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10 Killer Facts About The Evil Dead

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From Peter Jackson to Edgar Wright, Sam Raimi’s The Evil Dead has influenced many of today’s biggest directors. As it should. Famous for its practical effects and then-unprecedented amount of gore, the campy 1981 horror flick—about a group of friends who travel to a cabin in the woods and unleash killer demons—showed the world the power of guerilla-style indie filmmaking.

Raimi, star Bruce Campbell, and producer Robert Tapert fought through no CGI, sticky cocktails of blood made from everyday household items, and the reluctance of major studios to get on board to make a cult classic that’s since spawned a 2013 remake and two sequels, Evil Dead II and Army of Darkness, plus an upcoming series on Starz. Get to know more about every cinephile’s favorite horror-comedy with this list of things you might not know about the production.

1. THE EVIL DEAD WAS BASED ON RAIMI’S SHORT FILM, WITHIN THE WOODS.

Before getting to work on The Evil Dead, good friends Robert Tapert, Sam Raimi, and Bruce Campbell created the 30-minute Super 8 film, Within the Woods. In a 1982 interview with John Gallagher, Raimi—who was 20 when he shot The Evil Dead—explained, “We used [Within the Woods] to show the investors what kind of film they’d be buying into … They needed tangible proof that we could make a movie of professional quality.”

On why the trio chose to make a horror film in the first place, producer Robert Tapert told The Incredibly Strange Film Show, “Sam and I first decided to do horror films after doing research on what did well in the markets ... Horror is the entry level that most people use.”

2. JOEL COEN GOT HIS FIRST BREAK AS AN ASSISTANT EDITOR ON THE FILM.

Before becoming the Oscar-winning filmmaking duo he and his brother Ethan are today, Joel Coen got his start as an assistant editor on The Evil Dead. Inspired by Raimi’s DIY filmmaking, Joel and his brother created a pitch trailer (much like Raimi’s Within the Woods) to raise money for their first feature, Blood Simple. While Dan Hedaya stars in the final film, Bruce Campbell plays the lead in the two-minute trailer.

3. FAMOUS FOR ITS PRACTICAL EFFECTS, THE FILM EVEN USED REAL LIVE AMMUNITION.

The meager budget on The Evil Dead didn’t allow for any star accouterments. As Bruce Campbell detailed to DVD talk, among the many hellish situations the cast and crew dealt with were diving into freezing cold swamps and Raimi getting chased by a bull. “We are going to rural Tennessee, 1979, where there's moonshine, squatters, and it was the real deal,” said Campbell. “The south was the south in 1979. There was no franchise this or franchise that. It was a completely different world and mentality ... We used real ammunition in the shotgun and we shot it at a real cabin in the woods, with hunters and howling dogs in the background.”

4. THE INFAMOUS MELTING CORPSE IS MADE UP OF EVERYTHING FROM OATMEAL TO COCKROACHES.

Conscious of toeing the line of MPAA ratings, make-up and visual effects supervisor Tom Sullivan used different colors of goo to keep the body from seeming like it was spewing real blood. “I wanted to make it seem like their biology actually changed,” said Sullivan during the film’s 30th anniversary reunion, hosted by Spooky Empire. Among the many ingredients used to concoct the mush coming out of the melting corpse’s skull, Sullivan cites oatmeal, snakes, guts made out of marshmallow strings, and Madagascar cockroaches, which they acquired at Michigan State University.

5. SAM RAIMI WORKED HIMSELF SO HARD THAT HE PASSED OUT DURING FILMING.

At Spooky Empire’s reunion, Bart Pierce, who worked on the visual effects of the film, noted just how much filming took a toll on Sam Raimi. As his story goes, Raimi fainted during the shooting of the film’s dismemberment sequence. The director stayed up all night shooting, and wrote all day, basically working himself 24/7. To wake him up, the crew took an ice-cold bucket of water and threw it at him, and left him there until he regained consciousness.

6. EVERYTHING WAS REAL. EVEN THE DRUGS.

Bruce Campbell has said it before: everything was real during filming. At a Spooky Empire event, Campbell playfully recalled, “The illegal substance known as marijuana was somehow forced upon us in Tennessee ... I was forced to ingest this marijuana by a local reprobate and I therefore became, let’s just say, affected by THC ... I therefore lost any sense of time and where I was, and that’s the time that Sam Raimi decided that he needed to shoot Ash having a breakdown.”

