CLOSE
Original image
20th Century Fox

14 Things You Might Not Know About Aliens

Original image
20th Century Fox

James Cameron’s follow-up to Ridley Scott’s sci-fi masterpiece launched a thousand “Alien vs. Aliens” debates—one of the few times in film history where you could assert that the sequel was better than the original and even be taken seriously. (We decline to take a position on this controversial issue. We love both movies.) Aliens was a giant hit with critics and audiences alike, leading to two more sequels and whatever Prometheus was. In honor of Alien Day, here are some facts about the production to enhance your next viewing of the slimy ’80s action sci-fi classic.

1. CONAN THE DESTROYER HELPED IT GET MADE.

The movie, not the guy. Based on the strength of his script for The Terminator (then in pre-production), James Cameron was approached by 20th Century Fox to write an Alien sequel. But the outline he came up with for Alien II got a lukewarm reaction at Fox, and the idea was put on hold for the time being. Then, as luck would have it, the start date for The Terminator was pushed back nine months so that Arnold Schwarzenegger could make Conan the Destroyer, the sequel to his 1982 hit (in which Conan had been merely a Barbarian). This extra three-quarters of a year gave Cameron time to write three-quarters of a full screenplay for Alien II, not just an outline. (He also co-wrote Rambo: First Blood Part II during this time, by the way.) The Fox bosses liked what they read. Cameron was told that if The Terminator proved successful, he could write and direct the Alien sequel.

2. IT TOOK SEVEN YEARS TO GET THE SEQUEL MADE.

Why did it take seven years to get a sequel made? Lawyers and money, of course. Talk of a sequel began shortly after the original Alien (1979) was a hit, but it was delayed because of a dispute between the film’s producers and 20th Century Fox over the distribution of the original movie’s profits. Fox, reluctant to make a sequel because it would be expensive, finally agreed to it as a way of settling the beef with the producers—basically, “We won’t give you any more of the first movie’s profits, but we’ll greenlight a sequel, and you can make money from that.” (Amusingly, the same producers plus Cameron and Gale Anne Hurd sued Fox again after Aliens, claiming the studio had used “creative accounting” techniques to avoid paying them.)

3. SIGOURNEY WEAVER WAS PAID $35,000 FOR THE FIRST FILM, AND $1 MILLION FOR THE SEQUEL.

James Cameron and Gale Anne Hurd (who became Mrs. James Cameron during pre-production) helped Weaver get what she deserved—first by refusing to make the film without her, and also by refusing to keep it a secret that she was the only person in consideration for the lead role. Fox especially didn’t like that second point, as it put Weaver’s agent in a very strong bargaining position. Sure enough, Weaver got $1 million and a percentage of the profits. It got better for Weaver as the franchise went on, with $4 million for Alien 3 and $11 million for Alien: Resurrection.

4. THERE WAS A LOT OF K-Y JELLY ON THE SET.

All that alien slime and drool? K-Y lubricant. (In case the Freudian sexual nightmare of the creature designs wasn’t strong enough.)

5. THE ACTORS PLAYING SPACE SOLDIERS TRAINED WITH REAL MARINES.

Sigourney Weaver, William Hope, and Paul Reiser didn’t join them because of other commitments, but their characters weren’t supposed to be trained soldiers anyway. 

6. THE SET WHERE THE ALIEN NEST IS FOUND SHOWED UP IN TIM BURTON’S BATMAN.

It was a defunct power station, called Acton Lane, and it had the right atmosphere for Aliens. It later appeared as Axis Chemicals, which is where Jack Napier falls into some acid and becomes Joker-fied in 1989's Batman. Parts of the alien hive were still there when Burton and his crew came in, which must have freaked them out a little.

7. THE NOVELIZATION HAS SEVERAL KEY DIFFERENCES.

Alan Dean Foster wrote the paperback versions of the first three Alien films (not to mention some titles in the Star Wars, Star Trek, The Terminator, and Transformers franchises), working from the screenplay before the film was even finished shooting. He stuck closely to what Cameron had written, but there are some major differences. Among them:

- Newt is about 12 years old in the movie, but six in the book.

