CLOSE
Original image
Getty Images

How Every School in the Preseason Top 25 Got Its Nickname

Original image
Getty Images

The first college football weekend of the season has arrived. Here's a little history for your next tailgate party.

1. OHIO STATE BUCKEYES

Ohio State borrows the state nickname for its athletic teams. A buckeye is a tree prevalent in the Ohio River Valley that produces shiny brown nuts with tan patches that resemble the eye of a deer, or buck. By 1800, Buckeye was being used as a term to refer to residents of the area. William Henry Harrison popularized the nickname by using the buckeye tree as a campaign symbol during the election of 1840.

2. TCU HORNED FROGS

There are at least two accounts of how Texas Christian University's athletic teams became the Horned Frogs, but both of them trace the nickname to the late 19th century, when the school was still known as AddRan College. According to one story, the school’s football team practiced on a field that was teeming with horned frogs. The players shared some attributes with the fierce reptiles, not including their ability to shoot a stream of blood through their eyes, and reportedly began referring to themselves as horned frogs. According to another story, a four-student committee chose the nickname in 1897 for the football team and school yearbook.

3. ALABAMA CRIMSON TIDE

Hugh Roberts, sports editor for the Birmingham Age-Herald, is widely credited as being the first to use “Crimson Tide” to refer to Alabama’s football team. Roberts used the term to describe crimson-and-white-clad Alabama’s surprising performance during a rain-soaked 6-6 tie with heavily favored Auburn in 1907. Henry “Zipp” Newman, who became the sports editor of the Birmingham News at the age of 25, helped popularize the nickname. Sportswriters are also to thank for the elephant that serves as Alabama’s mascot. The elephant reference dates back to the school’s 10-0 season in 1930, when sportswriters began referring to Alabama head coach Wallace Wade’s hulking linemen as the Red Elephants.

4. BAYLOR BEARS

In 1914, about 15 years after green and gold were selected as the school’s official colors, Baylor President Samuel Palmer Brooks held an election to choose a mascot. Bears received more than half of the 406 student votes cast, while Buffaloes finished second. Other mascots on the ballot included Eagles, Ferrets, Frogs, Antelopes, and Bookworms. Baylor’s first live bear mascot arrived on campus in 1917. In 1974, the student body voted to name the live mascot Judge in honor of the school’s founder, Judge R.E.B. Baylor.

5. MICHIGAN STATE SPARTANS

When Michigan Agricultural College changed its name to Michigan State College in 1925, the school sponsored a contest to select a new nickname, as Aggies was no longer appropriate. The winning entry, Staters, wasn’t good enough for George S. Alderton, the sports editor of the Lansing State-Journal, so Alderton took it upon himself to choose another nickname. Alderton inquired about some of the other nicknames that had been submitted and settled on Spartans, which he used while covering the Michigan State baseball team’s southern training tour in 1926. After initially spelling Spartans with an ‘o,’ Alderton corrected the spelling and started using the Spartans nickname in headlines. “It began appearing in other newspapers and when the student publication used it, that clinched it,” Alderton said.

6. AUBURN TIGERS

According to Auburn's website, the school traces its name and nickname to a 1770 Oliver Goldsmith poem, which includes the line, "where crouching tigers await their hapless prey." Newspapers occasionally referred to Auburn's athletic teams as the Plainsmen, another nod to the poem, but after Auburn shut out rival Alabama in 1901, the Birmingham News headline read, "A Tiger Claws Alabama." The Tigers nickname stuck.

7. OREGON DUCKS

Oregon’s athletic teams were originally known as the Webfoots. Californians used Webfoots as a derisive nickname for their rain-soaked neighbors to the north, while Oregonians embraced the moniker with pride. According to Oregon’s athletics website, the Ducks nickname emerged out of sportswriters’ need for a shortened version of Webfoots to appear in headlines. The student body adopted Ducks as their official nickname and Oregon’s first athletic director, Leo Harris, made an informal agreement with Walt Disney that granted Oregon permission to use Donald Duck’s likeness in the team logo.

