14 Wicked Smart Facts About Good Will Hunting

Miramax Films
Miramax Films

There are plenty of reasons why Good Will Hunting is one of the most beloved films of the past 20 years. It has that great Robin Williams performance, the only one he ever won an Oscar for. It put indie director Gus Van Sant on the mainstream map. And, of course, it gave us Matt Damon and Ben Affleck’s Cinderella story: two up-and-coming actors who slept on each other’s couches, wrote a screenplay, starred in the movie, and then won Academy Awards for their writing. (The movie tends to make us cry, too. We shouldn’t overlook that.) On the 20th anniversary of its original release, here are some facts about Good Will Hunting to help you appreciate it even more. If you didn’t know some of these things before, don’t worry. It’s not your fault.

1. IT WAS ORIGINALLY ABOUT A MATH GENIUS AND HIS BUDDY OUTSMARTING THE GOVERNMENT.

That’s how Matt Damon and Ben Affleck conceived it, with the idea that they’d play the leads. When the producers at Castle Rock bought the screenplay (after a bidding war), head honcho Rob Reiner told the writers that they really had two movies here: the action-comedy about a reluctant whiz kid trying not to be recruited by the CIA, and the character drama about a genius and his shrink. He left it to them to decide which part of the story would survive. 

2. IT HAS A MIX OF REAL BOSTON LOCATIONS AND SETS BUILT IN TORONTO.

All of the MIT interiors were shot on a Canadian sound stage. The L Street Tavern is real, and the regulars were hugely supportive of the movie. In one peculiar instance of logistics, the exterior shots of Boston’s Bunker Hill Community College are real, but Dr. Maguire’s office within the college is a set ... a set built to look exactly like a real office at Bunker Hill Community College, where Robin Williams had visited a teacher for research. 

3. THE PARK BENCH BECAME A MEMORIAL TO ROBIN WILLIAMS AFTER HIS DEATH. 


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Located in Boston’s Public Garden, the bench where Dr. Maguire and Will have their iconic, crucial scene had been a significant part of Good Will Hunting lore since the film’s release. After Williams’s death in 2014, it’s where fans memorialized him.

4. FOR A WHILE THE SCREENPLAY HAD A GAY SEX SCENE AS A TEST TO SEE IF THE STUDIO WAS PAYING ATTENTION.

Castle Rock had Damon and Affleck doing rewrite after rewrite without getting anywhere, and the duo felt like the bosses weren’t even reading the new drafts. So they added a paragraph-long screen direction describing Sean and Will goin’ at it. Nobody said anything.

5. KEVIN SMITH HELPED IT GET MADE.

Though Castle Rock loved the screenplay they’d purchased (more so after the running-from-the-government angle was excised), they disagreed with the writers on who should direct it. Damon and Affleck wanted to do it themselves; Castle Rock thought that idea was preposterous. (Buying a screenplay from a couple of pretty-boy actors was risky enough.) They told Matt and Ben that if they could find another studio to take it off Castle Rock’s hands, they’d sell; otherwise, Castle Rock was going to make the film without the writers’ input, and that would be that. Desperate to find a buyer, Affleck approached his Mallrats and Chasing Amy director, Kevin Smith. In Affleck’s recollection, Smith said, “I wouldn’t dare direct this movie, this is so beautiful.” (Smith’s recollection is more self-deprecating: “Ben Affleck and Matt Damon were like, ‘Why don’t you direct it?’ But I was like, ‘That’s awesome, but we need someone good.’”) What Smith did do, though, was personally bring it to the offices of Miramax, where it was promptly purchased.

6. MEL GIBSON ALMOST DIRECTED IT.

After Miramax bought the script from Castle Rock, the company began setting up meetings with various potential directors, including Mel Gibson, who was a hot commodity at the time because of Braveheart. Gibson was interested, and he spent a few months developing the project, but ultimately he wasn’t moving fast enough. Damon politely asked if he might consider stepping aside for someone who really had a passion for it, and Gibson obliged.

7. IT’S BY FAR THE MOST PROFITABLE FEATURE GUS VAN SANT HAS EVER DIRECTED.

Van Sant was (and for the most part still is) a director of small, independent features, not blockbusters. The $263.5 million that Good Will Hunting made worldwide is more than three times as much as his second most profitable film, 2000's Finding Forrester, earned at the global box office.

8. ROBIN WILLIAMS CHOSE THE BAR.

Once he committed to the movie, Williams wanted to get a taste of South Boston by having Affleck and Damon take him around the neighborhood. They took him to a rough dive bar called the L Street Tavern, where the colorful locals mobbed the actor and drunk guys tried to fight Affleck. Williams loved the place and insisted that they just had to use it as a location (even though his character wasn’t in any of the scenes that took place there).

