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8 Tips for Beating a Claw Machine

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Unless you’re small enough to climb inside, grabbing a prize out a claw machine can be pretty tough. But Daily Beast entertainment reporter Jen Yamato and film critic Kim Morgan are very, very good at it: Yamato estimates that she’s nabbed 100 toys from the prize pits of claw machines, which she’s deposited in her car and at her house, and at one point, Morgan says, she had “two large garbage bags overflowing with stuffed animals from just one year. I donated them.”

Morgan has always been drawn to claw machines, but got really hooked in 2008: “Must be the dumb kid in me that spies an enormous box of stuffed toys,” she says. “A claw? It's almost something out of the Brothers Grimm … One time I clawed six animals in a row. There was a crowd around me! It was so silly.” Yamato’s obsession with claw games began in her adult life. “I only realized I was good at it because I kept winning stuff and I was keeping track of it on Instagram,” she says. “I’m a professional person most of the time, and it’s one of the only things that I will let myself be completely competitive about. … You get to bask in the glory of holding your bounty high above your head and saying, ‘Yes, I snatched this prize out of this machine! I beat it!’”

It might seem like fun and games—and, of course, it is. But there’s real skill involved, too. Here are the strategies Morgan and Yamato use to nab a prize.

1. CHECK OUT THE PRIZE PIT.

The first thing you should look at when thinking about playing a claw machine is the prize pit—specifically, how tightly the prizes are packed. “An easy tell is when all of the stuffed animals have been front faced and they’re packed in like sardines,” Yamato says. “That means nobody has jiggled anything loose yet, or maybe an employee has just stuffed them in super tight.” A tightly-packed prize pit will make your job a lot harder: “I’m not going to bother playing a machine that is clearly stuffed too tight,” Yamato says. “I won’t be able to reel anything in.”

Morgan agrees. “If the toys are stuffed so tightly that grabbing is impossible, don't waste your time,” she says. “I think it's better to find those weird lone claw machines in places that seem more abandoned—they don't get stuffed as much. Those are the only places you can win because there's more room to drag an animal.”

2. WATCH THE PERSON IN FRONT OF YOU.

“Don’t necessarily watch how they play, but watch how the machine reacts when they play—that information can help you whenever it comes to be your turn,” Yamato says. “I can see if the claw grip is too loose, or if it’s designed to let go or give a jiggle after it grasps something, then I won’t play because I know the odds are definitely against me … unless it’s a really, really sweet toy that I want. Then I’ll spend a little extra time.”

3. PICK YOUR TARGET CAREFULLY.

Yamato and Morgan go after the prize that looks the most attainable. “Sometimes, the most desirable prizes are the hardest ones to get,” Yamato says. “Being realistic about what you can win in any given machine will help you win a lot more.”

“If the pretty pony in the far end, stuffed tightly next to the cute teddy bear, is an impossible option, you're going to have to settle with the ugly duck/monster thing with red shoes and a cape or whatever the hell it is and live with it,” Morgan says.

The ideal prize is “sticking out a little bit, isn’t being blocked or obstructed by any other prizes, and isn’t too close to the side,” Yamato says. (If a prize is leaning against the glass, the claw track won’t allow the claw to get close enough to nab it.) Morgan also advises sticking to prizes that are close to the chute: “Don't drag something from the very end of the machine,” she says. “That rarely works.”

Yamato also avoids round or rotund objects. “Those are hard because a lot of the time there’s nothing to grab onto,” she says. Instead, aim for a prize that has some kind of appendage—a head, or an arm or a leg—sticking out: “Something you can get one of the claw prongs under is your best bet, if the angle’s right.”

4. PLAY ONCE TO GET A FEEL FOR THE CLAW.

After Yamato has picked her prize, she’ll play once, “to test the tensile grip of the claw to see how easily it will hold after it closes,” she says. “A lot of them will jiggle open right after they close, so even if you’ve caught something, it’ll screw you over by opening up the claws a little bit.” If that happens, Yamato says she won’t play again ... “probably.”

In general, it’s easier to play machines that have a three-pronged claw rather than a two-pronged claw: “It’s all about the grip—if the claw has a weak grip, forget it,” Morgan says. “The two-pronged claws seem weaker to me.”

5. … AND MAYBE MANEUVER YOUR PRIZE INTO A BETTER POSITION.

“One strategy is bumping another animal out of the way to grab another,” Morgan says. She also advises grabbing and dragging a prize closer to the chute to make it easier to grab on your second try.

