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14 Nostalgic Facts About Happy Days

Happy Days ran for 11 seasons, making it one of ABC’s longest running series (The Adventures of Ozzie and Harriet still holds first place). It lasted longer than its many spinoffs, including Laverne & Shirley and Mork & Mindy, and it is the only show thus far in Nick at Nite history to dethrone I Love Lucy as that channel’s top-rated show. To paraphrase Pratt & McClain, these Happy Days facts are yours and mine; we hope you’ll share them with your friends.

1. IT WAS SUPPOSED TO BE SET IN THE 1920S, NOT THE 1950S.

When Garry Marshall was first approached by Paramount executives Michael Eisner and Tom Miller in 1971 to create a new sitcom, they envisioned something set in the 1920s or ’30s. Marshall told them that he knew nothing about flappers, but he could write a show about the era in which he spent his teen and young adult years—the 1950s. He put together a pilot about a Midwestern family that just purchased their first TV set (the first one in the neighborhood!) and how the teenaged son planned to use it as a chick magnet. The series didn’t sell, and the pilot ended up as a vignette on Love, American Style—“the dumping ground of failed pilots” according to Marshall.

2. THE SERIES CREATOR WANTED TO CALL IT COOL.

Test audiences reported that COOL made them think of cigarettes, however, so producer Carl Kleinschmitt suggested, “How about calling it Happy Days? That’s what we’re going to show.”

3. RON HOWARD SIGNED ON TO AVOID GOING TO VIETNAM.

Ron Howard wasn’t looking to do another series; he had recently enrolled at USC’s School of Cinematic Arts with the goal of becoming a director. He had a small problem nagging at him, however: a low draft number. And Uncle Sam was no longer handing out student deferments to college students. There was a possibility of Howard getting an occupational deferment, though, if his employment was directly related to the employment of 30 or more other people. Luckily Paramount was a large company with enough employees who would be out of work if their star was drafted, so Howard signed on to play Richie Cunningham. Even though the pilot didn’t sell, Howard could breathe easily since President Nixon had ended the draft shortly after filming had wrapped.

4. HAPPY DAYS ACTUALLY PREDATES AMERICAN GRAFFITI.

George Lucas’s Oscar-nominated 1973 film American Graffiti launched a craze for 1950s nostalgia (even though the movie was set in 1962). Casting director Fred Roos had worked with Ron Howard on The Andy Griffith Show and recommended him to Lucas for the role of Steve Bolander. Lucas dug out the “Love and the Happy Days” episode of Love, American Style to determine whether Howard could play an 18-year-old high school student convincingly. Once American Graffiti became a runaway success, ABC decided that the time was ripe for a 1950s-era sitcom and Garry Marshall’s project was resurrected.

5. FONZIE WAS ALMOST A MONKEE.

When Henry Winkler got the callback after his first audition for the role of Arthur Fonzarelli, he was taken aback when he saw that the other contender was former Monkees drummer Micky Dolenz. According to Dolenz, Winkler admitted to him later that he had thought, “Oh crap, Micky Dolenz is here. I’ll never get it!” Dolenz was Marshall’s original choice to play Fonzie, on the strength of a recent guest appearance he had made as a biker on Adam-12. But at six feet tall, Dolenz towered over the five-foot-nine Ron Howard, so Winkler was deemed a better fit.

6. HENRY WINKLER STRUGGLED TO READ HIS SCRIPTS.

Winkler struggled in school as a child no matter how hard he applied himself. His German-born parents had a nickname for him, dummer hund (“Dumb Dog”), which didn’t help his self-esteem. He wasn’t diagnosed with dyslexia until he was 31 years old. When he auditioned for Happy Days he only had six lines, which he made up because he couldn’t read them. “That’s not in the script,” the producers pointed out. Thinking on his feet, Winkler replied: “I know but I’m giving you the essence of the character and if I get the part I’ll do it verbatim.”

7. BILL HALEY RECORDED A NEW VERSION OF HIS SIGNATURE HIT FOR THE OPENING CREDITS.

“Rock Around the Clock” by Bill Haley & His Comets spent eight weeks at the top of the Billboard chart in 1955. This original single version was only used once on Happy Days (for the first episode). Haley recorded a new version of the song exclusively for the series and this was the song that was played over the opening credits during the first two seasons of the show.

8. PAT MORITA HAD PROBLEMS WITH HIS ACCENT.

California-born Noriyuki “Pat” Morita spoke plain, unaccented English as well as any native speaker, but just prior to filming his first scene as Arnold, director Jerry Paris very reluctantly told the actor that he had to “pick an accent.” Apparently the network higher-ups thought that the obviously Asian Arnold should speak with a distinct accent. Morita went along with them and used an exaggerated Chinese Pidgin English dialect. About six weeks later Paris approached Morita once again, this time accompanied by a standards and practices representative. The S&P rep informed Morita that—for politically correct reasons—he could no longer play Arnold, who was obviously a Chinese-American character (an observation made based on Morita’s accent), because he was Japanese-American. Morita did some quick thinking and explained that Arnold’s last name was Takahashi, and that he was the product of a Japanese father and Chinese mother.

9. FONZIE DIDN’T REALLY LOVE PINKY.

The season four opener was a hugely hyped affair, a three-part story arc entitled “Fonzie Loves Pinky.” The big news was that Fonzie was going to find true love, and the object of his affection was a daredevil cyclist named Pinky Tuscadero. Pinky was played by Roz Kelly, an actress who’d caught ABC honcho Fred Silverman’s eye and had become a pet project of his. He believed that she could be the “female Fonzie” and as a result the Pinky and Fonzie pairing got almost as much press coverage in the summer of 1977 as Charles and Diana would receive three years later. Alas, the brassy and abrasive Kelly just didn’t fit in with the rest of the cast, particularly her intended love interest: “I grew up on welfare, so I don’t relate to rich kids,” she told People magazine in 1976 of the Yale-educated Winkler. And Pinky was quietly written out of the series.

10. JOHN LENNON ONCE VISITED THE SET.

The cast was surprised one day in 1975 when the former Beatle showed up unannounced on the Paramount lot. Julian Lennon was a huge fan of the show and his dad had brought him to meet the cast. As Anson Williams, who played Potsie, recalled, Lennon was very nice and somewhat shy, but he did sign autographs and draw doodles for various crew members and grips. (But not for Williams or the other stars; they were far too cool to ask a fellow celebrity for a keepsake drawing.)

11. GARRY MARSHALL GAVE ROBIN WILLIAMS HIS BIG BREAK.

But it was actually Marshall’s sister, Ronny, who “discovered” the comedian. Marshall’s young son was an avid Star Wars fan and he urged his father to have “space people” on Happy Days, which is how the alien character Mork from Ork was conceived. Several comedians, including Dom DeLuise and John Byner, had turned down the role and Marshall was having trouble casting it. His sister suggested a stand-up comic she regularly saw performing on the street, with his hat on the ground for money. “Why should I hire a guy from off the street?” he asked her. “Well, his hat is always pretty full!” Ronny told him. When Williams showed up to tape the “My Favorite Orkan” episode, Henry Winkler reported that his biggest challenge as an actor was to maintain a straight face while Williams went off on his hilarious tangents.

12. MANY OF THE NAMES USED ON THE SHOW WERE INSPIRED BY GARRY MARSHALL’S REAL LIFE.

Marshall’s wife went to school with a kid named Potsie Webber, and Richie Cunningham was a “nice boy” who attended the same church as Marshall. The first home the Marshalls purchased was on Arcola Street. Fonzie’s name, however, was originally supposed to be “Arthur Masciarelli”, which was Marshall’s original surname. However, “the Mash” just didn’t have the same ring to it as “the Fonz.”

13. HENRY WINKLER DIDN’T JUMP THE SHARK.

Winkler isn’t particularly athletic, but one of the few sports he excelled at was waterskiing, which is how the infamous “jump the shark” episode happened to get written. Winkler did all of his own stunt work in the “Hollywood: Part 3” episode—except for the actual shark jump. The producers didn’t want to take a chance on letting their star do such a risky maneuver. By the way, Winkler wore a special leather jacket with the lining removed for his stint on skis.

14. THE CAST NOT ONLY WORKED TOGETHER, THEY PLAYED TOGETHER!

Garry Marshall came up with the idea of a Happy Days All-Star Softball Team, with both cast and crew members participating. He thought it was a good opportunity for the actors to blow off steam while also promoting the show and raising money for charity. The team often played other celebrity teams prior to MLB games, and they toured military bases in Europe and Japan.

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11 Secrets of Bodyguards
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Tullio M. Puglia, Getty Images

When CEOs, celebrities, and the extremely wealthy need personal protection, they call in men and women with a particular set of skills. Bodyguards provide a physical barrier against anyone wishing their clients harm, but there’s a lot more to the job—and a lot that people misunderstand about the profession. To get a better idea of what it takes to protect others, Mental Floss spoke with several veteran security experts. Here’s what they told us about being in the business of guaranteeing safety.

1. BIGGER ISN’T ALWAYS BETTER.

When working crowd control or trying to corral legions of screaming teenagers, having a massive physical presence comes in handy. But not all "close protection specialists" need to be the size of a professional wrestler. “It really depends on the client,” says Anton Kalaydjian, the founder of Guardian Professional Security in Florida and former head of security for 50 Cent. “It’s kind of like shopping for a car. Sometimes they want a big SUV and sometimes they want something that doesn’t stick out at all. There’s a need for a regular-looking guy in clothes without an earpiece, not a monster.”

2. GUNS (AND FISTS) ARE PRETTY MUCH USELESS.

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Depending on the environment—protecting a musician at a concert is different from transporting the reviled CEO of a pharmaceutical company—bodyguards may or may not come armed. According to Kent Moyer, president and CEO of World Protection Group and a former bodyguard for Playboy founder Hugh Hefner, resorting to gunplay means the security expert has pretty much already failed. “People don’t understand this is not a business where we fight or draw guns,” Moyer says. “We’re trained to cover and evacuate and get out of harm’s way. The goal is no use of force.” If a guard needs to draw a gun to respond to a gun, Moyer says he’s already behind. “If I fight, I failed. If I draw a gun, I failed.”

3. SOMETIMES THEY’RE HIRED TO PROTECT EMPLOYERS FROM EMPLOYEES.

A security guard stands by a door
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Workplace violence has raised red flags for companies who fear retribution during layoffs. Alan Schissel, a former New York City police sergeant and founder of Integrated Security, says he dispatches guards for what he calls “hostile work termination” appointments. “We get a lot of requests to provide armed security in a discreet manner while somebody is being fired,” he says. “They want to be sure the individual doesn’t come back and retaliate.”

4. SOME OF THEM LOVE TMZ.

For protection specialists who take on celebrity clients, news and gossip site TMZ.com can prove to be a valuable resource. “I love TMZ,” Moyer says. “It’s a treasure trove for me to see who has problems with bodyguards or who got arrested.” Such news is great for client leads. Moyer also thinks the site’s highly organized squad of photographers can be a good training scenario for protection drills. “You can look at paparazzi as a threat, even though they’re not, and think about how you’d navigate it.” Plus, having cameras at a location before a celebrity shows up can sometimes highlight information leaks in their operation: If photographers have advance notice, Moyer says, then security needs to be tightened up.

5. THEY DON’T LIVE THE LIFE YOU THINK THEY DO.

A bodyguard stands next to a client
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Because guards are often seen within arm’s reach of a celebrity, some think they must be having the same experiences. Not so. “A big misconception is that we’re living the same life as celebrities do,” Kalaydjian says. “Yes, we’re on a private jet sometimes, but we’re not enjoying the amenities. We might live in their house, but we’re not enjoying their pool. You stay to yourself, make your rounds.” Guards that get wrapped up in a fast-paced lifestyle don’t tend to last long, he says.

6. SOMETIMES THEY’RE JUST THERE FOR SHOW.

For some, being surrounded by a squad of serious-looking people isn’t a matter of necessity. It’s a measure of status on the level of an expensive watch or a fast car. Firms will sometimes get calls from people looking for a way to get noticed by hiring a fleet of guards when there's no threat involved. “It’s a luxury amenity,” Schissel says. “It’s more of a ‘Look at me, look at them’ thing,” agrees Moyer. “There’s no actual threat. It’s about the show. I turn those down. We do real protection.”

7. THEY CAN MAKE THEIR CLIENT'S DAY MORE EFFICIENT.

A bodyguard escorts a client through a group of photographers
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Because guards will scope out destinations in advance, they often know exactly how to enter and exit locations without fumbling for directions or dealing with site security. That’s why, according to Moyer, CEOs and celebrities can actually get more done during a work day. “If I’m taking you to Warner Bros., I know which gate to go in, I’ve got credentials ahead of time, and I know where the bathrooms are.” Doing more in a day means more money—which means a return on the security investment.

8. “BUDDYGUARDS” ARE A PROBLEM.

When evaluating whether or not to take on a new employee, Kalaydjian weeds out anyone looking to share in a client’s fame. “I’ve seen guys doing things they shouldn’t,” he says. “They’re doing it to be seen.” Bodyguards posting pictures of themselves with clients on social media is a career-killer: No one in the industry will take a “buddyguard” seriously. Kalaydjian recalls the one time he smirked during a 12-year-stint guarding the same client, something so rare his employer commented on it. “It’s just not the side you portray on duty.”

9. SOCIAL MEDIA MAKES THEIR JOB HARDER.

A bodyguard stands next to a client
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High-profile celebrities maintain their visibility by engaging their social media users, which often means posting about their travels and events. For fans, it can provide an interesting perspective into their routine. For someone wishing them harm, it’s a road map. “Sometimes they won’t even tell me, and I’ll see on Snapchat they’ll be at a mall at 2 p.m.,” Kalaydjian says. “I wouldn’t have known otherwise.”

10. NOT EVERY CELEBRITY IS PAYING FOR THEIR OWN PROTECTION.

The next time you see a performer surrounded by looming personal protection staff, don’t assume he or she is footing the bill. “A lot of celebrities can’t afford full-time protection,” Moyer says, referring to the around-the-clock supervision his agency and others provide. “Sometimes, it’s the movie or TV show they’re doing that’s paying for it. Once the show is over, they no longer have it, or start getting the minimum.”

11. THEY DON’T LIKE BEING CALLED “BODYGUARDS.”

A bodyguard puts his hand up to the camera
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Few bodyguards will actually refer to themselves as bodyguards. Moyer prefers executive protection agents, because, he says, bodyguard tends to carry a negative connotation of big, unskilled men. “There is a big group of dysfunctional people with no formal training who should not be in the industry,” he says. Sometimes, a former childhood friend can become “security,” a role they’re not likely to be qualified for. Moyer and other firms have specialized training courses, with Moyer's taking cues from Secret Service protocols. But Moyer also cautions that agencies enlisting hyper-driven combat specialists like Navy SEALs or SWAT team members aren't the answer, either. “SEALs like to engage and fight, destroying the bad guy. Our goal is, we don’t want to be in the same room as the bad guy.”

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9 Wild Moments from Winter Olympics History
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With the Pyeongchang Olympics nearing their final weekend in South Korea, we thought we'd take a look back at some of the wildest and most unpredictable moments of Winter Games past.

1. AUSTRALIA WINS ITS FIRST WINTER GOLD MEDAL WHEN SPEED SKATER WAITS FOR HIS COMPETITORS TO FALL DOWN

Knowing he was overmatched by his fellow athletes during the 1000 Meter Short Track Speed Skating competition at the 2002 Salt Lake City Olympics, Australian Steven Bradbury devised a strategy of waiting in the back of the pack on the off chance that his competitors might trip up. Amazingly, the strategy worked when a disqualification in the quarterfinals got him through to the semis and a crash sent him to the finals.

In the final, favorite Apollo Anton Ohno and the three other competing skaters collided in an epic crash; the trailing Bradbury was close enough to the pack to cross the finish line before any of the fallen skaters, becoming Australia's first gold medalist in the Winter Olympics.

2. ALPINE SKIER HERMANN MAIER FLIES OFF THE COURSE AT 70 MPH, GETS UP AND WALKS AWAY

In downhill alpine skiing, skiers travel at extremely high velocities (typically 60 to 85 miles per hour) down courses that closely follow the mountain's fall line.

In 1998, Nagano Olympics race officials were worried about the downhill course—specifically, a steep angle between the 6th and 7th gates. They altered this portion but the section still posed a danger.

Austrian Hermann Maier finished first in the World Cup standings before the Olympics but had a reputation for recklessness within the skiing circuit—in fact, according to Olympic historian David Wallechinsky, “caution was not a word in Maier's vocabulary." Maier didn't slow down before the aforementioned dangerous turn in Nagano and went flying off the course at 70 miles per hour, tumbling to a halt some 50 meters away. In a sport where injuries—and even deaths—aren't unheard of, Maier shocked TV audiences by getting up and walking away with nothing more than a bruised shoulder.

Benefiting from a 24-hour weather delay on his next event, the Super-G, Maier used the extra rest to get back in full form and took home the gold. He also came in first in the Giant Slalom three days later.

3. WOMEN CHEAT BY HEATING UP THEIR SLEDS


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There have been a limited number of cases of cheating in the Winter Olympics (far fewer than in the Summer Olympics), but that doesn't mean it’s an impossibility. Just ask Ortrun Enderlein.

Enderlein, the defending luge champion, and her two East German teammates aroused suspicion by showing up just before their runs and leaving the scene hastily after. Enderlein won gold and her teammates placed 3rd and 4th, but upon closer inspection, it was discovered that their sleds had been heated immediately before the races, which reduced friction with the ice and resulted in faster times. The three were disqualified and the East German Olympic Committee blamed the affair on a "capitalist revanchist plot.”

4. SKI JUMPER RALLIES NATIONAL PRIDE BY FINISHING LAST

English plasterer Michael Edwards traveled to Lake Placid, New York two years before the 1988 Calgary Olympics to fulfill his dream of making the event as a downhill skier. When money ran short, he decided to switch to ski jumping because it was significantly cheaper and there would be no competition at the national trials. Edwards became the first Olympic ski jumper in British history, but was far below the standards of the rest of the field.

Edwards crashed at the World Championships the year before the '88 Games and was ridiculed by the international press, who dubbed him “Mr. Magoo” due to his thick-rimmed glasses and heavy frame.

To the British, however, Edwards became a great source of fascination, which turned into a full-fledged national craze as he became the first Olympic ski jumper in the country's history and successfully landed his attempt at the Calgary Games. Although he didn't even score half the total points of any other competitor, he earned admiration worldwide and was given the nickname "Eddie the Eagle" by the President of the International Olympic Committee during the closing ceremony.

Sadly, many others in the Olympic community did not take him seriously, and they raised the qualifying standards to prevent Edwards from participating in the future. This didn't stop him from trying, but he failed to qualify on three successive occasions. Today, Edwards still plasters for a living and estimates that 70 percent of his income comes from speaking engagements.

In 2016, Eddie the Eagle, a biopic about Edwards’s life featuring Hugh Jackman (not playing Edwards), was released in theaters.

5. GOLD MEDALIST IN OLYMPICS' INAUGURAL SNOWBOARDING COMPETITION GETS BUSTED FOR MARIJUANA

At the 1998 Nagano Games, snowboarding was introduced in an effort to make the Olympics more appealing to a younger audience. Still, there was some trepidation about the perceived rambunctious lifestyle of the snowboarding community and how it would fit in with the formality of the Olympics.

Nothing better illustrated this clash of values than when Canadian Ross Rebagliati became the inaugural winner in the Parallel Giant Slalom and was promptly stripped of his medal three days after the event for testing positive for marijuana.

Rebagliati claimed to have ingested it second-hand at a party and the Canadian Olympic delegation successfully appealed the IOC's decision on the basis that marijuana isn't a performance-enhancing drug. He got his medal back before the Games ended.

Today, 20 years after the controversy, Rebagliati has moved on from his snowboarding past and is trying his hand at entrepreneurism: he’s the founder of Ross’ Gold, a cannabis business.

6. NANCY KERRIGAN VS. TONYA HARDING


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Tonya Harding was an ice skating prodigy from a broken home who ascended to the world stage in the early '90s. As her financial security and world ranking started to decline in the months leading up to the Olympics, Harding became frustrated and directed her anger at fellow American Nancy Kerrigan, who was ascending in the world standings and landing lucrative commercial endorsements.

Harding's on-again-off-again husband Jeff Gillooly conspired with two other men to attack and injure Kerrigan before the 1994 Olympics. They carried out the hit after Kerrigan's practice skate before the U.S. Figure Skating Championships in Detroit. Shane Stant, Gillooly's hired man, hit Kerrigan on the knee with a police baton as she was talking to a reporter in a stadium hallway. He escaped by diving through a plexiglass door before running to a getaway car.

The attack resulted in a bruise, but because there was no bone or ligament damage, Kerrigan was able to perform and was selected (along with Harding, who was under investigation for the attack) for the U.S. Olympic team. At the Lillehammer Games, Kerrigan famously skated to a silver medal after terrific back-to-back performances while Harding, disgraced, finished in eighth place. Harding's life, and the scandal surrounding her competition with Kerrigan, has been turned into the Oscar-nominated film, I, Tonya.

According to Olympic Historian David Wallechinsky, when CBS executives thanked their staff in Norway for the great ratings (the figure skating finals were the one of the most watched events in television history at the time), a CBS employee wrote back: "Don't thank us. Thank Tonya."

7. TWO AMERICAN HOCKEY TEAMS ARE SENT TO THE OLYMPICS, BOTH ARE DISQUALIFIED


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Controversy erupted before the 1948 Olympic Games in St. Moritz over whether the American Hockey Association or the Amateur Athletic Union was the chief governing authority for hockey in the United States. American Olympic Committee President Avery Brundage refused to sanction the AHA because of their commercial sponsorships, but the International Ice Hockey Federation officially ruled that the AAU was to be replaced by the AHA.

Amid the confusion, both teams made their way to St. Moritz to compete. Before they were set to march in the Opening Ceremony, the Swiss Olympic Organizing Committee banned the AAU. Because they were favored by Brundage, though, the AAU team got the honor of representing the U.S. in the opening ceremony, while the AHA team—which was actually allowed to compete by the organizing committee—had to sit in the stands.

8. LUGE TRACK WITH A HISTORY OF FATAL ACCIDENTS SELECTED AS SITE OF INAUGURAL LUGE COMPETITION


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Luge racers regularly hit speeds of over 95 miles per hour, meaning that even the smallest shift in body position can easily result in catastrophe. This was evident before the 2010 Vancouver Games, when Georgian luger Nodar Kumaritashvili careened off the track during a training run and died of his injuries.

It was an eerie replay of the luge's first-ever appearance at the Olympic Games. Two weeks before the Innsbruck Games in 1964, Kazimierz Kay-Skrzypecki, a British RAF pilot who was inexperienced in the sport, flew off the track and died during a training run. Additionally, a German doubles luge team was injured on the track in a separate accident. The track had had several fatal accidents when it opened decades before, and although it was modified thereafter, Olympic participants had to lobby for further safety precautions to reduce some of the danger.

9. FRENCH JUDGE CONFESSES TO THROWING THE COMPETITION


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The pairs figure skating competition at the 2002 Salt Lake City Olympics resulted in a massive scandal that gave wind to the long-standing notion that figure skating judges can be swayed. Russian competitors Yelena Berezhnaya and Anton Sikharulidze made noticeable errors in their long program, while Canadians Jamie Salé and David Pelletier performed a flawless routine that had the crowd chanting "Six! Six! Six!"

When the judges ruled 5-4 in favor of the Russians and loud boos rang from the arena, the Canadian Olympic officials filed a protest. Protests filed by the losing party have become relatively common in the Olympics and the exercise is often a symbolic and ultimately fruitless gesture. But in this case, some dirt actually turned up.

In the subsequent investigation, it was revealed that the swing vote, French judge Marie-Rene Le Gougne, was up for a seat on the International Skating Union's powerful technical committee, and reports surfaced that she confided to a British referee a few days earlier that she had been pressured by her own national committee to throw her vote for the Russian pairs.

Le Gougne changed her story a few days later in an effort to save face, but her contradictory statements only exacerbated the coverage into a full-blown media frenzy dubbed “skate-gate.” In the end, Le Gougne was suspended for three years, the Canadians were awarded a second pair of gold medals, and the sport underwent reform with judges' scores being kept secret and chosen at random.

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