmas in Connecticut, oddly enough, is Montana’s favorite (unclear whether that’s the 1945 film or the 1992 TV movie), while Connecticut’s favorite is the 1983 Eddie Murphy film Trading Places. The Apartment, The Snowman, Miracle on 34th Street, and The Best Man Holiday also make an appearance. Seven states list Gremlins as their favorite, while six chose Home Alone and three chose Scrooged.

The data is based on Google searches, rather than surveys, so it's possible that the movie at the top of each state's list isn't so much beloved as it is curiosity-inspiring. It's possible that all these people are Googling Gremlins, then deciding not to watch it. But we feel fairly confident saying a lot of people will be watching Die Hard this Christmas season. (Tip: You can't stream it on Netflix right now, but you can rent it on Amazon.)

The 2018 results are fairly different from StreamingObserver's 2016 data, which you can compare here. Do you agree with your state's preferences?

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