CLOSE
Original image
Eric Liebowitz/Netflix

15 Fun Facts About Unbreakable Kimmy Schmidt

Original image
Eric Liebowitz/Netflix

Since its debut in the spring of 2015, Netflix’s Unbreakable Kimmy Schmidt has become a bona fide pop culture obsession. The brainchild of Tina Fey and Robert Carlock, who worked together on Saturday Night Live and 30 Rock, the comedy series has also scored major accolades from critics, as evidenced by the 11 Emmy nominations it has (so far) received, including nods for Outstanding Comedy Series in both 2015 and 2016. Here are 15 things you might not know about the streaming series.

1. IT WAS ORIGINALLY TITLED TOOKEN.

Inspired by her two daughters—ages four and 10—Tina Fey originally intended for the series to be called Tooken. NBC, the original network behind the show, however, rejected the title.

2. HAD THE TITLE STUCK, THE THEME SONG WOULD HAVE BEEN DIFFERENT.

While fans of the series will undoubtedly recognize “Unbreakable! They alive, damnit! It’s a miracle!” as the catchy chorus behind Unbreakable Kimmy Schmidt’s theme song, Tooken would have had a slightly different tune. As gathered from an October 22, 2013 draft of the Tooken pilot script, Mr. Bankston would have sung something to the auto-tuned likes of:

Them girls got tooken / I was cutting up bike tires with my grandson when outta nowhere/ forty hundred police vehicles came bookin’ / they went busting in that weird old white dude’s house / we call him “Spiral Eyes” / my wife says he’s just a nerd / I say cult! / I knew somethin’ was up ‘cuz I seen him in town at Publix buying feminine napkins. Who that for?!

3. WHEN THE TITLE CHANGED, SO DID THE SHOW’S DIRECTION.

Veering away from the darker side of Kimmy’s past, Fey and Carlock decided to focus on Kimmy moving forward with her life. “Once we agreed upon this [title], it ended up informing the episodes. They did end up leaning more towards the positive and the future as opposed to what had happened in the past,” Fey told BuzzFeed. Because of this, the darker humor was toned down, as demonstrated by the removal of a scene in the early draft in which Kimmy, after discovering a rat in the bunker, is locked inside a metal box by the Reverend.

4. THERE WAS A FIFTH MOLE WOMAN.

Another element removed from Tooken was the story of a fifth mole woman. In the early draft, an FBI agent named Clarisse finds herself as the fifth member of the bunker. She explains her capture to Matt Lauer in the beginning of the episode: While following a tip, she finds the Reverend at his farmhouse in Indiana. He, however, quickly disarms her and throws her in an old refrigerator, keeping her there until she is willing to join the others in the bunker.

5. KIMMY WAS WRITTEN WITH ELLIE KEMPER IN MIND.

"I still am not sure what in my face screams 'bunker-cult victim' to [show creators Robert Carlock and Tina Fey], but something did, so they went with that," star Ellie Kemper told NPR about the title role being written specifically for her.

6. AUDIENCES ALMOST MISSED OUT ON MEETING KIMMY ALTOGETHER.

unbreakable kimmy schmidt
Eric Liebowitz/Netflix

Even with its new title and more positive spin, NBC feared that Unbreakable Kimmy Schmidt wouldn’t be a good fit with their drama-heavy TV lineup. If it failed to generate positive ratings, the network would have no choice but to cancel the show in which they had already invested 13 episodes. Because of this, in November of 2014, NBC happily agreed to sell the series to Netflix, who made a two-season commitment.

7. THE MOVE TO NETFLIX GAVE THE CREATORS MORE FREEDOM.

While the first six episodes of the series were originally edited with the thinking that they would air on NBC, the creators were allowed to reedit the episodes once Netflix purchased the series. Jokes that were deemed unfit for broadcast were allowed to be edited back in, breaks in the story for commercials were removed, and the episodes were no longer constrained to fit the network’s 22-minute time slot.

8. EVEN THOUGH TITUS ANDROMEDON WAS NAMED AFTER TITUSS BURGESS, THE ACTOR STILL HAD TO AUDITION FOR THE PART.

Impressed with his appearances on 30 Rock, Carlock and Fey found themselves developing the character of Titus for Burgess. But they weren’t sure whether Burgess had the singing prowess the character needed. “We thought, okay, he can hit one-liners, and he has presence and style, but we started to mold the character without really knowing how deep the chest was,” Carlock told Entertainment Weekly. “I mean, he had to audition for a part named after him!"

9. “PEENO NOIR” WAS A LAST-MINUTE ADDITION.

Jeff Richmond, Fey’s husband and composer/executive producer for both Unbreakable Kimmy Schmidt and 30 Rock, admitted that Titus’s tune, “Peeno Noir,” was thought up on the spot. Behind schedule on that particular day of shooting, Richmond played the ringtone beat while the writers shouted out rhymes for Burgess to perform. It wasn’t until after the footage was shot that Richmond began layering in the different elements of the song, turning it into the viral hit we know today.

And as for the beat? Richmond confessed that the beat behind “Peeno Noir” comes from the 30 Rock segment “La Piscine,” in which Denise Richards sings about her love for the pool. “We needed something,” Richmond told The Hollywood Reporter. “We were shooting in 10 minutes, so Giancarlo [Vulcano, Richmond's music associate] said, ‘What about 'La Piscine’?” and we said, ‘OK, perfect.’”

10. BURGESS NOW HAS HIS OWN BRAND OF PINOT NOIR.

Thanks to the immense popularity of “Peeno Noir,” Burgess decided to create his own brand of Pinot Noir. Pinot By Tituss was first announced via Burgess’s Instagram and became available to consumers on March 14, 2016. A 2014 Santa Barbara County Pinot Noir, Pinot by Tituss is described as possessing "aromas of dried fruits, slate, subtle rosemary, coriander and roses lead to flavors of plum and black cherry cola.”

11. FEY AND CARLOCK HAD ALWAYS INTENDED FOR JANE KRAKOWSKI TO PLAY JACQUELINE VOORHEES.

unbreakable kimmy schmidt
Eric Liebowitz/Netflix

However, when it came time to film the pilot, Krakowski was unavailable as she was committed to Fox’s comedy Dead Boss. So actress Megan Dodds was cast in the role. After it was announced that Krakowski’s Dead Boss had been canceled, she was quickly brought in to replace Dodds as Jacqueline Voorhees. Trusting Fey and Carlock from their 30 Rock days together, Krakowski agreed to the part without having read the scripts.

With Dodds out, Krakowski reshot the few scenes in which Jacqueline appears in the pilot. “There were no actors there, but I read the scene with a stand-in and script supervisor,” Krakowski told The Hollywood Reporter. “They just pasted me in, and I started filming a few weeks later. I really didn't even know who I was playing. It was that quick. We filmed it properly again once I knew where everything was going.”

12. THE CREATORS FOUND EVEN GREATER FREEDOM WITH SEASON TWO.

Unlike the first season, season two’s writing began with the knowledge that all 13 episodes would stream directly on Netflix. Because of this, a whole new world opened up for the show, one full of jokes, themes, and storylines that would otherwise be unimaginable for network television. But Fey and Carlock had to fight the many temptations of this newfound freedom, and instead they focused on what had brought them success in season one. “We definitely have the freedom to kind of explore these ideas, but we also became aware just anecdotally after season one premiered that we have, in a lot of ways, a very young audience," Fey said.

13. THERE WAS A SLIGHT DELAY WITH SEASON THREE.

While a third season of Kimmy Schmidt was confirmed in early 2016, it took a little while to reach audiences. In order to debut its second season in the spring of 2016, season two filmed throughout the summer of 2015. But filming of season three had to be delayed due to a couple of timing issues—both of them happy ones: Tina Fey working on adapting Mean Girls into a musical and Ellie Kemper being pregnant with her first child; Kemper's son, James Miller Koman, was born in the summer of 2016.

14. THERE'S A CONNECTION BETWEEN KIMMY SCHMIDT AND THE AMERICANS.

In 2015, one eagle-eyed viewer noticed a strange connection between Unbreakable Kimmy Schmidt and The Americans: the opening credits for both series contain the same footage of a little girl hula-hooping. While The Gregory Brothers, who created the trailer for Kimmy Schmidt, denied any connection, the Internet concocted some entertaining common universe fan theories:

15. EVEN MORE KIMMY SCHMIDT IS ON THE WAY.

On June 13, 2017, just a few weeks after season three's debut, Netflix demonstrated its faith in the newest episodes of Unbreakable Kimmy Schmidt by renewing the show for a fourth season.

Original image
Brendon Thorne/Getty Images
arrow
entertainment
30 Memorable Quotes from Carrie Fisher
Original image
Brendon Thorne/Getty Images

Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

Original image
Mabel Livingstone/Hulton Archive/Getty Images
arrow
entertainment
12 Surprising Facts About Bela Lugosi
Original image
Mabel Livingstone/Hulton Archive/Getty Images

On October 20, 1882—135 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios