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9 Strange Uses for Ancient Egyptian Mummies

Most people have only ever seen a genuine Egyptian mummy in a museum; fictional mummies, of course, are all over film, literature, and Halloween costume stores. But in centuries past, mummies were put to a variety of inventive uses: for art and commerce, science and entertainment, and possibly even to provide paper. 

Many of these uses and abuses stemmed from the Egyptomania that gripped Europe and America throughout the 19th century, set off by Napoleon's invasion of the country in 1798 and nourished by a string of amazing archeological discoveries. By the 1830s, upper-class Western Europeans and Americans began flooding Egypt in search of treasure, and mummies became a chief prize—treated as a symbol of the entire country’s exotic allure, and the "mysteries of the Orient" more generally. The mummy madness progressed to the point where, Egyptologist Beverley Rogers notes, in 1833 monk Father Géramb remarked to the then-ruler of Egypt, Mohammed Ali, “it would be hardly respectable, on one’s return from Egypt, to present oneself in Europe without a mummy in one hand and a crocodile in the other.”

Read on for some lessons in just how disturbingly inventive our great-great-grandparents could be. 

1. FOR MEDICINE 

Strange as it may seem, people in early modern Europe frequently practiced a kind of cannibalism for health. According to historian Richard Sugg, "Up until the late 18th century, the human body was a widely accepted therapeutic agent. The most popular treatments involved flesh, bone, or blood, along with a variety of moss sometimes found on human skulls." 

Mummy, often sold as “mummia” (a confusing word that also refers to the bitumen with which mummies were embalmed), was applied to the skin or powdered and mixed into drinks as a treatment for bruising and other ailments. The belief may have come from ancients such as Pliny the Elder, who wrote that the bitumen used to embalm mummies offered healing powers. Sugg says that adherents included the French King Francis I, as well as Francis Bacon, who wrote that “mummy has great force in staunching of blood.” Mummia became such big business that there was a trade in fake mummies—made from executed criminals, slaves, beggars, and camels—just to keep up with demand, much like today’s market for counterfeit pharmaceuticals.

2. AT PARTIES 

Image Credit: education.blurtit.com

Need a theme idea for your next get-together? Why not take a page (or a rag?) from the Victorians and hold a mummy unrolling party, which is exactly what it sounds like. While the craze is sometimes overstated—it’s not like every aristocrat watched Tutankhamen’s cousin unwrapped over sherry in his drawing room—these parties were a not-uncommon feature of 19th century British life, especially among those who fancied themselves the more scholarly sort. 

According to Rogers, mummy unwrapping as a social event really got going in Britain starting in the 1820s, thanks to a circus performer-turned-antiquities salesman named Giovanni Belzoni. Belzoni made a name for himself in Egypt-obsessed circles after arranging for the removal of several massive Egyptian artifacts on behalf of British consul to Egypt Henry Salt. In 1821, he held a public mummy unwrapping as part of an exhibition of Egyptian antiquities near Piccadilly Circus. The event proved an enormous success—over 2000 people attended on opening day alone. One member of the audience was London surgeon and scholar Thomas Pettigrew, who was so enamored of the spectacle he began holding his own public, ticketed unrollings, usually with an accompanying lecture. 

While there was occasionally an element of serious science (Pettigrew went on to write the first book on mummy studies, A History of Egyptian Mummies, in 1834, and earn the nickname "Mummy Pettigrew”), the gawk-factor was usually a larger draw. Not only were the mummies themselves fascinating (if a bit pungent), their wrappings often contained valuable talismans and amulets lying in and around the body.

Members of the upper class copied Pettigrew, and the idea spread, with unwrapping events held both at large venues and in private homes. According to Rogers, "Often the mummy came from the host’s own collection and invitations were such as those issued by Lord Londesborough in 1850, who promised a ‘mummy from Thebes to be unrolled at half-past two.'" Consider it the Victorian version of unboxing.

3. AS PAINT PIGMENT

It sounds like an urban myth, but it isn't: starting around the 16th century, a pigment called mummy brown, made from ground-up mummies, was a popular choice for European artists. Delacroix used it, as did British portraitist Sir William Beechey, and it was a special favorite of the Pre-Raphaelites. According to scholar Philip McCouat, in 1712 "an artist supply shop rather jokily called 'A La Momie' opened in Paris, selling paints and varnish as well as powdered mummy, incense and myrrh." To be fair, not everyone knew what they were painting with. When artist Edward Burne-Jones found out, he held a little funeral for a tube of paint in his back garden. 

4. AS INTERIOR DECOR 

Trips to Egypt were so popular among the upper classes of the 19th century that mummies were often displayed back home as souvenirs, usually in the drawing room or study, and occasionally even in bedrooms. Rogers notes that mummy hands, feet and heads were frequently displayed around the house, often in glass domes on mantelpieces. (The writer Gustave Flaubert was even known to keep a mummy's foot on his desk.) Mummies were displayed at businesses, too: One Chicago candy store reportedly attracted customers in 1886 by showing off a mummy said to be “Pharaoh's daughter who discovered Moses in the bulrushes.” 

5. FOR PAPER 

This a contentious issue among those who study the history of papermaking, but according to some scholars, paper mills on the East Coast of the United States imported mummy wrappings as source material during the mid 19th century. (It’s not quite as crazy as it might sound: a boom in printed materials vastly increased America's appetite for paper in the early 19th century, and wood pulp was only introduced after a rag shortage in the 1850s. Mummies, meanwhile, were relatively plentiful.) The story is debatable: sources are vague, and while historians have discovered newspapers and broadsides that claim to be printed on mummy wrappings, the claim isn’t bullet-proof: it could be a joke, or, as often the case with mummies, a crafty publicity gimmick.

By the way, a related story that mummies were burned for railroad fuel is almost certainly a joke dreamed up by Mark Twain. In The Innocents Abroad, Twain described Egyptian railroad companies using fuel “composed of mummies three thousand years old, purchased by the ton or by the graveyard for that purpose,” and reported that “sometimes one hears the profane engineer call out pettishly, ‘D—n these plebeians, they don't burn worth a cent—pass out a King!’”

6. As Stage Props 

The Luxor Mummy - a lobby attraction for Tampa during the late 1920s early 1930s is back on display in Brooklyn New...

Posted by Tampa The Magician on Friday, April 24, 2015

Mummies are a familiar symbol of romantic ghastliness in literature and horror movies, of course, but their use in stage magic is less well known today. Yet the same sense of exoticism and dread that made them work so well onscreen also made them effective as stage props. It didn't even matter whether they were real. 

In the 1920s, an elaborate fake known as "The Luxor Mummy" appeared in stage shows with a magician named Tampa. According to The New York Times, the mummy originally belonged to vaudeville theatre owner Alexander Pantages, "who claimed that it was a seer and prophet named Ra Ra Ra." When the mummy "performed" with Tampa, it would answer questions communicated through a telephone-like device. (No word on how an ancient Egyptian was able to speak English.) 

7. FOR FERTILIZER 

Animals were mummified by the millions in ancient Egypt to provide offerings for the gods and goddesses. Ibis and baboons were sacred to Thoth, raptors to Horus, and cats to the goddess Bastet. Cat mummies were particularly plentiful—so plentiful, in fact, that in the late 19th century, English companies bought them from Egypt for agricultural purposes. By one account, a single company purchased about 180,000 cat mummies weighing 19 tons, which were then pulverized into fertilizer and spread on the fields of England. One of the skulls from that shipment now resides at the natural history department of the British Museum.

8. AS FAKE RELICS 

After Joan of Arc was burned at the stake in 1431, her executioners were determined that no trace of her would remain—they burned her body a second time, then dumped what was left in the Seine. But in 1867, a jar labeled "Remains found under the stake of Joan of Arc, virgin of Orleans," turned up in the attic of a Paris pharmacy. It was recognized by the church as genuine, and later put on display at a museum run by the Archdiocese of Tours. However, in 2007, tests conducted by forensic scientist Philippe Charlier revealed that the contents of the jar predated Joan by thousands of years: they were actually a human rib and a cat femur, both from ancient Egyptian mummies.

9. FOR FUNDRAISING

Massachusetts General Hospital was the site of the first public surgery using modern anesthetic, which took place in 1846 in an amphitheater that became known as the Ether Dome. But the place is also home to something you don’t usually see in a hospital—an Egyptian mummy.

The well-preserved Padihershef arrived at Massachusetts General in 1823 as a gift from the city of Boston. The mummy had originally been given to the city by a Dutch merchant in the early 19th century (he reportedly purchased it to impress his in-laws), and the city gave it to the then-fledgling Massachusetts General Hospital to help it raise funds. According to the hospital, Padihershef was put on display at "Mr. Doggett’s Repository of Arts" in Boston, where "hundreds of people paid $0.25 to see the first complete human Egyptian mummy in the U.S." Padihershef then went on a year-long East Coast tour to raise even more cash for the hospital, before taking his place in the Ether Dome in time to witness the history-making surgery on October 16, 1846. He’s still there today.

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Penn Vet Working Dog Center
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Stones, Bones, and Wrecks
New Program Trains Dogs to Sniff Out Art Smugglers
Penn Vet Working Dog Center
Penn Vet Working Dog Center

Soon, the dogs you see sniffing out contraband at airports may not be searching for drugs or smuggled Spanish ham. They might be looking for stolen treasures.

K-9 Artifact Finders, a new collaboration between New Hampshire-based cultural heritage law firm Red Arch and the University of Pennsylvania, is training dogs to root out stolen antiquities looted from archaeological sites and museums. The dogs would be stopping them at borders before the items can be sold elsewhere on the black market.

The illegal antiquities trade nets more than $3 billion per year around the world, and trafficking hits countries dealing with ongoing conflict, like Syria and Iraq today, particularly hard. By one estimate, around half a million artifacts were stolen from museums and archaeological sites throughout Iraq between 2003 and 2005 alone. (Famously, the craft-supply chain Hobby Lobby was fined $3 million in 2017 for buying thousands of ancient artifacts looted from Iraq.) In Syria, the Islamic State has been known to loot and sell ancient artifacts including statues, jewelry, and art to fund its operations.

But the problem spans across the world. Between 2007 and 2016, U.S. Customs and Border Control discovered more than 7800 cultural artifacts in the U.S. looted from 30 different countries.

A yellow Lab sniffs a metal cage designed to train dogs on scent detection.
Penn Vet Working Dog Center

K-9 Artifact Finders is the brainchild of Rick St. Hilaire, the executive director of Red Arch. His non-profit firm researches cultural heritage property law and preservation policy, including studying archaeological site looting and antiquities trafficking. Back in 2015, St. Hilaire was reading an article about a working dog trained to sniff out electronics that was able to find USB drives, SD cards, and other data storage devices. He wondered, if dogs could be trained to identify the scents of inorganic materials that make up electronics, could they be trained to sniff out ancient pottery?

To find out, St. Hilaire tells Mental Floss, he contacted the Penn Vet Working Dog Center, a research and training center for detection dogs. In December 2017, Red Arch, the Working Dog Center, and the Penn Museum (which is providing the artifacts to train the dogs) launched K-9 Artifact Finders, and in late January 2018, the five dogs selected for the project began their training, starting with learning the distinct smell of ancient pottery.

“Our theory is, it is a porous material that’s going to have a lot more odor than, say, a metal,” says Cindy Otto, the executive director of the Penn Vet Working Dog Center and the project’s principal investigator.

As you might imagine, museum curators may not be keen on exposing fragile ancient materials to four Labrador retrievers and a German shepherd, and the Working Dog Center didn’t want to take any risks with the Penn Museum’s priceless artifacts. So instead of letting the dogs have free rein to sniff the materials themselves, the project is using cotton balls. The researchers seal the artifacts (broken shards of Syrian pottery) in airtight bags with a cotton ball for 72 hours, then ask the dogs to find the cotton balls in the lab. They’re being trained to disregard the smell of the cotton ball itself, the smell of the bag it was stored in, and ideally, the smell of modern-day pottery, eventually being able to zero in on the smell that distinguishes ancient pottery specifically.

A dog looks out over the metal "pinhweel" training mechanism.
Penn Vet Working Dog Center

“The dogs are responding well,” Otto tells Mental Floss, explaining that the training program is at the stage of "exposing them to the odor and having them recognize it.”

The dogs involved in the project were chosen for their calm-but-curious demeanors and sensitive noses (one also works as a drug-detection dog when she’s not training on pottery). They had to be motivated enough to want to hunt down the cotton balls, but not aggressive or easily distracted.

Right now, the dogs train three days a week, and will continue to work on their pottery-detection skills for the first stage of the project, which the researchers expect will last for the next nine months. Depending on how the first phase of the training goes, the researchers hope to be able to then take the dogs out into the field to see if they can find the odor of ancient pottery in real-life situations, like in suitcases, rather than in a laboratory setting. Eventually, they also hope to train the dogs on other types of objects, and perhaps even pinpoint the chemical signatures that make artifacts smell distinct.

Pottery-sniffing dogs won’t be showing up at airport customs or on shipping docks soon, but one day, they could be as common as drug-sniffing canines. If dogs can detect low blood sugar or find a tiny USB drive hidden in a house, surely they can figure out if you’re smuggling a sculpture made thousands of years ago in your suitcase.

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This Just In
Flights Grounded After World War II Bomb Discovered Near London City Airport
Dan Kitwood, Getty Images
Dan Kitwood, Getty Images

London City Airport grounded all flights on the night of February 11, after a World War II bomb was found in the neighboring River Thames, The Guardian reports.

The half-ton bomb was revealed Sunday morning by development work taking place at the King George V Dock. Following its discovery, police set up a 702-foot exclusion zone around the area, closing local roads and shutting down the London City Airport until further notice. According to the BBC, 261 trips were scheduled to fly in and out of London City Airport on Monday. Some flights are being rerouted to nearby airports, while others have been canceled altogether.

The airport will reopen as soon as the explosive device has been safely removed. For that to happen, the Met police must first wait for the river's tide to recede. Then, once the bomb is exposed, they can dislodge it from the riverbed and tow it to a controlled explosion site.

The docks of London’s East End were some of the most heavily bombed points in the city during World War II. Germany’s Blitz lasted 76 nights, and as the latest unexpected discovery shows, bombs that never detonated are still being cleaned up from parks and rivers more than 75 years later.

[h/t The Guardian]

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