CLOSE

Stalemate At Suvla Bay

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 196th installment in the series.  

August 6, 1915: Stalemate At Suvla Bay 

The repeated failure of Allied attacks against Turkish defensive positions at Cape Helles on the tip of the Gallipoli peninsula in June and July 1915 convinced the Allied commander at Gallipoli, Sir Ian Hamilton, that a fresh approach was required to shake up the strategic situation. The result was the second amphibious assault of the campaign, with four new British divisions wading ashore at Suvla Bay, about 12 miles north of the original landing sites, in an attempt to outflank the enemy and roll up Turkish defenses from behind (below, looking north towards Suvla Bay from ANZAC). This offensive came tantalizingly close to achieving its objective, but in the end “a miss was as good as a mile,” and the Turks were able to rush forward reinforcements, ending in yet another stalemate.

By the beginning of August 1915, the opposing forces on the Gallipoli Peninsula were roughly evenly matched. The Ottoman Fifth Army, repeatedly reinforced since April, now consisted of sixteen divisions numbering 250,000 men, but about a third of these were deployed across the straits, guarding the Asiatic side, or further north at the peninsula’s narrowest point on the eastern end of the Gulf of Saros. At the main battlefields of Cape Helles and ANZAC, eleven Turkish divisions (many under strength following hard fighting) occupied the trenches or were held in reserve nearby, facing the nine Allied divisions of the Mediterranean Expeditionary Force with around 150,000 troops. 

However by late summer fresh British troops were finally becoming available with the mobilization of the first divisions from “Kitchener’s New Army,” formed from hundreds of thousands of volunteers who responded to Secretary of State for War Lord Kitchener’s patriotic call to duty beginning in late 1914. Kitchener agreed to send two of the new divisions, the 10th (Irish) and 11th (Northern), to Gallipoli to carry out the amphibious landing, as well as the 53rd (Welsh) and 54th (East Anglian Divisions) to reinforce them once on shore. Another New Army division, the 13th (Western), was already ashore at the ANZAC position. The other Allied forces on the peninsula would stage diversionary attacks to distract the Turks and tie down their forces during the landings. 

“Mechanical Death Run Amok”

The landings took the Turks by surprise: although the Ottoman and German commanders guessed a new amphibious assault was coming, they disagreed as to where it would fall, thanks in part to elaborate ruses by British intelligence agents. As a result Essat Pasha, commanding the Turkish III Corps in the center of the peninsula, believed it would hit further south near the promontory called Kabatepe, while Liman von Sanders, the German general commanding the Fifth Army, was convinced they would strike further north, near the town of Bulair on the Gulf of Saros.

Only one Turkish officer, 19th Division commander Mustafa Kemal (later Kemal Atatürk) correctly predicted that the Allies would land at Suvla Bay – but his colleagues dismissed the idea, arguing the Allies would never attack in an area with such strong natural defenses, with rugged hills looming over a wide, exposed coastal plain whose only feature was a shallow salt lake that was dry for most of the year. Consequently there were virtually no troops actually holding these wonderful defensive positions, with a thin covering force of just 1,500 Turks facing around 25,000 attackers in the first wave. 

Click to enlarge

The operation began at 2:20 pm on August 6, 1915 with a diversionary attack by the British 29th Division on the Turkish 10th Division at Cape Helles; for reasons that aren't clear, this "feint" snowballed into another actual attempt to capture Krithia on the hill range called Achi Baba. The British suffered thousands of casualties but continued the assault the following day with a fresh attack by the neighboring 42nd Division and the two French divisions against the Turkish 13th and 14th Divisions, again resulting in major casualties.

Meanwhile the ANZAC forces also staged diversionary attacks, beginning with an attack by the First Australian Division on the Turkish position called Lone Pine, near the southern tail of the Sari Bahr hill range, on the evening of August 6. Approaching via a tunnel secretly extended to within yards of the Turkish frontline, the Australians advanced about a thousand feet, but the attack ground to a halt after Essat Pasha sent the Turkish 5th Division to reinforce the 16th Division, then mount a counterattack. Over the next few days Lone Pine was the scene of incredibly fierce fighting, as described by William Tope, a soldier in the Australian First Division who sheltered behind the dead bodies of the first wave of attackers: 

