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Meet the Animators Behind Sleeping Beauty

The process for creating an animated full-length feature is somewhat mind-boggling for anyone outside the field. It takes many people many, many hours to build the magical worlds we fall in love with.

In the short film 4 Artists Paint 1 Tree, a Walt Disney “Adventure in Art”, the four animators behind Sleeping Beauty showcase their unique roles in the production. The man himself, Walt Disney, introduces the 16-minute documentary and first mentions a theme that is restated throughout: the power of collaboration. From the effects animator, to stylists, and background artists, each animator plays a vital role in the beautiful movie-making machine.

As the narrator says: “This entire operation puts one in mind of a symphony orchestra. Where men who are good enough to be solo artists in their own right, are thinking only of the effect they are producing on the whole.”

Take a look at this delightful video to see what Princess Aurora could have looked like and, as the title previews, what four artists create from the same arboreal inspiration.

[h/t Visual News]

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British Film Institute
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Where to Watch Over 300 British Animated Films for Free Online
British Film Institute
British Film Institute

The history of animation doesn’t begin and end with studios in Japan and the U.S. Artists in the UK have been drawing and sculpting cartoons for over a century, and now some of the best examples of the medium to come out of the country are available to view for free online.

As It’s Nice That reports, the British Film Institute has uploaded over 300 films to the new archive on BFI player. Dubbed "Animated Britain," the expansive collection includes hand-drawn and stop motion animation and many distinct styles in between. Viewers will find ads, documentaries, films for children, and films for adults dating from 1904 to the 21st century. Episodes of classic cartoons like SuperTed and Clangers as well as obscure clips that are hard to find elsewhere are represented.

The archive description reads:

“Through its own weird alchemy, animation can bring our wildest imaginings to life, and yet it can also be a powerful tool for exploring our everyday reality. Silly, surreal, sweet or caustic, this dizzyingly diverse selection showcases British animation's unique contribution to the art form, and offers a history ripe for rediscovery.”

This institution’s project marks their start of a whole year dedicated to animation. UK residents can stream the selected films for free at BFI player, or check out their rental offerings for more British animated classics.

[h/t It’s Nice That]

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Amy Meredith, Flickr // CC BY-ND 2.0
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You Can Still Visit This Forgotten Flintstones Theme Park in Arizona
Amy Meredith, Flickr // CC BY-ND 2.0
Amy Meredith, Flickr // CC BY-ND 2.0

Like many pop culture institutions of the 20th century, Hanna-Barbera’s The Flintstones hasn’t been relegated to just one medium. The animated cast of America's favorite modern Stone Age family sold cigarettes, starred in a live-action 1994 film, and inspired all sorts of merchandise, including video games and lunchboxes. In 1972, it also got the theme park treatment.

Bedrock City, located 30 minutes from the Grand Canyon in Williams, Arizona, was the brainchild of Linda and Francis Speckels, a married couple who bought the property and turned it into a 6-acre tourist attraction. Concrete houses were built to resemble the Flintstone and Rubble residences and are furnished with props; a large metal slide resembles a brontosaurus, so kids can mimic the show’s famous title credits sequence; and statues of the characters are spread all over the premises. The site also doubles as an RV campground and parking site.

A Flintstones theme park house
Matthew Dillon, Flickr // CC BY 2.0

A statue of Bam-Bam at the Flintstones park in Arizona
Matthew Dillon, Flickr // CC BY 2.0

A statue of Wilma Flintstone at Bedrock City in Arizona
Matthew Dillon, Flickr // CC BY 2.0

When it first opened, Bedrock City employed actors to stay in character, but the remote location proved challenging to retain both employees and visitors. Over the past four decades, it's had a steady stream of tourists, but not enough to turn a huge profit. Atlas Obscura reports the attractions are in various stages of disrepair.

Linda Speckels put the property up for sale in 2015 with an asking price of $2 million, but it has yet to sell. One possible hold-up: The new owner would have to negotiate a fresh licensing deal with Hanna-Barbera and Warner Bros. for the right to continue using the show’s trademarks. (A separate Flintstones park in South Dakota, owned by another member of the Speckels family, was sold and closed in 2015.) With its proximity to the Canyon, the 30 total acres could be converted into almost anything, from a mall to a golf course. For Flintstones enthusiasts, the hope is that the park’s unique attractions won’t be reduced to rubble.

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