15 Powerful Quotes From Margaret Atwood

MICHAL CIZEK/AFP/Getty Images
MICHAL CIZEK/AFP/Getty Images

It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

15 Facts About Rushmore On Its 20th Anniversary

The Criterion Collection
The Criterion Collection

On December 11, 1998, Wes Anderson introduced the world to his unique brand of whimsical comedy with Rushmore. Though it wasn't his feature directorial debut—he had released Bottle Rocket, which he adapted from a short, in 1996—it was his first major Hollywood movie. And kicked off his still-ongoing collaborations with a stable of talented actors that includes Bill Murray and Jason Schwartzman. It was also the second film Anderson co-wrote with Owen Wilson.

To celebrate the quirky comedy's 20th anniversary, here are some things you might not know about Rushmore.

1. Rushmore Academy was the director's Alma Mater.

Wes Anderson sent location scouts across the United States and Canada to find the perfect high school to shoot the movie. He was having a tough time trying to find the school, until his mother sent him a picture of his old high school in Houston, Texas: St. John's School. Anderson thought it was the perfect location to make the movie.

2. Bill Murray wanted to make Rushmore for free.

Bill Murray in Rushmore (1998)
The Criterion Collection

Once Bill Murray read the screenplay, he wanted to be in the movie so badly that he considered appearing in it for free. Murray ended up working on Rushmore at scale with the Screen Actors Guild day rate minimum for smaller indie film projects. Anderson estimated that Murray made about $9000 for his work on the film.

3. Film critic Pauline Kael had a private screening.

Pauline Kael’s film criticism was a major influence on Anderson’s view of cinema. “Your thoughts and writing about the movies [have] been a very important source of inspiration for me and my movies, and I hope you don't regret that," he once wrote to her.

Kael retired from The New Yorker in 1991, so Anderson arranged for her to have a private screening of Rushmore before the film came out in 1998. He wrote about the screening in the introduction to the published version of the screenplay, and shared what Kael told him about the film: "I genuinely don't know what to make of this movie."

4. It was Jason Schwartzman’s first film role.

Casting directors searched throughout the United States, Canada, and England to find a young actor to play the lead role of Max Fischer. Australian actor Noah Taylor was the frontrunner for the part when, on the last day of casting in Los Angeles, Jason Schwartzman auditioned. He was wearing a prep school blazer with a Rushmore Academy patch that he made himself.

5. Owen Wilson's private school experiences inspired some of the movie's plot points.

As a sophomore at St. Mark High School in Dallas, Texas, Rushmore co-writer Owen Wilson was expelled for stealing his geometry teacher's textbook (the one that contained all the answers); he went to Thomas Jefferson High School to complete 10th grade. This was the inspiration for when Max is expelled from Rushmore Academy and is forced to attend Grover Cleveland High School.

Although Wilson doesn’t have a credited role in Rushmore, he does appear as Ms. Cross’s deceased husband, Edward Appleby, in a photo in Appleby’s childhood bedroom.

6. Wilson's Dad Inspired a Moment in the Movie.

Wilson’s father, Robert Wilson, was the inspiration for Herman Blume’s speech about privilege at the beginning of Rushmore.

7. Alexis Bledel was an extra in the film.


Getty Images

Before she starred as Rory Gilmore on Gilmore Girls, actress Alexis Bledel was an uncredited extra—she played a Grover Cleveland High School student—in Rushmore. You can see her in the background in various scenes, including dancing with the character Magnus Buchan (Stephen McCole) at the end of the film.

8. Both Anderson and Wilson's brothers had parts in the movie.

Owen and Luke Wilson’s older brother Andrew plays Rushmore Academy’s baseball coach, Coach Beck. He also appeared in Anderson’s directorial debut, Bottle Rocket, playing the bully John Mapplethorpe.

Eric Chase Anderson, Wes's brother, plays the architect who designs Max’s aquarium.

9. The Movie's Editor Made a Cameo.

Rushmore editor David Moritz plays the Dynamite Salesman; he sells Max the dynamite and explosives for his stage play Heaven and Hell at the end of the film.

10. Producers Made a Deal to get a Bentley.

Producers needed a Bentley for Murray's character, Herman Blume, but Rushmore’s production budget was only $20 million and they couldn’t afford to rent one. A Houston resident was willing to lend them his Bentley if they gave his daughter a role in the film. Producers agreed; the man's daughter plays an usher who seats Miss Cross at Max’s play at the end of the movie.

11. Mason Gamble's role in Dennis the Menace almost cost him the part of Dirk Calloway in Rushmore.

Mason Gamble in Rushmore (1998)
The Criterion Collection

Wilson referred to the character of Dirk Calloway, played by Mason Gamble, as the conscience of the film. Originally, Anderson didn’t want to cast Gamble in the part because of the actor’s previous—and very recognizable—role as Dennis Mitchell in the 1993 live-action movie Dennis the Menace.

12. Rushmore Upset Francis Ford Coppola.

Director Francis Ford Coppola owns a winery, and when he first saw Rushmore, he was upset with Anderson because he used Coppola’s chief Napa Valley wine rival during Max's post-play celebration. (It probably didn't help matters that Coppola is Schwartzman's uncle.)

13. Anderson's Brother Did the Movie's Criterion Collection Artwork.

The Criterion Collection edition of 'Rushmore' (1998)
The Criterion Collection

Eric Chase Anderson did the artwork for the Criterion Collection DVD cover, an interoperation of a shot from the montage of Max’s extracurricular activities at the beginning of the movie. The Yankee Racer shot is itself a recreation of a photo from French photographer Jacques Henri Lartigue, taken in 1909 when he was only 15.

14. Schwartzman waxed his chest to play Max.

Although Max only shows his chest once in the film (during the high school wrestling match), Anderson made Schwartzman wax his chest for the duration of Rushmore's filming.

15. The Max Fischer Players Appeared on MTV.

During the 1999 MTV Movie Awards, the Max Fischer Players recreated the year's hit movies—The Truman Show, Armageddon, and Out of Sight—as stage plays.

An earlier version of this article ran in 2014.

8 Tips for Overcoming Social Anxiety Disorder

iStock.com/fizkes
iStock.com/fizkes

If the thought of having to attend a networking event, office holiday party, or family reunion with your uppity out-of-state cousins fills you with dread, then you might have social anxiety disorder. Also known as social phobia, the pervasive fear of being judged by one’s peers affects an estimated 15 million Americans. If you think you might be one of them, a physician can recommend the best course of treatment for you, but there are a few tactics you can try in the meantime. Here are some tips for coping with social anxiety disorder.

1. Ease into social situations.

Everything gets easier with practice, and the same concept applies to socializing. Avoiding parties and large gatherings may provide temporary relief of social phobia, but it isn't a long-term fix. To get started on your road to overcoming anxiety, the Mayo Clinic outlines a few steps that can be found in most cognitive behavioral therapy regimens. This form of psychotherapy challenges people's negative thoughts about social situations to help alleviate anxiety. One such step is to set small, manageable goals for yourself, like giving a stranger a compliment or asking an employee in a store for help finding something. Keep doing little tasks like these until you start to build confidence. Once you’ve mastered these social skills, you can more on to more challenging scenarios.

2. Prepare talking points to combat social anxiety disorder before an event.

We’re not saying you should memorize your lines, but it will ease some of the tension if you come to a party or networking event with a few conversation starters in mind. If possible, do some snooping to find out what some of the other guests are into, or check the news for interesting ice breakers. Just take it from author, life coach, and self-proclaimed “party-impaired individual” Martha Beck: “When you find yourself standing at the bar or reaching a dead end in a conversation, news of a sighting of Bessie, the Lake Erie monster, or some other tidbit that caught your attention will make it that much easier to mingle.”

3. Lay off the caffeine.

You may think that a cup of joe will perk you up and make it easier to conquer your fears, but it may end up making your social phobia worse. Coffee, chocolate, and soda are best avoided because stimulants such as these can elevate your levels of anxiety.

4. Get plenty of sleep.

In a similar vein, make sure you get plenty of sleep before your next big event. The Anxiety and Depression Association of America recommends that you get at least eight hours of sleep each night. If you’re sleep-deprived, you may notice that it’s harder to immerse yourself in social situations.

5. Identify your negative thinking patterns.

Think back to the last time you felt anxious. What kinds of thoughts were you having in that moment? Did any of them make you feel worse? If so, you might be getting swept up in negative self-talk, which can fuel social phobia and make you feel more anxious. Identifying these thoughts when they pop up is the first step to confronting and changing them, according to the Social Anxiety Institute.

6. Imagine what would happen if your worst fears came true.

It may seem counterproductive, but asking yourself “What’s the worst thing that can happen?” is a good way to confront your “inner critic,” according to author and clinical psychologist Ellen Hendriksen. Avoid words like “always,” “never, “everybody,” and “nobody”—they’re vague and tend to overstate the risks you face. Instead, think about your specific fears of any given situation, and you will probably realize that “failure”—whether it’s tripping on stage or sounding awkward—isn’t as bad as it seems. The more you rationalize it, the more “‘Everyone will think I’m a freak’ turns into ‘The five or six people I talk to at the party might notice my hands shaking and think something is wrong with me,’” Hendriksen writes in her book How to Be Yourself: Quiet Your Inner Critic and Rise Above Social Anxiety. If you do this enough, social situations won’t seem quite as scary.

7. Focus on someone else.

When you’re talking to someone, really make a concerted effort to listen to what they’re saying. This will help shift your focus away from your own insecurities. “The trick is to focus on anything except yourself, and that magically frees up a lot of bandwidth,” Hendriksen tells Vox. “When we’re able to do this, we come across as much more authentic and open and the anxiety disappears.”

8. Be proud that you put yourself out there.

Instead of scrutinizing every little thing you said or did after a social event, give yourself credit for simply doing something you find challenging—and living to tell the tale. Establishing a system of “self-reward” will help decrease your anxiety in the future, according to Robert L. Leahy, director of the American Institute for Cognitive Therapy in New York City. “Who deserves more congratulation than you for trying hard to confront what is difficult?” Leahy writes in Psychology Today. “Just trying, just going, just staying in, and just tolerating the discomfort are reasons for reward. Each time you face your fear, you win and your fear loses.”

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