Stalemate At Suvla Bay

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 196th installment in the series.  

August 6, 1915: Stalemate At Suvla Bay 

The repeated failure of Allied attacks against Turkish defensive positions at Cape Helles on the tip of the Gallipoli peninsula in June and July 1915 convinced the Allied commander at Gallipoli, Sir Ian Hamilton, that a fresh approach was required to shake up the strategic situation. The result was the second amphibious assault of the campaign, with four new British divisions wading ashore at Suvla Bay, about 12 miles north of the original landing sites, in an attempt to outflank the enemy and roll up Turkish defenses from behind (below, looking north towards Suvla Bay from ANZAC). This offensive came tantalizingly close to achieving its objective, but in the end “a miss was as good as a mile,” and the Turks were able to rush forward reinforcements, ending in yet another stalemate.

By the beginning of August 1915, the opposing forces on the Gallipoli Peninsula were roughly evenly matched. The Ottoman Fifth Army, repeatedly reinforced since April, now consisted of sixteen divisions numbering 250,000 men, but about a third of these were deployed across the straits, guarding the Asiatic side, or further north at the peninsula’s narrowest point on the eastern end of the Gulf of Saros. At the main battlefields of Cape Helles and ANZAC, eleven Turkish divisions (many under strength following hard fighting) occupied the trenches or were held in reserve nearby, facing the nine Allied divisions of the Mediterranean Expeditionary Force with around 150,000 troops. 

However by late summer fresh British troops were finally becoming available with the mobilization of the first divisions from “Kitchener’s New Army,” formed from hundreds of thousands of volunteers who responded to Secretary of State for War Lord Kitchener’s patriotic call to duty beginning in late 1914. Kitchener agreed to send two of the new divisions, the 10th (Irish) and 11th (Northern), to Gallipoli to carry out the amphibious landing, as well as the 53rd (Welsh) and 54th (East Anglian Divisions) to reinforce them once on shore. Another New Army division, the 13th (Western), was already ashore at the ANZAC position. The other Allied forces on the peninsula would stage diversionary attacks to distract the Turks and tie down their forces during the landings. 

“Mechanical Death Run Amok”

The landings took the Turks by surprise: although the Ottoman and German commanders guessed a new amphibious assault was coming, they disagreed as to where it would fall, thanks in part to elaborate ruses by British intelligence agents. As a result Essat Pasha, commanding the Turkish III Corps in the center of the peninsula, believed it would hit further south near the promontory called Kabatepe, while Liman von Sanders, the German general commanding the Fifth Army, was convinced they would strike further north, near the town of Bulair on the Gulf of Saros.

Only one Turkish officer, 19th Division commander Mustafa Kemal (later Kemal Atatürk) correctly predicted that the Allies would land at Suvla Bay – but his colleagues dismissed the idea, arguing the Allies would never attack in an area with such strong natural defenses, with rugged hills looming over a wide, exposed coastal plain whose only feature was a shallow salt lake that was dry for most of the year. Consequently there were virtually no troops actually holding these wonderful defensive positions, with a thin covering force of just 1,500 Turks facing around 25,000 attackers in the first wave. 

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The operation began at 2:20 pm on August 6, 1915 with a diversionary attack by the British 29th Division on the Turkish 10th Division at Cape Helles; for reasons that aren't clear, this "feint" snowballed into another actual attempt to capture Krithia on the hill range called Achi Baba. The British suffered thousands of casualties but continued the assault the following day with a fresh attack by the neighboring 42nd Division and the two French divisions against the Turkish 13th and 14th Divisions, again resulting in major casualties.

Meanwhile the ANZAC forces also staged diversionary attacks, beginning with an attack by the First Australian Division on the Turkish position called Lone Pine, near the southern tail of the Sari Bahr hill range, on the evening of August 6. Approaching via a tunnel secretly extended to within yards of the Turkish frontline, the Australians advanced about a thousand feet, but the attack ground to a halt after Essat Pasha sent the Turkish 5th Division to reinforce the 16th Division, then mount a counterattack. Over the next few days Lone Pine was the scene of incredibly fierce fighting, as described by William Tope, a soldier in the Australian First Division who sheltered behind the dead bodies of the first wave of attackers: 

It was about that spot where I got caught with a hail of bombs… and it was the pile of bodies there that sheltered me, otherwise I wouldn’t be here today… I thought the best thing would be for me to be down in this trench that had no men in it at all, where these bodies were, because I felt that the counterattack could come at any time. I’d hardly got into position before a positive avalanche of bombs fell, puncturing these bodies, and up on top you’d hear the air coming out of the ones up there. I think they were aiming for the bodies that they could see. I was sheltering behind them, and I was there for all that day and the next night… 

At the same time the British 13th Division and the combined New Zealand and Australian Division attacked first north and then east, up the slopes of the Sari Bahr hills, with the goal of reaching Hill 971 (above, New Zealand troops resting during the advance on Sari Bahr). These attacks served to tie down Turkish forces while the British 10th and 11th Divisions landed at Suvla Bay almost unopposed, from the evening of August 6 through the morning of the following day.

Amid some confusion (some brigades ended up landing on the wrong beaches) the British troops began advancing on both sides of the dry salt lake, with some crossing over the dried lakebed itself (below), but soon ran into stiffening resistance from the massively outnumbered but well-entrenched defenders in the hills above the plain. John Hargrave, a member of the British ambulance service, witnessed the advance from a ship just offshore: 

Puffs of smoke hung on the hills, and the shore was all wreathed in the smoke of rifle and machine-gun fire. A deadly conflict this—for one Turk on the hills was worth ten British down below on the Salt Lake. There was no glory. Here was Death, sure enough—Mechanical Death run amok—but where was the glory? Here was organised murder—but it was steel-cold! There was no hand-to-hand glory… The crack and crash was deafening, and it literally shook the air... it quivered like a jelly after each shot. 

Despite this the British had every chance of overwhelming the thinly-held Turkish positions here, clearing the way for an advance to the first day’s objective – the strategic hilltops of Kavak Tepe and Tekke Tepe, located just a few miles inland. From here they would be able to join forces with the ANZAC troops breaking out to advance up the Sari Bahr hills, capture the central heights of Hill 971, and proceed to the final objective of Mal Tepe on the other side of the peninsula. This would force the Turkish Fifth Army to withdraw before it was trapped, finally giving the Allies control of the Dardanelles and setting the stage for the conquest of Constantinople. 

Illustrated London News, via Illustrated First World War

But now disaster – or rather disastrous incompetence – struck. The British officer in charge of the Suvla Bay landings, Lieutenant-General Sir Frederick Stopford, had never commanded troops in combat before; he soon turned out to be one of the worst commanders of the war. After getting his two divisions ashore (he remained aboard his command yacht), instead of immediately pressing on to Kavak Tepe and Tekke Tepe, Stopford let the troops rest while supply teams finished unloading all their food, tents, mules, and other not-particularly-crucial items on shore.

As the men bathed in the sea and sunned themselves on the beach, precious hours passed, giving von Sanders a chance to rush two divisions (the 7th and 12th) south from Bulair to bolster the meager defensive force. On August 8 the British divisions gradually moved forward and captured one of the first defensive positions, called Chocolate Hill (below, British troops on Chocolate Hill), and on August 9-10 they were reinforced by the 53rd and 54th Divisions. One new arrival, John Gallishaw, later recalled the journey up to the front lines: “Under cover of darkness we moved away silently, until we came to the border of the Salt Lake. Here we extended, and crossed it in open order, then through three miles of knee high, prickly underbrush, to where our division was entrenched... From the beach to the firing line is not over four miles, but it is a ghastly four miles of graveyard.”

But it was already too late: 72 hours had passed and two more Turkish divisions, the 4th and 8th, had arrived from the southern part of the peninsula. In short, Stopford had frittered away the element of surprise for no good reason at all. His incompetence would cost thousands of lives. 

“Like Corn Before a Scythe” 

With the Suvla Bay landings inexplicably stalled, after its initial success on August 6 the ANZAC breakout ran into serious trouble in the days that followed, as the Turkish 5th, 9th, 16th, and 19th Divisions arrived and strengthened their defensive positions in the rough, broken terrain of the Sari Bahr hills. Nonetheless at dawn on August 7 the Australians continued to press the attack with an all-out assault on “The Nek,” a narrow ridge connecting two hilltops. The result was one of the bloodiest engagements of the Gallipoli campaign, as recalled by Lieutenant William Cameron, who saw the dismounted Australian 3rd Light Horse Brigade charging the Turkish positions on foot: 

We saw them climb out and move forward about ten yards and lie flat. The second line did likewise ... As they rose to charge, the Turkish Machine Guns just poured out lead and our fellows went down like corn before a scythe. The distance to the enemy trench was less than 50 yards yet not one of those two lines got anywhere near it.