It was about that spot where I got caught with a hail of bombs… and it was the pile of bodies there that sheltered me, otherwise I wouldn’t be here today… I thought the best thing would be for me to be down in this trench that had no men in it at all, where these bodies were, because I felt that the counterattack could come at any time. I’d hardly got into position before a positive avalanche of bombs fell, puncturing these bodies, and up on top you’d hear the air coming out of the ones up there. I think they were aiming for the bodies that they could see. I was sheltering behind them, and I was there for all that day and the next night… 

At the same time the British 13th Division and the combined New Zealand and Australian Division attacked first north and then east, up the slopes of the Sari Bahr hills, with the goal of reaching Hill 971 (above, New Zealand troops resting during the advance on Sari Bahr). These attacks served to tie down Turkish forces while the British 10th and 11th Divisions landed at Suvla Bay almost unopposed, from the evening of August 6 through the morning of the following day.

Amid some confusion (some brigades ended up landing on the wrong beaches) the British troops began advancing on both sides of the dry salt lake, with some crossing over the dried lakebed itself (below), but soon ran into stiffening resistance from the massively outnumbered but well-entrenched defenders in the hills above the plain. John Hargrave, a member of the British ambulance service, witnessed the advance from a ship just offshore: 

Puffs of smoke hung on the hills, and the shore was all wreathed in the smoke of rifle and machine-gun fire. A deadly conflict this—for one Turk on the hills was worth ten British down below on the Salt Lake. There was no glory. Here was Death, sure enough—Mechanical Death run amok—but where was the glory? Here was organised murder—but it was steel-cold! There was no hand-to-hand glory… The crack and crash was deafening, and it literally shook the air... it quivered like a jelly after each shot. 

Despite this the British had every chance of overwhelming the thinly-held Turkish positions here, clearing the way for an advance to the first day’s objective – the strategic hilltops of Kavak Tepe and Tekke Tepe, located just a few miles inland. From here they would be able to join forces with the ANZAC troops breaking out to advance up the Sari Bahr hills, capture the central heights of Hill 971, and proceed to the final objective of Mal Tepe on the other side of the peninsula. This would force the Turkish Fifth Army to withdraw before it was trapped, finally giving the Allies control of the Dardanelles and setting the stage for the conquest of Constantinople. 

Illustrated London News, via Illustrated First World War

But now disaster – or rather disastrous incompetence – struck. The British officer in charge of the Suvla Bay landings, Lieutenant-General Sir Frederick Stopford, had never commanded troops in combat before; he soon turned out to be one of the worst commanders of the war. After getting his two divisions ashore (he remained aboard his command yacht), instead of immediately pressing on to Kavak Tepe and Tekke Tepe, Stopford let the troops rest while supply teams finished unloading all their food, tents, mules, and other not-particularly-crucial items on shore.

As the men bathed in the sea and sunned themselves on the beach, precious hours passed, giving von Sanders a chance to rush two divisions (the 7th and 12th) south from Bulair to bolster the meager defensive force. On August 8 the British divisions gradually moved forward and captured one of the first defensive positions, called Chocolate Hill (below, British troops on Chocolate Hill), and on August 9-10 they were reinforced by the 53rd and 54th Divisions. One new arrival, John Gallishaw, later recalled the journey up to the front lines: “Under cover of darkness we moved away silently, until we came to the border of the Salt Lake. Here we extended, and crossed it in open order, then through three miles of knee high, prickly underbrush, to where our division was entrenched... From the beach to the firing line is not over four miles, but it is a ghastly four miles of graveyard.”

But it was already too late: 72 hours had passed and two more Turkish divisions, the 4th and 8th, had arrived from the southern part of the peninsula. In short, Stopford had frittered away the element of surprise for no good reason at all. His incompetence would cost thousands of lives. 

“Like Corn Before a Scythe” 

With the Suvla Bay landings inexplicably stalled, after its initial success on August 6 the ANZAC breakout ran into serious trouble in the days that followed, as the Turkish 5th, 9th, 16th, and 19th Divisions arrived and strengthened their defensive positions in the rough, broken terrain of the Sari Bahr hills. Nonetheless at dawn on August 7 the Australians continued to press the attack with an all-out assault on “The Nek,” a narrow ridge connecting two hilltops. The result was one of the bloodiest engagements of the Gallipoli campaign, as recalled by Lieutenant William Cameron, who saw the dismounted Australian 3rd Light Horse Brigade charging the Turkish positions on foot: 

We saw them climb out and move forward about ten yards and lie flat. The second line did likewise ... As they rose to charge, the Turkish Machine Guns just poured out lead and our fellows went down like corn before a scythe. The distance to the enemy trench was less than 50 yards yet not one of those two lines got anywhere near it.