6. USE MOST OF YOUR TIME GETTING THE CLAW INTO POSITION.

Most claw machines drop and grab with one push of a button; some need two pushes—one to drop the claw, another to close it—but that’s rare. Either way, “Most machines give you enough time to position your claw, and most of them will let you move it forward and backward and then sideways,” Yamato says. “I usually try to spend most of the time of the clock running down to make sure that I’m exactly above where I want the claw to drop.” Once you’re in the absolute best position, drop it.

7. KNOW WHEN TO STOP.

Most machines cost 50 cents to play, so Yamato will put in a dollar. “Maybe half the time I get a prize on my first dollar,” she says. “I’ll usually play a couple of dollars at most before I realize that I should walk away. It’s like gambling—for no monetary gain!”

Morgan says grabbing a prize usually takes her a few tries “on good machines,” she says. “On bad machines—and they seem worse now—it takes me about five or ten times or never. I will not go past ten. That makes me feel like a junkie.”

8. DON’T ASSUME EVERY CLAW MACHINE IS RIGGED.

A few weeks ago, Vox posted an article that explained how claw machine owners can rig them—but Yamato doesn’t think that’s true for every game. “People might play less because they think every claw machine is rigged to screw them over, but not all claw machines are rigged,” she says. “I always believe that every claw is winnable—it’s just a matter of how much I want to stand there and keep playing if I already know that this particular machine is sort of stuck.” But people should avoid the machines that have money wrapped around the prizes: “In my experience,” Yamato says, “those are usually the ones that are rigged.”

Morgan, on the other hand, does believe that many of the machines are rigged—which is why she prefers to play machines in places off the beaten path, like in California’s Yucca Valley. “Are they less rigged in the desert? I think so,” she says. “I have incredible luck out there. I always play in the desert.”

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10 Surprising Facts About The Babadook
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In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

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Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

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In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

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15 Fascinating Facts About Amelia Earhart
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Amelia Earhart was a pioneer, a legend, and a mystery. To celebrate what would be her 120th birthday, we've uncovered 15 things you might not know about the groundbreaking aviator.

1. THE FIRST TIME SHE SAW AN AIRPLANE, SHE WASN'T IMPRESSED.

In Last Flight, a collection of diary entries published posthumously, Earhart recalled feeling unmoved by "a thing of rusty wire and wood" at the Iowa State Fair in 1908. It wasn't until years later that she discovered her passion for aviation, when she worked as a nurse's aide at Toronto's Spadina Military Hospital. She and some friends would spend time at hangars and flying fields, talking to pilots and watching aerial shows. Earhart didn't actually get on a plane herself until 1920, and even then she was just a passenger.

2. SHE WAS A GOOD STUDENT WITH NO PATIENCE FOR SCHOOL.

After working with the Voluntary Aid Detachment in Toronto, Earhart took pre-med classes at Columbia University in 1919. She made good grades, but dropped out after just a year. Earhart re-enrolled at Columbia in 1925 and left school again. She took summer classes at Harvard, but gave up on higher education for good after she didn't get a scholarship to MIT.

3. ANOTHER PIONEERING FEMALE AVIATOR TAUGHT EARHART HOW TO FLY.

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Neta Snook was the first woman to run her own aviation business and commercial airfield. She gave Earhart flying lessons at Kinner Field near Long Beach, California in 1921, reportedly charging $1 in Liberty Bonds for every minute they spent in the air.

4. EARHART BOUGHT HER FIRST PLANE WITHIN SIX MONTHS OF HER FIRST FLYING LESSON.

Wikimedia Commons // Public Domain

She named it The Canary. The used yellow Kinner Airster biplane was the second one ever built. Earhart paid $2000 for it, despite Snook's opinion that it was underpowered, overpriced, and too difficult for a beginner to land.

5. AMY EARHART ENCOURAGED HER DAUGHTER'S PASSION. HER FATHER, ON THE OTHER HAND, WAS AFRAID OF FLYING.

Earhart's mom used some of her inheritance to pay for The Canary. She was a bit of an adventurer herself: the first woman to ever climb Pikes Peak in Colorado.

6. EARHART HAD A LOT OF ODD JOBS.

In addition to volunteering as a nurse's aide, Earhart also worked early jobs as a telephone operator and tutor. Earhart was a social worker at Denison House in Boston when she was invited to fly across the Atlantic for the first time (as a passenger) in 1928. At the height of her career, Earhart spent time making speeches, writing articles, and providing career counseling at Purdue University's Department of Aeronautics. Oh, and flying around the world.

7. SHE WASN'T SURE ABOUT MARRIAGE, BUT SHE DEFINITELY BELIEVED IN PRE-NUPS.

When promoter George Putnam contacted Earhart about flying across the Atlantic Ocean in 1928, it was her first big break ... and the beginning of their love story. The two began a working relationship, which soon turned into attraction. When Putnam's marriage to Dorothy Binney fell apart, he eventually proposed to Earhart. She said yes, albeit reluctantly.

Earhart wasn't worried about safeguarding financial assets so much as she wanted the two of them to maintain separate identities. Earhart asked Putnam to agree to a trial marriage. If they weren't happy after a year, they'd be free to go their separate ways, no hard feelings. He agreed. They lived happily until her disappearance.

8. SHE WROTE ABOUT FLYING FOR COSMOPOLITAN.

In 1928, Earhart was appointed Cosmopolitan's Aviation Editor. Her 16 published articles—among them "Shall You Let Your Daughter Fly?" and "Why Are Women Afraid to Fly?"—recounted her adventures and encouraged other women to fly, even if they just did so commercially. (Commercial flights date back to 1914, but they wouldn't really take off until after World War II.)

9. FIRST LADY ELEANOR ROOSEVELT WAS SO INSPIRED BY EARHART THAT SHE SIGNED UP FOR FLYING LESSONS.

The two became friends in 1932. Roosevelt got a student permit and a physical examination, but never followed through with her plan.

10. EARHART WAS THE FIRST WOMAN TO GET A PILOT'S LICENSE FROM THE NATIONAL AERONAUTIC ASSOCIATION (NAA).

That was in 1923, when pilots and aircrafts weren't legally required to be licensed. Earhart was the sixteenth woman to get licensed by the Fédération Aéronautique Internationale (FAI), which was required to set flight records. Still, the FAI didn't maintain women's records until 1928.

11. SHE ACCOMPLISHED A LOT OF "FIRSTS."

Earhart eventually became the first woman to fly across the Atlantic as a passenger (1928) and then solo (1932) and nonstop from coast to coast (1932) as a pilot. She also set records, period: Earhart was the first person to ever fly solo from Honolulu to Oakland, Los Angeles to Mexico City, and Mexico City to Newark, all in 1935.

What do John Glenn, George H.W. Bush, and Amelia Earhart have in common? They all earned an Air Force Distinguished Flying Cross. But only Earhart was the first woman—and one of few civilians—to do so.

12. SHE WAS ONE OF THE FIRST CELEBRITIES TO LAUNCH A CLOTHING LINE.

Amelia Earhart Fashions were affordable separates sold exclusively at Macy's and Marshall Field's. The line's dresses, blouses, pants, suits, and hats were made of cotton and parachute silk and featured aviation-inspired details, like propeller-shaped buttons. Earhart studied sewing as a girl and actually made her own samples.

13. THE U.S. GOVERNMENT SPENT $4 MILLION SEARCH FOR EARHART.

At the time, it was the most expensive air and sea search in history. Earhart's plane disappeared July 2, 1937. The official search ended a little over two weeks later on July 19. Putnam then financed a private search, chartering boats to the Phoenix Islands, Christmas Island, Fanning Island, the Gilbert Islands, and the Marshall Islands.

14. THE SEARCH ISN'T OVER.

There are several theories about what happened to Earhart's plane during her last flight. Most people believe she ran out of fuel and crashed into the Pacific Ocean. Others believe she landed on an island and died of thirst, starvation, injury, or at the hands of Japanese soldiers in Saipan. In 1970, one man even claimed that Earhart was alive and well and living a secret life in New Jersey.

The International Group for Historic Aircraft Recovery (TIGHAR) has explored the theory that Earhart and her navigator Fred Noonan lived as castaways before dying on Gardner Island, now called Nikumaroro, in the western Pacific. Over the years, they've found a few potential artifacts, including evidence of campfire sites, pieces of Plexiglas, and an empty jar of the brand of freckle cream that Earhart used.

In early July 2017, a photo surfaced that seemed to confirm the theory that Earhart and Noonan crashed and were captured by Japanese soldiers, but that photo was quickly debunked.

15. TODAY, ANOTHER AMELIA EARHART IS MAKING HISTORY.

In 2014, another pilot named Amelia Earhart took to the skies to set a world record. The then-31-year-old California native became the youngest woman to fly 24,300 miles around the world in a single-engine plane. Her namesake never completed the journey, but the younger Earhart landed safely in Oakland on July 11, 2014. We think "Lady Lindy" would be proud.

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