9. VAN SANT WANTED AFFLECK’S CHARACTER TO DIE.

At one point in the rewriting process, after Van Sant was onboard as director, he said, “I want Chuckie to get flattened on a construction site … Crushed like a bug.” He proposed that this would be the climax to the movie’s second act. Affleck and Damon protested, but dutifully wrote it. Van Sant read it and said, “It’s a terrible idea.” 

10. WILL HUNTING WAS MAYBE GOING TO DIE AT THE END, TOO.

Damon said one of the endings he and Affleck toyed with was where “Carmine came back with his boys and a baseball bat to kill Will Hunting, who deep down actually wanted to be killed. It was his way of getting out.” Yikes.

11. MATT DAMON AGREES WITH YOU THAT HIS HAIR IS TERRIBLE.

As he told an interviewer in 2012, “That is so my fault. For whatever reason at that age, I loved that haircut. Gus was like, ‘Really?’ Ben was like, ‘Really?’ If you look at Ben’s hair in that movie, it’s totally acceptable by today’s standards, but no, I wanted the frosted f*****’ hair. I don’t know what my problem was. I looked like I should be singing backup for Color Me Badd.”

12. STELLAN SKARSGÅRD STANDS BY HIS SCARF, THOUGH. 


Miramax Films

Some have mocked Professor Gerald Lambeau’s fashion choice, and the fact that he wears it constantly, but Skarsgård doesn’t understand why. “It was not my idea, it was the costume designer’s idea,” he said. “But it was totally in line with mine because the first thing I said was, ‘I’m a college professor—no tweed.’ That was a condition because I wanted a rock and roll professor more than a tweed professor. I want a professor that f*cked his students. And I got it!”

13. THE ENDING WAS TERRENCE MALICK’S IDEA.

The reclusive director of Badlands and Days of Heaven (he was a year away from making The Thin Red Line) happened to be good friends with an Affleck family friend, so Ben and Matt arranged a meeting with him. Over dinner, they told him the plot of the movie, which at that point ended with Damon's and Minnie Driver’s characters leaving town together. “In the middle of the dinner, he said, ‘I think it would be better if she left and he went after her,’" Damon recalled. "And Ben and I looked at each other. It was one of those things where you go: of course that’s better … He started talking about Antonioni. ‘In Italian movies a guy just leaves town at the end and that’s enough.’ And we said of course that’s enough.” 

14. IT FEATURES TWO THINGS THAT VAN SANT HAD ALMOST USED IN HIS PREVIOUS FILM: MATT DAMON AND THE MUSIC OF ELLIOTT SMITH.

Damon had auditioned for To Die For, in the role that eventually went to Joaquin Phoenix. Van Sant later said, “[Damon] looked too much like the jock and I needed more of a dispossessed boy … I wanted to use Matt so much, and I could have gone that direction, but I felt it might actually destroy the movie.” As for Elliott Smith, Van Sant was given one of his albums when he was working on To Die For, “because I was looking for something that was really raw. [But] we were thinking more in terms of heavy metal, so we didn’t use Elliott.” 

7 Things You Might Not Know About Mario Lopez

Angela Weiss, Getty Images for Oakley
Angela Weiss, Getty Images for Oakley

While several of the actors featured in the 1990s young-adult series Saved by the Bell have fared well following the show’s end in 1994, Mario Lopez is in a class by himself. The versatile actor-emcee can be seen regularly on Extra, as host of innumerable beauty pageants, and as the author of several best-selling books on fitness. For more on Lopez, check out some of the more compelling facts we’ve rounded up on the multi-talented performer.

1. A WITCH DOCTOR SAVED HIS LIFE.

Born on October 10, 1973, in San Diego, California to parents Mario and Elvia Lopez, young Mario was initially the picture of health. But things quickly took a turn for the worse. In his 2014 autobiography, Just Between Us, Lopez wrote that he began having digestive problems immediately after birth, shrinking to just four pounds. Though doctors administered IV hydration, they told his parents nothing more could be done. Desperate, his father reached out to a witch doctor near Rosarito, Mexico who had cured his spinal ailments years earlier. The healer mixed a drink made of Pedialyte, Carnation evaporated milk, goat’s milk, and other unknown substances. It worked: Lopez kept it down and began growing, so much so that his mother declared him “the fattest baby you had ever seen in your life.”

2. HE STARTED ACTING AT 10.

A highly active kid who got involved in both tap and jazz dancing and amateur wrestling, Lopez was spotted by a talent scout during a dance competition at age 10 and was later cast in a sitcom, a.k.a. Pablo, in 1984. That led to a role in the variety show Kids Incorporated and in the 1988 Sean Penn feature film Colors. In 1989, at the age of 16, he won the role of Albert Clifford “A.C.” Slater in Saved by the Bell. By 1992, Lopez was making public appearances at malls, where female fans would regularly toss their underthings in his direction.

3. HE COULD PROBABLY BEAT YOU UP.

Lopez wrestled as an amateur throughout high school. According to the Chula Vista High School Foundation, Lopez was a state placewinner at 189 pounds in 1990. (On Saved by the Bell, Slater was also a wrestler.) He later complemented his grappling ability with boxing, often sparring professionals like Jimmy Lange and Oscar De La Hoya in bouts for charity. In 2018, Lopez posted on Instagram that he received his blue belt in Brazilian jiu-jitsu under Gracie Barra Glendale instructor Robert Hill.

4. HE TURNED DOWN PLAYGIRL.

Lopez’s active lifestyle has made for a trim physique, but he’s apparently unwilling to take off more than his shirt. In 2008, Lopez said he was approached to pose for Playgirl but declined. The magazine reportedly offered him $200,000.

5. HE WAS MARRIED FOR TWO WEEKS.

Lopez had a well-publicized marriage to actress Ali Landry, but not for all the right reasons. The two were married in April 2004 and split just two weeks later, with Landry alleging Lopez had not been faithful. Lopez later disclosed he had made a miscalculation during his bachelor party in Mexico, cheating on Landry just days before the ceremony.

6. HE APPEARED ON BROADWAY.

Lopez joined the cast of Broadway’s A Chorus Line in 2008, portraying Zach, the director who coaches the cast of aspiring dancers. (It was his first stage appearance since he participated in a grade school play, where he played a tree.) His run, which lasted five months, was perceived to be part of a rash of casting choices on Broadway revolving around hunky performers to attract audiences. The role was thought to be the start of a resurgence for Lopez, who had previously appeared on Dancing with the Stars and has been a co-host of the pop culture newsmagazine show Extra since 2007.

7. HE BELIEVES HIS DOG SUFFERED FROM POSTPARTUM DEPRESSION.

In 2010, Lopez and then-girlfriend (now wife) Courtney Mazza had their first child, Gia. According to Lopez, his French bulldog, Julio César Chavez Lopez, exhibited signs of depression following the new addition to the household. Lopez also said he used his extensive knowledge of dogs to better inform his voiceover work as a Labrador retriever in 2009’s The Dog Who Saved Christmas and 2010’s The Dog Who Saved Christmas Vacation.

The Legend of Cry Baby Lane: The Lost Nickelodeon Movie That Was Too Scary for TV

Nickelodeon, Viacom
Nickelodeon, Viacom

Several years ago, rumors about a lost Nickelodeon movie branded too disturbing for children’s television began popping up around the internet. They all referenced the same plot: A father of conjoined twins was so ashamed of his sons that he hid them away throughout their childhood. (This being a made-for-TV horror movie, naturally one of the twins was evil.)

After one twin got sick the other soon followed, with both boys eventually succumbing to the illness. To keep the town from discovering his secret, the father separated their bodies with a rusty saw and buried the good one at the local cemetery and the evil one at the end of a desolate dirt road called Cry Baby Lane, which also happened to be the title of the rumored film. According to the local undertaker, anyone who ventured down Cry Baby Lane after dark could hear the evil brother crying from beyond the grave.

Cry Baby Lane then jumps to present day (well, present day in 2000), where a group of teens sneaks into the local graveyard in an effort to contact the spirit of the good twin. After holding a seance, they learn that the boys' father had made a mistake and mixed up the bodies of his children—burying the good son at the end of Cry Baby Lane and the evil one in the cemetery. Meaning those ghostly wails were actually the good twin crying out for help. But the teens realized the error too late: The evil twin had already been summoned and quickly began possessing the local townspeople.

MOVIE OR MYTH?

Parents were appalled that such dark content ever made it onto the family-friendly network, or so the story goes, and after airing the film once the Saturday before Halloween in 2000, Nickelodeon promptly scrubbed it from existence. But with no video evidence of it online for years, some people questioned whether Cry Baby Lane had ever really existed in the first place.

