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15 Things You Might Not Know About the Sphinx

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The Great Sphinx of Giza is one of the oldest, largest, and—best of all—most mysterious monuments ever created by man. Between its expansive mythology, nebulous origins, and alleged connections to worlds beyond our own, the Sphinx is a proverbial treasure trove of esoteric history and information. Here are a few things you might not have known about the towering desert dweller. 

1. TECHNICALLY, THE GREAT SPHINX OF GIZA IS NOT A SPHINX. 

Not a traditional sphinx, anyway. Although heavily influenced by Egyptian and later Mesopotamian mythology, the classical Greek depiction of the Sphinx consists of the body of a lion, the head of a woman, and the wings of a bird. Giza’s male-identifying landmark is, technically, an androsphinx. The lack of wings further muddles its accepted taxonomy.

2. IN ITS EARLY DAYS, THE SCULPTURE WENT BY A FEW DIFFERENT NAMES. 

This ambiguity helps account for the fact that Ancient Egyptians didn’t originally identify the behemoth creature as “the Great Sphinx.” In the text on the Dream Stela from circa 1400 BCE, it's referred to as a "statue of the very great Khepri." When Thutmose IV slept next to it, he dreamt that the god Horem-Akhet-Khepri-Re-Atum came to him and revealed that he was Thutmose's father and if Thutmose cleared the sand around the statue, he would become ruler of all Egypt. After this event, the statue became known as Horem-Akhet, which translates as "Horus of the Horizon." Medieval Egyptians gave the Sphinx various monikers including “balhib” and “bilhaw.”

3. NOBODY IS QUITE SURE WHO BUILT THE SPHINX. 

The Great Sphinx of Giza is such a marvelous piece of work that it’s surprising nobody bothered to take credit for it. Even now, without definitive evidence of the statue’s age, modern archaeologists are split over which Ancient Egyptian pharaoh created the landmark. 

A popular theory is that the Sphinx emerging during the rule of Khafre, whose reign during the Fourth Dynasty of the Old Kingdom would give the statue a birth date in the neighborhood of 2500 BCE. The pharaoh is credited with the aptly named Pyramid of Khafre, the second largest constituent of the Giza Necropolis, and of the adjacent valley and mortuary temples. This collection’s proximity to the Sphinx would tend to support the belief that Khafre was likewise responsible for its development, as do the similarities between the Sphinx’s face and monuments of the pharaoh’s likeness. 

However, without documentation of the age of the Sphinx, some scholars have forwarded the notion that the statue predated the works of Khafre. Some attribute construction to Khafre’s father, Khufu, the pharaoh who oversaw creation of the Great Pyramid of Giza, and to Khafre’s half-brother Djedefre. Others date the Sphinx back much further. Ostensible water damage to the face and head has prompted the theory that the Great Sphinx lived through an era during which extensive rainfall rocked the region, which could peg the statue’s origins as early as 6000 BCE. 

4. WHOEVER IT WAS, THEY ABANDONED THE JOB IN A HURRY. 

A number of findings suggest that the Sphinx was originally intended to be an even greater accomplishment than that which we see today. American archaeologist Mark Lehner and Egyptian archaeologist Zahi Hawass discovered large stone blocks, tool kits, and—if you can believe it—lunches apparently abandoned midway through a workday. 

5. LABORERS WHO CONSTRUCTED THE STATUE ATE LIKE KINGS. 

Most scientists’ initial assumption was that the men who toiled to bring the Sphinx to life belonged to an enslaved caste. Their diets would suggest otherwise, however; excavations led by Lehner revealed that the statue’s laborers regularly dined on luxurious cuts of prime beef, sheep, and goat meat. 

6. THE SPHINX WAS ONCE RATHER COLORFUL. 

Though it is now indistinct from the drab tan of its sandy surroundings, the Sphinx may at one time have been completely covered in vivid paint. Remnants of red can be found on the statue’s face, while hints of blue and yellow remain on the body. 

7. THE SCULPTURE HAS SPENT QUITE A BIT OF TIME BURIED UNDER SAND.

The Great Sphinx has fallen victim to the shifting sands of the Egyptian desert several times during its long life. The first known restoration of the nearly completely buried Sphinx occurred just prior to the 14th century BCE, thanks to Thutmose IV who would soon ascend to the throne as Egypt’s pharaoh. The three millennia that followed again buried the monument. By the 19th century, the statue’s front arms lived deep beneath the walking surface of Giza. It wasn’t until the 1920s that the statue would once again be fully excavated. 

8. THE SPHINX TEMPORARILY LOST ITS CROWN IN THE 1920s.

During this most recent restoration, the Great Sphinx suffered the loss of part of its iconic headdress, as well as severe damage to the head and neck. Consequently, the Egyptian government employed a team of engineers to patch up the statue in 1931. But these restorations began wreaking havoc on the soft limestone, and in 1988 a 700-pound piece of the shoulder fell in front of a German reporter. So, the Egyptian government embarked on a massive restoration effort to undo the damage that earlier restorers had done. 

9. A CULT VENERATED THE SPHINX LONG AFTER IT WAS BUILT.

Thanks to Thutmose’s mystical vision at the Sphinx, the sculpture and its represented mythological deity began to win new popularity during the 14th century BCE. Pharaohs ruling over the New Kingdom even ordered the development of a new temple from which the Great Sphinx might be observed and revered. 

10. THE EGYPTIAN SPHINX IS MUCH KINDER THAN ITS GREEK COUSIN. 

The Sphinx’s modern reputation for tyranny and trickery spawns not from Egyptian mythology, but Greek. The creature’s most famous appearance in Ancient Greek lore came from her run-in with Oedipus, whom she challenged with her allegedly unsolvable riddle. Ancient Egyptian culture valued its Sphinx as a much more benevolent, albeit no less powerful, godlike figure. 

11. NAPOLEON ISN’T TO BLAME FOR THE SPHINX’S MISSING NOSE. 

The mystery of the Great Sphinx’s lack of nose has generated all kinds of myth and speculation. The most pervasive of these legends blames Napoleon Bonaparte for blasting the protuberance away in a fit of militaristic pride. It’s a great story, but 18th century sketches of the Sphinx indicate that the statue’s dismemberment occurred before the French emperor was even born. Historical writings from the early 15th century accuse a devout Sufi Muslim named Muhammad Sa’im al-Dahr of defacing the monument in an effort to undermine the idolatry of Sphinx worshippers. He was lynched soon afterwards.

12. THE SPHINX WENT THROUGH A BEARD PHASE. 

Today, remnants of the Great Sphinx’s beard, which was eventually shaved off the statue’s chin via erosion, live in the British Museum and in the Museum of Egyptian Antiquities, established in Cairo in 1858. However, French archaeologist Vassil Dobrev asserts that the beard was not an original component of the statue but a later amendment. Dobrev backs up his hypothesis with the argument that removal of the beard, if attached from the get-go, would have resulted in damage to the statue’s chin that isn’t readily apparent. The British Museum supports Dobrev’s assessment, proposing that the beard was added to the Sphinx at some point during or soon after Thutmose IV’s restoration project. 

13. THE STATUE IS THE OLDEST MONUMENT, BUT NOT THE OLDEST SPHINX. 

Nebulous though its age may be, the Great Sphinx of Giza is accepted as the oldest monumental sculpture in human history. However, it could well fall shy of the longevity superlative when compared with other sphinxes. Even if you date the statue to Khafre's reign, sphinxes depicting his half-brother Djedefre and sister Hetepheres II are suspected to predate the Great Sphinx.

14. THAT SAID, IT IS CERTAINLY THE LARGEST. 

Furthermore, at 241 feet long and 66 feet high, the Sphinx holds the distinction as the largest monolith statue on the planet. 