7. THE MORRISTOWN, TENNESSEE CABIN WHERE THE FILM WAS SHOT HAS ITS OWN REAL-LIFE HORROR STORY.

Adding to the spookiness of filming at an actual cabin in the woods, Raimi noted the location’s inherent eeriness is completely justified. During an interview with John Gallagher, Raimi recounted a horror story involving three generations of women (a grandmother, mother, and daughter) who previously occupied the cabin. “One night, during a thunderstorm, this little girl woke up and was scared by the lightning happening around the cabin. She ran into her mother’s room and pulling back the covers climbing into bed with her, she found that her mother was dead. She was so frightened she ran into her grandmother’s room and somehow that same evening, she had died also,” Raimi recalled. “The little girl ran into the storm ... to this little farmhouse and [the family living there] found her screaming and banging on the doors. They took care of her after that and no one lived in the cabin since. The [little girl], who’s now an old woman, during thunderstorms after that ... would often be found wandering around the woods.”

The kicker, however, was that story came to life during the film’s shoot. Raimi continued, “As we were shooting, this fella [from the farmhouse that took in the little girl] was looking for the [now old] woman, saying that because there was a thunderstorm the night before, he was looking for this woman, because it was possible that she had returned to the cabin ... As far as we know, they never found [her.]”

8. THE MOST DIFFICULT MOMENTS DURING THE SHOOT WERE STOPPING FOR MONTHS AT A TIME TO RAISE MONEY.

According to Sam Raimi, the most difficult part of production wasn't the physical toll it took on the crew, but that they'd have to stop filming for months at a time to raise more money. “We’d reach stretches where we’d run out of money and have to stop whatever we were doing and put on our suits and get our briefcases and cut our hair short and shave ... and go around knocking on doors asking for more money," Raimi recalled. On initially raising money for the film, Raimi told the Incredibly Strange Film Show, “Tapert, Bruce Campbell, and myself ... all dropped out of school. Then we worked as waiters, bus boys, cab drivers. I was 18, Bruce was 19, and Robert was 22.” Added Campbell: “We’d sit down and pretend we were businessmen. We thought it was part of the process.”

In an episode of Dinner for Five, Campbell note another lucrative source of cash: dentists. “We had one guy give us money because he didn’t go to Vegas that year. He says ‘I usually take two grand and blow it in Vegas. Well, here’s my Vegas money.’ So he sends me 17 times his money. We were pretty happy about that.”

9. SAM RAIMI REGRETS PUTTING THE SCENE WHERE A TEEN GIRL IS ASSAULTED IN—AND BYTHE WOODS.

The initial release of the film was met with plenty of backlash worldwide, including being banned in Finland, Germany, Ireland, and Iceland for its extreme violence. Beyond the excessive blood, the scene in which Cheryl (Ellen Sandweiss) is assaulted by a tree caused an uproar among viewers and critics, and almost got the film banned from being released on home video. To this day, even Raimi regrets that scene. “It was unnecessarily gratuitous and a little too brutal,” Raimi tells the Incredibly Strange Film Show. “My goal was not to offend people ... My judgement was a little wrong at that time.” 

10. RAIMI AND CAMPBELL STARTED A RUMOR ABOUT AN ON-SET INJURY AS A JOKE.

Just to see who’d believe it, Campbell and Raimi spread a rumor that Campbell broke his jaw when Raimi accidentally slammed his camera into Campbell’s face while filming one of the final shots. Campbell put this rumor to rest at Dallas Comic Con, saying: “The lie that we put out was that the final shot [where] this evil entity comes racing through the cabin and crashes into my face ... The big lie is that... [Raimi] rode a motorcycle through all the doors and he just had to hit me ... I was willing to do it as long as we got [the shot], took it for the team ... But no, no broken jaw.”

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Afternoon Map
Marvel vs. DC: This Map Shows Each State’s Favorite Comic Universe
Disney/Marvel Studios
Disney/Marvel Studios

Which comic book company is the best: Marvel or DC? This is a perennial argument on middle-school playgrounds and Reddit threads, but this map, courtesy of USDish.com, might just give us a definitive answer. The information here is broken down by state, using information provided by Google Trends to give us a clear winner of not only the most popular comic book company but also the most popular individual hero in each state (let’s show a little respect to Indiana for championing the Martian Manhunter).

According to the map, Marvel is the most popular publisher in 37 states, with DC trailing behind at eight, and five additional states coming to a 50/50 stalemate. The totals weren’t a blowout, though. In certain states like Mississippi, Iowa, and Pennsylvania, the favored company only won by a point. And just because a state searches Google for a specific publisher the most doesn’t mean an individual character from the opposing team isn’t its favorite—Hawaii is listed as favoring Marvel overall, yet they love Aquaman on his own. Same with DC-loving Maryland showing Black Panther some love (helps to have a big movie coming out). Take a look at some of the most notable state preferences below:

So how did Marvel amass so many states when there are just as many DC TV shows and movies out there? Well, according to Andrew Selepak, Ph.D., a professor in the department of telecommunication at the University of Florida, and director of the graduate program in social media, the answer lies in the depth at the House of Ideas.

“While Superman and Batman may be dominant characters,” Selepak said in a statement, “the DC Universe offers few other well-known heroes and villains and when these other characters are presented to the audience in film and on TV, they often are less than well-received.” This is opposed to Marvel, which launches new heroes on the big and small screen seemingly every year.

Does this map tell the whole story? That’s up for debate. When it comes to comics sold, DC and Marvel are always in a close battle: In January 2018, DC had six of the 10 best-selling comics of the month, placing four of the top five. Marvel, meanwhile, had three, while Image Comics had one with The Walking Dead. In terms of overall retail market share, though, Marvel eked out DC 34.3 percent to 33.8 percent.

This is a battle that's been raging since the 1960s, and for an industry that thrives on a never-ending fight between good and evil, we shouldn't expect the Marvel vs. DC debate to be settled anytime soon.

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entertainment
10 Highest Grossing Movie Franchises of All Time
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Disney/Marvel Studios

Though it has yet to even open in U.S. theaters, box office analysts are already predicting that Black Panther is going to devour President's Day weekend, with an anticipated $170 million in ticket sales on the line. While it’s still got a ways to go to make the more than $1.51 billion that the original The Avengers film earned in 2012, this latest film in the Marvel Cinematic Universe will only ensure the franchise's dominance of Hollywood's pockets well into 2018 and beyond. Here are the 10 highest grossing movie franchises of all time, based on worldwide box office.

1. MARVEL CINEMATIC UNIVERSE

Worldwide Gross: $13,508,505,227

Though it seems a bit unfair, the whole of the Marvel Cinematic Universe—including The Avengers, Iron Man, Captain America, and Guardians of the Galaxy movies—is officially a single franchise in Hollywood's eyes. Which makes it a tough one to beat, with 18 (and counting) films in the past 10 years, led (financially-speaking) by The Avengers ($1,519,479,547), Avengers: Age of Ultron ($1,408,218,722), and Captain America: Civil War ($1,153,304,495).

2. STAR WARS

Daisy Ridley and Mark Hamill in 'Star Wars: The Last Jedi'
Jonathan Olley, Lucasfilm

Worldwide Gross: $8,926,689,927

Though it's been more than 40 years since the original Star Wars film hit theaters and entranced moviegoers, since Disney purchased the franchise in 2012, they've been making up for lost time with new entries in the original space opera, plus a bunch of standalone series—including a recently announced new one courtesy of Game of Thrones creators David Benioff and D.B. Weiss. While it may take the Mouse House a couple of years to match Marvel's quantity of films, at the rate they're cranking them out, we probably won't have too long to wait.

3. HARRY POTTER

Worldwide Gross: $8,532,684,345

The big-screen incarnation of J. K. Rowling’s boy wizard has proven to be just as profitable as the book version. Since 2001, nine movie adaptations have been released, beginning with Harry Potter and the Sorcerer’s Stone. While nearly all of them—including 2016's Fantastic Beasts and Where to Find Them—have approached the $1 billion mark, 2011's Harry Potter and the Deathly Hallows: Part II brought in the biggest profit, with a worldwide take of $1,341,511,219. With two more Fantastic Beasts movies on the way in the next two years, this box office behemoth shows no signs of slowing down.

4. JAMES BOND

Daniel Craig stars at James Bond in 'Spectre' (2015)
Metro-Goldwyn-Mayer Pictures/Columbia Pictures/EON Productions

Worldwide Gross: $7,077,929,291

While "Who will play the next James Bond?" is a question as old as this movie franchise itself, one thing that's never in question is 007's ability to attract an audience—and he only seems to be getting better with age. Bond's Daniel Craig era has seen some of its most critically acclaimed, and profitable, entries in the series, which kicked off in 1963 with Dr. No. But the franchise’s high position on this list is largely thanks to 2012’s Skyfall, which earned $1,110,526,981 around the world.

5. THE LORD OF THE RINGS

Worldwide Gross: $5,895,804,182

First, it’s important to note that Peter Jackson’s Middle Earth franchise includes not just The Lord of the Rings trilogy, but all three of The Hobbit movies as well. While the former series might be the more critically acclaimed of the two, when all is said and done, both series contributed to the franchise’s position here: Among the six films, 2003’s The Lord of the Rings: The Return of the King ($1,141,403,341) and 2012’s The Hobbit: An Unexpected Journey ($1,017,003,568) are the two biggest moneymakers.

6. FAST AND THE FURIOUS

Worldwide Gross: $5,139,434,105

It’s possible that even the producers of the Fast and the Furious series themselves are a little surprised by just how popular the franchise has become, with eight adrenaline-fueled films that seem to grow more popular with each entry. While the first film in the series, 2001’s The Fast and the Furious, made a respectable $206,512,310, 2017's The Fate of the Furious made nearly six times that amount—a grand total of $1,237,466,026. So it should come as no surprise that two more are already in the works.

7. X-MEN

Stephen Merchant and Hugh Jackman in 'Logan' (2017)
Ben Rothstein - © 2017 Marvel. TM and © 2017 Twentieth Century Fox Film Corporation

Worldwide Gross: $5,016,911,347

Though the X-Men are a Marvel creation, they're treated as their very own (mutant) entity in the box office world. Which is particularly impressive when you consider that the franchise's 10 films (and counting) have generated enough dough on their own to compete at the same level as their cinematic parent. While 2017's Logan made an impressive $615,577,068 at the box office—and managed to be that rare comic book movie that scored an Oscar nomination for its script—it's Ryan Reynolds's Deadpool that's leading this series in box office dollars, with a worldwide gross of $801,029,249 on the first movie. Given the excitement that's already surrounding this May's sequel, expect that number to climb even higher.

8. SPIDER-MAN

Worldwide Gross: $4,858,770,389

Sam Raimi’s 2002 Spider-Man kicked off a new era in comic book moviemaking with its audience-friendly mix of action, humor, and just a little camp. His final film for the series, Spider-Man 3, earned the most money of the bunch, with a box office total of $894,860,230. Two reboots later, audiences don't seem to be tiring of the ever-changing web-slinger; 2017's Spider-Man: Homecoming took in a not-too-shabby $880,206,511 (and a sequel is already in production for 2019).

9. BATMAN


© TM & DC Comics/Warner Bros. Entertainment Inc.

Worldwide Gross: $4,572,000,197

Though the final tally above represents more than a quarter-century of Batman movies—going back to Tim Burton and Michael Keaton’s 1989 original and spanning the less memorable Val Kilmer and George Clooney years—the real earnings in this franchise have come from Christopher Nolan’s reboots. In fact, 2012’s The Dark Knight Rises earned $1,084,439,099 on its own, accounting for nearly one-quarter of the franchise's entire haul. And in case you're wondering: yes, 2016's Batman v Superman: Dawn of Justice is officially part of the franchise.

10. PIRATES OF THE CARIBBEAN

Worldwide Gross: $4,505,013,091

First it was a Disney theme park ride, then it was a box office smash success and one of the few times that Johnny Depp agreed to make a truly “commercial” film. But over the course of nearly 15 years, from 2003 to 2017, the swashbuckling series has managed to plunder more than $4.5 billion in ticket sales—even if its most recent entry, 2017's Dead Man Tell No Tales, was one of its least impressive earners with (a still-impressive) $794,758,876.

All figures courtesy of The Numbers.

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