8. USC TROJANS

USC’s athletic teams were known as the Methodists or Wesleyans until 1912, when athletics director Warren Bovard asked 25-year-old Los Angeles Times sportswriter Owen Bird to come up with a better nickname. Bird first referred to USC as the Trojans in a 1912 track preview. In explaining his new moniker, he wrote, “The term 'Trojan' as applied to USC means… that no matter what the situation, what the odds or what the conditions, the competition must be carried on to the end and those who strive must give all they have and never be weary in doing so.”

9. GEORGIA BULLDOGS

When Herman J. Stegeman took over as head coach in 1920, Georgia’s football team, which had previously been referred to as the Red and Black, became known as the Wildcats. Atlanta Journal sportswriter Morgan Blake took issue with the unoriginal moniker, pointing out that it was already shared by at least two other teams in the south—Kentucky State and Davidson. “I had hoped that Georgia would adopt some original nickname that would stand out,” Blake wrote. “…The ‘Georgia Bulldogs’ would sound good, because there is a certain dignity about a bulldog as well as ferocity, and the name is not common as ‘Wildcats’ and ‘Tigers.’ Yale is about the only team I recall right now that has the name.”

One week after Blake’s story ran, Cliff Wheatley of the Atlanta Constitution referred to Georgia as the Bulldogs several times in his recap of the team’s tie at Virginia. The new nickname quickly caught on.

10. FLORIDA STATE SEMINOLES

After the Florida State College for Women was renamed the Florida State University in 1947, students voted Seminoles as the school’s nickname, a nod to the state’s Seminole Tribe. Some of the other suggestions that were considered include Golden Falcons, Statesmen, Crackers, Tarpons and Fighting Warriors. As The Daily Democrat noted in its coverage of the student vote, “The only conflict which may arise from the result, students say, lies in the fact that the University of Florida yearbook is named ‘The Seminole.’”

In 2005, the NCAA granted Florida State a waiver from a new policy that prohibited colleges from using hostile or abusive Native American names and imagery.

11. NOTRE DAME FIGHTING IRISH

There are several accounts of how Notre Dame acquired its Fighting Irish nickname, but the most widely accepted explanation is that sportswriters coined the name around 1920. The school’s website suggests that the name began as an abusive expression, which is supported by another story of how the nickname began. During an 1899 football game against Northwestern, fans reportedly chanted, “Kill the Fighting Irish, Kill the Fighting Irish.” In 1929, the Notre Dame Scholastic explained how the moniker was eventually embraced. “The term, while given in irony, has become our heritage. ...So truly does it represent us that we unwilling to part with it.” Prior to officially adopting Fighting Irish as the school nickname in 1927, Notre Dame’s athletic teams were known as the Catholics and Ramblers.

12. CLEMSON TIGERS

When Walter Merritt Riggs established the first football team at Clemson in 1896, he borrowed the Tiger nickname from either his previous institution (the Agricultural and Mechanical College of Alabama, which would later become Auburn) or Princeton.

13. UCLA BRUINS

UCLA (originally the Southern Branch of the University of California) ditched Cubs for Grizzlies in 1924, but was forced to look for another nickname when it prepared to enter the Pacific Coast Conference in 1926. Montana, an existing PCC member, also used Grizzlies and threatened legal action if UCLA didn’t change its name. According to the UCLA Alumni Association, students submitted more than 100 potential names in 1926, including Buccaneers, Pirates, Panthers and Gorillas. More than half of the entries, however, were related to bears. Student leaders at UC Berkeley, where Bears and Bruins were both used as nicknames, offered to let UCLA use the latter moniker. UCLA’s Student Council unanimously approved the new name.

14. LSU TIGERS

By most accounts, Louisiana State took its nickname back in 1896 during a perfect 6-0 season under the leadership of coach A.W. Jeardeau. While Tigers was a popular nickname at the time, the moniker carried additional meaning for LSU, tracing its roots to the Civil War. The nickname was reportedly derived from a group of Confederate soldiers from New Orleans known as the Tiger Rifles, and was eventually applied to all of the Louisiana troops in General Robert E. Lee’s Army of Northern Virginia. LSU’s first logo—a snarling tiger head—was borrowed from the Washington Artillery militia unit in New Orleans.

15. ARIZONA STATE SUN DEVILS

After a half-century as the Owls and then the Bulldogs, Arizona State became the Sun Devils after a student vote in 1946. Sparky the Sun Devil was drawn by Bert Anthony, who was also an artist for Disney.

16. GEORGIA TECH YELLOW JACKETS

Georgia Tech's athletic teams are most commonly referred to as the Yellow Jackets, but they are alternatively known, particularly among students and alumni, as the Ramblin' Wreck. The Yellow Jackets nickname originally had nothing to do with the six-legged flying insect that appears on Georgia Tech's logos in the form of the school's mascot, Buzz. Instead, Yellowjackets, as a single word, was used to describe fans who attended Georgia Tech athletic events wearing yellow coats and jackets.

The Ramblin' Wreck nickname dates to the late 19th century when Georgia Tech engineering students working in the jungles of South America constructed makeshift motorized vehicles out of spare tractor and automotive parts. The students' fellow workers referred to the vehicles as the Ramblin' Wrecks of Georgia Tech, and the nickname was eventually popularized in the school fight song. Several cars were used to represent the Ramblin' Wreck on campus until 1961, when a Delta Air Lines pilot sold a restored 1930 Model A Ford Sport Coupe to the school that has been used to lead the football team on the field before every home game ever since.

17. OLE MISS REBELS

The University of Mississippi's teams were originally known as The Flood. In 1936, the editor of the school's student newspaper proposed a contest to select a new name, and Rebels was the most popular choice among five finalists. An illustration of Colonel Reb, the Rebels' controversial mascot, first appeared in the school yearbook a few years later. School officials retired Colonel Reb, a caricature of an antebellum Southern plantation owner, as an on-field mascot in 2003, responding to complaints of racial insensitivity. Ole Miss historian David Sansing says that Colonel Reb may have been modeled after a black man, Blind Jim Ivy, who was a regular at campus sporting events until his death in 1955.

18. ARKANSAS RAZORBACKS

Arkansas's athletic teams weren't always known as the Razorbacks. From 1894 until 1910, the football team was known as the Cardinals, a reference to the deep shade of red that the student body voted the school's official color—over heliotrope—in 1895. Upon returning to Little Rock after Arkansas's 1909 team capped off an undefeated season with a win at rival LSU, head coach Hugo Bezdek announced to the crowd of cheering students that his team had played "like a wild band of Razorback hogs." The Razorback, a wild boar known for its fighting ability, was adopted as the school's mascot the following year. "Wooo, Pig, Sooie" was incorporated as the school yell, or "Hog Call," during the 1920s, while the Razorbacks debuted a live mascot in the 1960s.

19. OKLAHOMA SOONERS

The Sooners trace their nickname to the Oklahoma Land Run of 1889, when, at noon on April 22 of that year, the borders of the Oklahoma Territory were opened to eager settlers in search of free land. Settlers who crossed the border before noon, including land surveyors and railroad workers who took advantage of the access that their positions granted them to claim territory for themselves, were called Sooners. The university’s athletic teams were known as the Rough Riders or Boomers until Sooners was officially adopted in 1908. Boomers were settlers who lobbied the U.S. government to open unassigned lands in the Oklahoma Territory.

20. WISCONSIN BADGERS

Wisconsin’s school nickname is borrowed from its state nickname, which is derived from the lead miners who built temporary shelters into the southwest Wisconsin hillside during the 1830s. The term was initially applied to settlers in the mining area, and then to the entire state. The Badgers nickname was adopted by the school’s football team when it began play in 1889. The school had a live badger mascot for a few years, but after it escaped its handlers too many times, it was retired to the Madison Zoo. Today, Bucky Badger is one of the most beloved mascots in college sports.

21. STANFORD CARDINAL

Stanford adopted Indians as its official nickname in 1930, but the moniker was dropped in 1972 after meetings between Stanford’s Native American students and school president Richard Lyman. The student body held an election to decide on a new nickname, and while Robber Barons garnered the most support, new president Donald Kennedy expressed his concern that the moniker was disrespectful to school founder and railroad magnate Leland Stanford. Cardinal—a reference to the school color, not the bird—was eventually adopted as Stanford’s official nickname. The Tree, symbolic of El Palo Alto (tall tree) that appears on the university’s seal, is a member of the Stanford Band and not recognized as an official mascot of the school.

22. ARIZONA WILDCATS

The school's website suggests the Wildcats nickname came from a Los Angels Times columnist in 1914, who wrote that Arizona "showed the fight of Wildcats." Arizona's first mascot was a desert bobcat named Rufus Arizona.

23. BOISE STATE BRONCOS

Boise State’s nickname dates back to the school’s days as Boise Junior College. According to the student handbook, the Broncos mascot was chosen by students in 1932: "They chose the Bronco because wild horses could be found near Boise, many students rode horses at the time, and because of the prevalence of farming and ranching in the Boise area."

24. MISSOURI TIGERS

Tigers was adopted as Missouri’s nickname in reference to the Columbia Tigers, a militia of more than 100 citizens that fortified the town against a rumored attack by a pro-Confederate guerilla band during the final year of the Civil War. In 1984, the school held a contest to name its mascot. Truman, a reference to Missouri-born President Harry S Truman, was the winning entry.

25. TENNESSEE VOLUNTEERS

Like several schools, the University of Tennessee's athletic teams share a nickname with their home state. Tennessee became known as the Volunteer State during the War of 1812, when General Andrew Jackson received an outpouring of support from volunteer soldiers in Tennessee to fight in the Battle of New Orleans. This reputation was solidified during the Mexican War, when 30,000 Tennessee residents volunteered to battle Santa Ana.

All photos via Getty Images

Original image
PolyGram Filmed Entertainment
arrow
entertainment
15 Fascinating Facts About Candyman
Original image
PolyGram Filmed Entertainment

Helen Lyle (Virginia Madsen) is a Chicago graduate student with a deep fascination with urban legends, which she and her friend Bernadette (Kasi Lemmons) are using as the basis for a thesis project. After they stumble across the local legend of Candyman, a well-to-do black artist who fell in love with a white woman in the late 1800s and was murdered for it, Helen wants to learn more. When she’s told that Candyman still haunts Chicago's Cabrini-Green housing project, and that his spirit can be summoned by repeating his name into a mirror five times, Helen does just that … and all hell breaks loose.

What began as a low-budget indie film has morphed into a contemporary classic of the horror genre, and essential Halloween viewing. In 1992, English filmmaker Bernard Rose—who got his start working as a gopher on The Muppet Show—turned Clive Barker’s short story “The Forbidden” into Candyman, which was released in theaters 25 years ago today. In honor of the film’s anniversary, here are 15 things you might not have known about Candyman.

1. EDDIE MURPHY WAS CONSIDERED FOR THE LEAD.

Though the role of Candyman turned Tony Todd into a horror icon, he wasn’t the only actor in consideration for the film’s title role: Eddie Murphy was also reportedly a contender for the part. Though it’s unclear exactly why he wasn’t cast, sources have reported that it had to do with everything from his height (at 5 feet 9 inches, he wouldn’t seem nearly as intimidating as the 6-foot-5 Todd) to his salary demands.

2. AN UNEXPECTED PREGNANCY LANDED VIRGINIA MADSEN THE LEAD.

Virginia Madsen stars in 'Candyman'
PolyGram Filmed Entertainment

When asked by HorrorNewsNetwork about how she got the role of Helen in Candyman, Virginia Madsen shared that it was almost by accident: She was supposed to play Bernie, Helen’s friend and classmate, the role that eventually went to Kasi Lemmons.

“I was actually very good friends with Bernard [Rose] and his wife Alexandra,” Madsen said. “She is a wonderful actress, who actually brought Clive Barker’s short story ‘The Forbidden’ to her husband. She thought this would be a great film, and he could direct her. She was supposed to be Helen. I was going to play [Kasi Lemmons'] part, until they made the character African American. Then I was out.

“Right before shooting, Alexandra found out she was pregnant. It was great for me, but it was so sad for her because this was her role; she found this story and really wanted it. So when I was asked to step in I felt like ‘I can’t take my friend’s role.’ She actually came over one day and said ‘It would just kill me to see someone else play this role, you have to be the one who plays it.’ So with her blessing I took on the role. I really tried to work my butt off just to honor her.”

3. IT COULD HAVE STARRED SANDRA BULLOCK.

On the film’s DVD commentary, producer Alan Poul said that had Madsen been unable to step into the role of Helen, the part would have likely been offered to Sandra Bullock, who was still a relative unknown actress at that point. Though she had played the role of Tess McGill in the television adaptation of Working Girl, she was still a couple of years away from Speed (1994), the role that launched her into stardom.

4. ITS OPENING SHOT WAS GROUNDBREAKING.

The film’s opening credits feature a great aerial view of Chicago, which was pretty revolutionary for its time. “We did that with an incredible new machine called the Skycam, which can shoot up to a 500mm lens with no vibration,” Rose told The Independent. “You've never seen that shot before, at least not done that smoothly.”

5. NOT ALL OF THE FILM’S CREEPY DETAILS SPRUNG FROM CLIVE BARKER’S IMAGINATION.

While investigating one of Candyman’s crime scenes, Helen and Bernie discover that the design of the apartment’s medicine cabinet made it a possible point of entry for an intruder. This was not a made-up piece of horror movie fiction. While researching the film, Rose learned that a series of murders had been committed in Chicago in this very way.

6. BERNARD ROSE SEES CANDYMAN AS A ROMANTIC FIGURE.

Tony Todd stars in 'Candyman'
PolyGram Filmed Entertainment

Viewers may think of Candyman as one of the horror genre’s most terrifying villains, but Rose said that “the idea always was that he was kind of a romantic figure. And again, romantic in sort of the Edgar Allan Poe sense—it's the romance of death. He's a ghost, and he's also the resurrection of something that is kind of unspoken or unspeakable in American history, which is slavery, as well. So he's kind of come back and he's haunting what is the new version of the racial segregation in Chicago.

“And I think there's also something very seductive and very sweet and very romantic about him, and that's what makes him interesting. In the same way there is about Dracula. In the end, the Bogeyman is someone you want to surrender to. You're not just afraid of. There's a certain kind of joy in his seduction. And Tony was always so romantic. Tony ties him in so elegantly and is such a gentleman. He was wonderful.”

7. THE BEES IN THE FILM WERE BRED SPECIFICALLY TO APPEAR ONSCREEN.

No, that is not CGI! The bees that play a key role in Candyman are indeed real. So that they looked appropriately terrifying, but were less dangerous to the cast and crew, the filmmakers used newborn bees—they were just 12 hours old—so that they looked fully grown, but had less powerful stingers.

8. TONY TODD WAS STUNG 23 TIMES, AND GOT A BONUS EACH TIME IT HAPPENED.

Photo of Tony Todd in 'Candyman'
PolyGram Filmed Entertainment

In addition to allowing the filmmakers to cover his face with bees, Todd actually agreed to film a scene in which he had a mouthful of bees—and that, too, was all real. He told TMZ that he wore a dental dam to prevent any bees from sliding into his throat—which doesn’t mean that he didn’t suffer a sting or two … or 23, to be exact, over the course of three Candyman movies. Though it might have been worth it. “I had a great lawyer,” he told TMZ. “A thousand dollars a pop.”

9. THE BEES WEREN’T GREAT NEWS FOR MADSEN, EITHER.

Madsen, too, had to get up close and personal with those bees—a fact that almost forced her to pass on the role. “When Bernie was first asking me to do the role I said, ‘Well, I can’t. I’m allergic to bees,’” she told HorrorNewsNetwork. “He said ‘No you’re not allergic to bees, you’re just afraid.’ So I had to go to UCLA and get tested because he didn’t believe [me]. I was tested for every kind of venom. I was far more allergic to wasps. So he said, ‘We’ll just [have] paramedics there, it will be fine!’ You know actors, we’ll do anything for a paycheck! So fine, I’ll be covered with bees.

