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16 Things You Might Not Know About Roseanne

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At a time when shows like The Wonder Years, Growing Pains, Murphy Brown, Designing Women, Dallas, and Dynasty still ruled the airwaves, the debut of Roseanne in the fall of 1988 introduced a new kind of family to television audiences and a new kind of matriarch. Praised for its portrayal of blue-collar America, the Emmy Award-winning series also broke new ground in terms of its envelope-pushing (for the time) storylines. And now it's ready to make a comeback.

On May 16, 2017, ABC announced that Roseanne will return for an eight-episode run in 2018. In the meantime, here are some things you might not know about the series that made Roseanne Barr a star.

1. THE SUCCESS OF ROSEANNE JUMPSTARTED THE TREND OF GIVING COMEDIANS THEIR OWN SITCOMS.

TV producers Marcy Carsey and Tom Werner were interested in developing a sitcom about a working mother. When they saw Roseanne Barr’s outspoken “domestic goddess” comedy routine on The Tonight Show Starring Johnny Carson in 1985, they offered her a show. Barr wasn’t the first performer to transition from stand-up to TV, but her ABC show was an immediate hit. By its second season, it was number one in the Nielsen ratings and remained in the top four for six of its nine seasons.

As a result—and coupled with the success of Seinfeld—networks started offering more development deals to comedians, including Tim Allen (Home Improvement), Brett Butler (Grace Under Fire), Ellen DeGeneres (Ellen), and Ray Romano (Everybody Loves Raymond), to name a few.

2. THE SHOW WAS ORIGINALLY TITLED LIFE AND STUFF.

Roseanne creator, head writer, and executive producer Matt Williams said the benign title established the sitcom as an ensemble piece. But Barr argued that the show should be called Roseanne, since she was the lead character and the show was based on her life. (Williams left the show after season one.)

3. THE SHOW’S EXTERIOR SHOTS ARE OF EVANSVILLE, INDIANA, NOT ILLINOIS.

Why Evansville? It’s where co-executive producer Matt Williams grew up. The house used for the facade of the Conner home went up for sale, plaid couches not included, in early 2013. It was taken off the market less than a month later.

4. JOHN GOODMAN AND LAURIE METCALF WERE CAST WITH ULTERIOR MOTIVES.

Roseanne Barr had never acted before, so the producers hoped that surrounding her with a strong supporting cast would give her a crash course in acting. Barr and Goodman also had great chemistry and squabbled like a married couple from their first reading together. Goodman was the first and only actor to audition for the role of Dan Conner.

5. MACAULAY CULKIN AUDITIONED FOR THE ROLE OF D.J.

Had Culkin been cast, it would’ve been his big break (it would be another two years before Home Alone was released). Instead, Michael Fishman got the role, replacing Sal Barone from the pilot (who, in addition to hitting a growth spurt, didn’t get along with Sara Gilbert, who played his sister Darlene). “I wanted Michael Fishman because he looked like my family and he was a little Russian boy,” Barr told Entertainment Weekly. “He was so not like all the other little Hollywood bastards.” Added Fishman: “The network wanted one person, the production company wanted another person, and she wanted me. In many ways, I’m one of the first battles she won.”

6. ROSEANNE WAS A CRITICAL DARLING, BUT IT WAS NEVER NOMINATED FOR AN EMMY FOR BEST COMEDY SERIES.

Laurie Metcalf won three consecutive Emmys for Outstanding Supporting Actress in a Comedy Series for her role as Roseanne’s sister Jackie beginning in 1992 (in 1993, Barr won Outstanding Lead Actress). But the show never managed to nab a Best Comedy Series nomination. And while John Goodman’s portrayal of Dan Conner earned him the Outstanding Lead Actor nomination seven years in a row, he never took home an award.

