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13 Smart Facts About The Big Bang Theory

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CBS Entertainment

The Big Bang Theory, which has held the title of television's most popular comedy for several years now, and will return for its 11th season on Monday, September 25th. In the meantime, geek out with these facts about the long-running cerebral comedy on the 10th anniversary of its premiere.

1. THE SHOW WASN’T PITCHED IN A TRADITIONAL WAY.

Instead of writing up a premise—which includes outlines of the characters and the long-term vision for the show—and pitching it to CBS, co-creators Chuck Lorre and Bill Prady revealed at PaleyFest in 2009 that for their pitch, they wrote a complete script, hired actors, and, as Lorre explained, “put on a show” for CBS president Les Moonves. Lorre found the experience to be “crazy,” but it obviously worked.

2. IT TOOK TWO PILOTS FOR THE SHOW TO GET PICKED UP TO SERIES.

The show filmed two different pilots, because CBS didn't like the first one but felt the show had potential. The first pilot began with a different theme song and featured Sheldon, Leonard, and two female characters, including a different actress playing what would become the Penny role. Chuck Lorre thought the initial pilot “sucked” but is open to having the unaired pilot included as part of a DVD.

3. JIM PARSONS THOUGHT HE WAS AUDITIONING FOR A GAME SHOW.

Amy and Sheldon in The Big Bang Theory.
CBS Entertainment

When Jim Parsons’s agent called and said Chuck Lorre wanted him to audition for a pilot, Parsons misunderstood. “I did not know Chuck Lorre at the time,” Parsons told David Letterman in 2014. “I thought he was talking about Chuck Woolery. I thought, why are they so excited about it? We should see what the man has to offer before we’re like, ‘It’s a new Chuck Woolery pilot!'"

4. ED ROBERTSON OF THE BARENAKED LADIES HESITATED TO WRITE THE THEME SONG.

As the story goes, Lorre and Prady went to a Barenaked Ladies concert and were impressed that lead singer Ed Robertson sang a song on cosmological theory, so they tapped him to write the series' theme song, called “The History of Everything." In 2013, Robertson told CBS News that he’d previously written some songs for TV and films only to have his work rejected, so he was initially reluctant to take on the project.

“I was like, look, how many other people have you asked to write this? I’m at my cottage, I got a couple of weeks off right now and if you’ve asked Counting Crows and Jack Johnson and all these other people to write it, then I kinda don’t want to waste my time on it,” Robertson told them. Lorre and Prady told Robertson he was their only choice, so Robertson agreed to come on board. The first version was 32 seconds long but Robertson had to trim it down to 15 seconds. The original version was also acoustic, which Lorre loved, but Robertson insisted that his bandmates be on the track, and Lorre loved that one even more.

5. SHELDON PROBABLY DOESN’T HAVE ASPERGER’S.

Because of Sheldon’s anti-social nature, viewers have often assumed that Sheldon has Asperger's syndrome. But Prady has stated that, "We write the character as the character. A lot of people see various things in him and make the connections. Our feeling is that Sheldon's mother never got a diagnosis, so we don't have one.”

Parsons himself isn’t totally sure, though. “Asperger’s came up as a question within the first few episodes. I got asked about it by a reporter, and I had heard of it, but I didn’t know what it was, specifically,” he told Adweek in 2014. “So I asked the writers—I said, ‘They’re asking me if Sheldon has Asperger’s’ and they were like, ‘No.’ And I said, ‘OK.’ And I went back and I said, ‘No.’ And then I read some about it and I went, OK, well, if the writers say he doesn’t, then he doesn’t, but he certainly shares some qualities with those who do. I like the way it’s handled ... This is who this person is; he’s just another human.”

6. KUNAL NAYYAR GOT HIRED BECAUSE HE WAS “CHARMING."


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In reminiscing about the early days, Prady explained to Buzzy Mag how Raj came to be: “When we were casting for that part, we were casting for an international member of the ensemble, [because] if you go into the science department at a university, it’s not [just] Americans,” Prady said. “It’s one of the most international kinds of communities. So we saw foreign-born people. And so we saw people who were Korean and Korean-American and Latino. And then Kunal came in and it was like Jim [Parsons]—it was just Person Number Eight on a day of Twenty-Seven people, and he was charming.”

7. AMY FARRAH FOWLER WAS MADE A NEUROSCIENTIST ON PURPOSE.

Mayim Bialik, who in real life has a PhD in neuroscience, told Variety how Amy Farrah Fowler’s profession came to be. “They didn’t have a profession for my character when I came on in the finale of season three,” she says. “In season four, Bill Prady said they’d make her what I am so I could fix things (in the script) if they were wrong. It’s neat to know what things mean. But most of the time, I don’t have to use it.”

8. ASTROPARTICLE PHYSICIST/SCIENCE CONSULTANT DAVID SALTZBERG ONCE GOT A JOKE ON THE AIR.

The Big Bang Theory has had David Saltzberg on retainer since the beginning of the series. Every week he attends the tapings and offers up corrections and ensures the white boards used in the scenes are accurate. During episode nine of the first season, Saltzberg wrote a joke for Sheldon, who has a fight with another scientist. Penny asks Sheldon about the misunderstanding and Sheldon replies, “A little misunderstanding? Galileo and the Pope had a little misunderstanding!”