“So we a had a bee wrangler and he pretty much told us you can’t freak out around the bees, or be nervous, or swat at them, it would just aggravate them. They used baby bees on me. They can still sting you, but are less likely. When they put the bees on me it was crazy because they have fur. They felt like little Q-tips roaming around on me. Then you have pheromones on you, so they’re all in love with you and think you’re a giant queen. I really just had to go into this Zen sort of place and the takes were very short. What took the longest was getting the bees off of us. They had this tiny ‘bee vacuum,’ which wouldn’t harm the bees. After the scene where the bees were all over my face and my head, it took both Tony and I 45 minutes just to get the bees off. That’s when it became difficult to sit still. It was cool though, I felt like a total badass doing it.”

10. PHILIP GLASS COMPOSED THE SCORE, BUT WAS DISAPPOINTED IN THE MOVIE.

When Philip Glass signed on to compose the score for Candyman, he apparently envisioned the final film being something totally different. According to Rolling Stone, “What he'd presumed would be an artful version of Clive Barker's short story ‘The Forbidden’ had ended up, in his view, a low-budget slasher.” Glass was reportedly disappointed in the film, and felt that he had been manipulated. Still, the haunting music is considered a classic score—and Glass’s own view of it seems to have softened over time. “It has become a classic, so I still make money from that score, get checks every year,” he told Variety in 2014.

11. MANY OF THE FILM'S SCENES WERE SHOT AT CABRINI-GREEN.

In 2011, the last remaining high-rise in the Cabrini-Green housing project was demolished. Over the years, the property—which opened in 1942—gained a notorious reputation around the world for being a haven for violence, drugs, gangs, and other criminal activities. While the project’s real-life history weaves its way into the narrative of Candyman, it only makes sense that Rose would want to shoot there. Which he did. But in order to gain permission to shoot there, he had to agree to cast some of the residents as extras.

“I went to Chicago on a research trip to see where it could be done and I was shown around by some people from the Illinois Film Commission and they took me to Cabrini-Green,” Rose said. “And I spent some time there and I realized that this was an incredible arena for a horror movie because it was a place of such palpable fear. And rule number one when you're making a horror movie is set it somewhere frightening. And the fear of the urban housing project, it seemed to me, was actually totally irrational because you couldn't really be in that much danger. Yes, there was crime there, but people were actually afraid of driving past it. And there was such an aura of fear around the place and I thought that was really something interesting to look into because it's sort of a kind of fear that's at the heart of modern cities. And obviously, it's racially motivated, but more than that—it's poverty motivated.”

12. THE FILM’S PRODUCERS WERE WORRIED THAT THE FILM WOULD BE CONSIDERED RACIST.

During pre-production, Candyman’s producers began to worry that the film might draw criticism for being racist, given that its villain was black and it was largely set in an infamous housing project. “I had to go and have a whole set of meetings with the NAACP, because the producers were so worried,” Rose told The Independent. “And what they said to me when they'd read the script was 'Why are we even having this meeting? You know, this is just good fun.' Their argument was 'Why shouldn't a black actor be a ghost? Why shouldn't a black actor play Freddy Krueger or Hannibal Lecter? If you're saying that they can't be, it's really perverse. This is a horror movie.'”

13. STILL, SOME FILMMAKERS COMPLAINED THAT IT WAS RACIST.

In a 1992 story in the Chicago Tribune, some high-profile black filmmakers expressed their disappointment that the film seemed to perpetuate several racist stereotypes. “There’s no question that this film plays on white middle-class fears of black people,” director Carl Franklin (Out of Time, Devil in a Blue Dress) said. “It unabashedly uses racial stereotypes and destructive myths to create shock. I found it hokey and unsettling. It didn't work for me because I don’t share those fears, buy into those myths.”

Reginald Hudlin, who directed House Party, Boomerang, and Marshall, described the film as “worrisome,” though he didn’t want to speak on the record about his specific issues with the film. “I've gotten calls about [the movie], but I think I'm going to reserve comment,” he said. “Some of my friends are in it and I may someday want to work for TriStar.”

For Rose, those assessments may have been hard to hear, as his goal in adapting Barker’s story and directing it was to upend the myths about inner cities. “[T]he tradition of oral storytelling is very much alive, especially when it's a scary story,” he told The Independent. “And the biggest urban legend of all for me was the idea that there are places in cities where you do not go, because if you go in them something dreadful will happen—not to say that there isn't danger in ghettos and inner city areas, but the exaggerated fear of them is an urban myth.”

14. IT’S STILL THE ROLE THAT MADSEN IS MOST RECOGNIZED FOR (ESPECIALLY AT AIRPORTS).

Kasi Lemmons and Virginia Madsen in 'Candyman'
PolyGram Filmed Entertainment

Though she earned a Best Supporting Actress nomination in 2005 for Alexander Payne’s Sideways, in 2012 Madsen said that Candyman is still the role she is most recognized for—especially at airports.

“More people recognize me from that movie than anything I’ve done,” she told HorrorNewsNetwork. “It means a lot to me. It was after years of struggling. As an actor, you always want a film that’s annual, like It’s a Wonderful Life or A Christmas Story. I just love that I have a Halloween movie. Now it’s kind of legend this story. People have watched it since they were kids, and every Halloween it’s on, and they watch it now with their kids. That means a lot to me. The place I get recognized the most is the airport security for some reason. Every person in airport security has seen Candyman. Maybe it makes them a little afraid of me.”

15. THERE WAS AN ACTUAL CANDYMAN KILLER.

Though the Chicago-based legend of Candyman is a work of fiction, there was an actual serial killer known as “Candyman” or “The Candy Man.” Between 1970 and 1973, Dean Corll kidnapped, tortured, and murdered at least 28 young boys in the Houston area. Corll earned his sweet nickname from the fact that his family owned a candy factory.

Original image
iStock
arrow
Lists
10 Facts About Samuel Johnson’s Dictionary
Original image
iStock

October 16 is World Dictionary Day, which each year celebrates the birthday of the American lexicographer Noah Webster, who was born in Connecticut in 1758. Last year, Mental Floss marked the occasion with a list of facts about Webster’s American Dictionary of the English Language—the enormous two-volume dictionary, published in 1828 when Webster was 70 years old, that established many of the differences that still divide American and British English to this day. But while Webster was America’s foremost lexicographer, on the other side of the Atlantic, Great Britain had Dr. Samuel Johnson.

Johnson—whose 308th birthday was marked with a Google Doodle in September—published the equally groundbreaking Dictionary of the English Language in 1755, three years before Webster was even born. Its influence was arguably just as great as that of Webster’s, and it remained the foremost dictionary of British English until the early 1900s when the very first installments of the Oxford English Dictionary began to appear.

So to mark this year’s Dictionary Day, here are 10 facts about Johnson’s monumental dictionary.

1. IT WASN’T THE FIRST DICTIONARY.

With more than 40,000 entries, Johnson’s Dictionary of the English Language was certainly the largest dictionary in the history of the English language at the time but, despite popular opinion, it wasn’t the first. Early vocabularies and glossaries were being compiled as far back as the Old English period, when lists of words and their equivalents in languages like Latin and French first began to be used by scribes and translators. These were followed by educational word lists and then early bilingual dictionaries that began to emerge in the 16th century, which all paved the way for what is now considered the very first English dictionary: Robert Cawdrey’s Table Alphabeticall—in 1604.

2. SAMUEL JOHNSON BORROWED FROM THE DICTIONARIES THAT CAME BEFORE HIS.

In compiling his dictionary, Johnson drew on Nathan Bailey’s Dictionarium Britanicum, which had been published in 1730. (Ironically, a sequel to Bailey’s dictionary, A New Universal Etymological English Dictionary, was published in the same year as Johnson’s, and borrowed heavily from his work; its author, Joseph Nicoll Scott, even gave Johnson some credit for its publication.)

But just as Johnson had borrowed from Bailey and Scott had borrowed from Johnson, Bailey, too had borrowed from an earlier work—namely John Kersey’s Dictionarium Anglo-Britannicum (1708)—which was based in part on a technical vocabulary, John Harris’s Universal English Dictionary of Arts and Sciences. Lexicographic plagiarism was nothing new.

3. THE DICTIONARY WASN’T THE ONLY THING JOHNSON WROTE.

Although he’s best remembered as a lexicographer today, Johnson was actually something of a literary multitasker. As a journalist, he wrote for an early periodical called The Gentlemen’s Magazine. As a biographer, he wrote the Life of Mr Richard Savage (1744), a memoir of a friend and fellow writer who had died the previous year. Johnson also wrote numerous poems (London, published anonymously in 1738, was his first major published work), a novel (Rasselas, 1759), a stage play (Irene, 1749), and countless essays and critiques. He also co-edited an edition of Shakespeare’s plays. And in between all of that, he even found time to investigate a supposed haunted house in central London.

4. IT WAS THE FIRST DICTIONARY TO USE QUOTATIONS.

Johnson’s dictionary defined some 42,773 words, each of which was given a uniquely scholarly definition, complete with a suggested etymology and an armory of literary quotations—no fewer than 114,000 of them, in fact.

Johnson lifted quotations from books dating back to the 16th century for the citations in his dictionary, and relied heavily on the works of authors he admired and who were popular at the time—Shakespeare, John Milton, Alexander Pope, and Edmund Spenser included. In doing so, he established a lexicographic trend that still survives in dictionaries to this day.

5. IT TOOK MORE THAN EIGHT YEARS TO WRITE.

Defining 42,000 words and finding 114,000 quotes to help you do so takes time: Working from his home off Fleet Street in central London, Johnson and six assistants worked solidly for over eight years to bring his dictionary to print. (Webster, on the other hand, worked all but single-handedly, and used the 22 years it took him to compile his American Dictionary to learn 26 different languages.)

6. JOHNSON WAS WELL PAID FOR HIS TROUBLES.

Johnson was commissioned to write his dictionary by a group of London publishers, who paid him a princely 1,500 guineas—equivalent to roughly $300,000 (£225,000) today.

7. HE LEFT OUT A LOT OF WORDS.

The dictionary’s 42,000-word vocabulary might sound impressive, but it’s believed that the English language probably had as many as five times that many words around the time the dictionary was published in 1755. A lot of that shortfall was simply due to oversight: Johnson included the word irritable in four of his definitions, for instance, but didn’t list it as a headword in his own dictionary. He also failed to include a great many words found in the works of the authors he so admired, and in several of the source dictionaries he utilized, and in some cases he even failed to include the root forms of words whose derivatives were listed elsewhere in the dictionary. Athlete, for instance, didn’t make the final cut, whereas athletic did.

Johnson’s imposition of his own tastes and interests on his dictionary didn't help matters either. His dislike of French, for example, led to familiar words like unique, champagne, and bourgeois being omitted, while those he did include were given a thorough dressing down: ruse is defined as “a French word neither elegant nor necessary,” while finesse is dismissed as “an unnecessary word that is creeping into the language."

8. HE LEFT OUT THE LETTER X.

    At the foot of page 2308 of Johnson’s Dictionary is a note merely reading, “X is a letter which, though found in Saxon words, begins no word in the English language."

    9. HIS DEFINITIONS WEREN’T ALWAYS SO SCHOLARLY.

      As well as imposing his own taste on his dictionary, Johnson also famously employed his own sense of humor on his work. Among the most memorable of all his definitions is his explanation of oats as “a grain, which in England is generally given to horses, but in Scotland supports the people.” But he also defined monsieur as “a term of reproach for a Frenchman,” excise as “a hateful tax levied upon commodities and adjudged not by the common judges of property but wretches hired by those to whom excise is paid,” and luggage as “anything of more weight than value.” As an example of how to use the word dull, he explained that “to make dictionaries is dull work.”

      10. HE POKED LOTS OF FUN AT HIS OWN OCCUPATION.

      Listed on page 1195 of his dictionary, Johnson’s definition of lexicographer was “a writer of dictionaries; a harmless drudge.”

      SECTIONS

      arrow
      LIVE SMARTER
      More from mental floss studios