- Ripley becomes more despondent after the tribunal, withdrawn and depressed, living in a filthy apartment and clearly traumatized by her past. In the movie, of course, she’s a lot tougher.

- Ripley immediately realizes Bishop is an android (though she still doesn’t confront him until later). Also the scene with Bishop’s famous knife trick isn’t in the book.

- There are several colonists still alive on the alien planet, not just one woman.

- Ripley opens fire on the Queen as soon as she sees her, rather than “negotiating.”

- When she is cornered by the Queen, Ripley intends to throw herself and Newt over the railing to die rather than fall into the Queen’s clutches. 

8. PART OF THE REASON ALIENS IS SO GOOD IS THAT JAMES CAMERON USED THE TERMINATOR AS PRACTICE.

“I was thinking of Terminator as a movie no one would see, so I could work on some of the things that I would use on Aliens,” Cameron told the Los Angeles Times. “I remember when I was shooting a scene where [the heroine] crawls through all this machinery, I thought, ‘This will make a good dry run ... I’ll get some of this stuff worked out so I’ll know how to do it.'"

9. IT’S THE ONLY ACTING THAT CARRIE HENN, WHO PLAYED YOUNG NEWT, EVER DID.

Henn was nine years old and living with her family at a U.S. Air Force base in England when casting agents found her. She loved the experience, remained friends with Sigourney Weaver afterward, was invited to the premiere of Alien 3 (even though she wasn’t in the movie) ... and never acted again. Instead, she became a schoolteacher.

10. THE CREEPY DERELICT SHIP WAS THE SAME ONE USED IN THE FIRST ALIEN.

Fox hadn’t immediately planned on making a sequel, so they didn’t keep the sets and models lying around. Luckily, a collector named Bob Burns had the original model (and numerous other Alien artifacts) preserved at his home.

11. CAMERON HAD TO QUASH A MUTINY ON THE SET.

The film was shot at England’s historic Pinewood Studios, which provided its own unionized crew members for productions using the facilities. Some of these workers resented the 14-hour days and, having no idea what Cameron was capable of (The Terminator hadn’t opened yet), thought he was in over his head. In particular, the first assistant director thought he should be directing Aliens. He mocked Cameron, called him “guv’nor,” rolled his eyes at him ... and got himself fired for insubordination. The new first assistant director behaved respectfully, and things were better after that.

12. SIGOURNEY WEAVER DIDN’T WANT TO USE A GUN.

She’s not a fan of them, and she lobbied Cameron to let Ripley go the entire film without using one. Cameron talked her into it after taking her to a shooting range and showing her how fun it could be. (“Another liberal bites the dust,” he joked on the DVD commentary.)

13. GALE ANNE HURD’S HANDS MAKE A CAMEO IN THE FILM.

Jenette Goldstein, the actress who played Vasquez, didn’t have any firearms training. She couldn’t hold a gun properly, which was noticeable when seen in close-ups, so producer Gale Anne Hurd served as her hand double.

14. JAMES HORNER HAD THREE WEEKS TO WRITE THE SCORE.

James Horner thought he’d have six weeks to write the musical score. Instead, he had three weeks, and had to write some parts overnight. The movie was behind schedule, not even finished being filmed (let alone edited) when Horner arrived in England. What’s more, the recording studio he’d been provided with was outmoded, not equipped to handle the synthesizers he wanted to use. Horner called the experience a “nightmare,” and ended up writing the climactic musical cue overnight. Coming away with the impression that a James Cameron film was too stressful and rushed, he figured he’d never work with the director again. And he didn’t ... until Cameron approached him for Titanic. (That rushed Aliens score earned Horner an Oscar nomination, by the way.)

Additional Sources: Commentaries and featurettes on the Aliens Blu-ray.

Original image
Hulton Archive/Getty Images
arrow
Lists
11 Popular Quotes Commonly Misattributed to F. Scott Fitzgerald
Original image
Hulton Archive/Getty Images

F. Scott Fitzgerald wrote a lot of famous lines, from musings on failure in Tender is the Night to “so we beat on, boats against the current” from The Great Gatsby. Yet even with a seemingly never-ending well of words and beautiful quotations, many popular idioms and phrases are wrongly attributed to the famous Jazz Age author, who was born on this day in 1896. Here are 11 popular phrases that are often misattributed to Fitzgerald. (You may need to update your Pinterest boards.)

1. “WRITE DRUNK, EDIT SOBER.”

This quote is often attributed to either Fitzgerald or his contemporary, Ernest Hemingway, who died in 1961. There is no evidence in the collected works of either writer to support that attribution; the idea was first associated with Fitzgerald in a 1996 Associated Press story, and later in Stephen Fry’s memoir More Fool Me. In actuality, humorist Peter De Vries coined an early version of the phrase in a 1964 novel titled Reuben, Reuben.

2. “FOR WHAT IT’S WORTH: IT’S NEVER TOO LATE OR, IN MY CASE, TOO EARLY TO BE WHOEVER YOU WANT TO BE.”

It’s easy to see where the mistake could be made regarding this quote: Fitzgerald wrote the short story “The Curious Case of Benjamin Button” in 1922 for Collier's Magazine, and it was adapted into a movie of the same name, directed by David Fincher and starring Brad Pitt and Cate Blanchett, in 2008. Eric Roth wrote the screenplay, in which that quotation appears.

3. “OUR LIVES ARE DEFINED BY OPPORTUNITIES, EVEN THE ONES WE MISS.”

This is a similar case to the previous quotation; this quote is attributed to Benjamin Button’s character in the film adaptation. It’s found in the script, but not in the original short story.

4. “YOU’LL UNDERSTAND WHY STORMS ARE NAMED AFTER PEOPLE.”

There is no evidence that Fitzgerald penned this line in any of his known works. In this Pinterest pin, it is attributed to his novel The Beautiful and Damned. However, nothing like that appears in the book; additionally, according to the National Atmospheric and Oceanic Association, although there were a few storms named after saints, and an Australian meteorologist was giving storms names in the 19th century, the practice didn’t become widespread until after 1941. Fitzgerald died in 1940.

5. “A SENTIMENTAL PERSON THINKS THINGS WILL LAST. A ROMANTIC PERSON HAS A DESPERATE CONFIDENCE THAT THEY WON’T.”

This exact quote does not appear in Fitzgerald’s work—though a version of it does, in his 1920 novel This Side of Paradise:

“No, I’m romantic—a sentimental person thinks things will last—a romantic person hopes against hope that they won’t. Sentiment is emotional.” The incorrect version is widely circulated and requoted.

6. “IT’S A FUNNY THING ABOUT COMING HOME. NOTHING CHANGES. EVERYTHING LOOKS THE SAME, FEELS THE SAME, EVEN SMELLS THE SAME. YOU REALIZE WHAT’S CHANGED IS YOU.”

This quote also appears in the 2008 The Curious Case of Benjamin Button script, but not in the original short story.

7. “GREAT BOOKS WRITE THEMSELVES; ONLY BAD BOOKS HAVE TO BE WRITTEN.”

There is no evidence of this quote in any of Fitzgerald’s writings; it mostly seems to circulate on websites like qotd.org, quotefancy.com and azquotes.com with no clarification as to where it originated.

8. “SHE WAS BEAUTIFUL, BUT NOT LIKE THOSE GIRLS IN THE MAGAZINES. SHE WAS BEAUTIFUL FOR THE WAY SHE THOUGHT. SHE WAS BEAUTIFUL FOR THE SPARKLE IN HER EYES WHEN SHE TALKED ABOUT SOMETHING SHE LOVED. SHE WAS BEAUTIFUL FOR HER ABILITY TO MAKE OTHER PEOPLE SMILE, EVEN IF SHE WAS SAD. NO, SHE WASN’T BEAUTIFUL FOR SOMETHING AS TEMPORARY AS HER LOOKS. SHE WAS BEAUTIFUL, DEEP DOWN TO HER SOUL.”

This quote may have originated in a memoir/advice book published in 2011 by Natalie Newman titled Butterflies and Bullshit, where it appears in its entirety. It was attributed to Fitzgerald in a January 2015 Thought Catalog article, and was quoted as written by an unknown source in Hello, Beauty Full: Seeing Yourself as God Sees You by Elisa Morgan, published in September 2015. However, there’s no evidence that Fitzgerald said or wrote anything like it.

9. “AND IN THE END, WE WERE ALL JUST HUMANS, DRUNK ON THE IDEA THAT LOVE, ONLY LOVE, COULD HEAL OUR BROKENNESS.”

Christopher Poindexter, the successful Instagram poet, wrote this as part of a cycle of poems called “the blooming of madness” in 2013. After a Twitter account called @SirJayGatsby tweeted the phrase with no attribution, it went viral as being attributed to Fitzgerald. Poindexter has addressed its origin on several occasions.

10. “YOU NEED CHAOS IN YOUR SOUL TO GIVE BIRTH TO A DANCING STAR.”

This poetic phrase is actually derived from the work of philosopher Friedrich Nietzsche, who died in 1900, just four years after Fitzgerald was born in 1896. In his book Thus Spake ZarathustraNietzsche wrote the phrase, “One must have chaos within to enable one to give birth to a dancing star.” Over time, it’s been truncated and modernized into the currently popular version, which was included in the 2009 book You Majored in What?: Designing Your Path from College to Career by Katharine Brooks.

11. “FOR THE GIRLS WITH MESSY HAIR AND THIRSTY HEARTS.”

This quote is the dedication in Jodi Lynn Anderson’s book Tiger Lily, a reimagining of the classic story of Peter Pan. While it is often attributed to Anderson, many Tumblr pages and online posts cite Fitzgerald as its author.

Original image
CBS Entertainment
arrow
entertainment
13 Smart Facts About The Big Bang Theory
Original image
CBS Entertainment

The Big Bang Theory, which has held the title of television's most popular comedy for several years now, and will return for its 11th season on Monday, September 25th. In the meantime, geek out with these facts about the long-running cerebral comedy on the 10th anniversary of its premiere.

1. THE SHOW WASN’T PITCHED IN A TRADITIONAL WAY.

Instead of writing up a premise—which includes outlines of the characters and the long-term vision for the show—and pitching it to CBS, co-creators Chuck Lorre and Bill Prady revealed at PaleyFest in 2009 that for their pitch, they wrote a complete script, hired actors, and, as Lorre explained, “put on a show” for CBS president Les Moonves. Lorre found the experience to be “crazy,” but it obviously worked.

2. IT TOOK TWO PILOTS FOR THE SHOW TO GET PICKED UP TO SERIES.

The show filmed two different pilots, because CBS didn't like the first one but felt the show had potential. The first pilot began with a different theme song and featured Sheldon, Leonard, and two female characters, including a different actress playing what would become the Penny role. Chuck Lorre thought the initial pilot “sucked” but is open to having the unaired pilot included as part of a DVD.

3. JIM PARSONS THOUGHT HE WAS AUDITIONING FOR A GAME SHOW.

Amy and Sheldon in The Big Bang Theory.
CBS Entertainment

When Jim Parsons’s agent called and said Chuck Lorre wanted him to audition for a pilot, Parsons misunderstood. “I did not know Chuck Lorre at the time,” Parsons told David Letterman in 2014. “I thought he was talking about Chuck Woolery. I thought, why are they so excited about it? We should see what the man has to offer before we’re like, ‘It’s a new Chuck Woolery pilot!'"

