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14 Not-So-Dirty Facts About Dirty Dancing

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Released on August 21, 1987, no one—not even stars Patrick Swayze and Jennifer Grey—could have predicted the phenomenon that Dirty Dancing would turn into. Today, 30 years later, we’re still talking about the dance-musical-romance’s sensual choreography, its oldies soundtrack, and not putting Baby in a corner. Here are some not-so-dirty facts about the iconic movie, which grossed nearly $215 million worldwide.

1. PATRICK SWAYZE BELIEVED DIRTY DANCING ENDURED BECAUSE OF ITS HEART.

In an interview with AFI, Swayze explained why he thought Dirty Dancing has stuck around for so long. “It’s got so much heart, to me,” he said. “It’s not about the sensuality; it’s really about people trying to find themselves—this young dance instructor feeling like he’s nothing but a product, and this young girl trying to find out who she is in a society of restrictions when she has such an amazing take on things. On a certain level, it’s really about the fabulous, funky little Jewish girl getting the guy because [of] what she’s got in her heart.”

2. THE FILM GAVE NEWMAN HIS FIRST BIG MOVIE ROLE.

Before starring as Stan, the resort’s social director, Wayne Knight had small roles in a few TV movies, including an uncredited role in the nuclear holocaust drama The Day After. Dirty Dancing showcased his talents, which in 1992 led him to be cast as Newman on Seinfeld.

3. BILL MEDLEY THOUGHT HE WAS BEING HIRED TO RECORD A SONG FOR A “BAD PORNO.”

Bill Medley and Jennifer Warnes sang the vocals to the Oscar-winning song “(I’ve Had) The Time of My Life.” Medley told Songfacts that Dirty Dancing music supervisor Jimmy Ienner called him and mentioned he was gathering music for the movie. “It sounds like a bad porno movie,” Medley said. Medley’s wife was expecting a baby, so he turned the song down. A few months later Ienner convinced him to do the song, even though Medley didn’t think the movie would be popular.

“We just went in to work together, to sing together, and little did we know it was going to be the biggest movie of the year. Just unbelievable,” Medley said. The song ended up selling more than 500,000 copies, and Medley ended up titling his own memoir The Time of My Life. (Note: The film was actually the 11th highest grossing film of the year; Three Men and a Baby took the top spot for 1987.)

4. PAUL FEIG STARRED IN A DIRTY DANCING TV SHOW SPINOFF.

Dirty Dancing the TV series lasted for only 11 episodes beginning in the fall of 1988, but it gave us then-unknown actors Paul Feig (creator of Freaks and Geeks and director of Bridesmaids) and Melora Hardin (Jan Levinson of The Office). Hardin played Baby but her last name on the show was Kellerman because her dad was Max Kellerman, not Dr. Houseman. CBS even used “(I’ve Had) The Time of My Life” for the show’s opening credits.

5. A DIRTY DANCING REALITY SHOW AIRED OVERSEAS.

For two seasons between 2007 and 2008, the UK’s Living network aired a reality show called Dirty Dancing: The Time of Your Life, in which groups of dancers competed for a year-long contract with Bloc, a Los Angeles-based dance agency. The series took place at Virginia’s Mountain Lake Lodge, where much of the original movie was filmed. Couples danced in front of three judges, including Miranda Garrison, who played Vivian Pressman in the movie and was also an assistant choreographer on the film.

6. MOUNTAIN LAKE LODGE REGULARLY HOSTS DIRTY DANCING WEEKENDS.

The Pembroke, Virginia resort where many of the Kellerman’s scenes were filmed hosts regular Dirty Dancing­-themed weekends a year. Dinners, a sock hop, a screening of the movie, a watermelon toss, group dance lessons, and a Dirty Dancing scavenger hunt are just some of the many activities on the agenda.

7. ELEANOR BERGSTEIN WROTE ANOTHER DANCE MOVIE AFTER DIRTY DANCING.

Bergstein wrote the script to Dirty Dancing, and in 1995 she had the opportunity to direct as well. She wrote and directed Let It Be Me, starring Jennifer Beals and Campbell Scott. To this day, she hasn’t written or directed any other movies, but she did adapt Dirty Dancing into a successful stage show.

8. ACCORDING TO BERGSTEIN, EASTERN EUROPE WATCHES A LOT OF DIRTY DANCING.

In a 2006 interview with The Guardian, Bergstein talked about the movie’s popularity with people in the former Eastern Bloc. “And in Russia, it’s policy in the battered women’s shelters, when a woman comes in for help. First, they wash and dress her wounds, then they give her soup. Then they sit her down and show her Dirty Dancing. When the Berlin Wall came down, there were all these pictures of kids wearing Dirty Dancing T-shirts; they were saying, ‘We want to have what they have in the West! We want Dirty Dancing!'”

9. PENNY BRIEFLY TRANSFORMED INTO A POP STAR IN THE LATE 1980s.


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Cynthia Rhodes made a name for herself as dancer Tina Tech in 1983’s Flashdance and starred as John Travolta’s dance partner/love interest in Staying Alive that same year. But it was her role as Johnny Castle’s dancing partner, Penny, that garnered her the most notice. A couple of years after Dirty Dancing, she married singer Richard Marx (they’ve since divorced), and she briefly filled in as the lead singer of L.A. pop group Animotion, known for their hits “Room to Move” and “Obsession.”

10. JENNIFER GREY PLAYED A VERSION OF HERSELF ON THE SITCOM IT’S LIKE, YOU KNOW...

The short-lived ABC sitcom (1999-2000) featured Grey as a member of a Seinfeld-like gang, except the show swapped out New York City for Los Angeles. She allowed herself to be self-deprecating, even poking fun at her nose job and her Dirty Dancing celebrity. Arthur (Chris Eigeman) meets “Jennifer Grey” and goes, “Oh, like the actress. Dirty Dancing. You spell it the same way as her?” “I am Jennifer Grey,” she responds, then she does a dance to prove it. “You look different,” he says. “Nose job!” She blurts. “Just one?” he retorts. (She had two of them.)

11. GREY WAS SHOCKED TO BE A PART OF THE MOVIE CRAZY, STUPID, LOVE.

During a scene in the 2012 rom-com Crazy, Stupid, Love., Ryan Gosling uses the famous Dirty Dancing lift to woo Emma Stone into bed with him. As she watched the movie, Grey got an unexpected surprise. “I’m such a fan of Ryan Gosling and all of a sudden he’s saying my name [in the movie],” she told Yahoo!. “I’m just in the theater with my husband and I look at him like, ‘Oh my God, Ryan Gosling just said my name. What’s going on?’ I was so scared. I was like, ‘Oh, no. What are they about to do?’ All of a sudden there I was, part of their movie.”

12. BORSCHT BELT RESORTS LIKE KELLERMAN’S ARE DISAPPEARING.

The area in the Catskills and upstate New York where many resorts like Kellerman’s were located is referred to as the Borscht Belt, because of the area’s popularity with Jewish-American families from the 1920s to the 1980s, with the height of their popularity being in the 1950s and ’60s. Comedians such as Joan Rivers and Jerry Seinfeld got their starts at these resorts. Since the 1990s, hundreds of these resorts have shuttered.

13. TWO FILMMAKERS PRODUCED A DOCUMENTARY ABOUT THE RESORT THAT SUPPOSEDLY INSPIRED KELLERMAN’S.  

For over 100 years, the Monticello, New York-based Kutsher’s Hotel and Country Club welcomed Jewish-American families every summer. Wilt Chamberlain worked there as a bellhop, and according to Caroline Laskow and Ian Rosenberg, the husband-and-wife filmmakers behind Welcome to Kutsher’s: The Last Catskills Resort, it’s also part of the inspiration behind Dirty Dancing.

“Perhaps Hollywood had taken sort of what was true for the Catskills and was using it for their own purposes, but ... [Hollywood] was just copying what was already here,” Rosenberg told ABC News. One of the last bastions of the Catskills’ Borscht Belt, Kutsher’s closed in 2013 and was sold to a billionaire who plans on replacing the resort with a $250 million yoga and wellness center. At least the doc acts as a relic to the halcyon days of dancing and escapism.

14. A DIRTY DANCING REMAKE WAS RELEASED EARLIER THIS YEAR.

Talk of a Dirty Dancing remake had been floating around Hollywood for a few years, and earlier this year it finally came to fruition. The film, which starred Abigail Breslin as Baby, was not met with great reviews. "Somehow, this earnest, anodyne remake has managed to surgically extract the magic—leaving the story and signature lines intact while suctioning out all the subtlety, charm, and lead chemistry that defined the iconic 1987 original," wrote Entertainment Weekly of the remake.

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11 Single Facts About Bridget Jones’s Diary
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While it's not officially a holiday movie, so much of the action in Bridget Jones's Diary happens around the most wonderful time of the year that the rom-com has become essential wintertime viewing for many movie fans. Based on Helen Fielding’s novel of the same name, it tells the story of a very single, and hopelessly romantic, working professional named Bridget (Renée Zellweger) who is determined to improve her love life. Enter two strapping gentlemen (Colin Firth and Hugh Grant) to vie for her heart. Get to know more about the timeless dramedy that’s been delighting audiences since 2001. Just as it is.

1. THE SOURCE NOVEL CAME ABOUT FROM AN ANONYMOUS COLUMN ABOUT SINGLE LIFE.

In the foreword of Bridget Jones’s Diary, author Helen Fielding wrote about how she came to conjure up the story: “The Independent asked me to write a column, as myself, about single life in London. Much as I needed the money, the idea of writing about myself in that way seemed hopelessly embarrassing and revealing. I offered to write an anonymous column instead, using an exaggerated, comic, fictional character. I assumed no one would read it, and it would be dropped after six weeks for being too silly.”

2. SEVERAL CHARACTERS ARE BASED ON PEOPLE IN HELEN FIELDING’S LIFE.


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These include Jude (Tracey MacLeod) and Shazzer (Sharon Maguire, also the film’s director). In a column for the Evening Standard, MacLeod described how she didn’t even realize she inspired part of her best friend’s story until Fielding’s book launch party. “At the launch party for the first Bridget book, I was cornered by a smug married friend, ‘So ... what's it like being Jude?’ she asked,” MacLeod writes. “I was outraged. Of course I wasn't Jude, with her self-help books and horrible boyfriend. My boyfriend wasn't anything like Vile Richard ... But as more people began to believe that Jude and Shazzer were thinly-veiled portraits of myself and Sharon, I secretly got to like the idea.”

3. TONI COLLETTE DECLINED THE LEAD, AND KATE WINSLET WAS CONSIDERED FOR IT.

Before Zellweger stole the show, Aussie Toni Collette and Brit Kate Winslet were up for the part. According to AMC, “Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time, and Kate Winslet was considered but the producers decided she was too young.”

4. HUGH GRANT ONLY SIGNED ON WHEN RICHARD CURTIS WAS ANNOUNCED AS THE WRITER. 


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“The only reason [I was a hard sell] was because I didn't feel they had the script quite right for a long time,” Firth told Cinema.com. “And I kept saying, ‘It's not working. Just get Richard Curtis to come in and help rewrite it.’ Eventually they did, and as soon as Richard came on board, I signed on the dotted line. So that's all it was.”

5. RENÉE ZELLWEGER GAINED 17 POUNDS FOR THE PART.

Zellweger’s weight gain for the role had the media abuzz for a while. According to The Guardian, “In order to play the eponymous heroine in the film adaptation of Fielding's bestseller, the actress gained 17 pounds, consulting a dietitian and endocrinologist who devised a regime of three full meals a day, multiple snacks, and no exercise.”

6. ZELLWEGER WORKED AT PICADOR FOR THREE WEEKS.

Zellweger went full Method for her iconic role, and became a temporary employee of the Picador publishing house. “We came up with a plan: she would be Bridget Cavendish, Bridget for obvious reasons and Cavendish as she was to be passed off as the sister of Jonathan Cavendish, a friend of one of our company chairmen,” Picador publicist Camilla Elworthy told The Guardian. “That last bit at least is true, and no one was to know that Jonathan Cavendish was one of the film's producers.”

7. ZELLWEGER KEPT A PHOTO OF JIM CARREY ON HER DESK.


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While working at Picador, Zellweger kept a picture of Jim Carrey on her desk—which made her alter ego Bridget Cavendish seem like some sort of obsessed fan. “Under the name Bridget Cavendish, she answered phones, served coffee, and made photocopies—without being recognized by any of her co-workers, who offered career advice and wondered privately why she kept a photo of Jim Carrey (her then-boyfriend) on her desk,” noted Hollywood.com.

8. ZELLWEGER INVITED HER BOSS AT PICADOR TO BE AN EXTRA ON SET.

In Camilla Elworthy’s write-up for The Guardian, she noted how she became a part of the production. “Renée sent me a thank you letter and gift after she'd gone and I have seen her a few times since then," Elworthy wrote. "She invited me on to the film set one day. She informed me that I had to stick around and be an extra and made sure that I was put somewhere that I would be seen ... As a result, half my head can be seen for half a nano-second in the launch party scene.”

9. THE EPIC FIGHT SCENE BETWEEN GRANT AND COLIN FIRTH WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

10. FIELDING ASKED FRIEND SALMAN RUSHDIE TO CAMEO IN THE FILM.

Recalling how he came to be part of the film, famed novelist Salman Rushdie told Texas Monthly, “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’”

11. GRANT DIDN’T HEAR ZELLWEGER SPEAK IN HER AMERICAN ACCENT UNTIL THE FILM’S WRAP PARTY.

Zellweger was so engrossed with Bridget Jones that one of her leading love interests didn’t meet the real actress until the end of the shoot. “Not once did she stop speaking with that accent, until the wrap party,” Grant told Cinema.com, “when suddenly this weird ... Texan appeared. I wanted to call security, I didn't know who the f*ck she was!”

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15 Surprising Facts About Scarface
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Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman offered relative newcomer Oliver Stone a chance to overhaul the screenplay, but Stone—who was still reeling from the box office disappointment of his film, The Hand—wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


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De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
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In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

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