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15 Golden Facts About Almost Famous

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Fifteen years ago, Almost Famous—Cameron Crowe’s poignant, semi-autobiographical film about going on tour with rock stars in the 1970s and writing about it for Rolling Stone—was released in theaters. The film launched Kate Hudson’s career and won Crowe his (so far) only Oscar. Here are some rockin’ facts about the classic rock-driven movie.

1. THE ORIGINAL ENDING INVOLVED NEIL YOUNG.

In 2015, Cameron Crowe told Vanity Fair that he intended for the film to end on Elaine Miller (Frances McDormand) playing the family Neil Young’s “On the Way Home.” “In the end, we decided not to hear that song or her dialogue, and to let the sequence live in a montage as the Stillwater tour bus drives away to the sound of Led Zeppelin’s ‘Tangerine.’ That song was more eloquent in its summary of the movie than any spoken words,” Crowe said.

2. KATE HUDSON RESEARCHED GROUPIES AND ROCK STARS’ WIVES FOR HER ROLE AS PENNY LANE.

In a 2000 interview with The Morning Call, Kate Hudson said she prepared for the role of Penny Lane by listening to a lot of classic rock music, reading former groupie Pamela Des Barres’ book I’m With the Band, and interviewing the wives of rock stars. “You look in their eyes and you see a sadness,” Hudson said. “You can tell how much they lived, and how jaded it gets in that world. But, at the same time, they knew what they were getting themselves into.”

3. CAMERON CROWE’S MOM LIKES THE FILM, EXCEPT FOR THE BAREFOOT PART.

Frances McDormand’s character, Elaine Miller, is based on Crowe’s own mother, Alice, who has appeared in most of his movies (including Almost Famous). Before production began, Alice read the script and liked that the mother wasn’t too “shrill.” But it bothered her that Elaine walked around the house without shoes and socks. “She’s troubled by the fact that people will think she went barefoot,” Crowe told Amazon UK. “Which is kind of like saying, ‘Well, the murder is fine, but you had me commit the murder in a red dress, and I never wear red.’”

4. CROWE AND NANCY WILSON WROTE A LOT OF THE FILM’S SONGS ON THEIR HONEYMOON.

Crowe told Film Comment that while honeymooning in 1986 with his then-wife, Nancy Wilson of the band Heart, they holed up in a cabin in Oregon and created a fake band and wrote songs, “knowing sort of one day we might do a movie where we could use the stuff,” he said. “Almost 15 years later, those songs became a reality.

5. DESPITE BEING NOMINATED FOR FOUR OSCARS (AND WINNING ONE FOR BEST ORIGINAL SCREENPLAY), THE MOVIE FAILED TO BREAK EVEN AT THE BOX OFFICE.

DreamWorks decided on a slow rollout, so the film debuted in a paltry 131 theaters the weekend of September 15, 2000, but grossed a robust $2.3 million. One week later, when it was released on an additional 1000 screens, it grossed less than $7 million. The overall U.S. tally was $32.5 million. Add that in with the foreign take of $14.8 million, and it didn’t match its budget of a $60 million, nor did it come close to Jerry Maguire’s $273.5 million worldwide haul.

In 2001, Crowe told Entertainment Weekly why Almost Famous failed to capture a bigger box office: “Our movie about 1973 got its ass kicked by a movie from 1973,” he said, referring to the re-release of The Exorcist. With the release of two different DVDs in 2001, including Untitled: The Bootleg Cut, Almost Famous managed to find an audience.

6. GLENN FREY TAUGHT CROWE HOW TO CRAFT A PROPER BUZZ.

Russell Hammond, Billy Crudup’s character, was loosely based on Glenn Frey of the Eagles, and in real life Frey actually uttered the “Look, just make us look cool” line to Crowe. Frey also contributed a lesson on how to hold a drinking buzz, which Crowe scribbled down. “If you want to craft a buzz correctly, you walk into a party, you drink two beers quickly,” Crowe shared with Rolling Stone. “Then you drink a beer every hour and 15 minutes after that. You’ll always have a buzz and you’ll never get too embarrassing.” After their 1970s encounters, Crowe and Frey worked together again in 1996, when Crowe cast Frey as Dennis Wilburn in Jerry Maguire

7. CROWE WROTE A PART FOR DAVID BOWIE, BUT IT DIDN’T MAKE IT INTO THE FINAL SCRIPT.

A publicist named Russell DeMay, who was based on The Beatles’s publicist Derek Taylor, showed up in earlier drafts of the script. “I wanted David Bowie to play that part,” Crowe told Film Comment. “I just thought it would be the greatest thing, rumpled white suit, and that was an important character that I'm sorry is not in there, because the publicist used to not be the buffer, the publicist used to be one of the band.”

8. PATRICK FUGIT HAD TO BE SCHOOLED IN CLASSIC ROCK.

Crowe and the production team received hundreds of audition tapes for the part of William Miller, but Fugit’s tape surprised Crowe. “Patrick was funny and kind of awkward and not jaded in the slightest. He was just a raw talent,” Crowe told The Washington Post. Crowe flew the Salt Lake City-based Fugit—who was born nine years after the movie takes place—to Los Angeles. Fugit thought Led Zeppelin and Jethro Tull were solo artists, not bands, and at the time the only music he owned was a Chumbawamba CD. To educate Fugit, Crowe made him listen to classic rock. “He gave me all these albums from Led Zeppelin, The Who, Neil Young, David Bowie, Peter Frampton … He told me, ‘I want this stuff coming out of your pores,’” Fugit said.

9. CROWE THINKS THE MOVIE IS A LOVE LETTER TO MUSIC, NOT TO ROCK STAR DECADENCE.

Critics berated the film for its lack of sex and drugs, but in 2005 Crowe told Paste magazine that his rock star friends understood the film. “And it was those guys that were the biggest fans of Almost Famous that said, ‘Yeah, sex and drugs and stuff are a part of rock ’n’ roll, but a true musician never picks up the guitar at first because they just want sex and drugs.’ It’s usually because a record blew their head off, and they never could go back to whatever they wanted to be before. And that’s what I think Almost Famous is about—it’s about getting your head blown off by a piece of music, and everything else is secondary.”

10. THE FILM’S TITLE DERIVES FROM BEING ON THE OUTSKIRTS OF CELEBRITY.

Before Crowe produced the movie, the original title was Untitled and then The Uncool, but the studio told him he had to rename it. “I used to go to concerts and I would see Mick Jagger, then off to the side are these people standing by the amplifiers,” Crowe explained. “You look at them, and you think, who are they? Are they groupies? Are they friends of the promoter? Are they married to the bass player? Because they’re almost famous.”

11. THE CHARACTER OF PENNY LANE IS PARTLY BASED ON LIV TYLER’S MOM.

Bebe Buell dated a lot of rock stars back in the day, including Todd Rundgren and Steven Tyler (Liv’s dad). During an interview between Buell and Crowe in Talk magazine, Buell told Crowe about how in real life she twirled in concert debris just like Penny Lane does in movie. “I once did that in Madison Square Garden,” Buell recalled. “I couldn’t believe how small it looked without anybody in it. It looked like a basketball court. These rooms just come to life and look so huge and vibrant when they’re filled with people!”

“In the screenplay version, there’s a longer speech that Kate Hudson gave that I must say is a tribute to Bebe,” Crowe said. “It’s about how she first went to a concert and almost got crushed but was saved and pulled up on stage. The idea was Kate was saved and pulled backstage. They gave her a Coke and a lemon, and she never went home.” Crowe also revealed Jason Lee’s character, Jeff Bebe—who is based on Paul Rodgers of Bad Company and Free—was named after Buell.

12. ALMOST FAMOUS PURPOSELY CAPTURES A MORE INNOCENT TIME IN ROCK MUSIC.

When Crowe set out to make the film, he thought movies set in the early 1970s were missing a certain quaintness that existed at the time. “Mick Ronson, David Bowie's guitarist, died before we made the movie, and somebody got a deathbed interview with him and asked, ‘How did it feel to be at the ground zero of decadence in rock?’ And he said, ‘It was a very loving time and a very naive time, or at least it was to me.’ And I just thought that was profound,” Crowe told Film Comment. “But the whole global change in rock, cool being a mass concept, was still around the corner, so it was still a little more personal, and all I can say is passionately naive. And I really wanted to catch that.”

13. THE MOVIE REUNITED CROWE’S MOM AND SISTER.

In 2000 Crowe revealed to Rolling Stone that he and his sister, Cindy (Zooey Deschanel’s Anita in the movie), had a falling out after their dad died in 1989 and that his sister and mom had been estranged since then. “After my dad died, the chemistry of my family got f***ed up, and in my wildest dreams, I hope the movie helps my mom and sister communicate. They talk through me now, but three and a half weeks ago our family got together. The one fake scene in the movie—the reconciliation at the end—actually happened in its own weird way.”

14. PHILIP SEYMOUR HOFFMAN WORE CROWE’S VINTAGE GUESS WHO T-SHIRT.

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Crowe admitted to keeping many souvenirs from his days as a teenage rock journalist, including a T-shirt from the group The Guess Who. When William and Lester Bangs (Hoffman) meet at Sun Cafe, Bangs is wearing Crowe’s own T-shirt. “Lester dressed in promotional T-shirts, which was funny because his message was that corporate America is just around the corner ready to seize rock with merchandising and commerciality, but he had no problem wearing rock T-shirts,” Crowe told Entertainment Weekly. “They were free, and they fit.”

15. WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP PAYS HOMAGE TO THE FILM.

One of the most famous moments in Almost Famous is when Russell stands atop a roof, high on drugs, and screams “I am a Golden God” to the teenagers below, then jumps into a pool. Netflix’s Wet Hot American Summer prequel series has Chris Pine playing a Russell Hammond-like character who stands on top of a roof and riles the campers to sing a song with him.

It’s also revealed that Lindsay (Elizabeth Banks) is not a camp counselor but an undercover reporter for Rock ‘n’ Roll World magazine. In Almost Famous fashion, her editor tells her not to make friends with the campers, but she does anyway.

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11 Secrets of Bodyguards
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When CEOs, celebrities, and the extremely wealthy need personal protection, they call in men and women with a particular set of skills. Bodyguards provide a physical barrier against anyone wishing their clients harm, but there’s a lot more to the job—and a lot that people misunderstand about the profession. To get a better idea of what it takes to protect others, Mental Floss spoke with several veteran security experts. Here’s what they told us about being in the business of guaranteeing safety.

1. BIGGER ISN’T ALWAYS BETTER.

When working crowd control or trying to corral legions of screaming teenagers, having a massive physical presence comes in handy. But not all "close protection specialists" need to be the size of a professional wrestler. “It really depends on the client,” says Anton Kalaydjian, the founder of Guardian Professional Security in Florida and former head of security for 50 Cent. “It’s kind of like shopping for a car. Sometimes they want a big SUV and sometimes they want something that doesn’t stick out at all. There’s a need for a regular-looking guy in clothes without an earpiece, not a monster.”

2. GUNS (AND FISTS) ARE PRETTY MUCH USELESS.

An armed bodyguard pulls a gun out of a holster
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Depending on the environment—protecting a musician at a concert is different from transporting the reviled CEO of a pharmaceutical company—bodyguards may or may not come armed. According to Kent Moyer, president and CEO of World Protection Group and a former bodyguard for Playboy founder Hugh Hefner, resorting to gunplay means the security expert has pretty much already failed. “People don’t understand this is not a business where we fight or draw guns,” Moyer says. “We’re trained to cover and evacuate and get out of harm’s way. The goal is no use of force.” If a guard needs to draw a gun to respond to a gun, Moyer says he’s already behind. “If I fight, I failed. If I draw a gun, I failed.”

3. SOMETIMES THEY’RE HIRED TO PROTECT EMPLOYERS FROM EMPLOYEES.

A security guard stands by a door
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Workplace violence has raised red flags for companies who fear retribution during layoffs. Alan Schissel, a former New York City police sergeant and founder of Integrated Security, says he dispatches guards for what he calls “hostile work termination” appointments. “We get a lot of requests to provide armed security in a discreet manner while somebody is being fired,” he says. “They want to be sure the individual doesn’t come back and retaliate.”

4. SOME OF THEM LOVE TMZ.

For protection specialists who take on celebrity clients, news and gossip site TMZ.com can prove to be a valuable resource. “I love TMZ,” Moyer says. “It’s a treasure trove for me to see who has problems with bodyguards or who got arrested.” Such news is great for client leads. Moyer also thinks the site’s highly organized squad of photographers can be a good training scenario for protection drills. “You can look at paparazzi as a threat, even though they’re not, and think about how you’d navigate it.” Plus, having cameras at a location before a celebrity shows up can sometimes highlight information leaks in their operation: If photographers have advance notice, Moyer says, then security needs to be tightened up.

5. THEY DON’T LIVE THE LIFE YOU THINK THEY DO.

A bodyguard stands next to a client
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Because guards are often seen within arm’s reach of a celebrity, some think they must be having the same experiences. Not so. “A big misconception is that we’re living the same life as celebrities do,” Kalaydjian says. “Yes, we’re on a private jet sometimes, but we’re not enjoying the amenities. We might live in their house, but we’re not enjoying their pool. You stay to yourself, make your rounds.” Guards that get wrapped up in a fast-paced lifestyle don’t tend to last long, he says.

6. SOMETIMES THEY’RE JUST THERE FOR SHOW.

For some, being surrounded by a squad of serious-looking people isn’t a matter of necessity. It’s a measure of status on the level of an expensive watch or a fast car. Firms will sometimes get calls from people looking for a way to get noticed by hiring a fleet of guards when there's no threat involved. “It’s a luxury amenity,” Schissel says. “It’s more of a ‘Look at me, look at them’ thing,” agrees Moyer. “There’s no actual threat. It’s about the show. I turn those down. We do real protection.”

7. THEY CAN MAKE THEIR CLIENT'S DAY MORE EFFICIENT.

A bodyguard escorts a client through a group of photographers
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Because guards will scope out destinations in advance, they often know exactly how to enter and exit locations without fumbling for directions or dealing with site security. That’s why, according to Moyer, CEOs and celebrities can actually get more done during a work day. “If I’m taking you to Warner Bros., I know which gate to go in, I’ve got credentials ahead of time, and I know where the bathrooms are.” Doing more in a day means more money—which means a return on the security investment.

8. “BUDDYGUARDS” ARE A PROBLEM.

When evaluating whether or not to take on a new employee, Kalaydjian weeds out anyone looking to share in a client’s fame. “I’ve seen guys doing things they shouldn’t,” he says. “They’re doing it to be seen.” Bodyguards posting pictures of themselves with clients on social media is a career-killer: No one in the industry will take a “buddyguard” seriously. Kalaydjian recalls the one time he smirked during a 12-year-stint guarding the same client, something so rare his employer commented on it. “It’s just not the side you portray on duty.”

9. SOCIAL MEDIA MAKES THEIR JOB HARDER.

A bodyguard stands next to a client
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High-profile celebrities maintain their visibility by engaging their social media users, which often means posting about their travels and events. For fans, it can provide an interesting perspective into their routine. For someone wishing them harm, it’s a road map. “Sometimes they won’t even tell me, and I’ll see on Snapchat they’ll be at a mall at 2 p.m.,” Kalaydjian says. “I wouldn’t have known otherwise.”

10. NOT EVERY CELEBRITY IS PAYING FOR THEIR OWN PROTECTION.

The next time you see a performer surrounded by looming personal protection staff, don’t assume he or she is footing the bill. “A lot of celebrities can’t afford full-time protection,” Moyer says, referring to the around-the-clock supervision his agency and others provide. “Sometimes, it’s the movie or TV show they’re doing that’s paying for it. Once the show is over, they no longer have it, or start getting the minimum.”

11. THEY DON’T LIKE BEING CALLED “BODYGUARDS.”

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Few bodyguards will actually refer to themselves as bodyguards. Moyer prefers executive protection agents, because, he says, bodyguard tends to carry a negative connotation of big, unskilled men. “There is a big group of dysfunctional people with no formal training who should not be in the industry,” he says. Sometimes, a former childhood friend can become “security,” a role they’re not likely to be qualified for. Moyer and other firms have specialized training courses, with Moyer's taking cues from Secret Service protocols. But Moyer also cautions that agencies enlisting hyper-driven combat specialists like Navy SEALs or SWAT team members aren't the answer, either. “SEALs like to engage and fight, destroying the bad guy. Our goal is, we don’t want to be in the same room as the bad guy.”

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9 Wild Moments from Winter Olympics History
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With the Pyeongchang Olympics nearing their final weekend in South Korea, we thought we'd take a look back at some of the wildest and most unpredictable moments of Winter Games past.

1. AUSTRALIA WINS ITS FIRST WINTER GOLD MEDAL WHEN SPEED SKATER WAITS FOR HIS COMPETITORS TO FALL DOWN

Knowing he was overmatched by his fellow athletes during the 1000 Meter Short Track Speed Skating competition at the 2002 Salt Lake City Olympics, Australian Steven Bradbury devised a strategy of waiting in the back of the pack on the off chance that his competitors might trip up. Amazingly, the strategy worked when a disqualification in the quarterfinals got him through to the semis and a crash sent him to the finals.

