11 Movies That Could Have Starred Tom Cruise

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Getty

Whether you’re a fan of his films or not, there’s no denying that Tom Cruise—who turns 56 today—is the epitome of a movie star. Unlike so many of his contemporaries, who struggled for years to find their big breaks, Cruise’s career has been seemingly blessed from the very beginning. Within two years of making his big-screen debut in 1981’s Endless Love, Cruise turned in memorable performances in Taps, The Outsiders, Risky Business, and All the Right Moves. But for every Maverick, Jerry Maguire, and Ethan Hunt that Cruise has portrayed on the big screen, there are plenty of well-known parts that never came to be for the actor for one reason or another. Here are 11 of them.

1. FOOTLOOSE (1984)

Fresh off the success of playing teen pimp Joel Goodsen in Risky Business, the producers of Footloose were convinced that Cruise had what it takes to pull off playing a high schooler determined to get his tiny town’s “no dancing” law repealed. (They had seen Cruise rocking out in his tighty-whities to Bob Seger, after all.) But Cruise’s schedule wouldn’t allow for it, as he was shooting All the Right Moves at the same time.

2. EDWARD SCISSORHANDS (1990)

Though he’d proven that he could make a big-budget movie that still turned a profit with 1989’s Batman, Tim Burton was still somewhat at the studio’s mercy when it came to casting his next project, Edward Scissorhands. And what the studio wanted was simple: Cruise in the titular role. “He certainly wasn’t my ideal, but I talked to him,” Burton recalled. “He was interesting, but I think it worked out for the best. A lot of questions came up—I don’t really recall the specifics—but at the end of the meeting I did feel like, and I probably even said this to him, ‘It’s nice to have a lot of questions about the character, but you either do it or you don’t do it.’”

3. THE SHAWSHANK REDEMPTION (1994)

There’s only one thing that stood in the way of Tom Cruise playing Andy Dufresne in The Shawshank Redemption: “a sh*tload of dough” in Frank Darabont’s pocket. Though it had always been the plan that Darabont, who had never directed a feature film before, would both write and direct the big-screen adaptation of the Stephen King short story, Rob Reiner (who produced the film) had a momentary change of heart. After working with Cruise on A Few Good Men, Reiner realized that The Shawshank Redemption could be a great opportunity for him and Cruise to re-team on a project. So he made Darabont an offer he (almost) couldn’t refuse: the aforementioned “sh*tload of dough” in order to turn directing duties over to Reiner, so that he could make the movie with Cruise. And it was a tempting offer.

“In my struggling-writer days, I could barely meet the rent,” Darabont told Vanity Fair. By taking the deal, Darabont would not only have cash in his pocket, but he'd be able to make a quick name for himself in the industry he was trying to conquer—and he admits that the dilemma “completely tormented” him. Ultimately, the would-be first-time director realized that “you can continue to defer your dreams in exchange for money and, you know, die without ever having done the thing you set out to do.” So Darabont said no to Reiner and went on to direct the movie, which garnered seven Oscar nominations, including one for Best Picture and another for Darabont’s script.

4. DONNIE BRASCO (1997)

Like so many movies before (and after) it, Donnie Brasco made the rounds in Hollywood for many years before actually going into production. And the more time that passed, the more actors and directors became attached to it—and dropped out, including Tom Cruise and director Stephen Frears.

5. GHOST (1990)

In his autobiography, The Time of My Life—which he co-wrote with his wife, Lisa Niemi—Patrick Swayze recounted how when his name was brought up as a possible fit for romantic lead Sam Wheat, Ghost director Jerry Zucker responded with, “Over my dead body!” (Zucker apparently couldn’t separate Swayze from his Roadhouse alter ego, Dalton.) While Demi Moore had already been cast, Swayze wrote that “a Who’s Who of leading men were under consideration, including Kevin Bacon, Alec Baldwin, Tom Cruise, Harrison Ford, and Tom Hanks, but the role was still open. Zucker was absolutely convinced that I was the wrong guy for the role, but he finally agreed to at least let me audition for it.” The rest, of course, is history.

6. INDECENT PROPOSAL (1993)

Ghost wasn’t the only Demi Moore-starring romantic drama Cruise was up for. He was also being considered for the role of David (the husband) in Indecent Proposal, with then-wife Nicole Kidman in contention for the part of Diana and Warren Beatty as the propositioning millionaire. In an interview with the Sun Sentinel, director Adrian Lyne shared how Cruise was circling the role of the husband. “I tested Nicole Kidman later,” said Lyne. “She was good, but it didn’t work out. Demi was better. I’ve seen Demi for every movie I’ve done, and I’ve watched her change. She’s lovely to watch in a tactile way.”

7. A BEAUTIFUL MIND (2001)

Before it was a Ron Howard film starring Russell Crowe, A Beautiful Mind was set to be a Robert Redford film starring Tom Cruise as Nobel Prize-winning mathematician John Nash. Ultimately, Cruise opted to star in Vanilla Sky instead.

8. RUMBLE FISH (1983)

After working with Francis Ford Coppola on The Outsiders, the legendary director offered Cruise a role in his follow-up film, Rumble Fish. Though Cruise was anxious to work with Coppola again, he told Interview Magazine that the offer came in “the same week I was offered Risky Business.”

9. SALT (2010)

In the earliest days of its development, Salt—Phillip Noyce’s 2010 action-crime-mystery—was about a man, Edwin A. Salt. And that man was (hopefully) going to be Cruise. “Tom was flirting with the part, and we just couldn't pin him down,” Noyce told NBC Bay Area. “Eventually he did Knight and Day instead.”

10. STARMAN (1984)

In casting his cult classic alien romance movie, director John Carpenter told The Boston Globe that the studio “wanted Tom Cruise for the lead. But when I auditioned actresses in New York, Karen Allen was far and away the best. I wanted her for Jenny Hayden, and so we had to go with actors her age. I didn't want a big star to play the male lead because there might be too much identification with other roles. I thought of Jeff Bridges because he's a name actor, yet he's not a big celebrity.”

11. IRON MAN (2008)

That Iron Man director Jon Favreau had a tough time getting the studio to say yes to Robert Downey Jr. as a superhero is by now legend. And it probably didn’t help his cause that Cruise had expressed an interest in taking the part, and reportedly producing the film, too. But when pressed on the topic of the project’s status in 2005, Cruise stated that “It's not happening. Not with me, no … They came to me at a certain point and, when I do something, I wanna do it right. If I commit to something, it has to be done in a way that I know it's gonna be something special. And as it was lining up, it just didn't feel to me like it was gonna work. I need to be able to make decisions and make the film as great as it can be, and it just didn't go down that road that way.”

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
UpgradedPoints.com

An Atlantica travel poster
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A Disney-inspired poster
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A Disney-inspired poster
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A Lion King travel poster
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A Neverland travel poster
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11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

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