The Limbless Magician of 18th Century London

The men and women gathered at the Corner House near Charing Cross in London had come to see a tragedy. A man cut off from above the knees at birth and possessing gnarled stumps that ended at the elbows had circulated an advertisement promising to demonstrate his feats in magic, calligraphy, art, and music.

They prepared themselves for a cruel sight. He had already been refused an opportunity to perform in Nuremberg, Germany, where officials feared he could upset pregnant audience members.

And so Matthew Buchinger had traveled to England, where morbid curiosity outbid concern for public sensibilities. Like the bearded women and pinheads that would populate sideshows in the centuries to come, Buchinger’s success depended on the appeal of seeing nature go awry.

But the little man—he stood only 29 inches tall—was different in one very significant way from his predecessors: Buchinger was not an ornament. Simply existing on stage was not the show. As the crowd stared, jaws slack, their host expertly threaded a needle. He played multiple instruments, several with the assistance of custom-made machines. He produced a penknife and quill, then sculpted for himself a perfect drawing utensil. He crafted incredible calligraphy, some of which was purchased on the spot by the stunned observers. He shaved himself with a straight razor without flaw.

When the crowd thought they had seen everything—the man was doing many things at an advanced level they could not do at all—he produced the three cups used by magicians to hide and produce objects. As their eyes tracked the cup with the hidden ball, Buchinger tipped it over to reveal a bird anxious to take flight.

It was a sensational show, one he would perform six times a day for many years. He entertained King George I, married four times, and raised 14 children. His fame grew to the point where “Buchinger” became slang for “small.”

He would always see those same faces, looks of sadness or amusement for the pitiable man slowly morphing into awe. How else could one react to a master of sleight-of-hand who had no hands?

Welcome Library, London via Wikimedia Commons // CC BY 4.0

Buchinger was born in Anspach, Germany in 1674 to parents of modest means—though not so modest they had any problem feeding their eight other children. Of the brood, only Matthew (sometimes written as “Matthias” and “Buckinger”) was with defect. He likely had phocomelia, a congenital disorder that produces missing limbs in an erratic fashion. Buchinger had a right arm that stopped short of where one would expect to find an elbow; his left extended slightly past that, providing a little flexion. Each limb was topped with a protuberance that looked like a mildly-inflated balloon, callused from crawling on all fours.

Buchinger’s parents kept him largely hidden from view for most of his adolescence. He gravitated toward skills that flourished in isolation: calligraphy, music, and art. Holding an object with his right stub and securing it with his left allowed him surprising dexterity, which he perfected with constant practice.

Feeling he had a skill set that stood in sharp contrast to his appearance, Buchinger wanted to see if he could impress someone of influence. He arrived in England in his forties, eager to display his skills for an approving (and wealthy) audience. The welcome party included King George, who was possibly intrigued by one of Buchinger’s elaborate and boastful biographical scrawls:

The King was entertained by Buchinger, who hoped English royalty might want to subsidize his life. In 1716, he gave the King a custom-made instrument and a delicate request for what would amount to a hardship pension. His Highness declined, but paid a small sum for the gift and sent him on his way.

Dismayed, Buchinger decided to take up performing as a vocation. At the time, England had a fierce appetite for "monsters," with dwarves and limbless attractions of all varieties drawing crowds. Buchinger appeared in multiple places in the London area and promised to demonstrate his mastery of 13 unique skills for one shilling per attendee. In addition to magic, he could deal cards and play dice; load and shoot a firearm; and play instruments, often with the addition of a device that modified it for his needs. Such adaptation was part of Buchinger’s appeal: His mind was innovative, and his physical limitations were circumvented by his intellect.

England was charmed: The shows were popular and there was even demand for him to make house calls for private performances.