Even though Saltzberg teaches at UCLA and publishes papers, he thinks his work on The Big Bang Theory is more impactful. “This has a lot more impact than anything I will ever do,” he told NPR. “It’s hard to fathom, when you think about 20 million viewers on the first showing—and that doesn't include other countries and reruns. I’m happy if a paper I write gets read by a dozen people.”

9. WIL WHEATON GOT THE “EVIL WIL WHEATON” GIG THROUGH TWITTER.

Wil Wheaton and Jim Parsons in a scene from The Big Bang Theory.
Sonja Flemming - © 2012 CBS Broadcasting, Inc

Wil Wheaton, who plays a “delightfully evil version” of himself on the show, tweeted about The Big Bang Theory. Wheaton told Larry King, “I was talking on Twitter about how much I loved the show and how I thought it was really funny.” Executive producer Steven Molaro—who will be taking on the same role in the Young Sheldon prequel, which also premieres Monday night—saw the tweet and told Wheaton to let him know if he wanted to come to a taping. A few days later Wheaton received an email from Bill Prady’s assistant about appearing on the show. “I just thought the email was a joke from one of my friends, so I just ignored it,” Wheaton said.

When Wheaton realized that the email was legit he phoned up Prady, who explained they wanted a nemesis for Sheldon. “It’s always more fun to be the villain,” Wheaton said. Even though the character has evolved into Sheldon’s ally, Wheaton said, “I still call him Evil Wil Wheaton.”

10. CHUCK LORRE THOUGHT THE SHOW AIRING AT 8 P.M. WAS THE BEGINNING OF THE END.

The show aired a handful of episodes in the fall of 2007, but a Writers Guild strike halted production until the following year. When the show returned in March, it had an earlier time slot. During a 2009 Comic-Con panel with the show’s cast and producers, the moderator asked Lorre about how CBS once again changed the time slot, this time from Mondays at 8 p.m. to Mondays at 9:30 p.m. “You guys followed us when they put us on at 8 and that is what kept us alive,” Lorre replied. "We did eight shows before the strike took us out in our first season. When the strike was over, CBS put us on at 8 p.m. and we thought that might be the end of it. You followed us and kept us alive and that was when we got the two-year pickup when we did well at 8.” The show eventually returned to the Mondays at 8 p.m. slot.

11. PARSONS ATTRIBUTES THE SHOW'S SUCCESS TO ITS LACK OF CHARACTER ARCS.

In a 2014 interview with New York Magazine, Parsons gave his theory (if you will) on why The Big Bang Theory attracts more than 20 million viewers per week—a number unheard of since the Friends-era sitcom reign. “There’s not anything to keep up with,” he said. “You don’t go, ‘I didn’t see the first three seasons, and now they’re off with prostitutes, and they no longer work in the Mafia, and I don’t understand what happened.’ People have so many choices on TV now, so no one’s asking for you to marry us. You can enjoy our show without a weekly appointment.”

12. A NEW GENUS OF JELLYFISH IS NAMED BAZINGA.


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In 2011, a photographer spotted the unnamed grape-sized rhizostome in Australia’s Brunswick River, snapped a photo of it, and sent the photo to marine biologist Lisa-ann Gershwin. In 2013, she named the jellyfish and published a paper on it for the Queensland Museum. In her findings she called it “a new genus and species of the rhizostome jellyfish, which cannot be placed in any known family or suborder.” She told The Huffington Post that it’s the first time in more than 100 years that a new sub-order of jellyfish had been discovered. For now, it’s the only member of the genus Bazinga, the family Bazingidae, and the sub-order Ptychophorae. Sheldon’s catchphrase also inspired the naming of a new bee species in 2013.

13. THE CAST MEMBERS ARE SOME OF THE WORLD’S HIGHEST PAID TV ACTORS.

In August 2017, Variety released a list of television's highest paid actors, and the main cast members of The Big Bang Theory—Kaley Cuoco, Johnny Galecki, Jim Parsons, Simon Helberg, and Kunal Nayyar—came out on top for comedy, earning an average of $900,000 per episode.

BONUS FACT: WE'RE ON THE COFFEE TABLE!

Image credit: Wil Wheaton

In 2010, Wil Wheaton shared this close-up of the coffee table in Sheldon and Leonard's apartment. "I saw a lot of things that could have been on my own coffee table," he wrote, "so I decided to grab a picture."

Here's one from 2014:

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11 Single Facts About Bridget Jones’s Diary
Miramax
Miramax

While it's not officially a holiday movie, so much of the action in Bridget Jones's Diary happens around the most wonderful time of the year that the rom-com has become essential wintertime viewing for many movie fans. Based on Helen Fielding’s novel of the same name, it tells the story of a very single, and hopelessly romantic, working professional named Bridget (Renée Zellweger) who is determined to improve her love life. Enter two strapping gentlemen (Colin Firth and Hugh Grant) to vie for her heart. Get to know more about the timeless dramedy that’s been delighting audiences since 2001. Just as it is.

1. THE SOURCE NOVEL CAME ABOUT FROM AN ANONYMOUS COLUMN ABOUT SINGLE LIFE.

In the foreword of Bridget Jones’s Diary, author Helen Fielding wrote about how she came to conjure up the story: “The Independent asked me to write a column, as myself, about single life in London. Much as I needed the money, the idea of writing about myself in that way seemed hopelessly embarrassing and revealing. I offered to write an anonymous column instead, using an exaggerated, comic, fictional character. I assumed no one would read it, and it would be dropped after six weeks for being too silly.”

2. SEVERAL CHARACTERS ARE BASED ON PEOPLE IN HELEN FIELDING’S LIFE.


Miramax

These include Jude (Tracey MacLeod) and Shazzer (Sharon Maguire, also the film’s director). In a column for the Evening Standard, MacLeod described how she didn’t even realize she inspired part of her best friend’s story until Fielding’s book launch party. “At the launch party for the first Bridget book, I was cornered by a smug married friend, ‘So ... what's it like being Jude?’ she asked,” MacLeod writes. “I was outraged. Of course I wasn't Jude, with her self-help books and horrible boyfriend. My boyfriend wasn't anything like Vile Richard ... But as more people began to believe that Jude and Shazzer were thinly-veiled portraits of myself and Sharon, I secretly got to like the idea.”

3. TONI COLLETTE DECLINED THE LEAD, AND KATE WINSLET WAS CONSIDERED FOR IT.

Before Zellweger stole the show, Aussie Toni Collette and Brit Kate Winslet were up for the part. According to AMC, “Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time, and Kate Winslet was considered but the producers decided she was too young.”

4. HUGH GRANT ONLY SIGNED ON WHEN RICHARD CURTIS WAS ANNOUNCED AS THE WRITER. 


Miramax

“The only reason [I was a hard sell] was because I didn't feel they had the script quite right for a long time,” Firth told Cinema.com. “And I kept saying, ‘It's not working. Just get Richard Curtis to come in and help rewrite it.’ Eventually they did, and as soon as Richard came on board, I signed on the dotted line. So that's all it was.”

5. RENÉE ZELLWEGER GAINED 17 POUNDS FOR THE PART.

Zellweger’s weight gain for the role had the media abuzz for a while. According to The Guardian, “In order to play the eponymous heroine in the film adaptation of Fielding's bestseller, the actress gained 17 pounds, consulting a dietitian and endocrinologist who devised a regime of three full meals a day, multiple snacks, and no exercise.”

6. ZELLWEGER WORKED AT PICADOR FOR THREE WEEKS.

Zellweger went full Method for her iconic role, and became a temporary employee of the Picador publishing house. “We came up with a plan: she would be Bridget Cavendish, Bridget for obvious reasons and Cavendish as she was to be passed off as the sister of Jonathan Cavendish, a friend of one of our company chairmen,” Picador publicist Camilla Elworthy told The Guardian. “That last bit at least is true, and no one was to know that Jonathan Cavendish was one of the film's producers.”

7. ZELLWEGER KEPT A PHOTO OF JIM CARREY ON HER DESK.


Miramax

While working at Picador, Zellweger kept a picture of Jim Carrey on her desk—which made her alter ego Bridget Cavendish seem like some sort of obsessed fan. “Under the name Bridget Cavendish, she answered phones, served coffee, and made photocopies—without being recognized by any of her co-workers, who offered career advice and wondered privately why she kept a photo of Jim Carrey (her then-boyfriend) on her desk,” noted Hollywood.com.

8. ZELLWEGER INVITED HER BOSS AT PICADOR TO BE AN EXTRA ON SET.

In Camilla Elworthy’s write-up for The Guardian, she noted how she became a part of the production. “Renée sent me a thank you letter and gift after she'd gone and I have seen her a few times since then," Elworthy wrote. "She invited me on to the film set one day. She informed me that I had to stick around and be an extra and made sure that I was put somewhere that I would be seen ... As a result, half my head can be seen for half a nano-second in the launch party scene.”

9. THE EPIC FIGHT SCENE BETWEEN GRANT AND COLIN FIRTH WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

10. FIELDING ASKED FRIEND SALMAN RUSHDIE TO CAMEO IN THE FILM.

Recalling how he came to be part of the film, famed novelist Salman Rushdie told Texas Monthly, “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’”

11. GRANT DIDN’T HEAR ZELLWEGER SPEAK IN HER AMERICAN ACCENT UNTIL THE FILM’S WRAP PARTY.

Zellweger was so engrossed with Bridget Jones that one of her leading love interests didn’t meet the real actress until the end of the shoot. “Not once did she stop speaking with that accent, until the wrap party,” Grant told Cinema.com, “when suddenly this weird ... Texan appeared. I wanted to call security, I didn't know who the f*ck she was!”

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15 Surprising Facts About Scarface
Universal Home Video
Universal Home Video

Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


Universal Home Video

Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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