7. IT WAS ONE OF THE FIRST PRIMETIME SHOWS TO FEATURE OPENLY GAY CHARACTERS.

Despite network protests, Barr insisted on featuring gay characters as friends, family members, co-workers, and neighbors. (Barr’s own brother and sister are gay.) In season eight, Roseanne’s former boss Leon (Martin Mull) married his partner Scott (Fred Willard)—a scene that wouldn’t be so unusual today, but was very controversial back in 1995. (It actually aired later than its usual time slot because of its “adult humor.”) A year later, Roseanne’s mother came out of the closet. Spoiler alert: In the bizarre “it was all a dream” finale, it was revealed that Roseanne’s sister Jackie was a lesbian. And of course, there was the scandalous kiss between Barr and guest star Mariel Hemingway.

8. ROSEANNE LAUNCHED JOSS WHEDON’S CAREER.

Joss Whedon began his television career as a staff writer on Roseanne. Whedon was only 24 years old when he wrote four episodes of the show’s second season, which Splitsider later dissected, looking for early glimpses of Whedon’s style:

“While John Goodman is a national treasure who can make any material work, Whedon’s take on his character stands out: Dan is goofier and more removed from the action, and notably less agitated than when written by other writers ... In these episodes, Dan Conner transforms into the Whedon proto-male a.k.a. the ‘Xander:’ an affable, quipping observer defined more by the women around him than by any strong internal life.”

A few other big names in television honed their skills on Roseanne, including Amy Sherman-Palladino, creator of Gilmore Girls and Bunheads, and Chuck Lorre, co-creator of Two and Half Men and The Big Bang Theory.

9. ALL THREE OF BARR’S EX-HUSBANDS MADE GUEST APPEARANCES ON THE SHOW.

Roseanne was inspired by life with the comedian’s first husband, Bill Pentland, and their three children. Pentland served as an executive consultant for three seasons, wrote two episodes, and played one of Dan’s buddies in an early episode. In 1990, Barr divorced Pentland after 16 years of marriage. Four days later, she wed comedian Tom Arnold, who had a recurring role as Arnie Thomas. Then in 1995 Barr married Ben Thomas, her former bodyguard, and gave him two bit roles as a cop. They remain his only acting credits.

10. THE FICTIONAL LANFORD LUNCH BOX INSPIRED A REAL-LIFE RESTAURANT.

Three years after they married, Barr and Arnold opened Roseanne and Tom’s Big Food Diner in Eldon, Iowa, near Arnold’s hometown. It served the same loosemeat sandwiches as the Lanford Lunch Box, the restaurant Roseanne opened with her sister, mom, and friend Nancy (played by Sandra Bernhard) in season five. The diner closed in 1995, a year after Barr and Arnold divorced.

11. ROSEANNE’S THEME SONG CHANGED DRAMATICALLY IN ITS LAST SEASON.

After using an instrumental version for eight seasons, Roseanne got a new theme—courtesy of Blues Traveler's John Popper—for its ninth (and final) season. The change foreshadowed an even more bizarre finale that would leave many viewers puzzled.

12. ABC REQUIRED THE CONNERS TO VISIT DISNEY WORLD.

It seemed incongruous for the Conners to visit The Happiest Place on Earth, but in season eight they did just that ... twice. That’s because the ABC-Walt Disney Company merger in 1995 required family shows to feature Disney World or Disneyland. Boys Meets World, Step by Step, Full House, and Family Matters all had at least one Disney Park episode.

13. IN 1990, BARR GOT A SPIN-OFF DEAL FOR A SATURDAY MORNING CARTOON.

Little Rosey was an animated series presumably about Roseanne—the real person, not the character—as a child. Barr didn’t voice her character in the first season, which may have been one reason the show didn’t take off. She agreed to voice Rosey in the second season, but the show was suddenly cancelled and replaced by Teenage Mutant Ninja Turtles. Barr claimed that ABC gave her cartoon the axe because they were offended by her rendition of the National Anthem at a San Diego Padres game.

14. BARR HAS PREDICTED WHERE THE CONNERS WOULD BE TODAY ... AND IT ISN'T A HAPPY ENDING.

In 2008, Barr told Entertainment Weekly, “I’ve always said now that if they were on TV, D.J. would have been killed in Iraq and [the Conners] would have lost their house.” Barr divulged more potential plotlines in her blog a year later, including Becky’s job at Walmart, David and Darlene divorcing, and Roseanne and Jackie opening the first medical marijuana dispensary in Lanford. I guess we'll see how accurate those predictions were when the series returns in 2018.

15. ROSEANNE HAS ALWAYS WANTED TO COME BACK TO PRIMETIME TV.

When Roseanne ended in 1997, ABC considered a sequel about the main character’s life as a widow. It never materialized, but Barr has since had a talk show, a reality series, and a few sitcoms in the works. In 2011, she filmed a pilot called Downwardly Mobile about life in a trailer park, but it wasn’t picked up by NBC. In 2013, Barr was in talks with NBC again for a 10/90 sitcom deal—an agreement in which the network orders a straight-to-series run of 10 episodes and then orders 90 more if the show’s successful. The deal never came through. It looks like it took returning to her roots to finally make that comeback happen; in May 2017, ABC announced that Roseanne would return to primetime in 2018.

16. THOUGH THE ORIGINAL SERIES ENDED WITH DAN DYING, HE'LL BE ALIVE IN THE REVIVAL.

We're not exactly sure how this plotline will play out, but when Roseanne makes its return to television, Dan Conner will be alive and (presumably) well. ABC president Channing Dungey recently confirmed that the new season will conveniently ignore some of the major events that occurred in the series' finale.

“I can confirm that Dan is still alive,” Dungey said at TCA, though she didn't elaborate on how that will play out. Nor did she say whether any more of the last season's revelations would be ignored for the reboot. However, she did confirm that the network is currently in talks with The Big Bang Theory star Johnny Galecki about reprising hs role of David on the series.

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15 Surprising Facts About Scarface
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Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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30 Cold, Hard Facts About Die Hard
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What do you get when you mix one part action movie with one part holiday flick and add in a dash of sweaty tank top? Die Hard, John McTiernan’s genre-bending Christmas action masterpiece for the ages, which sees a badass NYPD cop take on a skyscraper full of bad guys in the midst of an office holiday party. Here are 30 things you might not know about the movie.

1. IT’S GOT A LITERARY BACKGROUND.

Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. In 2013, Thorp’s long out-of-print book was resurrected to coincide with the film’s 25th anniversary.

2. IT WAS INSPIRED BY THE TOWERING INFERNO.

The idea for Nothing Lasts Forever was inspired John Guillermin’s 1974 disaster flick The Towering Inferno. After seeing the film, Thorp had a dream about a man being chased through a skyscraper by a group of men with guns. He eventually turned that snippet of an idea into a sequel to The Detective.

3. FRANK SINATRA GOT FIRST DIBS ON PLAYING THE ROLE OF JOHN MCCLANE.


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Because he had starred in the big-screen adaptation of The Detective, Frank Sinatra had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

4. BRUCE WILLIS’S BIG-SCREEN DEBUT WAS WITH FRANK SINATRA.

In 1980, Willis made his film debut (albeit uncredited) in the crime thriller The First Deadly Sin. He has no name and if you blink you’ll miss him, but the role simply required that Willis entered a diner as Sinatra’s character left it. Maybe it was kismet?

5. CLINT EASTWOOD PLANNED TO TAKE A STAB AT THE PART.

Originally, it was Clint Eastwood who owned the movie rights to Nothing Lasts Forever, which he had planned to star in in the early 1980s. That obviously never happened.

6. IT WAS NEVER SUPPOSED TO BE A SEQUEL TO COMMANDO.

This is one of the most popular internet stories about Die Hard. But according to Stephen de Souza, the screenwriter of both Die Hard and Commando, while there was a sequel to Commando planned, the only similarity with Die Hard is that they both took place in buildings. According to de Souza, Escape Plan is the closest to his original Commando 2 idea and Die Hard was never supposed to be anything but Die Hard.

7. BRUCE WILLIS WASN’T EVEN THE STUDIO’S THIRD CHOICE FOR THE ROLE.

If Die Hard was to be a success, the studio knew they needed a bona fide action star in the part, so they set about offering it to a seemingly never-ending list of A-listers of the time. Rumor has it that Sylvester Stallone, Harrison Ford, Robert De Niro, Charles Bronson, Nick Nolte, Mel Gibson, Richard Gere, Don Johnson, Burt Reynolds, and Richard Dean Anderson (yes, MacGyver!) were all considered for the role of John McClane. And all declined it.

8. BRUCE WILLIS WAS CONSIDERED A COMEDIC ACTOR AT THE TIME.

Die Hard’s producers had nothing against Bruce Willis, of course. He just wasn’t an immediate choice for the role because, up until that point, he was known solely as a comedic actor, not an action star. Following the success of the film, the action genre really became Willis’s bread and butter, and although he has two Emmys for his comedy work, it has remained as such to this day.

9. BRUCE WILLIS WAS BARELY EVEN SEEN ON THE MOVIE’S POSTERS.

Bruce Willis stars as John McClane in 'Die Hard.'
Twentieth Century Fox

Because the studio’s marketing gurus were unconvinced that audiences would pay to see an action movie starring the funny guy from Moonlighting, the original batch of posters for the film centered on Nakatomi Plaza instead of Willis’s mug. As the film gained steam, the marketing materials were altered, and Willis was more prominent in the promos.

10. WILLIS WAS PAID $5 MILLION TO MAKE THE MOVIE.

Even with all the uncertainly surrounding whether he could pull the film off, Willis was paid $5 million to make Die Hard, which was considered a rather hefty sum at the time—a figure reserved for only the top tier of Hollywood talents.

11. WILLIS SUGGESTED THAT BONNIE BEDELIA PLAY HIS WIFE.

Though we suspect that she wasn’t paid $5 million for the gig.

12. BRUCE WILLIS WAS ABLE TO SAY YES THANKS TO A WELL-TIMED PREGNANCY.

The first few times Bruce Willis was asked to star in the movie, he had to say no because of his commitments to Moonlighting. Then costar Cybill Shepard announced that she was pregnant. Because her pregnancy wouldn’t work within the show, producer Glenn Caron gave everyone 11 weeks off, allowing Willis to say yes.

13. SAM NEILL WAS ORIGINALLY APPROACHED FOR THE PART OF HANS GRUBER.

But Neill ended up turning the film down. Then, in the spring of 1987, the casting director saw Alan Rickman playing the dastardly Valmont in a stage production of Dangerous Liaisons and knew they had found their Hans.

14. DIE HARD WAS ALAN RICKMAN’S FEATURE FILM DEBUT.

Though Rickman may have played the part of Hans as cool as the other side of the pillow, it was actually his first role in a feature film.

15. JOHN MCTIERNAN TURNED THE MOVIE DOWN, TOO.

And not just once, but on a few different occasions. His reason was that the material just seemed too dark and cynical for him. “The original screenplay was a grim terrorist movie,” McTiernan told Empire magazine in 2014. “On my second week working on it, I said, 'Guys, there's no part of terrorism that's fun. Robbers are fun bad guys. Let's make this a date movie.’ And they had the courage to do it.”

16. MCTIERNAN SEES IT AS A SHAKESPEAREAN TALE.

In the original script, the action in Die Hard takes place over a three-day span, but McTiernan—inspired by Shakespeare’s A Midsummer Night’s Dream—insisted that it be condensed into a single evening.

17. NAKATOMI PLAZA IS ACTUALLY FOX PLAZA.


Yes, the corporate headquarters of 20th Century Fox—the very studio making the movie—proved to be the perfect location for the movie’s much-needed Nakatomi Plaza. And as it was still under construction, there wasn’t a whole lot they needed to do to the space to make it movie-ready. The studio charged itself rent to use its own space.

18. THE ROOM WHERE THE HOSTAGES ARE BEING HELD IS LITERALLY SUPPOSED TO BE FRANK LLOYD WRIGHT'S FALLINGWATER.

"In this period, Japanese corporations were buying America," production designer Jackson De Govia said in the Die Hard DVD audio commentary. "We posited that ... Nakatami Corporation bought Fallingwater, disassembled it, and reassembled it in the atrium, like a trophy."