Unfortunately, his most notable public display may have been a result of domestic turmoil. While married to his second wife, Buchinger was said to have been victimized by verbal and physical abuse. His tolerance ended abruptly: He knocked her down to the ground in the street and began pummeling her with his choked-off appendages until she swore she would never raise a hand to him again. (Whether a result of the conflict or not, he was later divorced and married twice more.)

After a stint in Scotland, Buchinger returned to freshen up his routine. He could now play the bagpipe, dancing in tune in a manner he described “as well as any man, without legs.”

For all of Buchinger’s elaborate stage devices, it took little more than pen and paper to reveal his incredible aptitude for calligraphy. The hours he spent cradling a writing utensil between his stumps developed what was effectively a unified and steady hand: He could write backwards, upside-down, and even reverse letters for a mirror effect.

Illustrations, which he often sold at shows, were detailed beyond measure. Buchinger drew many self-portraits, including one where he had meticulously written several Psalms and the Lord’s Prayer into the curls of his hair:

His work was sometimes undertaken on order from admirers. Others were for his own amusement: He once drew his own family tree where he was the trunk, his many wives the branches, and his many, many children the fruit. And there is at least one surviving example of another hobby: building ships and other miniatures in bottles. Buchinger's model of an underwater mine—complete with tiny workers in knee-length trousers—is believed to be one of the earliest examples of the craft. 

When he sensed a population was getting tired of his act, Buchinger would travel somewhere else, bouncing from England to Scotland to Ireland and back again. Growing fatigued, he again asked for a pension, this time from the Palatine Commissioner, on the logic that his third wife was part of their culture. Down to just two shows a day, he complained employees were eating into his profits. The Commissioner was unmoved.

In 1733, he wrote to the Earl of Oxford offering a drawing that had taken him 15 months to complete, for sale at a price of the Earl’s choosing. In it, he made vague reference to an “ague and feavour” that he felt could prevent him from ever working again. Whether this was true or simple salesmanship—a chance to grab the last work of a decaying artist—is unknown. Six years later, he was dead at the age of 65. Though it’s not clear what could be learned from his skeleton, he had insisted a friend at a local university deliver his body to science.

Having charmed the people of Ireland, his passing brought about public notices. In reviewing his life, the Dublin Penny remarked that Buchinger died “at an advanced age, in easy circumstances, and much respected.”

Buchinger collectors were avid both in his life and following his death; some of his papers reside at the British Library’s Harleian Collection, while other etchings and originals are in the hands of enthusiasts. Each is typically accompanied by a lengthy signature that acts as an abbreviated autobiography, with Buchinger always referring to himself as being “born without hands and feet.” It seemed important to him that no work went out into the world without people being aware of his considerable physical limitations—his way of having one last chance to surprise.  

 

Additional Sources:
The Great Illusionists.

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Interactive Map Shows Where Your House Would Have Been 750 Million Years Ago
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Your neighborhood traveled a long way over several hundred million years to reach the spot it occupies today. To trace that journey over the ages, check out Ancient Earth, an interactive digital map spotted by Co.Design.

Ancient Earth, a collaboration between engineer and Google alum Ian Webster and Paleomap Project creator C.R. Scotese, contains geographical information for the past 750 million years. Start at the beginning and you'll see unrecognizable blobs of land. As you progress through the ages, the land mass Pangaea gradually breaks apart to form the world map we're all familiar with.

To make the transition even more personal, you can enter your street address to see where it would have been located in each period. Five hundred million years ago, for example, New York City was a small island in the southern hemisphere isolated from any major land mass. Around the same time, London was still a part of Pangaea, and it was practically on top of the South Pole. You can use the arrows on your keyboard to flip through the eras or jump from event to event, like the first appearance of multicellular life or the dinosaur extinction.

As you can see from the visualization, Pangaea didn't break into the seven continents seamlessly. Many of the long-gone continents that formed in the process even have names.

[h/t Co.Design]

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The Body
11 Facts About the Appendix
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Despite some 500 years of study, the appendix might be one of the least understood structures in the human body. Here's what we know about this mysterious organ.

1. THE ANCIENT EGYPTIANS CALLED IT THE "WORM" OF THE BOWEL.

The human appendix is small, tube-shaped, and squishy, giving ancient Egyptians, who encountered it when preparing bodies for funerary rites, the impression of a worm. Even today, some medical texts refer to the organ as vermiform—Latin for "worm-like."

2. THE APPENDIX SHOWS UP IN LEONARDO DA VINCI’S DRAWINGS.

The earliest description of a human appendix was written by the Renaissance physician-anatomist Jacopo Berengario da Carpi in 1521. But before that, Leonardo da Vinci is believed to drawn the first depiction of the organ in his anatomical drawings in 1492. Leonardo claimed to have dissected 30 human corpses in his effort to understand the way the body worked from mechanical and physiological perspectives.

3. IT'S ABOUT THE SIZE OF A PINKY FINGER.

The appendix is a small pouch connected to the cecum—the beginning of the large intestine in the lower right-hand corner of your abdomen. The cecum’s job is to receive undigested food from the small intestine, absorb fluids and salts that remain after food is digested, and mix them with mucus for easier elimination; according to Mohamad Abouzeid, M.D., assistant professor and attending surgeon at NYU Langone Medical Center, the cecum and appendix have similar tissue structures.

4. CHARLES DARWIN THOUGHT IT WAS A VESTIGIAL ORGAN …

The appendix has an ill-deserved reputation as a vestigial organ—meaning that it allegedly evolved without a detectable function—and we can blame Charles Darwin for that. In the mid-19th century, the appendix had been identified only in humans and great apes. Darwin thought that our earlier ancestors ate mostly plants, and thus needed a large cecum in which to break down the tough fibers. He hypothesized that over time, apes and humans evolved to eat a more varied and easier-to-digest diet, and the cecum shrank accordingly. The appendix itself, Darwin believed, emerged from the folds of the wizened cecum without its own special purpose.

5. … BUT THE APPENDIX PROBABLY EVOLVED TO HELP IMMUNE FUNCTION.

The proximity and tissue similarities between the cecum and appendix suggest that the latter plays a part in the digestive process. But there’s one noticeable difference in the appendix that you can see only under a microscope. “[The appendix] has a high concentration of the immune cells within its walls,” Abouzeid tells Mental Floss.

Recent research into the appendix's connection to the immune system has suggested a few theories. In a 2015 study in Nature Immunology, Australian researchers discovered that a type of immune cells called innate lymphoid cells (ILCs) proliferate in the appendix and seem to encourage the repopulation of symbiotic bacteria in the gut. This action may help the gut recover from infections, which tend to wipe out fluids, nutrients, and good bacteria.

For a 2013 study examining the evolutionary rationale for the appendix in mammal species, researchers at Midwestern University and Duke University Medical Center concluded that the organ evolved at least 32 times among different lineages, but not in response to dietary or environmental factors.

The same researchers analyzed 533 mammal species for a 2017 study and found that those with appendices had more lymphatic (immune) tissue in the cecum. That suggests that the nearby appendix could serve as "a secondary immune organ," the researchers said in a statement. "Lymphatic tissue can also stimulate growth of some types of beneficial gut bacteria, providing further evidence that the appendix may serve as a 'safe house' for helpful gut bacteria." This good bacteria may help to replenish healthy flora in the gut after infection or illness.

6. ABOUT 7 PERCENT OF AMERICANS WILL GET APPENDICITIS DURING THEIR LIFETIMES.

For such a tiny organ, the appendix gets infected easily. According to Abouzeid, appendicitis occurs when the appendix gets plugged by hardened feces (called a fecalith or appendicolith), too much mucus, or the buildup of immune cells after a viral or bacterial infection. In the United States, the lifetime risk of getting appendicitis is one in 15, and incidence in newly developed countries is rising. It's most common in young adults, and most dangerous in the elderly.

When infected, the appendix swells up as pus fills its interior cavity. It can grow several times larger than its average 3-inch size: One inflamed appendix removed from a British man in 2004 measured just over 8 inches, while another specimen, reported in 2007 in the Journal of Clinical Pathology, measured 8.6 inches. People with appendicitis might feel generalized pain around the bellybutton that localizes on the right side of the abdomen, and experience nausea or vomiting, fever, or body aches. Some people also get diarrhea.

7. APPENDECTOMIES ARE ALMOST 100 PERCENT EFFECTIVE FOR TREATING APPENDICITIS.

Treatment for appendicitis can go two ways: appendectomy, a.k.a. surgical removal of the appendix, or a first line of antibiotics to treat the underlying infection. Appendectomies are more than 99 percent effective against recurring infection, since the organ itself is removed. (There have been cases of "stump appendicitis," where an incompletely removed appendix becomes infected, which often require further surgery.)

Studies show that antibiotics produce about a 72 percent initial success rate. “However, if you follow these patients out for about a year, they often get recurrent appendicitis,” Abouzeid says. One 2017 study in the World Journal of Surgery followed 710 appendicitis patients for a year after antibiotic treatment and found a 26.5 percent recurrence rate for subsequent infections.

8. AN INFECTED APPENDIX DOESN’T ACTUALLY BURST.

You might imagine a ruptured appendix, known formally as a perforation, being akin to the "chestbuster" scene in Alien. Abouzeid says it's not quite that dramatic, though it can be dangerous. When the appendix gets clogged, pressure builds inside the cavity of the appendix, called the lumen. That chokes off blood supply to certain tissues. “The tissue dies off and falls apart, and you get perforation,” Abouzeid says. But rather than exploding, the organ leaks fluids that can infect other tissues.

A burst appendix is a medical emergency. Sometimes the body can contain the infection in an abscess, Abouzeid says, which may be identified through CT scans or X-rays and treated with IV antibiotics. But if the infection is left untreated, it can spread to other parts of the abdomen, a serious condition called peritonitis. At that point, the infection can become life-threatening.

9. SURGEONS CAN REMOVE AN APPENDIX THROUGH A TINY INCISION.

In 1894, Charles McBurney, a surgeon at New York's Roosevelt Hospital, popularized an open-cavity, muscle-splitting technique [PDF] to remove an infected appendix, which is now called an open appendectomy. Surgeons continued to use McBurney's method until the advent of laparoscopic surgery, a less invasive method in which the doctor makes small cuts in the patient's abdomen and threads a thin tube with a camera and surgical tools into the incisions. The appendix is removed through one of those incisions, which are usually less than an inch in length.

The first laparoscopic appendectomies were performed by German physician Kurt Semm in the early 1980s. Since then, laparoscopic appendectomies have become the standard treatment for uncomplicated appendicitis. For more serious infections, open appendectomies are still performed.

10. AN APPENDIX ONCE POSTPONED A ROYAL CORONATION.

When the future King Edward VII of Great Britain came down with appendicitis (or "perityphlitis," as it was called back then) in June 1902, mortality rates for the disease were as high as 26 percent. It was about two weeks before his scheduled coronation on June 26, 1902, and Edward resisted having an appendectomy, which was then a relatively new procedure. But surgeon and appendicitis expert Frederick Treves made clear that Edward would probably die without it. Treves drained Edward's infected abscess, without removing the organ, at Buckingham Palace; Edward recovered and was crowned on August 9, 1902.

11. THE WORLD'S LONGEST APPENDIX MEASURED MORE THAN 10 INCHES.

On August 26, 2006, during an autopsy at a Zagreb, Croatia hospital, surgeons obtained a 10.24-inch appendix from 72-year-old Safranco August. The deceased currently holds the Guinness World Record for "largest appendix removed."

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