Things weren’t going much better elsewhere. Gerald Hurst, an officer with a battalion of Manchesters, described a futile assault on the Turkish positions at Cape Helles on August 7: “It was at once obvious that our guns had been unable to affect the strength and resisting power of the enemy's front line. Each advancing wave of the Manchesters was swept away by machine-gun fire. A few of them gallantly reached the Turkish trenches and fell there.” 

In fact the battle was only just beginning. By the morning of August 8 the Turks had created a very strong defensive position on top of the second tallest ridge in the Sari Bahr range, called Chunuk Bahr, which the ANZAC forces and British troops of the 13th Division had to capture for the rest of the plan to work. The New Zealand Brigade of the New Zealand and Australian Division carried out the main assault uphill against the Turkish positions and suffered severe casualties, but finally managed to dig in near the hilltops as reinforcements from the 13th Division began to arrive. One British officer, Aubrey Herbert, witnessed part of the battle from a distance: 

We saw our men in the growing light attack the Turks. It was a cruel and beautiful sight, for it was like a fight in fairyland; they went forward in parties through the beautiful light, with clouds crimsoning over them. Sometimes a tiny, gallant figure would be in front, then a puff would come and they would be lying still… Meanwhile, men were streaming up, through awful heat.

In the afternoon of August 8 a naval bombardment forced the Turks off the hilltops, which New Zealand, British, and Indian Gurkha troops now occupied. From here they could see the glinting surface of the Dardanelles and "The Narrows" on the other side of the peninsula; their goal was in sight. But they wouldn’t hold their hard-won prize for long: the Turks, fully aware of Chunuk Bahr’s strategic importance, were determined to get it back whatever the cost.

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On August 10, Mustafa Kemal (now in charge of several divisions) launched a furious counterattack by the Turkish 8th and 9th Divisions, supported by artillery on the nearby Hill 971. The attack culminated in a dramatic charge by the Turkish infantry, while British naval bombardment rained shells on the blood-soaked hilltop. Kemal later recalled:

Chonkbayir [Chunuk Bair] was turned into a kind of hell. From the sky came a downpour of shrapnel and iron. The heavy naval shells sank deep into the ground, then burst, opening huge cavities all around us. The whole of Chonkbayir was enveloped in thick smoke and fire. Everyone waited for what Fate would bring. I asked one commander where his troops were. He replied, “Here are my troops – those who lie dead around us.” 

The British and ANZAC units holding the hilltop were simply wiped out of existence by the Turkish artillery and repeated infantry charges. Herbert noted the incredible cost of the battle: “The N.Z. Infantry Brigade must have ceased to exist. Meanwhile the condition of the wounded is indescribable. They lie in the sand in rows upon rows, their faces caked with sand and blood… there is hardly any possibility of transporting them… Some unwounded men almost mad from thirst, cursing.”

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Sir Compton Mackenzie, an official observer with the British forces at Gallipoli, recorded similar impressions after the battle for Chunuk Bahr: “I went back outside the hospital, where there were many wounded lying. I stumbled upon poor A.C. (a schoolfellow), who had been wounded about 3 a.m. the day before, and had lain in the sun on the sand all the previous day… It was awful having to pass them. A lot of the men called out: “We are being murdered.” 

After achieving initial surprise, the British landings at Suvla Bay and the coordinated attack from ANZAC had once again resulted in stalemate, at a cost of 25,000 British casualties versus 20,000 for the Turks in just the period August 6-10 alone. Attacks and counterattacks would continue into late August, as both sides received reinforcements at Suvla Bay and ANZAC, (above, part of British 2nd Mounted Division forms up at Suvla on August 18; below, a New Zealand machine gunner at Sari Bahr in late August) – but there would be no significant changes in the frontline from now until the end of the Gallipoli campaign. 

The failure of the landings at Suvla Bay spelled not only doom for the Gallipoli campaign, but also the demise of any hope for a quick victory over the Central Powers. It was clear now that the Allied generals and politicians were out of ideas, and that the war would go on for years, spelling the end of the old way of life. Mackenzie recalled:

There was no vestige of hope left in my mind that the Suvla Landing could now succeed. I felt as if I had watched a system crash to pieces before my eyes, as if I had stood by the deathbed of an old order… The war would last now until we had all turned ourselves into Germans to win it. An absurd phrase went singing through my head. We have lost our amateur status to-night.

See the previous installment or all entries.

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19 Surprising Facts About The Dark Knight
© TM & DC Comics/Warner Bros. Entertainment Inc.
© TM & DC Comics/Warner Bros. Entertainment Inc.

Christopher Nolan didn’t set out to make sequels. As the director of hit thrillers like Memento and Insomnia, his personal style never seemed to mesh with the idea of helming a mega-franchise. After reenvisioning the Caped Crusader with 2005’s Batman Begins, though, Nolan couldn’t stop thinking about how his version of Batman would respond to the introduction of The Joker. The result was The Dark Knight, a hyper-real exploration of how chaos shakes up the mission of the righteous, complete with huge stars, incredible stunts, and an Oscar-winning performance by the late Heath Ledger. To revisit this landmark movie, which was released 10 years ago, here are 19 fascinating facts about The Dark Knight.

1. IT HAS MANY COMIC BOOK INSPIRATIONS.

While it doesn’t adapt any one specific story to the screen, The Dark Knight did draw inspiration from several specific Batman stories in the pages of DC Comics. When researching and writing the film, director Christopher Nolan and his brother, co-writer Jonathan Nolan, specifically went back to The Joker’s very first appearance in 1940’s Batman #1 in search of how best to introduce the character. Co-writer David S. Goyer, himself a DC Comics contributor, also cites the classic stories The Long Halloween, The Dark Knight Returns, and The Killing Joke as keys to his research, with elements from each making their way into the film.

2. THE JOKER ALSO HAD DIVERSE INSPIRATIONS.

Heath Ledger in 'The Dark Knight' (2008)
© TM & DC Comics/Warner Bros. Entertainment Inc.

In addition to classic Joker stories like The Killing Joke, Nolan and star Heath Ledger drew on a diverse array of influences both in and out of comics to craft the film’s version of the Clown Prince of Crime. Before attempting to write the character, the Nolan brothers revisited Fritz Lang’s classic film The Testament of Dr. Mabuse as a study in how to write supervillains. Visually, Nolan also specifically cited the work of painter Francis Bacon as a touchstone for Joker’s distorted view of the world.

As for Ledger, he famously locked himself away in a hotel room for weeks, experimenting with voices and mannerisms until he developed something he was satisfied with. Among his inspirations: Sex Pistols icons Johnny Rotten and Sid Vicious and the anarchist character Alex from Stanley Kubrick’s classic film A Clockwork Orange.

3. NOLAN WAS INITIALLY RELUCTANT TO MAKE A SEQUEL.

The Dark Knight is the first Christopher Nolan film to be a sequel, and though Batman Begins ends with Gordon handing Batman the Joker card as a kind of setup for the next film, the director wasn't exactly determined to return to Gotham City. Nolan and Goyer had ideas for how a trilogy of films would happen, of course, but after Batman Begins hit big, Nolan instead went off to make magician drama The Prestige. Ultimately, the lure of telling a Joker story proved too enticing for Nolan to pass up, and he eventually re-teamed with Goyer to begin mapping out the story that would become The Dark Knight

“I didn’t have any intention of making a sequel to Batman Begins and I was quite surprised to find myself wanting to do it,” Nolan told Empire Magazine. “I just got caught up in the process of imagining how you would see a character like The Joker through the prism of what we did in the first film.”

4. HEATH LEDGER WAS THE FIRST CHOICE TO PLAY THE JOKER.

Though other stars like Adrien Brody expressed an interest in playing the film’s key villain, Heath Ledger was the only name on Nolan’s wish list.

“When I heard he was interested in the Joker, there was never any doubt. You could just see it in his eyes,” Nolan told Newsweek. “People were a little baffled by the choice, it's true, but I've never had such a simple decision as a director.” 

5. YES, HEATH LEDGER REALLY DID KEEP A JOKER DIARY.

Because of the actor’s untimely death in January 2008, at the age of just 28, Ledger's performance as The Joker has been somewhat mythologized by fans, so the idea that he kept a secret “Joker diary” while getting into character might sound apocryphal. In fact, Ledger really did make a diary while preparing to play the character. It included various clipped art (Alex from A Clockwork Orange figures heavily), stylized notes, and even lines from the script recopied in his own handwriting. In 2013, Ledger’s father Kim revealed the diary in a documentary, and noted that his son did immersive work like this for every role but “really took it up a notch” for The Joker.

6. MAGGIE GYLLENHAAL WASN’T THE ONLY ACTRESS CONSIDERED FOR RACHEL DAWES.

For the role of Bruce Wayne’s childhood friend and current Gotham City assistant district attorney Rachel Dawes, Nolan had to look for a replacement. Katie Holmes played the role in 2005’s Batman Begins, but opted out of the sequel ostensibly so she could act in the comedy Mad Money. So Nolan went in search of other actresses and ultimately decided on Maggie Gyllenhaal for the role. Gyllenhaal was the final choice, but she wasn’t the only one. Other actresses up for the role included Rachel McAdams and Emily Blunt.

7. GYLLENHAAL TOOK THE ROLE BASED ON NOLAN’S PRESENCE ALONE.

For many actors, the prospect of starring in a sequel to a hit film is a major draw. For others, the prospect of finally being a part of a Batman film would do the trick. For Gyllenhaal, who stepped in as Rachel Dawes, there was only one key reason to say yes: Christopher Nolan.

“When Chris approached me about the film, it was almost incidental that it was about Batman,” Gyllenhaal said. “I was lured into becoming intrigued by the character through the process of making the movie. From the very beginning, Chris was so interesting and engaging—and so interested in me and my ideas about Rachel—that I wanted to be a part of it.”

8. AARON ECKHART WASN’T THE ONLY STAR CONSIDERED FOR HARVEY DENT.

Though The Dark Knight is unquestionably a Batman movie, Nolan and company didn’t consider the Caped Crusader to be the film’s main character.

“Bruce Wayne was the protagonist of the first film,” Goyer said, “but we decided early on that he would not be the protagonist of the second film—that, in fact, Harvey Dent would be.”

To that end, finding the right actor to play Gotham’s district attorney was crucial. Nolan ultimately chose Aaron Eckhart, who reminded him of Robert Redford, to play the part, but Eckhart wasn’t the only star considered. Other potential Harvey Dents included Matt Damon, Mark Ruffalo, and Ryan Phillippe.

9. MICHAEL CAINE DIDN’T THINK THE FILM WOULD WORK ... UNTIL LEDGER WAS CAST.

Batman fans weren’t the only skeptics when it came to Nolan’s decision to deliver a new cinematic Joker. Michael Caine, who played Bruce Wayne’s loyal butler Alfred, was very apprehensive when  Nolan told him The Dark Knight’s villain would indeed be the Clown Prince of Crime, namely because Jack Nicholson’s performance as the character in 1989’s Batman still cast a very large shadow.

“You don’t try and top Jack,” Caine said.

When Nolan informed Caine that Ledger had been cast in the role, though, the film legend came around.

“I thought: ‘Now that’s the one guy that could do it!’ [laughs] My confidence came back. And then when I did this sequence with Heath, I knew we were in for some really good stuff.

10. THE JOKER’S SCARS WERE INSPIRED BY A REAL PERSON.

Nolan deliberately resisted the idea of giving The Joker an origin story in the film, opting instead to portray him as a force of pure anarchy with no discernible motivation other than chaos. For this reason, the character’s scarred face—as opposed to the chemically-induced frozen grin given to the character’s previous movie incarnation—had no clear source. In fact, the character deliberately tells different stories to different characters to explain where the scars came from. As a result, prosthetics supervisor Conor O’Sullivan was driven to take inspiration for the scars from real life. So, he used an actual man on the street as a reference.

“I immediately thought of the punk and skinhead era and some unsavory characters I had come across during this time,” O'Sullivan recalled. “The terminology for this type of wound is a ‘Glasgow’ or ‘Chelsea smile.’ My references had to be real. A delivery of fruit machines was made to the estate near my workshop and the man delivering them had a ‘Chelsea smile.' I plucked up the courage to ask him for a photo and he told me the story of how he had got his scars while being involved with “a dog fight”; needless to say I didn't pursue the matter, but the photos proved to be very useful reference.”

11. LEDGER LICKED HIS LIPS BECAUSE OF THE JOKER PROSTHETICS.

One of the most identifiable characteristics of Ledger’s portrayal of The Joker is the way he almost constantly licks his lips inside and out, probing his scars with his tongue over and over again. It adds energy to the character as well as a certain menacing quality, but it apparently was not planned. According to dialect coach Gerry Grennell, who worked with Ledger on the film, that tic arose because the scar prosthetics—which extended into Ledger’s mouth—would loosen as he performed. So, he licked his lips repeatedly in an effort to keep them in place.

"The last thing that Heath wanted to do was go back and spend another 20 minutes or half hour trying to get the lips glued back again, so he licked his lips. A lot,” Grennell recalled. “And then slowly, that became a part of the character.

12. THE MOVIE MADE IMAX HISTORY.

Though IMAX cameras are now on the verge of being used to shoot entire feature films, at the time The Dark Knight was made, the format was primarily used for documentary films to showcase things like the wondrous detail of nature. Nolan had longed for years to bring the format to features, and opted to use the ultra-heavy, ultra-expensive cameras to film several major sequences in The Dark Knight. Most famously, the film’s prologue—featuring The Joker’s bank robbery—was filmed on IMAX and released early, in its entirety, as a teaser.

13. THE JOKER FREAKED CAINE OUT SO MUCH, HE FORGOT HIS LINES.

For the scene in which Bruce Wayne is hosting a fundraiser for Harvey Dent in his elegant Gotham City townhouse, Ledger and a group of Joker goons were meant to burst into the party via the elevator. Caine, as Alfred, was supposed to be there waiting to greet guests as the elevator doors opened, only to be frightened by the appearance of The Joker. Caine was there waiting, the elevator doors opened, and he was apparently so frightened by what he saw that any lines he was meant to deliver during the scene completely left his mind.

"I was waiting for Batman's guests, but (the Joker) had taken over the elevator with—he has seven dwarfs and ... oh! wait until you see them,” he said while promoting the film. “So, I'd never seen any of it and the elevator door opened and they came out and I forgot every bloody line. They frightened the bloody life out of me.”

14. THE TRUCK FLIPPING SEQUENCE WAS DONE FOR REAL.

Embracing the hyperrealism of his version of Batman, Nolan opted to do many of The Dark Knight’s biggest stunts practically rather than relying on CGI. That includes arguably the biggest and most visually staggering stunt in the film: When Batman uses steel cables to flip The Joker’s 18-wheeler trailer over cab in the middle of a Gotham street. While another filmmaker might have opted to recreate the moment with computers or models, Nolan wanted to do it for real, on a real Chicago street. The task of pulling it off fell to special effects supervisor Chris Corbould, who ran tests in a more isolated area to ensure the flip wouldn’t harm any member of the crew or any neighboring buildings. With the tests successful, the production was primed to film the stunt … though Corbould still tried to talk Nolan into scaling it down.

“It was a funny thing—and this is always the way working with Chris—where he kept trying to talk me into a smaller vehicle,” Nolan said. “He said, ‘Can't it be one of those SWAT vans, not an articulated truck?!’ I kind of went along with that for a while and we storyboarded it that way and kept talking about it. And I finally just went to him and said, ‘Chris, you can do this, you're fine. It's gotta be a huge truck, it's gotta be a big 18-wheeler,’ and he went ‘Oh, all right,’ in that way he does, and he figured out a way to do it. Nobody had ever done it before and it was really a pretty amazing thing to watch."

15. CHRISTIAN BALE PERCHED ON SKYSCRAPERS HIMSELF AS BATMAN.

One of the most beautiful shots in the film finds Batman, cape billowing around him, perched atop Chicago’s Sears Tower as he surveys his city. It’s a gorgeous image, but also one that easily could have been carried out by a stuntman so Bale didn’t have to take the risk. The star was having none of that. When he found out his stuntman Buster Reeves was preparing to perform the perch, Bale rushed to convince Nolan that he should be the one to stand 110 stories above Chicago for the helicopter shot. 

“It was important for me to do that shot,” Bale explained, “because I wanted to be able to say I did it. 

Bale also opted to perform a similar stunt in which Batman stands on a ledge of the IFC2 building in Hong Kong. By then, he was quite comfortable with the height. 

16. BALE COULDN’T MANAGE THE BATPOD. 

One of the great visual hallmarks of Nolan’s Batman films is the introduction of the Batpod, The Dark Knight’s sleek motorcycle. While it may look like an oversized version of any other bike, the pod didn’t handle the same way, so a specially trained stunt driver was required. Jean-Pierre Goy was the man. He took to the vehicle immediately and trained for months to master the high-speed sequences required for the film. Bale, who was more than willing to volunteer to drive the Batpod, was ultimately only able to ride it when it was attached to camera rigs.

“Jean-Pierre was the only one who could master it,” Bale admitted. “Everybody else just fell off instantly.”

17. THE FILM INCLUDES A SMALL TRIBUTE TO LEDGER’S DAUGHTER.

For the scene in which The Joker sneaks into a panicked Gotham hospital to see Harvey Dent, Ledger dressed up in a nurse’s uniform. If you look closely, you’ll see that the nurse’s name tag reads “Matilda.” Matilda is Ledger’s daughter, who was born in 2005.

18. A SITTING U.S. SENATOR MADE A CAMEO.

When The Joker and his goons crash Bruce Wayne’s fundraising party, almost everyone in the room is intimidated into silence. One man, though, is not. He tells The Joker “we’re not intimidated by thugs,” and The Joker then grabs him and holds a knife to his mouth. That man is Patrick Leahy, the Democratic U.S. Senator from Vermont. A lifelong comic book fan, Leahy has appeared in five Batman films to date, including 2016’s Batman v Superman: Dawn of Justice, where he sat alongside actress Holly Hunter in a congressional hearing.

19. THE MAYOR OF A CITY CALLED “BATMAN” SUED THE PRODUCTION.

Weird lawsuits surrounding major motion pictures are nothing new, but The Dark Knight inspired a particularly strange one. In late 2008, after the film had opened to rapturous critical acclaim and enormous box office success, Huseyin Kalkan—the mayor of Batman, Turkey—sued Nolan and Warner Brothers for what he deemed a negative impact the film had caused on his city.

"There is only one Batman in the world. The American producers used the name of our city without informing us."

Needless to say, given that Batman is still as popular as ever, the suit didn’t go anywhere.

Additional Source:
The Art and Making of The Dark Knight Trilogy, by Jody Duncan Jesser and Janine Pourroy

10 Things That Went Disastrously Wrong on Disneyland’s Opening Day

Disneyland is commonly known as the “Happiest Place on Earth,” but when the park opened on July 17, 1955, it didn’t live up to its now-ubiquitous nickname. In fact, Disney employees who survived the day refer to it as “Black Sunday.” Here are 10 of the most disastrous things that went wrong.

1. FAKE TICKETS FLOODED THE PARK.

Disneyland’s opening day was “invite only” and not for public consumption. Tickets were mailed out and only reserved for special guests, including friends and family of employees, the press, and celebrities, such as Jerry Lewis, Debbie Reynolds, Sammy Davis, Jr., and Frank Sinatra. However, scores of counterfeit tickets were widespread on opening day. Disneyland was only expecting about 15,000 guests in total, but more than 28,000 people entered the park.

In addition, there were two sets of tickets with designated times: one for the morning and one for the afternoon. The time to leave Disneyland was printed on each ticket, so if it read 2:30 p.m., you were supposed to leave the park at that time to make way for the afternoon ticket holders to come in. Unfortunately, the morning ticket crowd didn’t leave, so attendance ballooned when the afternoon attendees were admitted.

There was even some money to be made from Disney's woes: one man set up a ladder outside one of the park's fences and charged $5 per person to climb it and sneak in.

2. TRAFFIC WAS BACKED UP FOR MILES.

Sukarno riding mini car with Walt Disney
Public Domain, Wikimedia Commons

Since Disneyland and the city of Anaheim were not prepared for the amount of people that showed up, California's Santa Ana Freeway that led into the park was backed up for seven miles. The traffic essentially shut down the freeway for hours. In fact, people were in their cars for so long that when they finally made it to Disneyland, there were reports of families taking restroom breaks in the parking lot and on the side of the freeway.

3. THE PARK WAS COVERED WITH WET PAINT AND WEEDS.

Completing Disneyland was a race to the finish. Walt Disney wanted a quick turnaround, and it took exactly one year and one day from announcement to opening day, with construction crews working around-the-clock to meet their deadlines. 

However, once the doors opened, guests could easily see that it was not completely finished. Workers were still painting structures and planting trees all over the park. Along the Canal Boats of the World (now the Storybook Land Canal Boats), weeds had yet to be removed from the riverbanks. And instead of landscaping the area, Walt Disney simply added signs with Latin plant names printed on them to make it look like they were meant to be there.

In addition, a number of rides were still under construction like Tomorrowland’s Rocket to the Moon, which showed a glimpse of what routine space travel would look like in the distant future of ... 1986.

4. NO FOOD, NO DRINK, NO FUN.

For the lucky people who made it into Disneyland on opening day, they experienced a shortage of food and beverages in every restaurant and concession stand in the park. Because of the unexpected influx of guests, virtually all food and drink inventory was wiped out within hours.

5. THERE WAS A PLUMBERS' STRIKE.

Entrance to Disneyland circa 1957
Public Domain, Wikimedia Commons

While there were plenty of water fountains on site, many of them were not working because of a plumbers’ strike during construction. Walt Disney had to choose between working water fountains or working restrooms for Disneyland on opening day, so he picked the latter because he felt the toilets were more important.

“A few weeks before the opening, there was a major meeting,” Dick Nunis, chairman of Walt Disney Attractions, explained to WIRED. “There was a plumbing strike. I’ll never forget this. I happened to be in the meeting. So the contractor was telling Walt, ‘Walt, there aren’t enough hours in the day to finish the restrooms and to finish all the drinking fountains.’ And this is classic Walt. He said, ‘Well, you know they could drink Coke and Pepsi, but they can’t pee in the streets. Finish the restrooms.’”

6. THE WEATHER WAS SCORCHING.

Although Walt Disney had no control over the weather, it contributed to the disastrous opening day experience at Disneyland. Temperatures reached an intense 100 degrees, which must have been unbearable in a park without working water fountains. The day was so hot that the fresh asphalt became like a sticky tar, with guests complaining that they were getting their shoes and high heels stuck in the pavement of Main Street, U.S.A.

7. THE RIDES WERE BREAKING DOWN.

Like so many of the other workers toiling to make Walt Disney's one-year deadline, both Disney Imagineers and construction workers rushed to complete the theme park. As a result, a number of rides—including Peter Pan’s Flight, 20,000 Leagues Under the Sea: Submarine Voyage, and Dumbo the Flying Elephant in Fantasyland—broke down or were closed altogether because they simply were not finished yet.

The growing pains didn’t stop on opening day. During the first few weeks after opening, the stagecoach ride in Frontierland permanently closed when it was discovered it would flip over if it was too top-heavy; 36 cars in Autopia crashed due to aggressive driving (ironically the ride was designed to help children learn respectful rules of the road); and a tiger and a panther escaped from the circus attraction, which resulted in a “furious death struggle” between the animals on Main Street, U.S.A.

8. THE MARK TWAIN RIVERBOAT SANK.

The iconic Mark Twain Riverboat in Frontierland was filled way over capacity on opening day, with about 500 people cramming into the attraction. This caused the boat to go off its track and sink in the mud, but the ordeal was far from over.

"It took about 20 to 30 minutes to get it fixed and back on the rail and it came chugging in," Terry O'Brien, who was working the ride on opening day, later recalled in an interview. "As soon as it pulled up to the landing, all the people rushed to the side to get off, and the boat tipped into the water again, so they all had to wade off through the water, and some of them were pretty mad."

9. SLEEPING BEAUTY’S CASTLE ALMOST CAUGHT FIRE.

A gas leak in the park prompted the closing of Adventureland, Fantasyland, and Frontierland for a few hours, while flames from the leak were seen trying to engulf Sleeping Beauty’s Castle. Walt Disney was so busy during opening day that he didn’t learn about the fire until the following day.

10. ABC'S LIVE SHOW FROM DISNEYLAND WAS A TRAIN WRECK.

Walt Disney had a partnership with the broadcast network ABC, which helped finance Disneyland with an investment of $5 million of the park’s $17 million price tag. In return, Walt Disney would host a weekly TV show about what people could expect to see in Disneyland, a full year before it was set to open its doors.

On opening day, Walt Disney hosted a 90-minute live TV special with co-hosts Art Linkletter, Bob Cummings, and future president Ronald Reagan. Over 90 million viewers tuned in to see the “Happiest Place on Earth.” And while the cameras showed the fun and excitement of Disneyland, the TV special obscured the numerous disasters described above.

However, the live broadcast itself was riddled with technical difficulties, such as guests tripping over camera cables all over the park, faulty miscues, on-air flubs, hot mics, and unexpected moments that were caught on camera—namely Bob Cummings caught making out with a dancer just before going on air.

“This is not so much a show, as it is a special event,” Art Linklater said during the live broadcast from Disneyland. “The rehearsal went about the way you'd expect a rehearsal to go if you were covering three volcanoes all erupting at the same time, and you didn't expect any of them. So, from time to time, if I say, ‘We take you now by camera to the snapping crocodiles in Adventureland,’ and instead, somebody pushes the wrong button, and we catch Irene Dunne adjusting her bustle on the Mark Twain, don't be too surprised.”

The live broadcast also featured the debut of the original Mouseketeers from The Mickey Mouse Club TV show, which premiered a few months later in 1955 on ABC. So at least something positive came out of all of it.

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