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12 Nosy Facts About Chinatown

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Despite the advice given in its last line of dialogue, the one thing you can't do with Chinatown is forget it. Regarded by nearly everyone—from the American Film Institute to IMDb users—as one of the best movies ever made, Roman Polanski's masterpiece is a modern film noir with a labyrinthine plot and deeply sinister undertones, with top-of-their-game performances by Jack Nicholson, Faye Dunaway, John Huston, and, well, just about everyone in it. (Don't forget Rance Howard as Irate Farmer!) Here are a dozen facts about Chinatown, all as plain as the sliced nose on Jake's face. 

1. IT WOULDN'T EXIST IF ROBERT TOWNE HADN'T BEEN FRIENDS WITH JACK NICHOLSON. 

The screenwriter and the actor were good friends, even roommates at one point, and they'd studied acting together. Towne has said repeatedly that he wrote the lead role specifically for Nicholson: "I could not have written that character without knowing Jack." Furthermore, it was while visiting Nicholson in Oregon, where he was directing Drive, He Said, that Towne started reading Raymond Chandler detective novels and a book about the history of California water rights, all of which led to Chinatown

2. THE SCREENPLAY DIDN'T HAVE ANY SCENES ACTUALLY SET IN CHINATOWN.

Chinatown is a symbol in Towne's screenplay, representing "the futility of good intentions" (as he said in a DVD interview). And in his original screenplay, it was just a metaphor, with none of the action taking place there. Director Roman Polanski suggested it would be more satisfying if the film's climax took us to the very place J.J. Gittes never wanted to return to, literally as well as symbolically. 

3. POLANSKI CONVINCED TOWNE TO CHANGE THE ENDING, TOO.

In the original version, Evelyn Mulwray fatally shoots her father, but since she refuses to explain her reasons, she's destined for life in prison. "Not a happy ending," Towne said, "but a more complex ending." Polanski wanted to go even darker: Evelyn takes a shot at Dad but only wounds him, while she herself ends up dead, leaving poor Katherine in the hands of the nasty old man. Towne thought that was too melodramatic but ultimately ceded the battle to Polanski. He eventually acknowledged that Polanski's version was better. 

4. ROBERT TOWNE TURNED DOWN $175,000 TO ADAPT THE GREAT GATSBY AND TOOK $25,000 TO WRITE CHINATOWN INSTEAD.

Uber-producer and Hollywood playboy Robert Evans liked the (mostly uncredited) script doctoring Towne had done on Bonnie and Clyde and The Godfather, and offered him what was then a very large sum of money to adapt F. Scott Fitzgerald's The Great Gatsby. Towne declined for an understandable reason: "I didn't want to be the unknown Hollywood writer who f***** up a literary classic." (That honor eventually went to Francis Ford Coppola.) Instead, Towne said, he wanted to develop his Chinatown idea. For this Evans offered him $25,000. (Don't worry about Towne, though. When the film actually went into production, he got another $250,000, plus five percent of the gross.) 

5. POLANSKI ALMOST DIDN'T DO HIS CAMEO BECAUSE HE DIDN'T WANT TO CUT HIS HAIR. 

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The director cast himself in the role of the bow-tied thug who slices Gittes' nose. But Polanski had long hair at the time, which was wrong for the character, and he was reluctant to cut it—reluctant almost to the point of backing out and casting someone else. Finally he relented, but he got the haircut at the last possible minute, right there on the set before shooting the scene. 

6. NOAH CROSS CONSISTENTLY MISPRONOUNCING GITTES' NAME WAS A MISTAKE, NOT A CHOICE.

It certainly suits the character of a rich, evil man not to care whether he gets some dumb detective's name right. But in truth, the reason Cross keeps calling him "Gits" instead of "Git-is" is that the actor, John Huston, couldn't get it right. Polanski had Nicholson add a line trying to correct him, and after that just let it go. 

