12 Surprising Facts About Unforgiven

Warner Bros. Home Entertainment
Warner Bros. Home Entertainment

Unforgiven, released on August 7, 1992, was Clint Eastwood's 16th movie as a director and his 34th as a lead actor. But it was the first one to earn him an Oscar nomination—three of them, actually: for Best Actor, Best Picture, and Best Director. He won the latter two, and was at the time the oldest person to ever take home the director trophy. Despite decades of popular success, both as an actor and a filmmaker, it wasn't until Unforgiven that Eastwood began to be recognized by the esteemed members of the Academy of Motion Picture Arts and Sciences.

Of course, one could argue that it wasn't until Unforgiven that Eastwood deserved Oscar attention. We'll leave that for you to discuss. In the meantime, here are a dozen tidbits to enhance your appreciation for what remains one of Eastwood's greatest movies on the 25th anniversary of its release. Never mind whether you deserve them; deserve's got nothing to do with it. 

1. FRANCIS FORD COPPOLA ALMOST MADE IT.

The director of The Godfather and Apocalypse Now optioned the screenplay in the early 1980s, but couldn't get the movie financed. When his option on the script expired in 1985, Clint Eastwood picked it up ... and kept it for another several years before he finally made the movie. 

2. THE SCREENPLAY HAD BEEN KICKING AROUND SINCE 1976.

David Webb Peoples was a film editor in the '70s, writing scripts on the side. His first big break in that field came when he was hired to co-write Blade Runner for Ridley Scott, and he subsequently worked on Ladyhawke and Leviathan. (His post-Unforgiven work includes Hero, Twelve Monkeys, and Soldier.) Originally, Peoples' Unforgiven screenplay was alternately known as The William Munny Killings and The Cut-Whore Killings, which might go a long way toward explaining why nobody wanted to make it. 

3. TAXI DRIVER CONVINCED THE SCREENWRITER TO GO MEGA-VIOLENT. 

The jury's out on how much movie violence inspires real-life violence, but there's no question it inspires more movie violence. Case in point: David Webb Peoples, turned off by the way film deaths tended to be unrealistic and devoid of consequences, had intended to write something murder-free. Then Taxi Driver changed his mind. He later explained: "All of a sudden I see Taxi Driver, and people are getting killed, and the characters maintained how they would be in real life. But at the same time, it's an entertaining movie, and that was always important to me ... I wanted to write entertainment. Taxi Driver opened up what entertainment could be. It said, 'Yeah, you can write this kind of stuff and it'll be entertaining.'" 

4. EASTWOOD WAS INITIALLY STEERED AWAY FROM THE MOVIE.

Sonia Chernus, a longtime associate of Eastwood's (and screenwriter of The Outlaw Josey Wales), read The Cut-Whore Killings in the 1980s and was appalled by it. She wrote Eastwood this memo: "We would have been far better off not to have accepted trash like this piece of inferior work ... I can't think of one good thing to say about it. Except maybe, get rid of it FAST." (It may be worth noting that Chernus was in her seventies at the time, and the script was full of profanity and violence.) Eastwood took her advice and didn't read the script. Then, while looking for someone to rewrite a different project, he read The Cut-Whore Killings as a sample of Peoples' work, not realizing it was the screenplay Chernus had warned him away from. 

5. EASTWOOD PUT OFF MAKING THE MOVIE BECAUSE HE WANTED TO BE OLDER.

True, he had other irons in the fire in the second half of the 1980s—plenty of other movies to work on—but he has said that part of the reason he kept pushing Unforgiven back was that he wanted to wait until he was old enough to play the lead himself. 

6. IT WAS FILMED IN CANADA BECAUSE EASTWOOD GOT A "FAMILY" DISCOUNT. 


Warner Bros. Home Entertainment

Eastwood is famously loyal to his crew, with a few dozen technicians, designers, and other cogs in the moviemaking machine having worked with him for decades. His longtime cinematographer, Jack Green, was shooting a non-Eastwood project in Canada once when an official for a filmmaking union asked whether Clint was ever going to make a movie in the Great White North. Green told him never, "because he can't bring his 'family.'" (Normally, if you're going to shoot a film in a foreign country, you hire a local crew for all but the most crucial positions.) The Canadian union offered a deal: They'd waive the normal work rules for any Eastwood crew member who could prove he or she had worked on at least five Eastwood movies. That turned out to be most of them—around 50 people. "And that," said Green, "is how Unforgiven came to be shot in Canada." 

7. THEY BUILT A PRETTY CONVINCING WESTERN TOWN.

Eastwood's production designer, Henry Bumstead, and his team built the main set for the 1880s town of Big Whiskey, Wyoming on a lonesome prairie in Alberta from which no signs of modern civilization could be seen in any direction. The nearest big city was Calgary, 60 miles away. For authenticity—and since so much of the movie was to be shot on this set—all of the buildings were fully functional (and expensive), not just facades.

8. NO CARS WERE ALLOWED ON THE SET.

Eastwood wanted the painstakingly built set to maintain its Old West feel, so no modern vehicles were permitted. 

9. GENE HACKMAN WAS INITIALLY TURNED OFF BY THE FILM'S VIOLENCE.

"I swore I would never be involved in a picture with this much violence in it," he said in a DVD interview. "But the more I read it and the more I came to understand the purpose of the film, the more fascinated I became." 

10. HACKMAN'S PERFORMANCE WAS BASED IN PART ON FORMER L.A. POLICE CHIEF DARYL GATES.


Warner Bros. Home Entertainment

Gates, a 40-year veteran of the LAPD, had been criticized for what many considered to be a heavy-handed, militarized, and racist approach to policing. It came to a head with the Rodney King beating in March of 1991, followed by the acquittal of the officers and the ensuing riots a year later. Hackman saw parallels between Gates and Sheriff Daggett, especially since the character most abused by Daggett was to be played by a black actor (Morgan Freeman).

Eastwood biographer Richard Schickel, who was on the Unforgiven set, wrote that Hackman referred to the scene where Daggett oversees Ned Logan's torture as "my Rodney King scene." (Gates resigned from the LAPD about six weeks before Unforgiven hit theaters and passed away in 2010.) 

11. THE FINAL PRODUCT SHOWS ALMOST NO CHANGES FROM THE ORIGINAL SCRIPT.

That's a rarity in Hollywood, where even the best screenplays are tinkered with as they're converted from words on a page into images on a screen. Eastwood had some ideas for revising Peoples' script, too, only to discover that "the more I fiddled with it, the more I realized I was screwing it up." All he ended up changing was the title. According to Peoples, Frances Fisher—who plays Strawberry Alice—told him "that this was the first time she saw a shooting script that was entirely in white. Most of them are multicolored, full of blue and red pages or whatever representing various changes in the screenplay." 

12. EASTWOOD HELPED WRITE THE MUSIC.

Though the movie's beautiful score is attributed to frequent Eastwood collaborator Lennie Niehaus, who indeed did most of the heavy lifting, the main melody came from Eastwood. The director has subsequently written the scores for several more of his movies entirely by himself. 

Additional Sources:
DVD/Blu-ray commentary and special features

10 Bold Breaking Bad Fan Theories

Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Ben Leuner, AMC

It’s been nearly six years since Breaking Bad went out in a blaze of gunfire, but fans still haven’t stopped thinking about the award-winning crime drama. What really happened to Walter White in the series finale? What’s the backstory on Gus Fring? And what did Jesse Pinkman’s doodles mean?

While El Camino, Vince Gilligan's new Breaking Bad movie, offers definitive answers to at least one of these questions, these fan theories offer some alternative answers—even if they strain the limits of logic and sanity along the way. Read on to discover the surprising source of Walt’s cancer diagnosis, and why pink is always bad news.

1. Walter White picks up traits from the people he kills.

Walter White is an unpredictable guy, but he’s weirdly consistent on one thing: After he kills someone, he kind of copies them. Remember how Krazy-8 liked his sandwiches without the crust? After Walt murdered him, he started eating crustless PB&Js. Walt also lifted Mike Ehrmantraut’s drink order and Gus Fring’s car, leading many fans to wonder if Walt steals personal characteristics from the people he kills.

2. Gus Fring worked for the CIA.

Gus Fring (Giancarlo Esposito) and Juan Bolsa (Javier Grajeda) in Breaking Bad
Giancarlo Esposito and Javier Grajeda in Breaking Bad.
Ursula Coyote, AMC

Who was Gus Fring before he became the ruthless leader of a meth/fried chicken empire? Well, we know he’s from Chile. We also know that any records of his time there are gone. And we know that cartel kingpin Don Eladio refused to kill him when he had the chance. Since Don Eladio has no qualms about eliminating the competition, Gus must have some form of protection. Could it be from the U.S. government? A detailed Reddit theory suggests that Gus was once a Chilean aristocrat who helped the CIA install the dictator Augusto Pinochet in power. Once Pinochet became a liability, Gus went to Mexico at the CIA’s behest to infiltrate a drug cartel. His alliance with U.S. intelligence kept him alive even as his work got more violent, and helped him bypass the normal immigration issues you'd typically encounter when you’ve murdered a bunch of people.

3. Madrigal built defective air filters that gave Walter white cancer.

Madrigal Electromotive is a corporation with varied interests. The German parent company of Los Pollos Hermanos dabbles in shipping, fast food, and industrial equipment … including air filters. According to one fan theory, Gray Matter—the company Walter White co-founded with Elliott Schwartz—purchased defective air filters from Madrigal and installed them while Walt still worked at the company. The filters ultimately caused Walt’s lung cancer, pushing him into the illegal drug trade and, eventually, business with Madrigal.

4. Color is a crucial element in the series.

Marie Schrader (Betsy Brandt) and Hank Schrader (Dean Norris)
Betsy Brandt and Dean Norris as Marie and Hank Schrader in Breaking Bad.
Ben Leuner, AMC

Color is a code on Breaking Bad. When a character chooses drab tones, they’re usually going through something, like withdrawal (Jesse) or chemo (Walt). Their wardrobe might turn darker as their stories skew darker—like when Marie ditched her trademark purple for black while she was under protective custody. Also, pink signals death, whether it’s on a teddy bear or Saul Goodman’s button down shirt.

5. Breaking Bad and The Walking Dead exist in the same universe.

Breaking Bad and The Walking Dead both aired on AMC, but according to fans, that’s not all they have in common. There’s an exhaustive body of evidence connecting the two shows—and one of the biggest links is Blue Sky. The distinctively-colored crystal meth is Walt and Jesse’s calling card on Breaking Bad, but it’s also Merle Dixon’s drug of choice on The Walking Dead. Coincidentally, his drug dealer (“a janky little white guy” who says “bitch”) sounds a lot like Jesse.

6. Walter white froze to death and hallucinated Breaking Bad's ending.

Bryan Cranston in the 'Breaking Bad' series finale
Ursula Coyote, AMC

In her review of the Breaking Bad series finale “Felina,” The New Yorker critic Emily Nussbaum suggested an alternate ending in which Walt died an episode earlier, as the police surrounded his car in New Hampshire. He could’ve frozen to death “behind the wheel of a car he couldn’t start,” she theorized, and hallucinated the dramatic final shootout in “Felina” in his dying moments. This reading has gained traction with multiple fans, including SNL alum Norm Macdonald.

7. Jesse’s superheroes are a peek into his inner psyche.

In season 2 of Breaking Bad, we discover that Jesse Pinkman is a part-time artist. He sketches his own superheroes, including Backwardo/Rewindo (who can run backwards so fast he rewinds time), Hoverman (who floats above the ground), and Kanga-Man (who has a sidekick in his “pouch”). The characters are goofy, just like Jesse, but they may also reveal what’s going on in his head. Backwardo represents Jesse’s tendency to run from conflict. Hoverman reflects his lack of direction or purpose, while Kanga-Man hints at his codependency.

8. Madrigal was founded by Nazi war criminals.

Walter White (Bryan Cranston) and Uncle Jack (Michael Bowen) in 'Breaking Bad'
Bryan Cranston and Michael Bowen in Breaking Bad.
Ursula Coyote, AMC

This might be one of the wilder Breaking Bad theories, but before you write it off, consider Werner Heisenberg: The German physicist, who helped pioneer Hitler’s nuclear weapons program, is the obvious inspiration for Walt’s meth kingpin moniker. While Heisenberg only appears in name, there are plenty of literal Nazis on the show. Look no further than Uncle Jack and the Aryan Brotherhood, who served as the Big Bad of season 5. At least one Redditor thinks all these Nazi references are hinting at something bigger, a conspiracy that goes straight to the top. The theory starts in South America, where many Nazis fled after World War II. A group of them supposedly formed a new company, Madrigal, through their existing connections back in Germany. Eventually, a young Chilean named Gus Fring worked his way into the growing business, and the rest is (fake) history.

9. Walter white survived, but paid the price.

Lots of Breaking Bad theories concern Walt’s death, or lack thereof. But if Walt actually lived through his seemingly fatal gunshot wound in “Felina,” what would the rest of his life look like? According to one Reddit theory, it wouldn’t be pretty. The infamous Heisenberg would almost certainly stand trial and go to prison. Although he tries to leave Skyler White with information to cut a deal with the cops, she could also easily go to jail—or lose custody of her children. The kids wouldn’t necessarily get that money Walt left with Elliott and Gretchen Schwartz, either, as they could take his threats to the police and surrender the cash to them. Basically it amounts to a whole lot of misery, making Walt’s death an oddly optimistic ending. (This is one theory El Camino addresses directly.)

10. Breaking Bad is a prequel to Malcolm in the Middle.

Bryan Cranston in the series premiere of 'Breaking Bad'
Bryan Cranston in the series premiere of Breaking Bad.
Doug Hyun, AMC

Alright, let’s say Walt survived the series finale and didn’t stand trial. Maybe he started over as a new man with a new family. Three boys, perhaps? This fan-favorite theory claims that Walter White assumed a new identity as Malcolm in the Middle patriarch Hal after the events of Breaking Bad, making the show a prequel to Bryan Cranston’s beloved sitcom. The Breaking Bad crew actually liked this idea so much they included an “alternate ending” on the DVD boxed set, where Hal wakes up from a bad dream where "There was a guy who never spoke! He just rang a bell the whole time! And then there was another guy who was a policeman or a DEA agent, and I think it was my brother or something. He looked like the guy from The Shield."

Fan Notices Hilarious Connection Between Joaquin Phoenix's Joker and Superbad's McLovin

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

There seems to be exactly one funny thing about Todd Phillips's latest film, Joker.

As reported by Geek.com, someone on Twitter by the name of @minalopezavina brilliantly pointed out that Arthur Fleck from Joker and McLovin from Superbad are pretty much in the same costume.

This meme is a nice moment of comic relief in an otherwise very serious movie. In fact, Joker is so dark that the United States Army had issued warnings about possible shootings at theaters playing the film. The warnings coincided with criticisms that the film might be too violent, with fears that the villain-led storyline would result in copycat events in real life.

Both Phillips and star Joaquin Phoenix have weighed in on the controversy, with the director explaining to The Wrap, "It wasn’t, ‘We want to glorify this behavior.’ It was literally like ‘Let’s make a real movie with a real budget and we’ll call it f**king Joker’. That’s what it was.”

All we can say is the amount of chatter behind Joker certainly led to both packed theaters, and endless memes online.

[h/t Geek.com]

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