CLOSE
Original image
istock

15 Things You Might Not Know About the Washington Monument

Original image
istock

Although the towering tribute to our first president is a ubiquitous patriotic icon, there might be a few things you didn't know about it or its construction. 

1. Building a monument to George Washington was not a unanimously supported proposition.

Today, trumpeting George Washington as a hero and a symbol of national pride isn’t going to start any arguments. In the 19th century, however, Washington’s approval rating was far from 100 percent. The very idea of constructing a monument to honor the former president felt like an affront to the Democratic-Republicans—the opposing party to the Washington-aligned Federalists—who both favored Thomas Jefferson over Washington and decried such tributes as unseemly and suspiciously Royalist.

2. IT TOOK ALMOST 40 YEARS TO COMPLETE CONSTRUCTION.

After decades of deliberation about where to build a monument to Washington, what form it should take, and whether the whole thing was a good idea in the first place, the foundation for a great stone obelisk was laid at the center of Washington, D.C.’s National Mall on July 4, 1848. Although the design looks fairly simple, the structure would prove to be a difficult project for architect Robert Mills and the Washington National Monument Society. Due to ideological conflicts, lapses in funding, and disruptions during the Civil War, construction of the Washington Monument would not be completed until February 21, 1885. The site opened to the public three years later. 

3. A COUP WITHIN THE WASHINGTON NATIONAL MONUMENT SOCIETY DELAYED CONSTRUCTION. 

In 1855, an anti-Catholic activist group nicknamed the Know-Nothings seized control of the 23-year-old Monument Society. Once in power, the Know-Nothings rejected and destroyed memorial stones donated by Pope Piux IX. The Know-Nothing affiliation cost the project financial support from the public and from Congress. In 1858, after adding only two layers of masonry to the monument, the Know-Nothings abdicated control of the Society. 

4. EARLY IDEAS FOR THE MONUMENT INCLUDED STATUES, GREEK COLUMNS, AND TOMBS. 

Before the Society settled on building an obelisk, several other ideas were advanced to be the visual representation of Washington’s grandeur. Among them were an equestrian statue of the president (which was part of Pierre L’Enfant’s original plan for Washington, DC), a separate statue situated atop a classical Greek column, and a tomb constructed within the Capitol Building. The last idea fell apart when Washington’s family was unwilling to move his body from its resting place in Mount Vernon.

5. LATER DESIGN PLANS INCLUDED AN ELABORATE COLONNADE...

Even after Mills’ obelisk model had been accepted, a few flashier design elements received consideration as possible additions to the final project. Mills had originally intended to surround the tower with a circular colonnade, featuring not only a statue of Washington seated gallantly atop a chariot, but also 30 individual statues of renowned Revolutionary War heroes. 

6. ...AND AN EGYPTIAN SUN. 

Mills placed a winged sun—an Egyptian symbol representing divinity—above the doorframe of the monument’s principal entrance. The sun was removed in 1885. 

7. THE MONUMENT ORIGINALLY HAD A FLAT TOP. 

It has become recognizable for its pointed apex, but the Washington Monument was originally designed to bear a flat top. The monument's design was capped with a pyramid-shaped addition in 1879.

8. THE ENGINEER WHO COMPLETED THE MONUMENT ASKED THE GOVERNMENT TO SUPPLY HIS WORKERS WITH HOT COFFEE. 

Several years after the 1855 death of Mills, Col. Thomas Lincoln Casey Sr., Chief of Engineers of the United States Army Corps of Engineers, assumed responsibility for completing the Washington Monument. Among his most memorable orders was an official request to the U.S. Treasury Department to supply his workers—specifically those assigned to the construction of the monument’s apex—with “hot coffee in moderate quantities.” The treasury complied. 

9. DOZENS OF MISCELLANEOUS ITEMS ARE BURIED BENEATH THE MONUMENT. 

On the first day of construction, a zinc case containing a number of objects and documents was placed in the monument’s foundation. Alongside copies of the Constitution and the Declaration of Independence are a map of the city of Washington, publications of census data, a book of poems, a collection of American coins, a list of Supreme Court justices, a Bible, daguerreotypes of George Washington and his mother Mary, Alfred Vail’s written description of the magnetic telegraph, a copy of Appleton’s Railroad and Steamboat Companion, and an issue of the arts and leisure magazine Godey’s Lady’s Book, among many other items.

10. SOME OF THE MONUMENT’S MEMORIAL STONES BEAR STRANGE INSCRIPTIONS. 

The vast majority of the 194 memorial stones lining the Washington Monument are not likely to inspire confusion. Common inscriptions celebrate George Washington, the country, and the states they represent. However, a few of the monument’s stones bear engravings of a more curious variety. A stone donated by a Welsh-American community from New York reads (in Welsh), “My language, my land, my nation of Wales—Wales for ever.” Another stone from the Templars of Honor and Temperance articulates the organization’s rigid support of Prohibition: “We will not make, buy, sell or use as a beverage any spirituous or malt liquors, wine, cider, of any other alcoholic liquor, and will discountenance their manufacture, traffic and use, and this pledge we will maintain unto the end of life.” 

11. THE APEX WAS DISPLAYED AT TIFFANY’S BEFORE IT WAS ADDED TO THE STRUCTURE. 

The men who created the Washington Monument, though reverent in their intentions, were hardly above a good publicity stunt. William Frishmuth, an architect and aluminum magnate connected to the project, arranged for the pointed aluminum top of the monument to enjoy an ornate two-day display at New York City’s luxury jewelry store Tiffany’s. The apex was placed on the floor of the storefront so that shoppers could claim to have walked “over the top of the Washington Monument.” 

12. OPENING CEREMONIES ATTRACTED SEVERAL BIG NAME GUESTS. 

Among the 20,000 Americans present for the beginning of construction in 1848 were then-President James K. Polk, three future presidents (James Buchanan, Abraham Lincoln, and Andrew Johnson), former first lady Dolley Madison (John Quincy Adams' widow was too sick to attend), the wife of Alexander Hamilton, and a bald eagle.

13. THE WASHINGTON MONUMENT WAS THE TALLEST STRUCTURE IN THE WORLD FOR ABOUT SIX MONTHS. 

Upon its official opening on October 9, 1888, the Washington Monument—standing an impressive 555 feet high—boasted the superlative of tallest manmade structure on Earth. The honor was short-lived, however, as the following March saw the unveiling of the Eiffel Tower, which topped out at 986 feet. 

14. IT IS STILL THE TALLEST OF ITS KIND. 

As of 2015, the Washington Monument still reigns supreme as both the world’s tallest all-stone structure and the tallest obelisk. (The stone San Jacinto Monument in Texas is taller, but it sits on a concrete plinth.)

15. A FEW DECADES AFTER CONSTRUCTION, THE MONUMENT CAUGHT “TUBERCULOSIS.” 

Wear and tear had begun to get the best of the Washington Monument by the early 20th century, prompting an exodus of the cement and rubble filler through the structure’s external cracks. The sweating sensation prompted John S. Mosby Jr., author of a 1911 article in Popular Mechanics, to nickname the phenomenon “geological tuberculosis.”

Original image
Brendon Thorne/Getty Images
arrow
entertainment
30 Memorable Quotes from Carrie Fisher
Original image
Brendon Thorne/Getty Images

Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

Original image
Getty Images
arrow
Lists
12 Admissible Facts About Judge Judy
Original image
Getty Images

Judge Judith Sheindlin was 54 years old when her namesake TV show premiered on September 16, 1996. Two years later the diminutive (5’1”) adjudicator was trouncing the powerhouse Oprah Winfrey Show in the Nielsen ratings. Today, she is one of the highest paid TV celebrities, earning $47 million per year—which she will continue to do through 2020, thanks to a new extended contract.

Fervent fans are familiar with Judge Judy’s more outrageous cases, like The Tupperware Lady and the eBay Cell Phone Scammer, but they might not know some of these fun facts about both the show and the woman behind it, who turns 75 years old today.

1. THAT GRUFF, NO-NONSENSE STYLE OF JURISPRUDENCE IS NOT AN ACT.

Judge Judy spent a little over 20 years in New York City’s family court system, where she earned a reputation early in her career for being blunt, impatient, and tough-talking. “I can’t stand stupid, and I can’t stand slow,” was one of her oft-repeated “Judyisms” at that time. She also frequently warned attorneys appearing before her: "I want first-time offenders to think of their appearance in my courtroom as the second-worst experience of their lives ... circumcision being the first." 60 Minutes filmed her in action as part of a 1993 profile, and while her hair color and eyebrows have softened since then, her impatient rants and verbal smackdowns haven’t changed a bit.

2. SHE BEGAN WEARING HER TRADEMARK LACE COLLAR AS SOON AS SHE WAS APPOINTED AS A JUDGE.

New York City Mayor Ed Koch appointed Judith Sheindlin to the bench in 1982, and to celebrate she and her husband Jerry—both civil servants at the time—took a $399 package trip to Greece for two weeks. While passing by a row of street kiosks with various locally made crafts for sale, she impulsively purchased a white lace collar from a vendor. She explained to her husband that male judges wore stiff-collared white dress shirts and colorful neckties that peeped out of the top of their robes, so that they had a nice colorful “buffer” between the austere black gown and their face. Female judges, however, had nothing but neck peeping out of their robes and the unforgiving black color revealed every minute of sleep deprivation as well as any skin tone irregularities. The white lace collar, she decided, would not only perk up her face but would also be a bit disarming for litigants—she could picture them thinking “That nice little lady with the lace collar sitting behind the bench couldn’t hurt a fly!”

3. DESPITE THOSE NEW YORK CITY SCENES ON THE COMMERCIAL BUMPERS, JUDGE JUDY IS TAPED IN CALIFORNIA.

Sheindlin spends 52 days per year taping her show. She flies to California via private jet every other Monday and hears cases on Tuesday and Wednesday (occasionally Thursday if there are production delays). One full week’s worth of shows are filmed each day. Many viewers, however, are fooled into thinking Judy is holding court in her native New York, thanks to the scenic Manhattan footage in between station breaks and the New York state flag behind her chair. That is, until something oh-so-unique to the west coast—like an earthquake—occurs on-camera. (Note that in the clip below, Judge Judy quickly ducks beneath her bench once the room begins to tremble.)

4. SHE IS BRIEFED ON THE CASES BEFORE SHE ARRIVES ON THE SET.

Judge Sheindlin does not go to the studio unprepared; producers FedEx the sworn statements and relevant information on each upcoming case to her home (Naples, Florida in the winter; Greenwich, Connecticut in the spring and summer) and she familiarizes herself with enough details to have some background, but not enough so that the case doesn’t appear “fresh” when she questions the litigants during filming.

5. THE CASES REALLY ARE REAL.

The production company has a staff of 60-plus researchers across the country who spend their days poring over lawsuits filed in local small claims courts. Thanks to the Freedom of Information Act, they are able to photocopy cases that they think might make for interesting television and those copies are forwarded to the show’s producers. Any cases that make it to the next stage (about three percent) involve contacting the litigants involved and asking them if they’d like to forego their civil court hearing in exchange for a free trip to Los Angeles, an $850 appearance fee, and a per diem of $40 (as of 2012). An added incentive is that any judgments awarded are paid by the show, not by the plaintiff or defendant. The best cases, according to the executive producer, are those that involve litigants with a prior relationship—mother/daughter, father/son, boyfriend/girlfriend, etc. Such cases engage the audience because it’s an emotional tie that’s been broken (the recurring plot on many soap operas).

6. THE AUDIENCE, HOWEVER, IS NOT SO REAL.

Regular viewers will note that the same faces seem to pop up in the audience regularly. Those folks in the spectator seats are paid extras (often aspiring actors) who earn $8 per hour to sit and look attentive. Prospective audience members apply for the limited amount of seats by emailing their contact information along with a clear headshot to one of Judge Judy’s production coordinators (sorry, we cannot provide that info). If chosen, the spectator must dress appropriately (business casual or better) and arrive promptly for the 8:30 a.m. call time. Audience members must pass through metal detectors on their way in and are not allowed to bring cell phones or any electronic devices with them, and food, drinks and chewing gum are also verboten. Spectators are rearranged after each case so it’s not as obvious that it’s the same group of people, and the most attractive folks are always seated in the front row (it’s Hollywood, after all). The audience is instructed to talk animatedly amongst themselves in between each case so that Officer Byrd’s “Order in the court!” admonition has more impact. Bad behavior is grounds for immediate expulsion (in front of 10 million viewers, as Judge Judy likes to remind us).

7. JUDGE JUDY DRESSES CASUALLY FOR THE JOB.

Sheindlin has been known to publicly chastise litigants who come to her courtroom in skimpy clothing or “beach attire,” but behind that bench and under that robe she is usually sporting jeans and a tank top or T-shirt.

8. OFFICER BYRD IS A REAL BAILIFF.

Brooklyn native Petri Hawkins Byrd earned his B.Sc. degree from the John Jay College of Criminal Justice in 1989 and started working in the Brooklyn Family Court system. He first worked with Judge Sheindlin when he transferred to the Manhattan Family Court. “We [the court officers] used to call her the Joan Rivers of the judicial system,” he recalled in a 2004 interview. “She was just hilarious.” Byrd relocated to San Mateo, California in 1990 to work as a Special Deputy U.S. Marshal and a few years later he read an item in Liz Smith’s gossip column about Sheindlin’s upcoming TV show. He sent his old colleague a congratulatory letter and added, “If you need a bailiff, I still look good in uniform.”

9. DESPITE HIS SOMETIMES IMPOSING COURTROOM DEMEANOR, OFFICER BYRD IS ALSO A VERY FUNNY GUY.

He is a talented impressionist, but his sense of humor almost cost him his job—or so he thought at the time. Once, back when he was working with the feisty Judge Sheindlin in New York, he donned her robe and reading glasses to entertain his co-workers with a barrage of Judyisms. Of course, as always seems to happen when one mocks the boss in the workplace, he was caught in the act.

10. THE OCCASIONAL CELEBRITY RELIES ON JUDGE JUDY’S BRAND OF JUSTICE.

Depending upon your own definition of “celebrity”, of course. Actress Roz Kelly (Pinky Tuscadero on Happy Days) appeared on the show in 1996 as the plaintiff, suing her plastic surgeon for a leaky breast implant that was impeding her acting career. One year later, former Sex Pistol John Lydon (a.k.a. Johnny Rotten) appeared as a defendant when drummer Robert Williams, who was hired to support Lydon on a solo tour, sued the singer for lost wages and an assault. Despite Lydon’s occasional bad courtroom behavior, the decision was made in his favor.

11. THE STAR ORIGINALLY DIDN’T WANT THE SHOW NAMED AFTER HER.

Sheindlin first envisioned calling her show Hot Bench, a term used frequently in the appellate court, but the producers wisely advised her that the term was meaningless to TV viewers who didn’t work in the legal system. Her next thought was Judy Justice, since she’d overheard her court officers warning deadbeat parents who were delinquent in child support payments that they were in for a load of "Judy Justice" if they weren’t prepared to cough up some money. In retrospect, Sheindlin realized the wisdom in calling the show Judge Judy: She couldn’t be easily replaced, as the various judges had been on The People’s Court. However, after 19 years on the air, she still does not refer to herself by that sobriquet; whether introducing herself to someone or advertising her show in a promotional clip, she is always either “Judge Sheindlin” or “Judge Judy Sheindlin.”

12. JUDGE SHEINDLIN INHERITED HER SENSE OF HUMOR FROM HER FATHER.

Murray Blum, Judy’s beloved father, was a dentist whose office was in the family home. In those days—before sedation dentistry was an option—a dentist’s best tool to distract nervous patients was the gift of gab, and Murray became a master storyteller out of necessity. Years of listening to her father at the dinner table and at family gatherings taught Judy how to deliver a punchline. One evening outside of a hotel in Hollywood, Sheindlin was approached by a woman who introduced herself as Lorna Berle. She told the judge that her husband Milton was a huge fan and asked if she would mind talking to him for a moment. The elderly comic slowly emerged from a limo and Judy greeted him by singing the theme song to Texaco Star Theater, her favorite TV show as a child. Milton Berle complimented her in return, saying “Kid, you’ve got great comic timing.”

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios