9 Strange Uses for Ancient Egyptian Mummies

Coffins holding mummies on display at the Field Museum in Chicago
Coffins holding mummies on display at the Field Museum in Chicago
Scott Olson/Getty Images

Most people have only ever seen a genuine Egyptian mummy in a museum; fictional mummies, of course, are all over film, literature, and Halloween costume stores. But in centuries past, mummies were put to a variety of inventive uses: for art and commerce, science and entertainment, and possibly even to provide paper.

Many of these uses and abuses stemmed from the Egyptomania that gripped Europe and America throughout the 19th century, set off by Napoleon's invasion of the country in 1798 and nourished by a string of amazing archeological discoveries. By the 1830s, upper-class Western Europeans and Americans began flooding Egypt in search of treasure, and mummies became a chief prize—treated as a symbol of the entire country’s exotic allure, and the "mysteries of the Orient" more generally. The mummy madness progressed to the point where, Egyptologist Beverley Rogers notes, in 1833 monk Father Géramb remarked to the then-ruler of Egypt, Mohammed Ali, “it would be hardly respectable, on one’s return from Egypt, to present oneself in Europe without a mummy in one hand and a crocodile in the other.”

Read on for some lessons in just how disturbingly inventive our great-great-grandparents could be.

1. FOR MEDICINE

Strange as it may seem, people in early modern Europe frequently practiced a kind of cannibalism for health. According to historian Richard Sugg, "Up until the late 18th century, the human body was a widely accepted therapeutic agent. The most popular treatments involved flesh, bone, or blood, along with a variety of moss sometimes found on human skulls."

Mummy, often sold as “mummia” (a confusing word that also refers to the bitumen with which mummies were embalmed), was applied to the skin or powdered and mixed into drinks as a treatment for bruising and other ailments. The belief may have come from ancients such as Pliny the Elder, who wrote that the bitumen used to embalm mummies offered healing powers. Sugg says that adherents included the French King Francis I, as well as Francis Bacon, who wrote that “mummy has great force in staunching of blood.” Mummia became such big business that there was a trade in fake mummies—made from executed criminals, slaves, beggars, and camels—just to keep up with demand, much like today’s market for counterfeit pharmaceuticals.

2. AT PARTIES

Need a theme idea for your next get-together? Why not take a page (or a rag?) from the Victorians and hold a mummy unrolling party, which is exactly what it sounds like. While the craze is sometimes overstated—it’s not like every aristocrat watched Tutankhamen’s cousin unwrapped over sherry in his drawing room—these parties were a not-uncommon feature of 19th century British life, especially among those who fancied themselves the more scholarly sort.

According to Rogers, mummy unwrapping as a social event really got going in Britain starting in the 1820s, thanks to a circus performer-turned-antiquities salesman named Giovanni Belzoni. Belzoni made a name for himself in Egypt-obsessed circles after arranging for the removal of several massive Egyptian artifacts on behalf of British consul to Egypt Henry Salt. In 1821, he held a public mummy unwrapping as part of an exhibition of Egyptian antiquities near Piccadilly Circus. The event proved an enormous success—over 2000 people attended on opening day alone. One member of the audience was London surgeon and scholar Thomas Pettigrew, who was so enamored of the spectacle he began holding his own public, ticketed unrollings, usually with an accompanying lecture.

While there was occasionally an element of serious science (Pettigrew went on to write the first book on mummy studies, A History of Egyptian Mummies, in 1834, and earn the nickname "Mummy Pettigrew”), the gawk-factor was usually a larger draw. Not only were the mummies themselves fascinating (if a bit pungent), their wrappings often contained valuable talismans and amulets lying in and around the body.

Members of the upper class copied Pettigrew, and the idea spread, with unwrapping events held both at large venues and in private homes. According to Rogers, "Often the mummy came from the host’s own collection and invitations were such as those issued by Lord Londesborough in 1850, who promised a ‘mummy from Thebes to be unrolled at half-past two.'" Consider it the Victorian version of unboxing.

3. AS PAINT PIGMENT

It sounds like an urban myth, but it isn't: starting around the 16th century, a pigment called mummy brown, made from ground-up mummies, was a popular choice for European artists. Delacroix used it, as did British portraitist Sir William Beechey, and it was a special favorite of the Pre-Raphaelites. According to scholar Philip McCouat, in 1712 "an artist supply shop rather jokily called 'A La Momie' opened in Paris, selling paints and varnish as well as powdered mummy, incense and myrrh." To be fair, not everyone knew what they were painting with. When artist Edward Burne-Jones found out, he held a little funeral for a tube of paint in his back garden.

4. AS INTERIOR DECOR

Trips to Egypt were so popular among the upper classes of the 19th century that mummies were often displayed back home as souvenirs, usually in the drawing room or study, and occasionally even in bedrooms. Rogers notes that mummy hands, feet and heads were frequently displayed around the house, often in glass domes on mantelpieces. (The writer Gustave Flaubert was even known to keep a mummy's foot on his desk.) Mummies were displayed at businesses, too: One Chicago candy store reportedly attracted customers in 1886 by showing off a mummy said to be “Pharaoh's daughter who discovered Moses in the bulrushes.”

5. FOR PAPER

This a contentious issue among those who study the history of papermaking, but according to some scholars, paper mills on the East Coast of the United States imported mummy wrappings as source material during the mid 19th century. (It’s not quite as crazy as it might sound: a boom in printed materials vastly increased America's appetite for paper in the early 19th century, and wood pulp was only introduced after a rag shortage in the 1850s. Mummies, meanwhile, were relatively plentiful.) The story is debatable: sources are vague, and while historians have discovered newspapers and broadsides that claim to be printed on mummy wrappings, the claim isn’t bullet-proof: it could be a joke, or, as often the case with mummies, a crafty publicity gimmick.

By the way, a related story that mummies were burned for railroad fuel is almost certainly a joke dreamed up by Mark Twain. In The Innocents Abroad, Twain described Egyptian railroad companies using fuel “composed of mummies three thousand years old, purchased by the ton or by the graveyard for that purpose,” and reported that “sometimes one hears the profane engineer call out pettishly, ‘D—n these plebeians, they don't burn worth a cent—pass out a King!’”

6. As Stage Props

Mummies are a familiar symbol of romantic ghastliness in literature and horror movies, of course, but their use in stage magic is less well known today. Yet the same sense of exoticism and dread that made them work so well onscreen also made them effective as stage props. It didn't even matter whether they were real.

In the 1920s, an elaborate fake known as "The Luxor Mummy" appeared in stage shows with a magician named Tampa. According to The New York Times, the mummy originally belonged to vaudeville theatre owner Alexander Pantages, "who claimed that it was a seer and prophet named Ra Ra Ra." When the mummy "performed" with Tampa, it would answer questions communicated through a telephone-like device. (No word on how an ancient Egyptian was able to speak English.)

7. FOR FERTILIZER

Animals were mummified by the millions in ancient Egypt to provide offerings for the gods and goddesses. Ibis and baboons were sacred to Thoth, raptors to Horus, and cats to the goddess Bastet. Cat mummies were particularly plentiful—so plentiful, in fact, that in the late 19th century, English companies bought them from Egypt for agricultural purposes. By one account, a single company purchased about 180,000 cat mummies weighing 19 tons, which were then pulverized into fertilizer and spread on the fields of England. One of the skulls from that shipment now resides at the natural history department of the British Museum.

8. AS FAKE RELICS

After Joan of Arc was burned at the stake in 1431, her executioners were determined that no trace of her would remain—they burned her body a second time, then dumped what was left in the Seine. But in 1867, a jar labeled "Remains found under the stake of Joan of Arc, virgin of Orleans," turned up in the attic of a Paris pharmacy. It was recognized by the church as genuine, and later put on display at a museum run by the Archdiocese of Tours. However, in 2007, tests conducted by forensic scientist Philippe Charlier revealed that the contents of the jar predated Joan by thousands of years: they were actually a human rib and a cat femur, both from ancient Egyptian mummies.

9. FOR FUNDRAISING

Massachusetts General Hospital was the site of the first public surgery using modern anesthetic, which took place in 1846 in an amphitheater that became known as the Ether Dome. But the place is also home to something you don’t usually see in a hospital—an Egyptian mummy.

The well-preserved Padihershef arrived at Massachusetts General in 1823 as a gift from the city of Boston. The mummy had originally been given to the city by a Dutch merchant in the early 19th century (he reportedly purchased it to impress his in-laws), and the city gave it to the then-fledgling Massachusetts General Hospital to help it raise funds. According to the hospital, Padihershef was put on display at "Mr. Doggett’s Repository of Arts" in Boston, where "hundreds of people paid $0.25 to see the first complete human Egyptian mummy in the U.S." Padihershef then went on a year-long East Coast tour to raise even more cash for the hospital, before taking his place in the Ether Dome in time to witness the history-making surgery on October 16, 1846. He’s still there today.

A Nellie Bly Memorial Is Being Planned for New York City’s Roosevelt Island

The infamous asylum on Blackwell's Island that Nellie Bly infiltrated in the late 1880s.
The infamous asylum on Blackwell's Island that Nellie Bly infiltrated in the late 1880s.
New York Public Library, Wikimedia Commons // Public Domain

Nellie Bly, the 19th-century journalist renowned for her six-part exposé on Blackwell’s Island’s asylum in New York City—which she infiltrated by feigning insanity—will soon be honored with a memorial on the island itself, now called Roosevelt Island.

Her 1887 investigation, Smithsonian.com reports, uncovered cruel conditions for the female "lunatic" patients, like freezing baths, violence, and solitary confinement in rooms overrun with vermin. Its publication resulted in a series of improvements including increased funding, translator assistance for immigrants, termination of abusive staff, and more. It also facilitated a national discussion about the stigma of mental illness, especially for women.

All we know about the monument so far is that it’ll be some kind of statue—maybe a traditional sculpture, something more modern or even digital—and construction will take place between March and May of next year with a budget of about $500,000. The Roosevelt Island Operating Corporation (RIOC) announced an open call for artists to submit their designs, and by August 2, it will choose five finalists who will then create conceptual proposals for the memorial.

The monument’s precise location is still up in the air, too. It could be around the Octagon, the only remaining portion of the asylum building that now forms the entrance to a luxury apartment complex on the northern half of the island, or in Lighthouse Park, a 3.78-acre space at the island’s northern tip.

Portrait of Nellie Bly
Library of Congress, Wikimedia Commons // Public Domain

Until the mid-20th century, Roosevelt Island, located in the East River between Manhattan and Queens, was a rather undesirable place to visit. Along with the women’s asylum, it housed a prison, a charity hospital, a smallpox hospital, and a workhouse, The New York Times reports.

The city changed the name of the island (originally called Blackwell’s after the family who farmed there for generations) to Welfare Island in 1921. In 1935, it relocated the prison to Rikers Island (where it remains today). And in 1971, the city established a middle-income residential community on the island, renaming it Roosevelt Island, after Franklin Roosevelt.

Though Bly’s work in the island’s asylum may be her most famous, it was far from her only contribution to the worlds of journalism and industry. She also sailed around the world in 72 days, investigated baby trafficking, and ran her late husband’s manufacturing company. You can read more about her here.

“She’s one of our local heroes,” RIOC president Susan Rosenthal told The City about the choice to honor Bly. “The combination of who she was, the importance of investigative journalism and the fact that it happened here just made it perfect for the island.”

[h/t Smithsonian.com]

10 Fascinating Facts About Anne Boleyn

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Anne Boleyn was one of England’s most controversial queens. In 1533, King Henry VIII annulled his first marriage (to Catherine of Aragon) and was in the process of breaking with the Catholic Church to wed the charming noblewoman. But their happiness was not to last: Just three years later, Anne was executed. It’s a compelling story, one that’s been dramatized in plays, novels, movies, and TV shows. But today, we’re setting the pop culture depictions aside to take a look at the real Anne Boleyn.

  1. Anne Boleyn’s formative years were spent in France and Belgium.

Born in the early 16th century (possibly in 1501 or 1507), Anne was the daughter of Thomas Boleyn, an English diplomat. As a child, she went abroad to study in Margaret of Austria’s court, located in present-day Belgium, and later continued her education as a member of Mary Tudor’s elegant household in Paris. By the time she returned to her native England in the early 1520s, Boleyn had mastered the French language—and she carried herself like a Parisian, too. “No one,” wrote one of Boleyn’s contemporaries, “would ever have taken her to be English by her manners, but [instead] a native-born Frenchwoman."

  1. Anne Boleyn played the lute.

Even Boleyn’s harshest critics had to admit that she was a good dancer. She was also fond of music, and reportedly played the lute (a guitar-like instrument popular at Tudor gatherings) quite well. A songbook that bears her inscription can be found at London’s Royal College of Music. It’s unclear if Boleyn ever owned this book, but its selection of tunes is historically significant.

  1. Anne Boleyn almost married someone other than King Henry VIII.

In 1522, Thomas Boleyn and his cousin, Sir Piers Butler, were both trying to claim some Irish land holdings that had belonged to one of their mutual ancestors. To settle the dispute, Anne's uncle suggested marrying Anne to Butler’s son, James, so that the factions could be unified in the future. By the time Anne returned to England, the marriage was already in the works. King Henry VIII—whose mistress at that time was Anne's sister Mary—supported the match, but the marriage never went through. Anne also had a romantic relationship with one Henry Percy, a future Earl of Northumberland who wound up marrying the Lady Mary Talbot.

  1. Anne Boleyn was pregnant at her coronation.

King Henry VIII’s marriage to his first wife, Catherine of Aragon, was annulled on May 23, 1533. He’d been courting Anne Boleyn for years; many of his love letters survive to this day. As the king’s infatuation grew, so did his desire for a healthy male heir—which Catherine never gave him. But Pope Clement VII refused to dissolve the royal marriage. So the Archbishop of Canterbury went ahead and annulled it. Henry VIII would soon be declared “Supreme Head of the Church of England,” severing its ties with the Vatican. Boleyn was crowned queen on June 1, 1533. Her first child, Princess Elizabeth, was born a little over three months later.

  1. Anne Boleyn’s emblem was a white falcon.

The Boleyns took a white falcon from the traditional Butler family crest. For Anne’s coronation ceremony, poet Nicholas Udall wrote a ballad that likened the new queen to this elegant bird of prey. “Behold and see the Falcon White!” declared one verse. “How she beginneth her wings to spread, and for our comfort to take her flight” [PDF]. The new queen also used a white falcon badge as her personal emblem; at some point, a graffitied version of this was carved into the Tower of London.

  1. Anne Boleyn’s religious views are hard to pin down, but she appeared to sympathize with reformers.

At a time when Latin-language Bibles were the norm in Catholic Europe, Boleyn consistently supported the publication of English translations—a controversial notion at the time. As queen, she and her husband arranged for the release of Nicholas Bourbon, a French humanist whose criticisms of saint-worship and other theological matters had landed him in jail. Bourbon went to England, where he tutored Boleyn’s nephew (at her request).

  1. Anne Boleyn was the first of Henry VIII’s queens to get beheaded.

Like Catherine before her, Anne Boleyn failed to deliver Henry VIII’s long-sought male heir. In 1536, she found herself on trial, accused of high treason, adultery, and incest. (Rumors circulated that she was having an affair with her brother, George.) Though many historians dismiss these allegations, they sealed her fate nevertheless. Boleyn was beheaded on May 19, 1536. Henry VIII wed his third wife, Jane Seymour, that same month. Two spouses later, history repeated itself when the king had queen number five—Catherine Howard—decapitated in 1542.

  1. It has been claimed that Anne Boleyn had 11 fingers.

When you replace a popular monarch and spur the change of the religious fabric of an entire country, you're bound to make enemies. One of Boleyn’s detractors claimed that she had a “devilish spirit,” while another famously called her a “goggle-eyed whore.”

And then there’s Catholic propagandist Nicholas Sander, who wrote an unflattering description of the former queen many years after she died. According to him, Boleyn had “a large wen [wart or cyst] under her chin,” a “projecting tooth under the upper lip” and “six fingers” on her right hand. But his claims are highly suspect. There’s no proof that Sander ever laid eye on Boleyn—plus, her contemporaries didn’t mention any of these physical traits in their own writings about the queen. At worst, she might have had a second nail on one finger—which is a far cry from saying she possessed an extra digit.

  1. Anne Boleyn’s daughter, Queen Elizabeth I, ruled England for decades.

Coronated at age 25 on January 15, 1559, Queen Elizabeth I defeated the Spanish Armada, promoted exploration, and foiled multiple assassination plots during her 44-year reign. She held the throne right up until her death in 1603.

  1. There’s only one surviving portrait of Anne Boleyn (that we know of).

When Henry VIII executed her, most Anne Boleyn likenesses were intentionally destroyed—and now, there's just one contemporary image of the queen known to exist: a lead disc—crafted in 1534—with Boleyn’s face etched on one side, which is held at the British Museum in London. It’s the only verified portrait of the former queen that was actually produced during her lifetime.

But there may be at least one more image of the queen out there: In 2015, facial recognition software was used to compare the image on the disc to a 16th-century painting currently housed at the Bradford Art Galleries and Museums. The picture’s subject, a young woman, has never been identified, but according to the program, the figure looks an awful lot like Boleyn’s portrait in that lead disc—though the researchers cautioned that their results were inconclusive due to insufficient data.

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