In the final, favorite Apollo Anton Ohno and the three other competing skaters collided in an epic crash; the trailing Bradbury was close enough to the pack to cross the finish line before any of the fallen skaters, becoming Australia's first gold medalist in the Winter Olympics.

2. ALPINE SKIER HERMANN MAIER FLIES OFF THE COURSE AT 70 MPH, GETS UP AND WALKS AWAY

In downhill alpine skiing, skiers travel at extremely high velocities (typically 60 to 85 miles per hour) down courses that closely follow the mountain's fall line.

In 1998, Nagano Olympics race officials were worried about the downhill course—specifically, a steep angle between the 6th and 7th gates. They altered this portion but the section still posed a danger.

Austrian Hermann Maier finished first in the World Cup standings before the Olympics but had a reputation for recklessness within the skiing circuit—in fact, according to Olympic historian David Wallechinsky, “caution was not a word in Maier's vocabulary." Maier didn't slow down before the aforementioned dangerous turn in Nagano and went flying off the course at 70 miles per hour, tumbling to a halt some 50 meters away. In a sport where injuries—and even deaths—aren't unheard of, Maier shocked TV audiences by getting up and walking away with nothing more than a bruised shoulder.

Benefiting from a 24-hour weather delay on his next event, the Super-G, Maier used the extra rest to get back in full form and took home the gold. He also came in first in the Giant Slalom three days later.

3. WOMEN CHEAT BY HEATING UP THEIR SLEDS


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There have been a limited number of cases of cheating in the Winter Olympics (far fewer than in the Summer Olympics), but that doesn't mean it’s an impossibility. Just ask Ortrun Enderlein.

Enderlein, the defending luge champion, and her two East German teammates aroused suspicion by showing up just before their runs and leaving the scene hastily after. Enderlein won gold and her teammates placed 3rd and 4th, but upon closer inspection, it was discovered that their sleds had been heated immediately before the races, which reduced friction with the ice and resulted in faster times. The three were disqualified and the East German Olympic Committee blamed the affair on a "capitalist revanchist plot.”

4. SKI JUMPER RALLIES NATIONAL PRIDE BY FINISHING LAST

English plasterer Michael Edwards traveled to Lake Placid, New York two years before the 1988 Calgary Olympics to fulfill his dream of making the event as a downhill skier. When money ran short, he decided to switch to ski jumping because it was significantly cheaper and there would be no competition at the national trials. Edwards became the first Olympic ski jumper in British history, but was far below the standards of the rest of the field.

Edwards crashed at the World Championships the year before the '88 Games and was ridiculed by the international press, who dubbed him “Mr. Magoo” due to his thick-rimmed glasses and heavy frame.

To the British, however, Edwards became a great source of fascination, which turned into a full-fledged national craze as he became the first Olympic ski jumper in the country's history and successfully landed his attempt at the Calgary Games. Although he didn't even score half the total points of any other competitor, he earned admiration worldwide and was given the nickname "Eddie the Eagle" by the President of the International Olympic Committee during the closing ceremony.

Sadly, many others in the Olympic community did not take him seriously, and they raised the qualifying standards to prevent Edwards from participating in the future. This didn't stop him from trying, but he failed to qualify on three successive occasions. Today, Edwards still plasters for a living and estimates that 70 percent of his income comes from speaking engagements.

In 2016, Eddie the Eagle, a biopic about Edwards’s life featuring Hugh Jackman (not playing Edwards), was released in theaters.

5. GOLD MEDALIST IN OLYMPICS' INAUGURAL SNOWBOARDING COMPETITION GETS BUSTED FOR MARIJUANA

At the 1998 Nagano Games, snowboarding was introduced in an effort to make the Olympics more appealing to a younger audience. Still, there was some trepidation about the perceived rambunctious lifestyle of the snowboarding community and how it would fit in with the formality of the Olympics.

Nothing better illustrated this clash of values than when Canadian Ross Rebagliati became the inaugural winner in the Parallel Giant Slalom and was promptly stripped of his medal three days after the event for testing positive for marijuana.

Rebagliati claimed to have ingested it second-hand at a party and the Canadian Olympic delegation successfully appealed the IOC's decision on the basis that marijuana isn't a performance-enhancing drug. He got his medal back before the Games ended.

Today, 20 years after the controversy, Rebagliati has moved on from his snowboarding past and is trying his hand at entrepreneurism: he’s the founder of Ross’ Gold, a cannabis business.

6. NANCY KERRIGAN VS. TONYA HARDING


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Tonya Harding was an ice skating prodigy from a broken home who ascended to the world stage in the early '90s. As her financial security and world ranking started to decline in the months leading up to the Olympics, Harding became frustrated and directed her anger at fellow American Nancy Kerrigan, who was ascending in the world standings and landing lucrative commercial endorsements.

Harding's on-again-off-again husband Jeff Gillooly conspired with two other men to attack and injure Kerrigan before the 1994 Olympics. They carried out the hit after Kerrigan's practice skate before the U.S. Figure Skating Championships in Detroit. Shane Stant, Gillooly's hired man, hit Kerrigan on the knee with a police baton as she was talking to a reporter in a stadium hallway. He escaped by diving through a plexiglass door before running to a getaway car.

The attack resulted in a bruise, but because there was no bone or ligament damage, Kerrigan was able to perform and was selected (along with Harding, who was under investigation for the attack) for the U.S. Olympic team. At the Lillehammer Games, Kerrigan famously skated to a silver medal after terrific back-to-back performances while Harding, disgraced, finished in eighth place. Harding's life, and the scandal surrounding her competition with Kerrigan, has been turned into the Oscar-nominated film, I, Tonya.

According to Olympic Historian David Wallechinsky, when CBS executives thanked their staff in Norway for the great ratings (the figure skating finals were the one of the most watched events in television history at the time), a CBS employee wrote back: "Don't thank us. Thank Tonya."

7. TWO AMERICAN HOCKEY TEAMS ARE SENT TO THE OLYMPICS, BOTH ARE DISQUALIFIED


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Controversy erupted before the 1948 Olympic Games in St. Moritz over whether the American Hockey Association or the Amateur Athletic Union was the chief governing authority for hockey in the United States. American Olympic Committee President Avery Brundage refused to sanction the AHA because of their commercial sponsorships, but the International Ice Hockey Federation officially ruled that the AAU was to be replaced by the AHA.

Amid the confusion, both teams made their way to St. Moritz to compete. Before they were set to march in the Opening Ceremony, the Swiss Olympic Organizing Committee banned the AAU. Because they were favored by Brundage, though, the AAU team got the honor of representing the U.S. in the opening ceremony, while the AHA team—which was actually allowed to compete by the organizing committee—had to sit in the stands.

8. LUGE TRACK WITH A HISTORY OF FATAL ACCIDENTS SELECTED AS SITE OF INAUGURAL LUGE COMPETITION


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Luge racers regularly hit speeds of over 95 miles per hour, meaning that even the smallest shift in body position can easily result in catastrophe. This was evident before the 2010 Vancouver Games, when Georgian luger Nodar Kumaritashvili careened off the track during a training run and died of his injuries.

It was an eerie replay of the luge's first-ever appearance at the Olympic Games. Two weeks before the Innsbruck Games in 1964, Kazimierz Kay-Skrzypecki, a British RAF pilot who was inexperienced in the sport, flew off the track and died during a training run. Additionally, a German doubles luge team was injured on the track in a separate accident. The track had had several fatal accidents when it opened decades before, and although it was modified thereafter, Olympic participants had to lobby for further safety precautions to reduce some of the danger.

9. FRENCH JUDGE CONFESSES TO THROWING THE COMPETITION


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The pairs figure skating competition at the 2002 Salt Lake City Olympics resulted in a massive scandal that gave wind to the long-standing notion that figure skating judges can be swayed. Russian competitors Yelena Berezhnaya and Anton Sikharulidze made noticeable errors in their long program, while Canadians Jamie Salé and David Pelletier performed a flawless routine that had the crowd chanting "Six! Six! Six!"

When the judges ruled 5-4 in favor of the Russians and loud boos rang from the arena, the Canadian Olympic officials filed a protest. Protests filed by the losing party have become relatively common in the Olympics and the exercise is often a symbolic and ultimately fruitless gesture. But in this case, some dirt actually turned up.

In the subsequent investigation, it was revealed that the swing vote, French judge Marie-Rene Le Gougne, was up for a seat on the International Skating Union's powerful technical committee, and reports surfaced that she confided to a British referee a few days earlier that she had been pressured by her own national committee to throw her vote for the Russian pairs.

Le Gougne changed her story a few days later in an effort to save face, but her contradictory statements only exacerbated the coverage into a full-blown media frenzy dubbed “skate-gate.” In the end, Le Gougne was suspended for three years, the Canadians were awarded a second pair of gold medals, and the sport underwent reform with judges' scores being kept secret and chosen at random.

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