19. THAT PANORAMIC VIEW OF THE CITY BELOW? IT’S NOT REAL.

A 380-foot-long background painting provided the illusion of a breathtaking city view in the movie. And it was a state-of-the-art one, too, with animated lights, moving traffic, and the ability to change from night to day. The painting is still the property of the studio and has been used in other productions since.

20. THE FILM’S SUCCESS SPAWNED A BONA FIDE FRANCHISE.

In addition to its four sequels, Die Hard has spawned video games and comic books, too.

21. JOHN MCCLANE’S TUMBLE DOWN A VENTILATION SHAFT WAS AN ACCIDENT.

Or maybe “error” would be a better word. But in the scene in which McClane jumps into an elevator shaft, his stunt man was supposed to grab onto the first vent. But he missed. By a lot. Which made the footage even more exciting to watch, so editor Frank J. Urioste kept it in the final cut.

22. ALAN RICKMAN’S DEATH SCENE WAS ALSO PRETTY SCARY.

At least it was for Rickman. In order to make it look as if he was falling off a building, Rickman was supposed to drop 20 feet onto an air bag while holding onto a stunt man. But in order to get a genuinely terrified reaction out of him, they dropped him on the count of two—not three, as was planned.

23. BRUCE WILLIS SUFFERED PERMANENT HEARING LOSS.


Twentieth Century Fox

In order to get the hyper-realism that director John McTiernan was looking for, the blanks used in the guns in the movie were modified to be extra loud. In one scene, Willis shoots a terrorist through a table, which put the action star in extremely close proximity to the gun—and caused permanent hearing loss. He referenced the injury in a 2007 interview with The Guardian. When they asked Willis his most unappealing habit, he replied that, “Due to an accident on the first Die Hard, I suffer two-thirds partial hearing loss in my left ear and have a tendency to say, ‘Whaaa?’”

24. ALAN RICKMAN WASN’T FOND OF THE NOISE EITHER.

Whenever he had to shoot a gun in the film, Rickman couldn’t help but flinch. Which forced McTiernan to have to cut away from him so that his reactions were not caught on film.

25. GRUBER’S AMERICAN ACCENT POSED NOTHING BUT PROBLEMS.

The scene in which Rickman, as Gruber, slips into an American accent and pretends to be yet another hostage who got away was insisted on by screenwriter Steven de Souza, who wanted them in a room together to duke it out. But McTiernan was never happy with Rickman’s American accent, saying, “I still hear Alan Rickman’s English accent. I was never quite happy with the way he opened his mouth [in that scene] ... I shot it three times trying to get him to sound more stridently American ... it’s odd for someone who has such enormous verbal skills; he just had terrible trouble getting an American accent.”

26. HANS GRUBER’S GERMAN IS MOSTLY GIBBERISH.

And the bulk of his German cohorts were not German either. Bruce Willis, on the other hand, was actually born in West Germany to an American father and a German mother.

27. BRUCE WILLIS HAS FOUR FEET.

As Willis spends much of the movie in his bare feet running through broken glass, he was given a pair of rubber feet to wear as a safety precaution. Which is great and all, but if you look closely in certain scenes, you can actually see the fake appendages.

28. YOU CAN SEE—BUT NOT TOUCH—JOHN MCCLANE’S SWEATY TANK TOP.


Getty Images

In 2007, Willis donated the blood-soaked tank top he wore in Die Hard to the National Museum of American History at the Smithsonian.

29. “YIPPEE-KI-YAY” STOLE THE MOVIE.

It was a simple line: “Yippee-ki-yay, motherf*cker!” But it became the film’s defining moment, and the unofficial catchphrase that has been used in all four Die Hard sequels as well.

30. CREDIT FOR THE LINE IS OWED TO WILLIS.

In a 2013 interview with Ryan Seacrest, Bruce Willis admitted that “Yippee-ki-yay, motherf*cker!” was really just a joke. “It was a throwaway,” said Willis. “I was just trying to crack up the crew and I never thought it was going to be allowed to stay in the film."

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