Things weren’t going much better elsewhere. Gerald Hurst, an officer with a battalion of Manchesters, described a futile assault on the Turkish positions at Cape Helles on August 7: “It was at once obvious that our guns had been unable to affect the strength and resisting power of the enemy's front line. Each advancing wave of the Manchesters was swept away by machine-gun fire. A few of them gallantly reached the Turkish trenches and fell there.” 

In fact the battle was only just beginning. By the morning of August 8 the Turks had created a very strong defensive position on top of the second tallest ridge in the Sari Bahr range, called Chunuk Bahr, which the ANZAC forces and British troops of the 13th Division had to capture for the rest of the plan to work. The New Zealand Brigade of the New Zealand and Australian Division carried out the main assault uphill against the Turkish positions and suffered severe casualties, but finally managed to dig in near the hilltops as reinforcements from the 13th Division began to arrive. One British officer, Aubrey Herbert, witnessed part of the battle from a distance: 

We saw our men in the growing light attack the Turks. It was a cruel and beautiful sight, for it was like a fight in fairyland; they went forward in parties through the beautiful light, with clouds crimsoning over them. Sometimes a tiny, gallant figure would be in front, then a puff would come and they would be lying still… Meanwhile, men were streaming up, through awful heat.

In the afternoon of August 8 a naval bombardment forced the Turks off the hilltops, which New Zealand, British, and Indian Gurkha troops now occupied. From here they could see the glinting surface of the Dardanelles and "The Narrows" on the other side of the peninsula; their goal was in sight. But they wouldn’t hold their hard-won prize for long: the Turks, fully aware of Chunuk Bahr’s strategic importance, were determined to get it back whatever the cost.

Click to enlarge

On August 10, Mustafa Kemal (now in charge of several divisions) launched a furious counterattack by the Turkish 8th and 9th Divisions, supported by artillery on the nearby Hill 971. The attack culminated in a dramatic charge by the Turkish infantry, while British naval bombardment rained shells on the blood-soaked hilltop. Kemal later recalled:

Chonkbayir [Chunuk Bair] was turned into a kind of hell. From the sky came a downpour of shrapnel and iron. The heavy naval shells sank deep into the ground, then burst, opening huge cavities all around us. The whole of Chonkbayir was enveloped in thick smoke and fire. Everyone waited for what Fate would bring. I asked one commander where his troops were. He replied, “Here are my troops – those who lie dead around us.” 

The British and ANZAC units holding the hilltop were simply wiped out of existence by the Turkish artillery and repeated infantry charges. Herbert noted the incredible cost of the battle: “The N.Z. Infantry Brigade must have ceased to exist. Meanwhile the condition of the wounded is indescribable. They lie in the sand in rows upon rows, their faces caked with sand and blood… there is hardly any possibility of transporting them… Some unwounded men almost mad from thirst, cursing.”

Click to enlarge

Sir Compton Mackenzie, an official observer with the British forces at Gallipoli, recorded similar impressions after the battle for Chunuk Bahr: “I went back outside the hospital, where there were many wounded lying. I stumbled upon poor A.C. (a schoolfellow), who had been wounded about 3 a.m. the day before, and had lain in the sun on the sand all the previous day… It was awful having to pass them. A lot of the men called out: “We are being murdered.” 

After achieving initial surprise, the British landings at Suvla Bay and the coordinated attack from ANZAC had once again resulted in stalemate, at a cost of 25,000 British casualties versus 20,000 for the Turks in just the period August 6-10 alone. Attacks and counterattacks would continue into late August, as both sides received reinforcements at Suvla Bay and ANZAC, (above, part of British 2nd Mounted Division forms up at Suvla on August 18; below, a New Zealand machine gunner at Sari Bahr in late August) – but there would be no significant changes in the frontline from now until the end of the Gallipoli campaign. 

The failure of the landings at Suvla Bay spelled not only doom for the Gallipoli campaign, but also the demise of any hope for a quick victory over the Central Powers. It was clear now that the Allied generals and politicians were out of ideas, and that the war would go on for years, spelling the end of the old way of life. Mackenzie recalled:

There was no vestige of hope left in my mind that the Suvla Landing could now succeed. I felt as if I had watched a system crash to pieces before my eyes, as if I had stood by the deathbed of an old order… The war would last now until we had all turned ourselves into Germans to win it. An absurd phrase went singing through my head. We have lost our amateur status to-night.

See the previous installment or all entries.

nextArticle.image_alt|e
Ben Leuner/AMC
arrow
entertainment
25 Fascinating Facts About Breaking Bad
Ben Leuner/AMC
Ben Leuner/AMC

On January 10, 2008, Breaking Bad made its debut. Though it didn’t premiere to over-the-top ratings, over the course of five seasons, it morphed into a television phenomenon—thanks in large part to word of mouth and the increasing popularity of binge-watching. At its most basic level, it’s the story of a soft-spoken chemistry teacher who, after being diagnosed with lung cancer, risks everything he has worked for to make sure his family will be taken care of in the event of his death. But, like all great TV shows, the story is really not that simple. And it evolves over time, with each season somehow—and miraculously—managing to top the one before it.

Regularly cited as one of the greatest television series of all time (Rolling Stone ranked it number three on its list of the 100 best shows, right in between Mad Men and The Wire), here are 25 things you might not have known about Breaking Bad, in honor of its 10th anniversary.

1. LOTS OF NETWORKS PASSED ON IT, INCLUDING HBO.

In 2016, it was announced that Vince Gilligan is working on a limited series about Jim Jones for HBO. But the “It’s not TV” network wasn’t always so hot on Gilligan. In a 2011 interview, Gilligan shared that he pitched Breaking Bad to HBO, and that it was “the worst meeting I’ve ever had.”

"The trouble with Hollywood—movies and TV—is people will leave you dangling on the end of a meat hook for days or weeks or months on end,” Gilligan said. “That happened at HBO. Like the worst meeting I ever had … The woman we [were] pitching to could not have been less interested—not even in my story, but about whether I actually lived or died.”

HBO wasn’t the only network that ultimately said no to Walter White: Showtime, TNT, and FX all passed on Breaking Bad, too, for various reasons.

2. THE NETWORK REALLY WANTED MATTHEW BRODERICK TO STAR.

It’s impossible to imagine Breaking Bad with anyone other than Bryan Cranston in the lead role, but he wasn’t as well known when the series kicked off, and AMC wanted a star. They were particularly interested in casting either Matthew Broderick or John Cusack in the lead.

"We all still had the image of Bryan shaving his body in Malcolm in the Middle,” a former AMC executive told The Hollywood Reporter about their initial reluctance to cast Cranston. “We were like, 'Really? Isn't there anybody else?’” But Gilligan had worked with Cranston before, on an episode of The X-Files, and knew he had the chops to navigate the quirks of the part. The network brass watched the episode, and agreed.

"We needed somebody who could be dramatic and scary yet have an underlying humanity so when he dies, you felt sorry for him,” Gilligan said. “Bryan nailed it."

3. JESSE PINKMAN WASN’T SUPPOSED TO LIVE PAST SEASON ONE.

Aaron Paul in 'Breaking Bad'
Doug Hyun/AMC

While Breaking Bad ultimately ended up being largely about the tumultuous partnership between Walter White and Jesse Pinkman, Jesse wasn’t originally intended to be a major character. While it’s often stated that he was supposed to be killed off in episode nine, and that it was the 2007-2008 Writers Guild of America strike that saved him, Gilligan set the record straight in 2013, saying it became clear much earlier than that that Jesse’s character—and his relationship to Walter—was integral to moving the show forward.

“The writers’ strike, in a sense, didn’t save him, because I knew by episode two—we all did, all of us, our wonderful directors and our wonderful producers,” Gilligan said. “Everybody knew just how good [Aaron Paul is], and a pleasure to work with, and it became pretty clear early on that that would be a huge, colossal mistake to kill off Jesse.”

When asked during a Reddit AMA about how he would have felt if Jesse had been killed off in season one, Paul posited that, “My career would be over. And I would be a sobbing mess watching week to week on Breaking Bad.”

4. THE WRITERS STRIKE DID CHANGE THE STORY ARC FOR SEASON ONE, WHICH TURNED OUT TO BE A GOOD THING.

The Writers Strike did end up shortening the show’s first season, which forced Gilligan to cut two episodes that would have seen Walter’s transformation into Heisenberg happen much more quickly—and violently. Gilligan was glad it worked out the way it did.

“We had plotted out all our episodes before the show ever went on the air, and we didn't know how well the show would be received,” Gilligan told Creative Screenwriting. “Not knowing how the public would take to it, you tend to want to be a little more sensational. You want to really keep the show exciting and interesting and keep 'em watching. All of that to say that those last two episodes, because of that, would have been really big episodes, and would have taken the characters into a hugely different realm than that they were already in, and it would have been a hard thing to come back from, coming into season two.”

“We're not just doing those two episodes coming into season two,” he added. “We threw those out completely and we're starting somewhere else. We're building more slowly than we otherwise would have built. I think that's really good, because I know we've all had our favorite shows that were really interesting up to a certain point, but maybe they just go too far, and then there's no going back from it. To me, the trick is to do as little as possible with the characters, and yet keep them as interesting as possible. It's a real balancing act.”

5. THE DEA HELPED OUT, AND EVEN TAUGHT BRYAN CRANSTON AND AARON PAUL HOW TO COOK METH.

Because of the subject matter, the show’s creators thought it was only right to inform the Drug Enforcement Administration (DEA) what they were making—and welcome their help. “We informed them—with all due respect and consideration—that we’re doing this show, and ‘Would you like to be a part of it in a consultancy in order to make sure that we get it right?’” Cranston told High Times. “They had the choice to say, ‘We don’t want anything to do with it.’ But they saw that it might be in their best interest to make sure that we do it correctly. So DEA chemists came onboard as consultants and taught Aaron Paul and me how to make crystal meth.”

6. THE SCIENCE IS SOUND, BUT NOT PERFECT. AND THAT WAS INTENTIONAL.

Vince Gilligan and Bryan Cranston on the set of 'Breaking Bad'
Doug Hyun/AMC

Dr. Donna Nelson, a chemistry professor at the University of Oklahoma, began serving as a science advisor on the show midway through the first season, and was tasked with making sure the show got its science right—or, at least as “right” as is safe.

“I don’t think there’s any popular show that gets it 100 percent right, but that’s not the goal,” Nelson told Mental Floss in 2013. “The goal is not to be a science education show; the goal is to be a popular show. And so there’s always going to be some creative license taken, because they want to make the show interesting.”

Of course—particularly with a show about drug-making—you don’t want to give viewers a primer on how to start their own meth empires. “In the case of Walter White, his trademark is the blue meth,” Nelson said. “In reality, it wouldn’t be blue; it would be colorless. But this isn’t a science education show. It’s a fantasy. And Vince Gilligan did a fantastic job of getting most of the science right. And I am just thrilled with that. I think Vince Gilligan is a genius, and you can quote me on that!”

7. THAT ICONIC BLUE METH IS ROCK CANDY.

Whenever you see Walter and Jesse’s signature blue meth, what you’re actually seeing is blue rock candy. More specifically: blue rock candy from The Candy Lady, a boutique candy store in Albuquerque. (They have a whole line of Breaking Bad-inspired treats, which they sell under The Bad Candy Lady line.)

8. GUS FRING’S ROLE WAS SUPPOSED TO BE MUCH SMALLER.

Initially, Giancarlo Esposito wasn’t interested in taking on the role of Gus Fring, which was a much smaller part in the beginning. “I had not seen Breaking Bad, but my manager at the time told me it was his favorite show,” Esposito told TIME. “My wife said I should I try it, but it was a guest spot and I’ve done a lot of guest spots. I wanted to develop a character. But I did one episode and then I agreed to do two more with the caveat that I wanted to be part of a filmmaking family.”

When Gilligan offered him another seven episodes for season three, Esposito countered that he wanted a bigger role. “There was some negotiating and I ended up doing 12,” Esposito said. “I wanted to create a character who became intrinsic to the show. And at some point, I realized that I had slid into the Breaking Bad family. Vince told me that I changed the game and raised the bar for the show. And I’m proud of that, but I could only do that because of the depth of the writing and due to the chemistry between Bryan Cranston and myself. And their writing inspired me to think, to create someone who was polite, threatening and poignant.”

9. GIANCARLO ESPOSITO CHANNELED HIS INNER EDWARD JAMES OLMOS.

Giancarlo Esposito in 'Breaking Bad'
Ursula Coyote/AMC

In the mid-1980s, Giancarlo Esposito made a few guest appearances on Miami Vice. The experience clearly had an effect on him, as he used Edward James Olmos’s character from that series, Lieutenant Martin Castillo, as a model for Gus Fring.

“Eddie did very little and he was very convincing,” Esposito told the Toronto Sun. “I also thought he was a bit flat, but he did very, very little in playing [Castillo] and I thought it was really effective. Juxtaposed to Philip Michael [Thomas] and Don [Johnson], who were at times a bit full of themselves but were doing a little bit of acting, Eddie was just doing his job. And I wanted Gus to be in that mode."

10. GILLIGAN GOT SOME HELP FROM THE WALKING DEAD CREW FOR FRING’S FINAL EPISODE.

Fring’s final sendoff is one of the most memorable visual images from the entire series—and they were able to enlist the help of some true gore experts. “Indeed we did have great help from the prosthetic effects folks at The Walking Dead,” Gilligan told The New York Times. “And I want to give a shout-out to Greg Nicotero and Howard Berger, and KNB EFX, those two gentlemen and their company, because their shop did that effect. And then that was augmented by the visual effects work of a guy named Bill Powloski and his crew, who digitally married a three-dimensional sculpture that KNB EFX created with the reality of the film scene. So you can actually see into and through Gus’s head in that final reveal. It’s a combination of great makeup and great visual effects. And it took months to do."

11. YES, AARON PAUL DOES SAY “BITCH” A LOT—BUT PROBABLY NOT AS MUCH AS YOU THINK.

While any Jesse Pinkman impression ends with a “bitch,” by one calculation, Paul uses the word a total of 54 times throughout the series. Which, considering there are 62 episodes, seems a little on the low side.

12. PAUL RELEASED A “YO, BITCH” APP.

Aaron Paul in 'Breaking Bad'
AMC

Even if that above number seems underwhelming, Pinkman’s favorite add-on became so synonymous with Paul that, in 2014, the actor released an app called Yo, Bitch.

13. WALTER’S BOSS AT THE CAR WASH IS A CHEMIST IN REAL LIFE.

Marius Stan, who played Bogdan, Walter’s boss at the car wash, wasn’t a familiar face to many of the show’s viewers. That’s because the series was his (and his eyebrows’) acting debut. In real life, rather coincidentally, he has a PhD in chemistry and, according to a Reddit AMA, is a “Senior Computational Energy Scientist at Argonne National Lab—which is one of the national laboratories under the U.S. Dept. of Energy—and a Senior Fellow at the University of Chicago, the Computation Institute."

14. WALTER WHITE’S ALTER EGO IS A NOD TO A REAL PERSON.

Walter White’s drug kingpin alter ego, Heisenberg, is a nod to Werner Heisenberg, a Nobel Prize-winning physicist who developed the principle of uncertainty.

15. HEISENBERG’S SIGNATURE HAT WAS A MATTER A PRACTICALITY. 

Bryan Cranston in 'Breaking Bad'
Frank Ockenfels 3/AMC

Heisenberg’s porkpie hat came to identify Walter White’s dark side, but it originated from a very practical place. “Bryan kept asking me, after he shaved his head, ‘Can I have a hat?’ because his head was cold,” Kathleen Detoro, the show’s costume designer, explained. “So I would ask Vince and he kept saying no; Jesse wore the hats. Finally, Vince said, ‘I think there’s a place …’ It was Bryan asking for a hat, me asking Vince, and then Vince figuring out where in the story it makes sense: It’s when he really becomes Heisenberg.” (If you want to buy your own Heisenberg hat, it was made by Goorin.)

16. THE WHITES’ HOUSE HAS BECOME A TOURIST ATTRACTION—AND LOTS OF PIZZA HAS BEEN THROWN ON THE ROOF.

Though Walter White and his family live at 308 Negra Arroyo Lane, the home that you see in exterior shots is actually located at 3828 Piermont Drive NE, a private home in Albuquerque that has become a pretty major tourist attraction. Many fans, caught up in the excitement of seeing the home where Walter White managed to hurl the world’s largest pizza onto the roof in one swift move, have attempted to recreate that scene—leaving the home’s owner with a regular mess.

In 2015, Gilligan appealed to the show’s fan base to refrain from throwing pizza onto the home’s roof. “There is nothing original, or funny, or cool about throwing a pizza on this lady’s roof,” Gilligan said. “It’s been done before—you’re not the first.”

“And if I catch you doing it, I will hunt you down,” added Jonathan Banks, in true Mike Ehrmantraut fashion.

17. CRANSTON MANAGED TO GET THAT PIZZA THROW IN ONE TAKE.

Speaking of that infamous pizza scene: It really was Cranston who threw it, and he managed to do it in one take. Gilligan called it a “one-in-a-million shot.”

18. TUCO GAVE JESSE A CONCUSSION.

A fight scene between Jesse and Tuco (Raymond Cruz) turned serious when Cruz ended up accidentally knocking Paul unconscious. “Yeah, Raymond Cruz who played Tuco gave me a concussion during the episode ‘Grilled,’ where Tuco takes Walt and Jesse to his shack in the middle of nowhere where we meet the famous Uncle Tio,” Paul said in a Reddit AMA. “Tuco takes Jesse and he throws him through the screen door outside, and if you watch it back you'll notice that my head gets caught inside the wooden screen door and it flips me around and lands me on my stomach and the door splinters into a million pieces. Raymond just thought I was acting so he continued and kicked me in the side and picked me up over his shoulder and threw me against the house, but in reality I was pretty much unconscious ... I kept pleading to him, saying ‘stop.’ The next thing I know I guess I blacked out and I woke up to a flashlight in our eyes and it was our medic. And then I hopped up acting like nothing wrong, but it appeared like I was drunk, and I kept saying, ‘Let's finish the scene’ but then my eye started swelling shut so they took me to the hospital. Just another fun day on the set of Breaking Bad!”

19. JANE’S DEATH WAS THE HARDEST SCENE FOR PAUL TO SHOOT.

When asked about the hardest scene to shoot during a Reddit AMA, Paul said that it was Jane’s death. “I honestly think the hardest scene for me to do was when Jesse woke up and found Jane lying next to him dead,” Paul said. “Looking at Jane through Jesse's eyes that day was very hard and emotional for all of us. When that day was over, I couldn't be happier that it was over because I really, truly felt I was living those tortured moments with Jesse.”

The scene was hard on Cranston, too, who reportedly spent 15 minutes crying after filming was complete.

20. MIKE’S DEATH WAS HARD FOR EVERYONE.

Jonathan Banks in 'Breaking Bad'
Frank Ockenfels/AMC

When asked about filming his final scene, Jonathan Banks shared that, “The crew on the set that day all wore black armbands all day long. There are a lot of friends on that crew. It was an emotional day to say the least on set—a lot of tears. Tough day, brother.”

21. JESSE’S TEETH STILL BOTHER GILLIGAN.

When asked about whether he had any regrets about the show or any of its storylines, Gilligan admitted to one: "One thing that sort of troubled me, looking back over the entirety of the show: Jesse's teeth were a little too perfect. There were all the beatings he took, and, of course, he was using meth, which is brutal on your teeth. He'd probably have terrible teeth in real life."

22. WARREN BUFFET RESPECTS WALTER WHITE’S BUSINESS ACUMEN.

Warren Buffet was a fan of the series, and even showed up to its fifth season premiere. On the red carpet, he expressed admiration of Walter White’s entrepreneurship, calling him "a great businessman," and saying that, "he’s my guy if I ever have to go toe-to-toe with anyone."

23. THERE ARE 62 EPISODES IN TOTAL—A NUMBER THAT HAS A SPECIAL MEANING. 

The cast of 'Breaking Bad'
Frank Ockenfels/AMC

Over the course of five seasons, Breaking Bad produced a total of 62 episodes—which is no arbitrary number. The 62nd element on the periodic table is Samarium, which is used to treat a range of cancers, including lung cancer.

24. THE FINAL DEATH TOLL IS PRETTY IMPRESSIVE.

Though you may have underestimated the number of times Jesse uttered “bitch,” you might be surprised by how many people were killed throughout the show’s entire run: 270. (BuzzFeed created a thorough breakdown of some of the most memorable ones.)

25. IN 2016, A METH COOK NAMED WALTER WHITE WAS WANTED BY THE AUTHORITIES.

In 2016, a 55-year-old man named Walter White rose to the top of Tuscaloosa, Alabama’s most wanted list for manufacturing and selling meth. Though White wasn’t a teacher, there have been other real-life stories that mirrored Walter White’s descent into the criminal underworld: In 2012, a chemistry teacher named William Duncan was arrested for selling meth; in 2011, Irina Kristy, a 74-year-old math professor, was arrested for running a meth lab.

nextArticle.image_alt|e
Hulton Archive, Getty Images
arrow
entertainment
7 Things You Might Not Know About Audrey Hepburn
Hulton Archive, Getty Images
Hulton Archive, Getty Images

Though she’ll always be known as the little-black-dress-wearing big-screen incarnation of Holly Golightly from Breakfast at Tiffany’s, there’s probably a lot you don’t know about Audrey Hepburn, who passed away in Switzerland on January 20, 1993.

1. HER FIRST ROLE WAS IN AN EDUCATIONAL FILM.

Though 1948’s Dutch in Seven Lessons is classified as a “documentary” on IMDb, it’s really more of an educational travel film, in which Hepburn appears as an airline attendant. If you don’t speak Dutch, it might not make a whole lot of sense to you, but you can watch it above anyway.

2. GREGORY PECK WAS AFRAID SHE’D MAKE HIM LOOK LIKE A JERK.

Hepburn was an unknown actress when she was handed the starring role of Princess Ann opposite Gregory Peck in 1953’s Roman Holiday. As such, Peck was going to be the only star listed, with Hepburn relegated to a smaller font and an “introducing” credit. But Peck insisted, “You've got to change that because she'll be a big star and I'll look like a big jerk.” Hepburn ended up winning her first and only Oscar for the role (Peck wasn’t even nominated).

3. SHE’S AN EGOT.

In 1954, the same year she won the Oscar for Roman Holiday, Hepburn accepted a Tony Award for her title role in Ondine on Broadway. Hepburn is one of only 12 EGOTs, meaning that she has won all of the four major creative awards: an Emmy, Grammy, Oscar, and Tony. Unfortunately, the honor came to Hepburn posthumously; her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for Gardens of the World with Audrey Hepburn were both awarded following her passing in early 1993.

4. TRUMAN CAPOTE HATED HER AS HOLLY GOLIGHTLY.

Blake Edwards’s Breakfast at Tiffany’s may be one of the most iconic films in Hollywood history, but it’s a miracle that the film ever got made at all. Particularly if you listened to Truman Capote, who wrote the novella upon which it was based, and saw only one actress in the lead: Marilyn Monroe. When asked what he thought was wrong with the film, which downplayed the more tawdry aspects of the fact that Ms. Golightly makes her living as a call girl (Hepburn had told the producers, “I can’t play a hooker”), Capote replied, “Oh, God, just everything. It was the most miscast film I’ve ever seen. It made me want to throw up.”

5. HOLLY GOLIGHTLY’S LITTLE BLACK DRESS SOLD FOR NEARLY $1 MILLION.

Audrey Hepburn in 'Breakfast at Tiffany's'
Keystone Features, Getty Images

In 2006, Christie’s auctioned off the iconic Givenchy-designed little black dress that Hepburn wore in Breakfast at Tiffany’s for a whopping $923,187 (pre-auction numbers estimated that it would go for between $98,800 and $138,320). It was a record-setting amount at the time, until Marilyn Monroe’s white “subway dress” from The Seven Year Itch sold for $5.6 million in 2006.

6. SHE SANG “HAPPY BIRTHDAY” TO JFK IN 1963.

One year after Marilyn Monroe’s sultry birthday serenade to John F. Kennedy in 1962, Hepburn paid a musical tribute to the President at a private party in 1963, on what would be his final birthday.

7. THERE’S A RARE TULIP NAMED AFTER HER.

Photo of Audrey Hepburn
Hulton Archive, Getty Images

In 1990, a rare white tulip hybrid was named after the actress and humanitarian, and dedicated to her at her family’s former estate in Holland.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios