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The Many Fires That Plagued P.T. Barnum

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He was obsessed with money. He didn’t have time to bother with things like tact or good taste. Undoubtedly one of history’s greatest showmen, P.T. Barnum birthed some of America’s greatest amusements. So why did two of his most famous landmarks burn down in spectacular fashion?

By the 1860s, Barnum was one of the most famous men in the world. His tours and shows may have been sensationalistic and even trashy, but they were huge hits in a country that was learning how to enjoy its rare moments of leisure in a new way. Among his accomplishments were hoaxes, freak shows, and something he called The American Museum.

From a modern perspective, Barnum’s “museum” wasn’t a museum of all. It was a cabinet of the weird and the gauche—a bizarre mishmash of history, taxidermy, technology, and outright exploitation. Its rooms boasted oddities like “THE GREAT MODEL OF NIAGARA FALLS, WITH REAL WATER!” and a tiny doll house in which “General Tom Thumb,” a 32-inch man coached and trained by Barnum himself, lived and entertained.

To say the museum was a hit would be an understatement: thousands of visitors forked over a quarter to visit each day. But hard times hit when Barnum’s museum burned not once, but three times during the 1860s.

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The first fire, in 1864, was perhaps the weirdest: as the Civil War peaked, members of the Confederate Secret Service plotted to burn down several prominent hotels in New York City in a bid to disrupt that year’s presidential election, rob treasuries, and free Confederate POWs. They didn’t succeed (the plot was foiled in part by rebels who were intimidated by upped police presence in the city), but a couple of weeks later they went to try again, and one would-be arsonist decided to deviate from the plan when he set fire to Barnum’s museum, which was across the street from the famed Astor House.

The crime is thought to have been partially motivated by Barnum’s outspoken anti-slavery views (even though Barnum, always a man of contrasts, actually owned slaves at one point and did much to further blackface and minstrel shows in the U.S.). Drunk and angry, arsonist Robert Cobb Kennedy walked into the museum, threw an incendiary device known as “Greek Fire,” and walked out again.

Chaos broke out in the museum as thousands of visitors poured out onto the street, but nobody died and property damage was not catastrophic. That wasn’t the case in 1865, when all hell broke loose at the museum. A furnace in an adjacent restaurant sparked the blaze—or did it? By that time, Barnum was even more popular and visible: he was speaking in his capacity as Republican member of the Connecticut House of Representatives when he was told the museum was completely destroyed.

The New York Times mourned the fire, which, "while greatly injuring and materially impoverishing its enterprising and public-spirited proprietor, did a damage to this and the adjacent communities, which neither time nor money can replace.” It memorialized the museum with an extensive catalog of its contents, which included everything from a fortune teller to an aquarium complete with whales to a woman demonstrating a new-fangled sewing machine.

Barnum vowed to rebuild the museum, and soon he had reopened his curiosity. But in 1868, it burned down a third time—in the middle of a cold snap in March, a huge blaze swept through the building. As firefighters battled the fire, the museum froze over in an eerie spectacle almost as amazing as the rebuilt museum itself. Again, Confederate spies were suspected, although the cause of the blaze is uncertain. What is clear is that “a menagerie” of rare animals perished.

The showman suffered even more fires as the years went on. Though the 1868 fire was the last straw in terms of the museum business, Barnum switched his attention to the circus business. But in 1872, a grand circus building called the Hippotheatron burned to the ground, too. Barnum’s circus animals may have died, but his dream of a gigantic entertainment palace didn’t: the site of this final blaze ended up becoming Madison Square Garden.

Instead of Lighting Fireworks, People in This Chinese Village Celebrate by Flinging Molten Iron

Fireworks are a cultural symbol in China, but they weren't always easy to obtain. In a village in Yu County, China, people use a 500-year-old trick to achieve the same effect as fireworks with cheaper pyrotechnics.

This video from Great Big Story highlights the Chinese art of Da Shuhua, or splattering molten iron against walls to produce a fireworks-like shower of sparks. It started in the village of Nuanquan in the 16th century as a way for poor residents to imitate the expensive fireworks shows enjoyed by rich people in different parts of the country. Blacksmiths noticed that molten iron burst into dazzling sparks whenever it hit the ground and thought to recreate this phenomenon on a much larger scale. The townspeople loved it and began donating their scrap metal to create even grander displays.

Today, Da Shuhua is more than just a cheap alternative to regular fireworks: It's a cherished tradition to the people of Nuanquan. The village remains the only place in China to witness the art as it was done centuries ago—the people who practice it even wear the same traditional cotton and sheepskin garments to protect their skin from the 2900°F drops of metal flying through the air. As Wang De, who's been doing Da Shuhua for 30 years, says in the video below, "If you wear firefighter suits, it just doesn't feel right."

[h/t Great Big Story]

Photo Illustration by Mental Floss. Curie: Hulton Archive, Getty Images. Background: iStock
10 Radiant Facts About Marie Curie
Photo Illustration by Mental Floss. Curie: Hulton Archive, Getty Images. Background: iStock
Photo Illustration by Mental Floss. Curie: Hulton Archive, Getty Images. Background: iStock

Born Maria Salomea Skłodowska in Poland in 1867, Marie Curie grew up to become one of the most noteworthy scientists of all time. Her long list of accolades is proof of her far-reaching influence, but not every stride she made in the fields of chemistry, physics, and medicine was recognized with an award. Here are some facts you might not know about the iconic researcher.


Maria Skłodowska was the fifth and youngest child of two Polish educators. Her parents placed a high value on learning and insisted all their children—even their daughters—receive a quality education at home and at school. Maria received extra science training from her father, and when she graduated from high school at age 15, she was first in her class.


After collecting her high school diploma, Maria had hoped to study at the University of Warsaw with her sister, Bronia. Because the school didn't accept women, the siblings instead enrolled at the Flying University, a Polish college that welcomed female students. It was still illegal for women to receive higher education at the time so the institution was constantly changing locations to avoid detection from authorities. In 1891 she moved to Paris to live with her sister, where she enrolled at the Sorbonne to continue her education.


Marie Curie and her husband, Pierre Curie, in 1902.
Marie Curie and her husband, Pierre Curie, in 1902.
Agence France Presse, Getty Images

In 1903, Marie Curie made history when she won the Nobel Prize in physics with her husband, Pierre, and with physicist Henri Becquerel for their work on radioactivity, making her the first woman to receive the honor. The second Nobel Prize she took home in 1911 was even more historic. With that win in the chemistry category, she became the first person of any gender to win the award twice. She remains the only person to ever receive Nobel Prizes for two different sciences.


The second Nobel Prize she received recognized her discovery and research of two elements: radium and polonium. The former element was named for the Latin word for "ray" and the latter was a nod to her home country, Poland.


Marie Curie's daughter Irène Joliot-Curie, and her husband, Frédéric Joliot-Curie, circa 1940.
Marie Curie's daughter Irène Joliot-Curie, and her husband, Frédéric Joliot-Curie, circa 1940.
Central Press, Hulton Archive // Getty Images

When Marie Curie and her husband, Pierre, won their Nobel Prize in 1903, their daughter Irène was only 6 years old. She would grow up to follow in her parents' footsteps by jointly winning the Nobel Prize for chemistry with her husband, Frédéric Joliot-Curie, in 1935. They were recognized for their discovery of "artificial" radioactivity, a breakthrough made possible by Irène's parents years earlier. Marie and Pierre's other son-in-law, Henry Labouisse, who married their younger daughter, Ève Curie, accepted a Nobel Prize for Peace on behalf of UNICEF, of which he was the executive director, in 1965. This brought the family's total up to five.


The research that won Marie Curie her first Nobel Prize required hours of physical labor. In order to prove they had discovered new elements, she and her husband had to produce numerous examples of them by breaking down ore into its chemical components. Their regular labs weren't big enough to accommodate the process, so they moved their work into an old shed behind the school where Pierre worked. According to Curie, the space was a hothouse in the summer and drafty in the winter, with a glass roof that didn't fully protect them from the rain. After the famed German chemist Wilhelm Ostwald visited the Curies' shed to see the place where radium was discovered, he described it as being "a cross between a stable and a potato shed, and if I had not seen the worktable and items of chemical apparatus, I would have thought that I was been played a practical joke."


Marie Curie's journals
Hulton Archive, Getty Images

When Marie was performing her most important research on radiation in the early 20th century, she had no idea the effects it would have on her health. It wasn't unusual for her to walk around her lab with bottles of polonium and radium in her pockets. She even described storing the radioactive material out in the open in her autobiography. "One of our joys was to go into our workroom at night; we then perceived on all sides the feebly luminous silhouettes of the bottles of capsules containing our products[…] The glowing tubes looked like faint, fairy lights."

It's no surprise then that Marie Curie died of aplastic anemia, likely caused by prolonged exposure to radiation, in 1934. Even her notebooks are still radioactive a century later. Today they're stored in lead-lined boxes, and will likely remain radioactive for another 1500 years.


Marie Curie had only been a double-Nobel Laureate for a few years when she considered parting ways with her medals. At the start of World War I, France put out a call for gold to fund the war effort, so Curie offered to have her two medals melted down. When bank officials refused to accept them, she settled for donating her prize money to purchase war bonds.


Marie Curie circa 1930
Marie Curie, circa 1930.
Keystone, Getty Images

Her desire to help her adopted country fight the new war didn't end there. After making the donation, she developed an interest in x-rays—not a far jump from her previous work with radium—and it didn't take her long to realize that the emerging technology could be used to aid soldiers on the battlefield. Curie convinced the French government to name her Director of the Red Cross Radiology Service and persuaded her wealthy friends to fund her idea for a mobile x-ray machine. She learned to drive and operate the vehicle herself and treated wounded soldiers at the Battle of the Marne, ignoring protests from skeptical military doctors. Her invention was proven effective at saving lives, and ultimately 20 "petite Curies," as the x-ray machines were called, were built for the war.


Following World War I, Marie Curie embarked on a different fundraising mission, this time with the goal of supporting her research centers in Paris and Warsaw. Curie's radium institutes were the site of important work, like the discovery of a new element, francium, by Marguerite Perey, and the development of artificial radioactivity by Irène and Frederic Joliot-Curie. The centers, now known as Institut Curie, are still used as spaces for vital cancer treatment research today.


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