15. THE SPHINX IS THE FOCUS OF A FEW ASTRONOMICAL THEORIES. 

The enigma of the Great Sphinx of Giza has made it a key part of a number of theories about the Ancient Egyptians’ supernatural comprehension of extraterrestrial matters. Some scholars, such as Lehner, have discussed the Sphinx’s involvement alongside the pyramids of the Giza Necropolis, in a massive “power harnessing machine” meant to digest energy from the sun. Another theory, propagated chiefly by British writer Graham Hancock, notes an alignment of the Sphinx, the pyramids, and the Nile River with the stars of the constellations Leo and Orion and the Milky Way. Each theory has encountered its share of skepticism, but with a statue as mysterious as the Great Sphinx, the speculation isn’t likely to stop any time soon.

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Peter Macdiarmid, Getty Images
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Long-Closed Part of Westminster Abbey to Open to the Public for the First Time in 700 Years
The triforium in 2009
The triforium in 2009
Peter Macdiarmid, Getty Images

On June 11, 2018, visitors to London's Westminster Abbey will get a look at a section of the historic church that has been off-limits for 700 years. That’s when the triforium, located high above the abbey floor, will open to the general public for the first time as the Queen’s Diamond Jubilee Galleries, according to Condé Nast Traveler.

The 13th-century space, located 70 feet above the nave floor, had previously been used for abbey storage. (One architecture critic who visited before the renovation described it as a “glorified attic.”) After a $32.5 million renovation, it will now become a museum with killer views.

The view from the triforium looking down onto the rest of Westminster Abbey
The view from the triforium looking down toward the ground floor of the abbey
Dan Kitwood, Getty Images

To access the area, which looks out over the nave and altar, architects built a new tower, the abbey’s first major addition since 1745. The 80-foot-tall, window-lined structure will provide brand-new vantage points to look out on surrounding areas of Westminster. Inside the triforium, the windows of the galleries look out onto the Houses of Parliament and St. Margaret’s church, and visitors will be able to walk around the upper mezzanine and look down onto the ground floor of the abbey below.

The museum itself will show off objects from Westminster Abbey’s history, such as a 17th-century coronation chair for Mary II and an altarpiece from Henry III’s reign, when the triforium was first constructed. Oh, and it will also display Prince William and Kate Middleton’s marriage license, for those interested in more modern royal history.

[h/t Condé Nast Traveler]

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Steinar Skaar / Statens vegvesen
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A Look at One of Norway's Most Beautiful Public Bathrooms
Steinar Skaar / Statens vegvesen
Steinar Skaar / Statens vegvesen

In Norway, beautiful architecture isn’t limited to new museums and opera houses. The country also has some incredible bathrooms, thanks to a program called the National Tourist Routes, which commissions architects to design imaginative, beautiful rest stops and lookout points to encourage travel in some of the country’s more remote areas.

One of the latest projects to be unveiled, as Dezeen alerted us, is a high-design commode in the northern Norwegian municipality of Gildeskål. The newly renovated site located along the Norwegian Scenic Route Helgelandskysten, called Ureddplassen, was recently opened to the public.

Bench seating outside the restroom, with mountains in the background
Lars Grimsby / State Road Administration

A view up the stairs of the amphitheater toward steep mountains
Steinar Skaar / Statens vegvesen

Designed by the Oslo-based designers Haugen/Zohar Architects and the landscape architects Landskapsfabrikken AS, the site includes an amphitheater, a viewing platform, and of course, a beautiful restroom. The area is a popular place to view the Northern Lights in the fall and winter and the midnight sun in the summer, so it sees a fair amount of traffic.

The site has been home to a monument honoring victims of the 1943 sinking of a World War II submarine called the Uredd since 1987, and the designers added a new marble base to the monument as part of this project.

A view of the monument to the soldiers lost in the sinking of the Uredd
Steinar Skaar / Statens vegvesen

Now, travelers and locals alike can stop off the highway for a quick pee in the restroom, with its rolling concrete and glass design, then plop down on the steps of the amphitheater to gaze at the view across the Norwegian Sea. It’s one rest stop you’ll actually want to rest at.

[h/t Dezeen]

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