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12 Foreign Travel Tips for Visiting America

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What's it like to visit the United States for the first time? Here's some advice people around the world give their fellow citizens about navigating the peculiarities of American culture.

1. THEY TEND TO HORSE LAUGH, EVEN THE WOMEN. IT’S HOW THEY SHOW THEY’RE HONEST. [JAPAN]

Get ready to laugh:

In Japan, when a woman laughs, she places her hand so it does not show her mouth. It is disgraceful to laugh by loudly opening the mouth. Adult males do not laugh much. There is the saying, "Man, do not laugh so much that you show your teeth."

In America, when men or women laugh, they do not turn away. They face front, open the mouth, and laugh in a loud voice. This is because in America if you muffle your laugh or turn away while laughing, you give the impression that you are talking about a secret or name-calling.

2. BE FRIENDLY TO NOSY STRANGERS. GRIND THEIR KNUCKLES! [FRANCE]

The French kiss before, during, and after social encounters. But before heading to the U.S., work on your handshake:

Americans have a firm handshake, so do not hesitate to grind their knuckles. It is also a sign you have confidence in yourself.

3. AMERICANS WILL EAT ANYWHERE. EVEN BUSINESS MEETINGS. [ITALY]

Marco Scandali lauds the American tendency to only use first names in the workplace, but isn't a fan of the meetings:

Their meetings are often a torture, since eating inside the conference room is universally accepted. I, however, cannot discuss work with someone who licks dirty smelly sauces off his fingers. We are not at an actual table, dammit!

4. POLITENESS IS BOTH GENUINE AND A SURVIVAL TECHNIQUE. STILL, THEY DON’T REALLY WANT TO BE YOUR FRIEND. [GERMANY]

German blogger Otto Buchenegger breaks it down for both cultures:

In a country with extreme mobility, it is very important to be open and friendly to strangers. This has nothing to do with genuine friendship in our sense, and there are long-lasting friendships in the United States, but if someone says, ‘I'm your friend,’ it often means nothing more than ‘I am sympathetic and want you to feel here is your home, too’. It is not the beginning of a long friendship.

5. EVERYTHING IS SO DAMN INSPIRING. [FRANCE]

You might hear the word "inspiring" a lot:

Everything must be "inspiring" and push transcendence. We go to the movies, there is a choice between the biopic Lincoln, The Avengers or Les Misérables, each so inspiring in their own way. The books are inspiring, everyday people are inspiring (such as all the people with children and a job at the same time, teachers, etc...). I confess that I have a little trouble with this cult of everyday heroes.

6. SOMEONE IS ALWAYS WATCHING. [RUSSIA]

The travel site tonkosti explains why Americans obey the law:

There is too much law-abiding in Americans. It makes them seem naïve to Russians. But it is due to the fact that almost everywhere is installed hidden cameras; in the shops, on the streets, in restaurants, hotels and so on. Hence, any offense cannot go unnoticed. It is better to stick to the letter of U.S. law than to escape from its clutches and reduce to zero the probability of re-visiting the American continent.

7. THEIR VENDING MACHINES ARE RIDICULOUSLY LIMITED AND DISHONEST. [JAPAN]

Vending machines in the United States just give carbonated beverages. Coke particularly. If you try to buy the juice from a vending machine when you’re thirsty, it’s just all carbonate. I pressed the button and thought it would be a nice orange juice, but carbonate came out. I love carbonated, but there are times when it will make you sick indeed.

8. UNDERAGE DRINKING IS NOT OK. [ITALY]

Like many other nations, Italy is perplexed by America’s attitude toward underage drinking. According to the travel information site America4you, Americans will take every opportunity to separate a boy and his booze:

In America you can safely buy a gun and carry it around, but regarding alcohol, no chance. If you go into a club, the man at the entrance will ask you for a document proving your age; same thing in a bar when you order a beer or even just in a supermarket!

9. NO INTERRUPTING. [CHINA]

But speak when spoken to:

The best guests have the best ears. Americans also allow others to criticize the United States; a host often asks what the guests think of the United States, and he would be happy to exchange views.

10. BE PREPARED TO HEAR BEDROOM LANGUAGE IN PUBLIC. [GERMANY]

Not dirty words, but intimate ones. Americans will call anyone their sweetheart:

If you stroll through America's shopping malls or are in a restaurant for dinner, you'll often hear the words, "Darling, Sweetheart, Sweetie, and Luv" or other terms of endearment, which belong in the personal realm. Americans are much more frivolous and relaxed with these nicknames, and they do not carry the same meaning as they do with us.

11. DON'T BE WEIRDED OUT IF AMERICANS PUT THEIR FEET UP ON STUFF. [RUSSIA]

Americans don't even realize how strange this is!

When Americans are talking, they might put their foot on a nearby chair, or even a table. They might cross their legs so that one foot rests on the opposite knee. In American culture, it is considered an acceptable norm.

12. THEY’RE SO WEIRDLY OPTIMISTIC YOU JUST CAN’T STAY IRRITATED AT THEM. [JAPAN]

In Japan, failure can be humiliating. But things are different in the U.S.:

In America, you can make mistakes, fail, and it doesn’t matter. It is a fundamental feeling that to sometimes be incorrect is natural. In addition, rather than thinking about mistakes and failures, American’s have curiosity and say, "Let’s try anyway!"

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10 Regional Twists on Trick-or-Treating
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Walk around any given American neighborhood on the night of October 31, and you’ll likely hear choruses of "trick-or-treat" chiming through the area. The sing-songy phrase is synonymous with Halloween in some parts of the world, but it's not the only way kids get sweets from their neighbors this time of year. From the Philippines to the American Midwest, here are some regional door-to-door traditions you may not have heard of.

1. PANGANGALULUWA // THE PHILIPPINES

Rice cakes wrapped in leaves.
Suman

The earliest form of trick-or-treating on Halloween can be traced back to Europe in the Middle Ages. Kids would don costumes and go door-to-door offering prayers for dead relatives in exchange for snacks called "soul cakes." When the cake was eaten, tradition held that a soul was ferried from purgatory into heaven. Souling has disappeared from Ireland and the UK, but a version of it lives on halfway across the world in the Philippines. During All Saints Day on November 1, Filipino children taking part in Pangangaluluwa will visit local houses and sing hymns for alms. The songs often relate to souls in purgatory, and carolers will play the part of the souls by asking for prayers. Kids are sometimes given rice cakes called suman, a callback to the soul cakes from centuries past.

2. PÃO-POR-DEUS // PORTUGAL

Raw dough.
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Instead of trick-or-treating, kids in Portugal go door-to-door saying pão-por-deus ("bread for god") in exchange for goodies on All Saints Day. Some homeowners give out money or candy, while others offer actual baked goods.

3. HALLOWEEN APPLES // WESTERN CANADA

Kids trick-or-treating.
iStock

If they're not calling out "trick-or-treat" on their neighbors’ doorsteps on Halloween night, you may hear children in western Canada saying "Halloween apples!" The phrase is left over from a time when apples were a common Halloween treat and giving out loose items on the holiday wasn't considered taboo.

4. ST. MARTIN'S DAY // THE NETHERLANDS

The Dutch wait several days after Halloween to do their own take on trick-or-treating. On the night of November 11, St. Martin's Day, children in the Netherlands take to the streets with their homemade lanterns in hand. These lanterns were traditionally carved from beets or turnips, but today they’re most commonly made from paper. And the kids who partake don’t get away with shouting a few words at each home they visit—they’re expected to sing songs to receive their sugary rewards.

5. A PENNY FOR THE GUY // THE UK

Guy Fawkes Night celebration.

Peter Trimming, Wikimedia Commons // CC BY-SA 2.0

Guy Fawkes Night is seen by some as the English Protestants’ answer to the Catholic holidays associated with Halloween, so it makes sense that it has its own spin on trick-or-treating. November 5 marks the day of Guy Fawkes’s failed assassination attempt on King James as part of the Gunpowder Plot. To celebrate the occasion, children will tour the neighborhood asking for "a penny for the guy." Sometimes they’ll carry pictures of the would-be-assassin which are burned in the bonfires lit later at night.

6. TRICKS FOR TREATS // ST. LOUIS, MISSOURI

Kids knocking on a door in costume.
iStock

If kids in the St. Louis area hope to go home with a full bag of candy on Halloween, they must be willing to tickle some funny bones. Saying "tricks-for-treats" followed by a joke replaces the classic trick-or-treat mantra in this Midwestern city. There’s no criteria for the quality or the subject of the joke, but spooky material (What’s a skeleton’s favorite instrument? The trombone!) earns brownie points.

7. ME DA PARA MI CALAVERITA // MEXICO

Sugar skulls with decoration.
iStock

While Dia de los Muertos, or Day of the Dead, is completely separate from Halloween, the two holidays share a few things in common. Mexicans celebrate the day by dressing up, eating sweet treats, and in some parts of the country, going house-to-house. Children knocking on doors will say "me da para mi calaverita" or "give me money for my little skull," a reference to the decorated sugar skulls sold in markets at this time of year.

8. HALLOWEEN! // QUEBEC, CANADA

Kids dressed up for Halloween.
iStock

Trick-or-treaters like to keep things simple in the Canadian province of Quebec. In place of the alliterative exclamation, they shout “Halloween!” at each home they visit. Adults local to the area might remember saying "la charité s’il-vous-plaît "(French for “charity, please”) when going door-to-door on Halloween, but this saying has largely fallen out of fashion.

9. SWEET OR SOUR // GERMANY

Little girl trick-or-treating.
iStock

Halloween is only just beginning to gain popularity in Germany. Where it is celebrated, the holiday looks a lot like it does in America, but Germans have managed to inject some local character into their version of trick-or-treat. In exchange for candy, kids sometimes sing out "süß oder saures"—or "sweet and sour" in English.

10. TRIQUI, TRIQUI HALLOWEEN // COLOMBIA

Kids dressed up for Halloween.
Rubí Flórez, Flickr // CC BY-NC-ND 2.0

Kids in Colombia anticipate dressing up and prowling the streets on Halloween just as much as kids do in the States. There are a few significant variations on the annual tradition: Instead of visiting private residencies, they're more likely to ask for candy from store owners and the security guards of apartment buildings. And instead of saying trick-or-treat, they recite this Spanish rhyme:

Triqui triqui Halloween
Quiero dulces para mí
Si no hay dulces para mí
Se le crece la naríz

In short, it means that if the grownups don't give the kids the candy they're asking for, their noses will grow. Tricky, tricky indeed

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11 Thrilling Facts About Dial M for Murder
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In 1953 Alfred Hitchcock was looking for a new project after a film he’d been developing fell through. Sensing a need to go back to his safe space of murderous thrillers, he opted to adapt a stage play that had already proved to be a hit on British television. Though he had no particular attachment to the project, Dial M for Murder would ultimately become one of Hitchcock’s best-known—and best-loved—classics.

From the film’s use of 3D to the debut of Grace Kelly in Hitchcock’s filmography to a pivotal murder sequence that made the director lose weight from stress, here are 11 facts about Dial M for Murder.

1. IT’S BASED ON A STAGE PLAY.

Dial M for Murder is, in terms of locations and number of characters, a relatively sparse film that barely leaves its primary set. This is because it was based on a stage play by Frederick Knott, which premiered as a BBC TV special in 1952 and later opened at London’s Westminster Theater and, eventually, Broadway. After seeing the BBC production, producer Sir Alexander Korda purchased the rights to make the film version, and later sold them to Warner Bros. for $75,000.

2. ALFRED HITCHCOCK THOUGHT HE WAS “COASTING” WHEN HE MADE THE FILM.

By 1953, when Dial M for Murder arrived at Warner Bros., Hitchcock was developing a project called The Bramble Bush, the story of a man who steals another man’s passport, only to find out that the original owner is wanted for murder. Hitchcock wrestled with the story for a while, but was never satisfied with it. When Dial M for Murder landed at the studio, Hitchcock knew the play had been a hit, and opted to direct it. As he later told fellow director François Truffaut, he found the film to be “coasting, playing it safe,” as he was already known as a thriller filmmaker.

3. IT’S HITCHCOCK’S ONLY 3D FILM.

In the early 1950s, the 3D movie craze was raging, and Warner Bros. was eager to pair it with the fame of Hitchcock. So, the director was ordered to use the process on Dial M for Murder. This meant Hitchcock had to work with the giant cameras necessary for the process, but there was also a trade-off that makes the film fascinating—even in 2D. In order to make the film look appropriately interesting in 3D, Hitchcock added a pit into the floor of the set, so the camera could move at lower angles and captures objects like lamps in the foreground. As a result, the film looks like no other Hitchcock ever shot, particularly for the infamous scissors murder that’s the film's thrilling centerpiece. Unfortunately, by the time Dial M for Murder was released in 1954, the 3D fad was dying out, so the film was shown in 2D at most screenings.

4. IT WAS HITCHCOCK’S FIRST FILM WITH GRACE KELLY.

Of all of the iconic blonde stars Hitchcock cast in his films, the most famous is almost undoubtedly Grace Kelly, the actress-turned-princess who first joined him for this film. Hitchcock once described Kelly as a "rare thing in movies ... fit for any leading-lady part,” and it was said he had the easiest working relationship with her of any star. They worked so well together that they went on to make two more films, Rear Window in 1954 and To Catch a Thief in 1955.

5. IT TAKES PLACE ALMOST ENTIRELY INDOORS.

Because Dial M for Murder is based on a stage play, the original script had very little in the way of outdoor set pieces. Hitchcock wanted to keep it that way, as he later explained to Truffaut:

“I’ve got a theory on the way they make pictures based on stage plays; they did it with silent pictures, too. Many filmmakers would take a stage play and say, ‘I’m going to make this into a film.’ Then they would begin to ‘open it up.’ In other words, on the stage it was all confined to one set, and the idea was to do something that would take it away from the confined stage setting.”

Hitchcock wanted to keep the confinement intact, so almost all of the action in the film takes place indoors, largely in the Wendices' apartment. This adds to the intimacy and tension.

6. HITCHCOCK PERSONALLY CHOSE EVERY PROP.

Hitchcock was always known as a meticulous director obsessed with detail, but on Dial M for Murder he was particularly detail-oriented, in part because the 3D cameras were going to capture objects in a way his other films hadn’t. As a result, he selected all of the objects in the Wendice apartment himself, and even had a giant false telephone dial made for the famous “M” close-up in the title sequence.

7. KELLY’S WARDROBE GROWS DARKER ON PURPOSE.

Grace Kelly in 'Dial M for Murder' (1954)
Warner Home Video

Hitchcock’s exacting eye also led to an elaborate “color experiment” to portray the psychological condition of Kelly’s character. As the film begins, the colors she wears are all very bright, suggesting a happy life in which she doesn’t suspect anything is wrong. As the film grows darker for her, to the point that she’s framed for murder, the wardrobe grows darker and “more somber,” as Hitchcock put it.

8. KELLY WON A PARTICULAR WARDROBE ARGUMENT.

For the scene in which Swann (Anthony Dawson) attempts to murder Margot (Kelly) by strangling her (until she manages to stab him with a pair of scissors), Hitchcock had another exacting wardrobe request. He had an elegant velvet robe made for Kelly, hoping to create interesting textural effects as the lights and shadows played off the fabric while she fought for her life. Kelly reasoned that, since Margot was alone in the apartment (as far as she knew) and was only getting out of bed to answer the phone, she wouldn’t bother to put on a robe.

“I said I wouldn't put on anything at all, that I'd just get up and go to the phone in my nightgown. And [Hitchcock] admitted that was better, and that's the way it was done,” Kelly later recalled.

9. HITCHCOCK WAS SO NERVOUS ABOUT THE PIVOTAL SCENE THAT HE LOST WEIGHT.

Dial M for Murder was shot in just 36 days, but the director took special care with one scene in particular: the murder sequence in which Margot stabs Swann with the scissors. Not only was it a key scene in the film, but it was also a moment that required particular care to make the 3D effects work. Hitchcock agonized over the scene to such a degree that he apparently lost 20 pounds during filming.

"This is nicely done but there wasn't enough gleam to the scissors, and a murder without gleaming scissors is like asparagus without the hollandaise sauce—tasteless,” he reportedly said after one take.

10. HITCHCOCK MAKES HIS CAMEO IN A PHOTOGRAPH.

Hitchcock became known throughout his career for making cameos in his films, ranging from the very subtle (you can see his silhouette in neon outside the window in Rope) to the more elaborate (missing the bus in the opening sequence of North by Northwest). In Dial M for Murder, his cameo falls somewhere in between. He appears in a class reunion photo in the Wendice apartment, seated at a banquet table among other men.

11. IT’S BEEN REMADE FOUR TIMES.

Michael Douglas and Gwyneth Paltrow in 'A Perfect Murder' (1998)
Warner Bros.

Dial M for Murder was a film adaptation of a stage play that had also already been adapted for television in Britain, and it proved popular enough that four more adaptations followed. In 1958, NBC broadcast a Hallmark Hall of Fame production, in which both Anthony Dawson and John Williams returned to play Swann and Chief Inspector Hubbard, respectively. A 1967 ABC television production of the play co-starred Laurence Harvey and Diane Cilento. A television movie starring Angie Dickinson and Christopher Plummer was produced in 1981, and in 1998 the play served as the inspiration for the film A Perfect Murder, starring Michael Douglas and Gwyneth Paltrow.

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