7. IT WAS INTENDED AS THE FIRST PART IN A TRILOGY—BUT NO, THE ABORTED THIRD PART DID NOT BECOME WHO FRAMED ROGER RABBIT.

Part two was The Two Jakes, which Towne wrote and Nicholson directed in 1990. Part three, which never did get written, was to have been called Gittes vs. Gittes (not Cloverleaf, as the legend goes), about the detective's divorce, and would have involved corruption relating to L.A.'s land ownership and transportation system. An urban legend has sprung up that this third plot was the basis for Who Framed Roger Rabbit, which does involve a private detective in 1940s L.A. uncovering a scheme to dismantle public transportation and buy up land for a freeway system. But Roger Rabbit came out in 1988, two years before the failure of The Two Jakes meant Gittes vs. Gittes wasn't going to happen. Moreover, Roger Rabbit was adapted, albeit loosely, from a 1981 novel (Who Censored Roger Rabbit, in which they were comic strip characters, not cartoons). Who Framed Roger Rabbit was clearly inspired by Chinatown, as were many crime films set in old-timey L.A., and it bore some coincidental similarities to Towne's unproduced idea. But there was no official connection. 

8. THE MUSICAL SCORE WAS A LAST-MINUTE REPLACEMENT, WRITTEN IN NINE DAYS.

Polanski's go-to composer, Krzysztof Komeda, had died a few years earlier, so Polanski ended up hiring a man named Phillip Lambro to do the honors for Chinatown. After a test screening, however, Polanski's friend Bronislaw Kaper—an old-school Hollywood guy and a composer in his own right—told him: "Great movie, but you have to change the music." (Producer Robert Evans was already leaning in that direction.) Jerry Goldsmith was hired to write a new score, and did it in nine days. His rush job was rewarded with an Oscar nomination, one of seven he received in the 1970s alone. (Some of Lambro's score survives in the Chinatown trailer.)

9. WE DON'T KNOW ANYTHING THAT J.J. GITTES DOESN'T KNOW. 

This is the sort of detail that's either "well, duh" obvious, or that blows your mind a little when you realize it. The film is entirely from Gittes' point of view: he's in every scene, and there's no information that we learn before he does. When he gets a phone call, we hear the voice but don’t see the person at the other end. When he gets knocked unconscious in the orange grove, the movie fades with him, fading back in when he wakes up. To emphasize the point that we're seeing everything from Gittes' perspective, Polanski often put the camera behind Nicholson, so we see his back and shoulders. Watch for it.  

10. TOWNE'S ACCLAIMED SCREENPLAY OWES A LOT TO POLANSKI.

Towne won an Oscar for his screenplay, the only one of 11 nominations that came through for Chinatown. (It was the year of The Godfather: Part II.) The script is used in screenwriting courses and is often held up as an example of a perfect screenplay. But Towne's first version was 180 pages long (which would have made a three-hour movie), and hopelessly complicated. "It would have been a mess" if they'd filmed that version, Towne later said. It was when Polanski came to L.A. in the spring of 1973 and spent eight weeks painstakingly rewriting the script with Towne that it really came together. They worked on it every day and, by both men's admission, fought every day, about everything. Polanski crafted the story structure, and Towne would write the dialogue. Towne's ex-wife (who admittedly had an ax to grind) later told a biographer, "Roman could have easily asked for a [writing] credit on Chinatown and he would have gotten it. It wasn't just the ending. Roman simply took it over, structured the whole piece." 

11. THE CUCKOLDED HUSBAND WE MEET IN THE FIRST SCENE USED TO HAVE MORE SINISTER PLANS.

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Poor Curly, played by Burt Young (soon to be Paulie in Rocky), has hired Gittes to find out if his wife is cheating on him, which she is. A view of the scandalous photos is the first thing we see after the opening credits. Originally, the scene had an exchange where Curly tells Gittes he's going to kill the unfaithful woman, and Gittes tells him he's not rich enough to get away with murder. (That's why they're talking about Curly paying his bill as they come out of the office, and why Gittes says, "I only brought it up"—Curly's financial situation—"to illustrate a point.") Towne later regretted removing this part of the scene. "That exchange I miss probably as much as any in the movie," he said in 1999. "Because it really foreshadows [the] 'You've got to be rich to kill somebody and get away with it' [theme]. He's really foreshadowing the whole movie." 

12. THERE'S A RECURRING VISUAL MOTIF THAT SHOWS UP OVER AND OVER—AND IT'S THERE ACCIDENTALLY.

Chinatown frequently shows us images of two things that are identical, except that one is flawed: Two pocket watches side by side, one broken. A pair of eyeglasses, one lens cracked. Gittes' nostrils, one sliced. Gittes smashes one taillight on Evelyn's car. He loses one shoe in the reservoir. Evelyn has a flaw in one of her irises. Katherine looks like a duplicate of Evelyn, but is the product of incest. The list goes on. But when Towne is asked about this on the DVD commentary, he says it was totally unintentional; he and Polanski never discussed using such images as a recurring theme. Whatever meaning we may ascribe to the symbolism, the filmmakers didn't put it there on purpose. 

Additional Sources:
DVD/Blu-ray commentary and special features
Easy Riders, Raging Bulls, by Peter Biskind
American Film Institute

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XOXO: 20 Things You Might Not Know About Gossip Girl
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Ten years ago, Gossip Girl became appointment television for America’s teenagers—and a guilty pleasure for millions more (whether they wanted to admit it or not). Like a new millennium version of Beverly Hills, 90210, the series—which was adapted from Cecily von Ziegesar’s book series of the same name—saw The O.C.’s Josh Schwartz and Stephanie Savage trade in their west coast cool for New York City style as the show followed the lives of a group of friends (and sometimes enemies) navigating the elite world of prep schools and being fabulous on Manhattan's Upper East Side. In honor of the series’ tenth anniversary, here are 20 things you might not have known about Gossip Girl.

1. IT WAS SUPPOSED TO BE A LINDSAY LOHAN MOVIE.

Originally, the plan for adapting Gossip Girl wasn’t for a series at all. It was supposed to be a feature film, with Gilmore Girls creator Amy Sherman-Palladino writing the script and Lindsay Lohan set to star as Blair Waldorf. When those plans fell through, the producers approached Josh Schwartz—who was just wrapping up work on The O.C.—about taking his talent for creating enviable high school worlds to New York City’s Upper East Side.

"The books are a soap opera, and TV makes a lot of sense," executive producer Leslie Morgenstein told Backstage of the decision to go the small-screen route. "When we made the list of writers who would be the best to adapt Gossip Girl for television, Josh was at the top of the list."

2. PENN BADGLEY INITIALLY TURNED DOWN THE ROLE OF DAN HUMPHREY.

Barbara Nitke - © 2012 THE CW Network, LLC. All Rights Reserved.

Though he was hardly a household name when Gossip Girl premiered, Penn Badgley had been acting for nearly a decade—and had a lot of experience working on first season TV shows that never took off—when he was offered the role of Brooklyn outsider Dan Humphrey, and his initial response was: thanks, but no thanks.

“The reason I turned it down initially was because I was just frustrated,” Badgley told Vulture in 2012. “I was frustrated and I was broke and I was depressed and I was like, ‘I cannot do that again. I can't.’ … Stephanie Savage, the creator [of Gossip Girl], she said to me, ‘I know you might not want to do this again, but just take a look at it.’ And I actually was like, ‘I appreciate so much that you thought of me. I just don't want to do this. Thank you for understanding that I wouldn't want to do this.’ And then they couldn't find anybody for it—which is weird, because a million people could play Dan Humphrey—and she came back around, I was about to get a job as a waiter, and I was like, ‘Okay.’”

3. ULTIMATELY, BADGLEY PROBABLY WISHES HE HAD FOLLOWED HIS INITIAL INSTINCT.

Badgley told Vulture that, “I wouldn't be here without Gossip Girl, so I will always be in debt and grateful. And I've said some sh*t that ... I don't regret it, but I'm just maybe too honest about it sometimes.”

But executive producer Joshua Safran had a different view on the situation. “Penn didn’t like being on Gossip Girl, but …. he was Dan,” Safran told Vanity Fair. “He may not have liked it, but [his character] was the closest to who he was.”

4. THE CREATORS GOT THE IDEA TO CAST BLAKE LIVELY FROM THE INTERNET.

According to Vanity Fair, when it came time to casting the show’s main roles, they cruised some of the online message boards related to the Gossip Girl book series to see which actors fans of the books were suggesting. One name they kept seeing for the role of Serena van der Woodsen: Blake Lively, who had starred in The Sisterhood of the Traveling Pants. “We didn’t see a lot of other girls for Serena,” Schwartz said. “She has to be somebody that you believe would be sitting in the front row at Fashion Week eventually.”

5. LIKE BADGLEY, LIVELY WAS ON THE VERGE OF QUITTING ACTING.

© 2008 Warner Bros. Television

Like her onscreen (and eventually off-screen) love interest Penn Badgley, Blake Lively was also considering leaving Hollywood when Gossip Girl came calling, so she turned the producers down.

“I said, ‘No, I want to go to college. Thank you, though,’” Lively told Vanity Fair. “Then they said, ‘OK, you can go to Columbia [University] one day a week. After the first year [of the show], it’ll quiet down. Your life will go back to normal and you can start going to school. We can’t put it in writing, but we promise you can go.’ So that’s why I said, ‘OK. You know what? I’ll do this.’”

As for that going back to school and life going back to normal? “When they say, ‘We promise, but we can’t put it in writing,’ there’s a reason they can’t put it in writing,” she said.

6. LEIGHTON MEESTER DYED HER HAIR TO GET THE PART OF BLAIR.

Because Blair Waldorf and Serena van der Woodsen were both best friends and occasional enemies, it was important to the show’s creators that the characters did not look like the same person. That fact almost cost Leighton Meester the role of Blair.

“She came in and she was really funny, and really smart and played vulnerable,” Schwartz recalled of Meester’s audition. “But there was one problem: she was blonde. And Blake was blonde, obviously; Serena had to be blonde. So, [Leighton] went to the sink and dyed her hair. She wanted it.’” (Sounds like something Blair would do.)

7. THE NETWORK WORRIED THAT ED WESTWICK LOOKED LIKE A “SERIAL KILLER.”

Giovanni Rufino - © 2012 THE CW Network, LLC. All Rights Reserved

Ed Westwick, who originally auditioned for the role of Nate Archibald but ended up playing bad boy Chuck Bass, almost didn’t land a role on the show at all. Though the show’s co-creators, Schwartz and Savage, loved the darker edge that Westwick brought to the group of friends, The CW worried “that he looked more like a serial killer than a romantic lead.”

“He's menacing and scary, but there's a twinkle in his eye,” casting director David Rapaport told BuzzFeed. “You want to hate him, but you would also probably sleep with him. He's one of those guys you hate for always getting away with things, but you also want to hang out with him and see what he's up to next. He's the guy that's going to give you a joint for the first time or get you drunk for the first time, so you know he's wrong for you, but he's fun.” Fans clearly agreed.

8. WESTWICK CHANNELED HIS INNER CARLTON BANKS TO PLAY CHUCK BASS.

In order to perfect his posh American accent, Westwick—who was born in London—looked to another iconic American television character for help: The Fresh Prince of Bel-Air’s Carlton Banks (Alfonso Ribeiro). “There’s a slight thing in Carlton Banks,” Westwick told Details Magazine in 2008, “that kind of über-preppy, that I did pick up on.”

9. GRETA GERWIG AUDITIONED FOR THE SHOW … IN OVERALLS.

In 2015, Golden Globe-nominated actress Greta Gerwig—who just wrote and directed Lady Bird, starring Saoirse Ronan—talked to HuffPost Live about the mistakes she made early on in her career as an actress. “I have had moments when I was starting out when I was auditioning for things like Gossip Girl," she said. “And they would look at me like, 'Why are you wearing overalls to this audition?' And I'd be like, 'They said she was from a farm!' and they would be like, 'Well, this is Gossip Girl.’” (The role she was auditioning for, Eva Coupeau—a love interest for Chuck—eventually went to Clémence Poésy, who played Fleur Delacour in the Harry Potter movies.

10. BLAIR WALDORF HAD TWO MOMS.

© 2008 Warner Bros. Television

In Gossip Girl’s pilot episode, Blair’s mom—popular women’s clothing designer Eleanor Waldorf—was played by Florencia Lozano. In episode two, and throughout the rest of the series, Eleanor was portrayed by Margaret Colin.

11. IT WAS ONE OF TELEVISION’S FIRST STREAMING SUCCESS STORIES.

Years before House of Cards changed the way we watch, and even define, “television,” Gossip Girl served as a sort of precursor to the streaming generation. While the show’s Nielsen ratings were mediocre, New York Magazine reported that, “New episodes routinely arrived at the No. 1 most-downloaded spot on iTunes, and then there were the hundreds of thousands who were downloading free week-old episodes on the CW's site. Even executives at Nielsen threw up their hands and admitted that Gossip Girl appeared to be speaking to an audience so young and tech-savvy they hadn't really figured it out just yet.” (Lost and The Office had followed similar tracks.)

12. THE SHOW WAS BANNED BY SOME NEW YORK CITY SCHOOLS.

Giovanni Rufino - © 2012 THE CW Network, LLC. All Rights Reserved.

According to Vanity Fair, some of the elite New York City private schools that might have shared some similarities with the show’s fictional Constance Billard and St. Jude's banned their students from watching it. (Which, the outlet noted, “only served, in all likelihood, to make the students want to watch it more.”)

13. THE SERIES TURNED ITS CRITICISMS INTO A MARKETING CAMPAIGN.

Even by 2007’s standards, Gossip Girl—for a show about high schoolers on what was mainly known as a teen-friendly television network—seemed to relish in pushing the boundaries of what might be acceptable. It didn’t take long for parental advocacy groups like the Parent Television Council to take very public, and vocal, issue with the show's in-your-face sexuality. When it was criticized as being “mind-blowingly inappropriate” and “every parent’s nightmare,” the show turned those critiques into a marketing campaign to help promote viewership.

14. A WRITERS STRIKE HELPED THE SERIES GROW ITS VIEWERSHIP.

While the show struck a chord with certain audiences immediately upon its release, the 2007-2008 Writers Guild of America Strike proved to be a boon to the series. “The CW, because they couldn’t just run repeats or game shows, [Gossip Girl is] all they had,” Schwartz told Vanity Fair. “They kept re-running the show during the strike so more and more people were watching.” Which led to even higher ratings when the show returned for a second season.

15. DESIGNERS WERE BEGGING TO SEE THEIR FASHIONS WORN ON THE SHOW.

Giovanni Rufino - © 2012 THE CW Network, LLC. All Rights Reserved.

Just like New York City itself, the fashions in Gossip Girl essentially served as another character. According to a 2008 article in The New York Times, “Merchants, designers, and trend consultants say that Gossip Girl … is one of the biggest influences on how young women spend."

“When we came back with Season 2, so many designers were lining up and wanting to be a part of it,” the show’s costume designer Eric Daman told Vanity Fair. “They wanted their stuff on either Blake or Leighton.”

16. IT SPAWNED ITS OWN CLOTHING LINE.

To capitalize on the show’s influence in the fashion world, Daman and designer Christine Cybelle (a.k.a. Charlotte Russe) created a Gossip Girl-inspired clothing line.

17. KRISTEN BELL PLAYED AN ESSENTIAL PART OF THE SERIES, BUT WAS NEVER CREDITED.

Though viewers had to watch all 121 episodes of Gossip Girl to learn the identity of the titular tattler, Kristen Bell provided the voice for “Gossip Girl” for all six seasons, without credit. And while she sort of hoped that the finale would have revealed that she was indeed “Gossip Girl” all along, that ending was not meant to be. “I’m sure that it would’ve been really cool had I got to play some vicious part and actually come out as Gossip Girl, but I think it was appropriate for one of the main cast members to have surfaced as Gossip Girl,” she told Perez Hilton.

Though she was a key part of the series, she didn’t learn GG’s true identity until the very end of the show—and she was surprised. “I don’t know that I ever forethought it being Dan,” she admitted. “That was a bit of a shocker!" (If it makes her feel any better, Badgley reportedly didn’t learn Gossip Girl’s identity until that scene was actually shot.)

18. JANUARY 26 IS "GOSSIP GIRL DAY" IN NEW YORK CITY.

© 2008 Warner Bros. Television

At least it was in 2012, when then-Mayor Michael Bloomberg proclaimed January 26 “Gossip Girl Day” in celebration of the show’s 100th episode. “I don’t have a whole lot of time to follow what New York magazine has called ‘The Greatest Teen Drama of our time,’” Bloomberg said. “But I am interested in finding out who the real Gossip Girl is—Serena’s cousin, maybe? And I don’t see how Blair could marry Prince Lewis while she is clearly in love with Chuck, although she and Dan became pretty close when they interned at that fashion magazine. And I just wish that Nate and Vanessa had been able to work things out, I guess Nate was preoccupied with everything that was going on with his father and Jenny and, I mean, it was a tangled web, I guess Dan would have ended up making their relationship impossible anyway, but I’m just a casual fan.” 

Super-fans of the show can still take a Gossip Girl tour of New York City.

19. IVANKA TRUMP AND JARED KUSHNER MADE A CAMEO.

Over the full course of the series, plenty of familiar faces popped up, but two in particular seem kind of funny in retrospect: Ivanka Trump and Jared Kushner played themselves in a club scene. (Ivanka was apparently a huge fan of the series.) “They did it for the money,” a chuckling Schwartz told Vanity Fair.

20. IN AN ALTERNATIVE UNIVERSE, SERENA IS A SERIAL KILLER.

In 2002, von Ziegesar published a bloody take on her famed book series with Gossip Girl: Psycho Killer, which she said she’d love to see adapted. "I took the original text of the first book and whenever I saw an opportunity, I layered in this story of Serena coming back from boarding school as this coldblooded psychopath, which, to me makes total sense,” von Ziegesar told Entertainment Weekly. “She’s sort of like the Ryan Gosling of Gossip Girl world. She has that deadpan style, doesn’t seem to have much personality, and she’s really gorgeous, but then underneath she has this kind of scary ability to kill people. So she’s murdered people up at boarding school. She’s always had this dark side and everyone is a little bit scared of her.”

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8 Big Moving Mistakes—And How to Avoid Them
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Your wine glasses are smashed to pieces, and your toiletries are nowhere to be found. No wonder moving day is the most stressful life event for 62 percent of adults, beating out divorce or a new job for 43 percent of people, according to a recent study by the energy company E.ON. Many times, however, the moving day stressors can be avoided. We’ve got the dirty moving deets straight from the pros so you can move in one piece.

1. THE MISTAKE: LABELING JUST THE SIDE OF THE BOX

Ben Soreff, a professional organizer with House to Home Organizing in Connecticut, says that when the boxes get stacked, you can’t see their labels—so you may spend hours at the new house searching for your toiletries or bed linens after a really long day of moving. Instead, label every side of the box, and you’ll be able to spot your belongings quickly.

2. THE MISTAKE: THROWING AWAY RANDOM CORDS AND ELECTRONICS

It can be tempting to throw away what appears to be a spare cord, but Annie Draddy, organizer and co-founder of Henry & Higby, a professional organizing company in New York, thinks you should fight the urge. Instead, put all the random chargers, cords and electronics in one box. Then, as you go through your home prepping for the move, you can look for the mates, and be sure that you’re only tossing random cords that don’t have a purpose anymore.

3. THE MISTAKE: PACKING THINGS YOU MIGHT NEED TO HAVE HANDY ON MOVING DAY

Everyone wants to be fully packed when their movers arrive, but everyone will also find that they need last-minute items on moving day. Michelle Hale, organizer and co-founder of Henry & Higby in New York, recommends creating and properly labeling a moving day box. “Ideally, this box should include a hammer, screwdrivers, scissors, box cutters, tape, duct tape, dust cloths, basic cleaning products, paper towels, glue, sticky notes and pens, snacks and trash bags,” she says. You might need a bunch of those items even right up to when the last box has been moved (we’re looking at you, snacks and tools), and you’ll also want easy access to them the second you get into your new pad. You should also pack a separate box for your overnight essentials for that first night, which should contain sheets, towels, and toiletries. “Basically, anything to make the nighttime and morning rituals as normal as possible,” Hale says. “And remember to label it appropriately, and flag it to the movers as important.”

4. THE MISTAKE: PACKING LAMPS WITH THE LIGHTBULBS STILL IN THEM

Lightbulbs break easily—you don't want to be unpacking and stab yourself with a piece of bulb shattered during the move. Lamps and other large items can be bubble-wrapped and placed into boxes, but you should remove all lightbulbs before packing the lamps, said Nicholas Boorom, logistics director at Everything But the House, an online estate sale marketplace. If you have lightbulb boxes handy—or even have room in your Christmas ornament box—pack them up and bring them along. Otherwise, toss them and start fresh in your new place.

5. THE MISTAKE: LOSING PARTS OF DISASSEMBLED FURNITURE

There's nothing worse than getting to your new home and attempting to reassemble your furniture, only to find that you're missing a piece. Mike Glanz, co-founder and CEO of HireAHelper, a company that offers hourly movers throughout the United States, suggests having a Ziplock bag nearby when you're disassembling furniture in anticipation of your move. Toss all of the nuts, bolts, washers, and flanges for that item into the bag, then duct tape the bag and its contents to the item for an easy and quick find when you’re ready to reassemble.

6. THE MISTAKE: PACKING HEAVY ITEMS INCORRECTLY

Dense, heavy items like books should be backed in small boxes so that carrying them is manageable, says Nimrod Sheinberg, vice president of sales at Oz Moving and Storage in New York. “Movers can’t handle the box if you can’t lift it,” he says. On that note, a dresser full of clothes is a dresser that's too heavy to move. Movers aren’t superheroes, and some will refuse to move a packed dresser, Sheinberg says. Empty everything before moving day.

7. THE MISTAKE: LEAVING EMPTY SPACES IN BOXES

Leave space in your box, and whatever you've packed in there will move in transit to your new place. Sheinberg recommends filling the spaces with packing material or newspaper.

8. THE MISTAKE: FORGETTING TO PREP YOUR PLANTS

Your plants can survive a move ... if you get them ready about three weeks before moving day, according to Atlas Van Lines Inc., a moving company based in Evansville, Indiana. About three weeks prior to the big day, move your plants into unbreakable pots. Two weeks before, prune your larger plants to make them easier to handle (but skip this step if you’ve got jade plants, aloe, cactus, or other ferns and succulents). Two days before, water your plants normally, but don’t overwater because your plant could freeze or get moldy (depending on the weather). Finally, wrap your large plants with a bed sheet or tissue paper on moving day. Put them in a snug box, and put paper around them in the box so they’re snug. Put air holes around the box so it can breathe, then label the boxes and mark them so they aren’t turned upside down.

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