4. ED ROBERTSON OF THE BARENAKED LADIES HESITATED TO WRITE THE THEME SONG.

As the story goes, Lorre and Prady went to a Barenaked Ladies concert and were impressed that lead singer Ed Robertson sang a song on cosmological theory, so they tapped him to write the series' theme song, called “The History of Everything." In 2013, Robertson told CBS News that he’d previously written some songs for TV and films only to have his work rejected, so he was initially reluctant to take on the project.

“I was like, look, how many other people have you asked to write this? I’m at my cottage, I got a couple of weeks off right now and if you’ve asked Counting Crows and Jack Johnson and all these other people to write it, then I kinda don’t want to waste my time on it,” Robertson told them. Lorre and Prady told Robertson he was their only choice, so Robertson agreed to come on board. The first version was 32 seconds long but Robertson had to trim it down to 15 seconds. The original version was also acoustic, which Lorre loved, but Robertson insisted that his bandmates be on the track, and Lorre loved that one even more.

5. SHELDON PROBABLY DOESN’T HAVE ASPERGER’S.

Because of Sheldon’s anti-social nature, viewers have often assumed that Sheldon has Asperger's syndrome. But Prady has stated that, "We write the character as the character. A lot of people see various things in him and make the connections. Our feeling is that Sheldon's mother never got a diagnosis, so we don't have one.”

Parsons himself isn’t totally sure, though. “Asperger’s came up as a question within the first few episodes. I got asked about it by a reporter, and I had heard of it, but I didn’t know what it was, specifically,” he told Adweek in 2014. “So I asked the writers—I said, ‘They’re asking me if Sheldon has Asperger’s’ and they were like, ‘No.’ And I said, ‘OK.’ And I went back and I said, ‘No.’ And then I read some about it and I went, OK, well, if the writers say he doesn’t, then he doesn’t, but he certainly shares some qualities with those who do. I like the way it’s handled ... This is who this person is; he’s just another human.”

6. KUNAL NAYYAR GOT HIRED BECAUSE HE WAS “CHARMING."

CBS Entertainment

In reminiscing about the early days, Prady explained to Buzzy Mag how Raj came to be: “When we were casting for that part, we were casting for an international member of the ensemble, [because] if you go into the science department at a university, it’s not [just] Americans,” Prady said. “It’s one of the most international kinds of communities. So we saw foreign-born people. And so we saw people who were Korean and Korean-American and Latino. And then Kunal came in and it was like Jim [Parsons]—it was just Person Number Eight on a day of Twenty-Seven people, and he was charming.”

7. AMY FARRAH FOWLER WAS MADE A NEUROSCIENTIST ON PURPOSE.

Mayim Bialik, who in real life has a PhD in neuroscience, told Variety how Amy Farrah Fowler’s profession came to be. “They didn’t have a profession for my character when I came on in the finale of season three,” she says. “In season four, Bill Prady said they’d make her what I am so I could fix things (in the script) if they were wrong. It’s neat to know what things mean. But most of the time, I don’t have to use it.”

8. ASTROPARTICLE PHYSICIST/SCIENCE CONSULTANT DAVID SALTZBERG ONCE GOT A JOKE ON THE AIR.

The Big Bang Theory has had David Saltzberg on retainer since the beginning of the series. Every week he attends the tapings and offers up corrections and ensures the white boards used in the scenes are accurate. During episode nine of the first season, Saltzberg wrote a joke for Sheldon, who has a fight with another scientist. Penny asks Sheldon about the misunderstanding and Sheldon replies, “A little misunderstanding? Galileo and the Pope had a little misunderstanding!”

Even though Saltzberg teaches at UCLA and publishes papers, he thinks his work on The Big Bang Theory is more impactful. “This has a lot more impact than anything I will ever do,” he told NPR. “It’s hard to fathom, when you think about 20 million viewers on the first showing—and that doesn't include other countries and reruns. I’m happy if a paper I write gets read by a dozen people.”

9. WIL WHEATON GOT THE “EVIL WIL WHEATON” GIG THROUGH TWITTER.

Wil Wheaton and Jim Parsons in a scene from The Big Bang Theory.
Sonja Flemming - © 2012 CBS Broadcasting, Inc

Wil Wheaton, who plays a “delightfully evil version” of himself on the show, tweeted about The Big Bang Theory. Wheaton told Larry King, “I was talking on Twitter about how much I loved the show and how I thought it was really funny.” Executive producer Steven Molaro—who will be taking on the same role in the Young Sheldon prequel, which also premieres Monday night—saw the tweet and told Wheaton to let him know if he wanted to come to a taping. A few days later Wheaton received an email from Bill Prady’s assistant about appearing on the show. “I just thought the email was a joke from one of my friends, so I just ignored it,” Wheaton said.

When Wheaton realized that the email was legit he phoned up Prady, who explained they wanted a nemesis for Sheldon. “It’s always more fun to be the villain,” Wheaton said. Even though the character has evolved into Sheldon’s ally, Wheaton said, “I still call him Evil Wil Wheaton.”

10. CHUCK LORRE THOUGHT THE SHOW AIRING AT 8 P.M. WAS THE BEGINNING OF THE END.

The show aired a handful of episodes in the fall of 2007, but a Writers Guild strike halted production until the following year. When the show returned in March, it had an earlier time slot. During a 2009 Comic-Con panel with the show’s cast and producers, the moderator asked Lorre about how CBS once again changed the time slot, this time from Mondays at 8 p.m. to Mondays at 9:30 p.m. “You guys followed us when they put us on at 8 and that is what kept us alive,” Lorre replied. "We did eight shows before the strike took us out in our first season. When the strike was over, CBS put us on at 8 p.m. and we thought that might be the end of it. You followed us and kept us alive and that was when we got the two-year pickup when we did well at 8.” The show eventually returned to the Mondays at 8 p.m. slot.

11. PARSONS ATTRIBUTES THE SHOW'S SUCCESS TO ITS LACK OF CHARACTER ARCS.

In a 2014 interview with New York Magazine, Parsons gave his theory (if you will) on why The Big Bang Theory attracts more than 20 million viewers per week—a number unheard of since the Friends-era sitcom reign. “There’s not anything to keep up with,” he said. “You don’t go, ‘I didn’t see the first three seasons, and now they’re off with prostitutes, and they no longer work in the Mafia, and I don’t understand what happened.’ People have so many choices on TV now, so no one’s asking for you to marry us. You can enjoy our show without a weekly appointment.”

12. A NEW GENUS OF JELLYFISH IS NAMED BAZINGA.

CBS Entertainment

In 2011, a photographer spotted the unnamed grape-sized rhizostome in Australia’s Brunswick River, snapped a photo of it, and sent the photo to marine biologist Lisa-ann Gershwin. In 2013, she named the jellyfish and published a paper on it for the Queensland Museum. In her findings she called it “a new genus and species of the rhizostome jellyfish, which cannot be placed in any known family or suborder.” She told The Huffington Post that it’s the first time in more than 100 years that a new sub-order of jellyfish had been discovered. For now, it’s the only member of the genus Bazinga, the family Bazingidae, and the sub-order Ptychophorae. Sheldon’s catchphrase also inspired the naming of a new bee species in 2013.

13. THE CAST MEMBERS ARE SOME OF THE WORLD’S HIGHEST PAID TV ACTORS.

In August 2017, Variety released a list of television's highest paid actors, and the main cast members of The Big Bang Theory—Kaley Cuoco, Johnny Galecki, Jim Parsons, Simon Helberg, and Kunal Nayyar—came out on top for comedy, earning an average of $900,000 per episode.

BONUS FACT: WE'RE ON THE COFFEE TABLE!

Image credit: Wil Wheaton

In 2010, Wil Wheaton shared this close-up of the coffee table in Sheldon and Leonard's apartment. "I saw a lot of things that could have been on my own coffee table," he wrote, "so I decided to grab a picture."

Here's one from 2014:

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios