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12 Old Time Facts About Risky Business

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On August 5, 1983, Tom Cruise—wearing Ray-Bans and his skivvies—starred in the teen dramedy Risky Business and slid his way into pop culture history. In his first starring role, Cruise dealt with a killer pimp named Guido, romanced a call girl named Lana, and charmed his way into Princeton. The film’s $63.5 million gross launched Cruise as a bona fide movie star, a title he still holds three decades later.

1. AT ONE POINT THE MOVIE WAS TITLED WHITE BOYS OFF THE LAKE.

Because the movie took place, and was partly filmed, in Chicago’s affluent Highland Park suburb, located along Lake Michigan, writer-director Paul Brickman (who grew up in Highland Park) told Salon that, "The working title was White Boys Off the Lake. I think the studio rejected that because it sounded like an off-Broadway play. So we started doing word association to come up with a new title.”

2. IT WAS INSPIRED BY THE CONFORMIST.

Brickman also told Salon that Bernardo Bertolucci’s The Conformist was a huge influence on the film: “I thought, ‘Why can’t you present that as a film for youth and aspire to that kind of style and still have humor in it?’ That was the test: to meld a darker form of filmmaking with humor. Tone is what I wanted to play with.” Though Risky Business comes off as a satire about capitalism couched as a teen comedy, The Conformist is a political drama situated during Italy’s 1940’s Fascist regime.

3. THE DIRECTOR WAS NOT INITIALLY SOLD ON TOM CRUISE.


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Cruise was filming The Outsiders in Tulsa, Oklahoma when he got the call to audition for Risky Business. Cruise told Interview, “Originally, Paul [Brickman] had seen Taps and said, ‘This guy for Joel? This guy is a killer! Let him do Amityville III!’ Somehow, my agent, without me knowing, arranged to have me just drop by the office to say hello. So I went in wearing a jean jacket, my tooth was chipped, my hair was greasy. I was pumped up and talking in an Oklahoma accent, ‘Hey, how y’all doing?’ Paul just sat there, looking at me.” Cruise returned to Tulsa but flew back to L.A. and auditioned again. “I walk in and see this stunningly gorgeous woman sitting there looking at me and I’m thinking, ‘Oh my God,’” Cruise said. “Rebecca [De Mornay] had already been cast. They wanted to see the two of us together. I tested, and to make a short story long, we didn’t test that well. Paul just believed in me.”

4. CRUISE LOST WEIGHT IN ORDER TO LOOK MORE BABY-FACED.

According to an interview with Cruise in a September 5, 1983 issue of People, Cruise “shed 14 pounds in five weeks by jogging in the Florida sun and strict dieting. When he had reached his weight goal, he stopped exercising ‘so I could put on a little layer of baby fat’ for his unathletic character.” Cruise explained, “[Joel's] a very vulnerable person. I didn’t want any physical defenses up for him. No muscle armor at all.”  

5. CRUISE IMPROVISED THE UNDERWEAR SCENE.

In what became the movie’s most iconic moment, Cruise uses a candlestick holder as a mic and dances around his house to Bob Seger’s 1978 song “Old Time Rock and Roll." “I was just looking for something that was a timeless rock and roll piece that wouldn’t be dated,” Brickman told Yahoo! of his song choice. The scene wasn’t filmed at the Highland Park-located house; it was filmed at a schoolhouse in Skokie, Illinois.

Cruise told Cameron Crowe how the scene unfurled: “So I took the candlestick, and I said, ‘How about making this the audience?’ And then I just started ad libbing, using it as a guitar, jumping on the table. I waxed half the floor and kept the other half dirty, so I could slide in on my socks. As we went along, I threw more stuff in. Like the thing with the collar up, jumping on the bed. Originally, it was only one line in the script: ‘Joel dances in underwear through the house.’ We shot it in half a day.” And Cruise danced his way into history.

6. SEVERAL PARODIES EXIST OF THE SEGER DANCE SCENE—INCLUDING TWO INVOLVING BEN STILLER.

When Ron Reagan, Jr. hosted a 1986 episode of SNL, the cold open entailed Reagan being home alone at the White House, where he does what any First Kid would do: strip down to his underwear and dance to “Old Time Rock and Roll." During a scene in Scrubs, three of the characters hilariously recreate the dance moment. A 1992 episode of The Ben Stiller Show involves Stiller doing a spot-on impression of Cruise, who in the sketch is turning his life into a musical called Tom Cruise: Dress Casual, replete with a snippet of the underwear scene. Then, at the 2000 MTV Movie Awards, Stiller once again parodied Cruise—but this time as Cruise’s stunt double. Cruise appears in the skit as himself and allows Stiller to once again act out the underwear scene. The Stiller/Cruise comedic partnership continued years later when the good-humored Cruise worked with Stiller in the Stiller-directed 2008 film Tropic Thunder.

7. SEVERAL PORSCHE 928S WERE USED IN THE FILM.

“Porsche, there is no substitute,” Joel says as he speeds around town in his dad’s Porsche, only to have it later sink into Belmont Harbor. Porsche manufactured the 928 model from 1978 to 1995, and it was the first mass-produced Porsche with a V8 engine. Four of the 1979 models show up in the movie (and a 1981 model), including one that was gutted for the lake scene, and another that was painted gold. A collector tried to track down all of the Porsches but only found one of them, which he bought for $49,200 at a 2012 Hollywood memorabilia auction.

8. CRUISE THINKS THE FILM IS ABOUT CAPITALISM.

Ten years prior to casting Tom Cruise in Jerry Maguire, Cameron Crowe spoke with Cruise for Interview and asked him what he thought Risky Business was about. “It’s about today’s capitalistic society,” Cruise said, in 1986. “Do the means justify the ends? Do you want to help people, or do you just want to make money? Joel is questioning all of that. So am I ... I’m not saying I’m some erudite political figure—but it bothers me. At least I’m asking the question. The movie is Joel’s exploration of society, how he gets sucked into this wild capitalistic ride.”

9. THE MANUFACTURER OF THE CRYSTAL EGG WENT OUT OF BUSINESS IN 2011.

“I’m very disappointed in you,” Joel’s mom tells her son after she comes home from vacation to find her prized crystal egg cracked. Earlier in the film, hookers steal the egg from the mantel but return it to Joel by throwing it like a football. In real life, the egg was made by a century-old Corning, New York manufacturer named Steuben Glass Works, who made all kinds of prized pieces until they shuttered operations in 2011, mainly because the demand for crystal declined post-recession.

10. THE FILM WAS THE MOVIE DEBUT OF BOTH MEGAN MULLALLY AND BRONSON PINCHOT.

Before she was a Emmy-winning actress, Megan Mullally played a hooker in Risky Business. Wearing pink lingerie and with a cigarette dangling out of her mouth, she appears for just a few seconds. In the end credits she’s listed as “Call Girl.” Bronson Pinchot has much more screen time starring as Joel’s wise-cracking friend Barry. In a 2009 interview with The A.V Club, Pinchot said working with Cruise was “weird” and called Cruise “the biggest bore on the face of the Earth.”

11. TOM CRUISE AND REBECCA DE MORNAY DATED IN REAL LIFE.

Cruise has always been coy about his private life, but in 1986 he opened up to Rolling Stone about a girlfriend whom he fell in love with. “That girlfriend was his Risky Business costar, Rebecca De Mornay,” reads the article. “Despite their incendiary love scenes, they didn’t start dating until after the film’s release in late summer of 1983.” The long-distance relationship dissolved some time after Cruise shot the film Legend, in London, and before he went off to film Top Gun. “Relationships are hard,” Cruise told the magazine. “You have to know when you’re going to be in a different place from someone else, you have to have the strength to separate.” In 1987, Cruise married his first wife, actress Mimi Rogers.

12. TWO ENDINGS WERE SHOT, BUT BRICKMAN ONLY LIKED THE ORIGINAL.

At the end of Risky Business, Joel dines at a restaurant with Lana and he says, “I was just thinking where we’ll be in 10 years,” and she says they’re going to make it big. He asks, “Was this a setup?” and she says, “No.” Cut to them walking through a park at night and them talking about how they won’t be seeing each other for a while. She asks to spend the night with him and he jokingly asks if she has any money, and then his voiceover kicks in: “My name is Joel Goodsen. I deal in human fulfillment. I grossed over $8,000 in one night ... Time of your life, huh, kid?”

But in the alternate ending, they dine at the same restaurant and have a similar conversation. “Was our night together just a setup?” he asks Lana and she says “no” then adds “Why does it have to be so tough?” He summons her to come over and sit on his lap, which she does. The camera pulls back to reveal a stunning view of Lake Michigan (it’s obvious they’re dining inside the Hancock building). While still on his lap, the couple embrace and Joel’s voiceover is exactly the same except “time of your life” gets changed to “isn’t life grand?”—a subtle yet more sarcastic and ambiguous ending.

“We had to change the ending to make it more upbeat and commercial,” Cruise told Cameron Crowe. “Geffen Films felt it was too ... basically they felt it was a bummer, okay? At one point, Paul [Brickman] said he wouldn’t direct the new ending. They were going to hire another director to direct it. Paul really fought it. We all did … In the end, I think we got across the same point, though. Joel knows in his heart that this woman is more important than money.” At a 30th anniversary screening of the film, Brickman finally showed an audience the ending he had intended for the film.

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Check Out These 10 Fun Facts About Supermarket Sweep
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Thanks to a recent deleted SNL scene in which host Melissa McCarthy lost her mind on a segment of Supermarket Sweep, we started reminiscing about the heart-pumping, family-friendly game show back in early 2016. Back in the day, you couldn’t watch the show—which debuted in 1965—without fantasizing about reenacting it at your local grocery store. On it, pairs of contestants would race through supermarket aisles, attempting to pack their carts full of the most valuable items, in between quiz-style segments. Revivals of the series stopped filming in 2003, but there's good news for fans who can't let the dream of appearing on the game show die: Deadline reports that it's about to make a television comeback. Relive the high of Supermarket Sweep with these fun facts about the game show.

1. THE MEAT WAS FAKE.

In a special for Great Big Story, former host David Ruprecht confirmed, “All the meat was fake.” Former contestant Mike Futia reaffirmed the fact to The A.V. Club saying, “Everything that was meat, cheese—all that was fake because they’d get the meat juices on their sweaters. And that’s not telegenic, so they wanted to get rid of that.”

2. A LOT OF THE FOOD WAS EXPIRED.

“We shot for about five months every year and they used the same food over and over again,” Ruprecht admitted to Great Big Story. “A lot of the food, having been thrown in and out of the carts for three, four months had gotten pretty beaten up.”

3. WINNERS DIDN’T GET TO KEEP THE FOOD.

Given what Ruprecht said above, contestants were probably thankful that they didn’t get to keep the food. And according to Great Big Story, they didn’t get to keep their sweatshirts either. “They got $5000 but they didn’t get their sweatshirts,” said Ruprecht.

4. BEAUTY PRODUCTS COULD WIN YOU THE GAME.

Pro tip: Heading for the beauty aisle instead of the meat freezer could very well have won you the game. “Those who [used this strategy] won,” Ruprecht told Great Big Story. “Instead of five hams and five turkeys that load up your cart, you ... get five hair colorings ... get five of all these expensive health and beauty products. With one cart, you could beat everybody.”

5. FOR CONTESTANTS, PERSONALITY WAS KEY.

Supermarket Sweep was a TV show, after all, and vibrant personalities have always made for good television. “When we were going through the process, they put you in a room with a few other people and ask you sample questions,” former contestant Mike Futia recalled to The A.V. Club. “And you could sense it was because they wanted to see if you were slouching and things like that ... I felt pretty confident that we’d get the callback to have a taping.”

6. WINNING DURING THE TAPING DIDN’T GUARANTEE YOU’D ACTUALLY COLLECT YOUR WINNINGS.

“It was a syndicated show,” Mike Futia explained to The A.V. Club, “so they taped all the episodes, and you didn’t even know if you were going to get the money if you won unless it aired, which could be six months later, because they then had to sell it.” On the bright side: Even if you didn’t collect, at least you could always say you played Supermarket Sweep.

7. SHOOTING DAYS LASTED 12 TO 14 HOURS.

Most of that time consisted of waiting around. “We literally got in a room when we got called back for the actual taping, and they said, ‘Be prepared to be here. It could be a 12- to 14-hour day because there are three pairs of people on each show,’” Futia explained to The A.V. Club. “That day, I want to say they were taping something like eight shows. So you had 48 people just in a room, and the first thing they tape is your introduction where you run down to the camera and everybody gets introduced to [host] David Ruprecht ... Then they call you back and you tape the first segment.”

8. CONTESTANTS WORE DICKEYS.

Talk about dated fashion: “By winning, we didn’t get to keep the sweaters because we got paid,” Futia recalled to The A.V. Club. “But if you lost, your consolation prize was that you got to keep the sweater—but you didn’t get to keep the dickey.”

9. CONTESTANTS GOT TO MAP OUT THEIR ROUTES.

To prevent contestants from looking like chickens running around with their heads cut off, the show allowed them some time to strategize. “When you’re taping the show before the …  Supermarket Sweep round, you get about 10 minutes or so to walk around the supermarket so you can see the prices,” Futia told The A.V. Club. “Everything has a price on it, so ... you map out what you’re going to do. And it’s the weirdest things that were expensive, like hoses.”

10. THE “SUPERMARKET” WAS REALLY, REALLY SMALL.

“A little bit bigger than a bodega in the city” was how Futia described the supermarket set that was built for the 1990s revival of the series. “It’s very tiny. It looks huge, but it’s small. Even in the aisles, you had to be careful if you and your cameraman were running and another group was coming down that aisle. You had to make sure you were all the way to the side or there could have been an accident.”

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15 Fascinating Facts About Candyman
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Helen Lyle (Virginia Madsen) is a Chicago graduate student with a deep fascination with urban legends, which she and her friend Bernadette (Kasi Lemmons) are using as the basis for a thesis project. After they stumble across the local legend of Candyman, a well-to-do black artist who fell in love with a white woman in the late 1800s and was murdered for it, Helen wants to learn more. When she’s told that Candyman still haunts Chicago's Cabrini-Green housing project, and that his spirit can be summoned by repeating his name into a mirror five times, Helen does just that … and all hell breaks loose.

What began as a low-budget indie film has morphed into a contemporary classic of the horror genre, and essential Halloween viewing. In 1992, English filmmaker Bernard Rose—who got his start working as a gopher on The Muppet Show—turned Clive Barker’s short story “The Forbidden” into Candyman, which was released in theaters 25 years ago today. In honor of the film’s anniversary, here are 15 things you might not have known about Candyman.

1. EDDIE MURPHY WAS CONSIDERED FOR THE LEAD.

Though the role of Candyman turned Tony Todd into a horror icon, he wasn’t the only actor in consideration for the film’s title role: Eddie Murphy was also reportedly a contender for the part. Though it’s unclear exactly why he wasn’t cast, sources have reported that it had to do with everything from his height (at 5 feet 9 inches, he wouldn’t seem nearly as intimidating as the 6-foot-5 Todd) to his salary demands.

2. AN UNEXPECTED PREGNANCY LANDED VIRGINIA MADSEN THE LEAD.

Virginia Madsen stars in 'Candyman'
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When asked by HorrorNewsNetwork about how she got the role of Helen in Candyman, Virginia Madsen shared that it was almost by accident: She was supposed to play Bernie, Helen’s friend and classmate, the role that eventually went to Kasi Lemmons.

“I was actually very good friends with Bernard [Rose] and his wife Alexandra,” Madsen said. “She is a wonderful actress, who actually brought Clive Barker’s short story ‘The Forbidden’ to her husband. She thought this would be a great film, and he could direct her. She was supposed to be Helen. I was going to play [Kasi Lemmons'] part, until they made the character African American. Then I was out.

“Right before shooting, Alexandra found out she was pregnant. It was great for me, but it was so sad for her because this was her role; she found this story and really wanted it. So when I was asked to step in I felt like ‘I can’t take my friend’s role.’ She actually came over one day and said ‘It would just kill me to see someone else play this role, you have to be the one who plays it.’ So with her blessing I took on the role. I really tried to work my butt off just to honor her.”

3. IT COULD HAVE STARRED SANDRA BULLOCK.

On the film’s DVD commentary, producer Alan Poul said that had Madsen been unable to step into the role of Helen, the part would have likely been offered to Sandra Bullock, who was still a relative unknown actress at that point. Though she had played the role of Tess McGill in the television adaptation of Working Girl, she was still a couple of years away from Speed (1994), the role that launched her into stardom.

4. ITS OPENING SHOT WAS GROUNDBREAKING.

The film’s opening credits feature a great aerial view of Chicago, which was pretty revolutionary for its time. “We did that with an incredible new machine called the Skycam, which can shoot up to a 500mm lens with no vibration,” Rose told The Independent. “You've never seen that shot before, at least not done that smoothly.”

5. NOT ALL OF THE FILM’S CREEPY DETAILS SPRUNG FROM CLIVE BARKER’S IMAGINATION.

While investigating one of Candyman’s crime scenes, Helen and Bernie discover that the design of the apartment’s medicine cabinet made it a possible point of entry for an intruder. This was not a made-up piece of horror movie fiction. While researching the film, Rose learned that a series of murders had been committed in Chicago in this very way.

6. BERNARD ROSE SEES CANDYMAN AS A ROMANTIC FIGURE.

Tony Todd stars in 'Candyman'
PolyGram Filmed Entertainment

Viewers may think of Candyman as one of the horror genre’s most terrifying villains, but Rose said that “the idea always was that he was kind of a romantic figure. And again, romantic in sort of the Edgar Allan Poe sense—it's the romance of death. He's a ghost, and he's also the resurrection of something that is kind of unspoken or unspeakable in American history, which is slavery, as well. So he's kind of come back and he's haunting what is the new version of the racial segregation in Chicago.

“And I think there's also something very seductive and very sweet and very romantic about him, and that's what makes him interesting. In the same way there is about Dracula. In the end, the Bogeyman is someone you want to surrender to. You're not just afraid of. There's a certain kind of joy in his seduction. And Tony was always so romantic. Tony ties him in so elegantly and is such a gentleman. He was wonderful.”

7. THE BEES IN THE FILM WERE BRED SPECIFICALLY TO APPEAR ONSCREEN.

No, that is not CGI! The bees that play a key role in Candyman are indeed real. So that they looked appropriately terrifying, but were less dangerous to the cast and crew, the filmmakers used newborn bees—they were just 12 hours old—so that they looked fully grown, but had less powerful stingers.

8. TONY TODD WAS STUNG 23 TIMES, AND GOT A BONUS EACH TIME IT HAPPENED.

Photo of Tony Todd in 'Candyman'
PolyGram Filmed Entertainment

In addition to allowing the filmmakers to cover his face with bees, Todd actually agreed to film a scene in which he had a mouthful of bees—and that, too, was all real. He told TMZ that he wore a dental dam to prevent any bees from sliding into his throat—which doesn’t mean that he didn’t suffer a sting or two … or 23, to be exact, over the course of three Candyman movies. Though it might have been worth it. “I had a great lawyer,” he told TMZ. “A thousand dollars a pop.”

9. THE BEES WEREN’T GREAT NEWS FOR MADSEN, EITHER.

Madsen, too, had to get up close and personal with those bees—a fact that almost forced her to pass on the role. “When Bernie was first asking me to do the role I said, ‘Well, I can’t. I’m allergic to bees,’” she told HorrorNewsNetwork. “He said ‘No you’re not allergic to bees, you’re just afraid.’ So I had to go to UCLA and get tested because he didn’t believe [me]. I was tested for every kind of venom. I was far more allergic to wasps. So he said, ‘We’ll just [have] paramedics there, it will be fine!’ You know actors, we’ll do anything for a paycheck! So fine, I’ll be covered with bees.

“So we a had a bee wrangler and he pretty much told us you can’t freak out around the bees, or be nervous, or swat at them, it would just aggravate them. They used baby bees on me. They can still sting you, but are less likely. When they put the bees on me it was crazy because they have fur. They felt like little Q-tips roaming around on me. Then you have pheromones on you, so they’re all in love with you and think you’re a giant queen. I really just had to go into this Zen sort of place and the takes were very short. What took the longest was getting the bees off of us. They had this tiny ‘bee vacuum,’ which wouldn’t harm the bees. After the scene where the bees were all over my face and my head, it took both Tony and I 45 minutes just to get the bees off. That’s when it became difficult to sit still. It was cool though, I felt like a total badass doing it.”

10. PHILIP GLASS COMPOSED THE SCORE, BUT WAS DISAPPOINTED IN THE MOVIE.

When Philip Glass signed on to compose the score for Candyman, he apparently envisioned the final film being something totally different. According to Rolling Stone, “What he'd presumed would be an artful version of Clive Barker's short story ‘The Forbidden’ had ended up, in his view, a low-budget slasher.” Glass was reportedly disappointed in the film, and felt that he had been manipulated. Still, the haunting music is considered a classic score—and Glass’s own view of it seems to have softened over time. “It has become a classic, so I still make money from that score, get checks every year,” he told Variety in 2014.

11. MANY OF THE FILM'S SCENES WERE SHOT AT CABRINI-GREEN.

In 2011, the last remaining high-rise in the Cabrini-Green housing project was demolished. Over the years, the property—which opened in 1942—gained a notorious reputation around the world for being a haven for violence, drugs, gangs, and other criminal activities. While the project’s real-life history weaves its way into the narrative of Candyman, it only makes sense that Rose would want to shoot there. Which he did. But in order to gain permission to shoot there, he had to agree to cast some of the residents as extras.

“I went to Chicago on a research trip to see where it could be done and I was shown around by some people from the Illinois Film Commission and they took me to Cabrini-Green,” Rose said. “And I spent some time there and I realized that this was an incredible arena for a horror movie because it was a place of such palpable fear. And rule number one when you're making a horror movie is set it somewhere frightening. And the fear of the urban housing project, it seemed to me, was actually totally irrational because you couldn't really be in that much danger. Yes, there was crime there, but people were actually afraid of driving past it. And there was such an aura of fear around the place and I thought that was really something interesting to look into because it's sort of a kind of fear that's at the heart of modern cities. And obviously, it's racially motivated, but more than that—it's poverty motivated.”

12. THE FILM’S PRODUCERS WERE WORRIED THAT THE FILM WOULD BE CONSIDERED RACIST.

During pre-production, Candyman’s producers began to worry that the film might draw criticism for being racist, given that its villain was black and it was largely set in an infamous housing project. “I had to go and have a whole set of meetings with the NAACP, because the producers were so worried,” Rose told The Independent. “And what they said to me when they'd read the script was 'Why are we even having this meeting? You know, this is just good fun.' Their argument was 'Why shouldn't a black actor be a ghost? Why shouldn't a black actor play Freddy Krueger or Hannibal Lecter? If you're saying that they can't be, it's really perverse. This is a horror movie.'”

13. STILL, SOME FILMMAKERS COMPLAINED THAT IT WAS RACIST.

In a 1992 story in the Chicago Tribune, some high-profile black filmmakers expressed their disappointment that the film seemed to perpetuate several racist stereotypes. “There’s no question that this film plays on white middle-class fears of black people,” director Carl Franklin (Out of Time, Devil in a Blue Dress) said. “It unabashedly uses racial stereotypes and destructive myths to create shock. I found it hokey and unsettling. It didn't work for me because I don’t share those fears, buy into those myths.”

Reginald Hudlin, who directed House Party, Boomerang, and Marshall, described the film as “worrisome,” though he didn’t want to speak on the record about his specific issues with the film. “I've gotten calls about [the movie], but I think I'm going to reserve comment,” he said. “Some of my friends are in it and I may someday want to work for TriStar.”

For Rose, those assessments may have been hard to hear, as his goal in adapting Barker’s story and directing it was to upend the myths about inner cities. “[T]he tradition of oral storytelling is very much alive, especially when it's a scary story,” he told The Independent. “And the biggest urban legend of all for me was the idea that there are places in cities where you do not go, because if you go in them something dreadful will happen—not to say that there isn't danger in ghettos and inner city areas, but the exaggerated fear of them is an urban myth.”

14. IT’S STILL THE ROLE THAT MADSEN IS MOST RECOGNIZED FOR (ESPECIALLY AT AIRPORTS).

Kasi Lemmons and Virginia Madsen in 'Candyman'
PolyGram Filmed Entertainment

Though she earned a Best Supporting Actress nomination in 2005 for Alexander Payne’s Sideways, in 2012 Madsen said that Candyman is still the role she is most recognized for—especially at airports.

“More people recognize me from that movie than anything I’ve done,” she told HorrorNewsNetwork. “It means a lot to me. It was after years of struggling. As an actor, you always want a film that’s annual, like It’s a Wonderful Life or A Christmas Story. I just love that I have a Halloween movie. Now it’s kind of legend this story. People have watched it since they were kids, and every Halloween it’s on, and they watch it now with their kids. That means a lot to me. The place I get recognized the most is the airport security for some reason. Every person in airport security has seen Candyman. Maybe it makes them a little afraid of me.”

15. THERE WAS AN ACTUAL CANDYMAN KILLER.

Though the Chicago-based legend of Candyman is a work of fiction, there was an actual serial killer known as “Candyman” or “The Candy Man.” Between 1970 and 1973, Dean Corll kidnapped, tortured, and murdered at least 28 young boys in the Houston area. Corll earned his sweet nickname from the fact that his family owned a candy factory.

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