“Okay, so this story sounds completely fake, Nick would NEVER air this on TV,” one Kongregate forum poster said in September 2011. “And why would this be made knowing it’s for kids? This story just sounds too fake …”

While the folklore surrounding the film may not be 100 percent factual, Nickelodeon quickly confirmed that the “lost” Halloween movie was very real, and that it did indeed contained all the rumored twisted elements that have made it into a legend.

Before Cry Baby Lane was a blip in Nick’s primetime schedule, it was nearly a $100 million theatrical release. Peter Lauer, who had previously directed episodes of the Nick shows The Secret World of Alex Mack and The Adventures of Pete & Pete, co-wrote the screenplay with KaBlam! co-creator Robert Mittenthal. Cry Baby Lane, which would eventually spawn urban legends of its own, was inspired by a local ghost story Lauer heard growing up in Ohio. “There was a haunted farmhouse, and if you went up there at midnight, you could hear a baby crying and it’d make your high school girlfriend scared,” he told The Daily.

BIG SCARES ON A SMALL BUDGET

Despite Nickelodeon’s well-meaning intentions, parent company Paramount wasn’t keen on the idea of turning the screenplay into a feature film. The script was forgotten for about a year, until Nick got in touch with Lauer about producing Cry Baby Lane—only this time as a $800,000 made-for-TV movie. The director gladly signed on.

Even with the now-meager budget, Cry Baby Lane maintained many of the same elements of a much larger picture. In a bid to generate more publicity around the project, Nickelodeon cast Oscar nominee Frank Langella as the local undertaker (a role Lauer had originally wanted Tom Waits to play). All the biggest set pieces from the screenplay were kept intact, and as a result, the crew had no money left to do any extra filming.

Only two scenes from the movie ended up getting cut—one that alluded to skinny dipping and another that depicted an old man’s head fused onto the body of a baby in a cemetery. The story of a father performing amateur surgery on the corpses of his sons, however, made it into the final film.

The truth of what happened after Cry Baby Lane premiered on October 28, 2000 has been muddied over the years. In most retellings, Nickelodeon received an "unprecedented number" of complaints about the film and responded by sealing it away in its vault and acting like the whole thing never happened. But if that version of events is true, Nick has never acknowledged it.

Even Lauer wasn’t aware of any backlash from parents concerned about the potentially scarring effects of the film until The Daily made him aware of the rumors years later. “All I know is that they aired it once,” he told the paper. “I just assumed they didn’t show it again because they didn’t like it! I did it, I thought it failed, and I moved on.”

But the idea that the movie was pulled from airwaves for being too scary for kids isn’t so far-fetched. Though Cry Baby Lane never shows the conjoined twins being sawed apart on screen, it does pair the already-unsettling story with creepy images of writhing worms, broken glass, and animal skulls. This opening sequence, combined with the spooky, empty-eyed victims of possession that appear later, and multiple scenes where a child gets swallowed by a grave, may have made the film slightly more intense than the average episode of Are You Afraid of the Dark?

IMPERFECT TIMING

Cry Baby Lane premiered at a strange time in internet history: Too early for pirated copies to immediately spring up online yet late enough for it to grow into a web-fueled folktale. The fervor surrounding the film peaked in 2011, when a viral Reddit thread about Cry Baby Lane caught the attention of one user claiming to have the so-called “lost” film recorded on VHS. He later uploaded the tape for the world to view and suddenly the lost movie was lost no longer.

News of the unearthed movie made waves across the web, and instead of staying quiet and waiting for the story to die down, Nickelodeon decided to get in on the hype. That Halloween, Nick aired Cry Baby Lane for the first time in over a decade. Regardless of whether the movie had previously been banned or merely forgotten, the network used the mystery surrounding its origins to their PR advantage.

“We tried to freak people out with it,” a Nick employee who worked at The 90s Are All That (now The Splat), the programming block that resurrected Cry Baby Lane (and who wished to remain anonymous) said of the promotional campaign for the event. “They were creepy and a little glitchy. We were like, ‘This never aired because it was too scary and we’re going to air it now.’”

Cry Baby Lane now makes regular appearances on Nickelodeon’s '90s block around Halloween, which likely means Nick hasn’t received enough complaints to warrant locking it back in the vault. And during less spooky times of the year, nostalgic horror fans can find the full movie on YouTube.

The mystery surrounding Cry Baby Lane’s existence may have been solved, but the urban legend of the movie that was “too scary for kids’ TV” persists—even at the network that produced it.

“People who were definitely working at Nickelodeon in 2000, but didn’t necessarily work on [Cry Baby Lane] were like, ‘Yeah I heard about it, I remember it being a thing,'" the Nick employee says. “It’s sort of like its own legend within the company.”

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