Getty Images
Getty Images

Grover Cleveland’s Deadly Secret

Getty Images
Getty Images

By Matthew Algeo

In early June of 1893, President Grover Cleveland—who was born on March 18, 1837—discovered a large tumor on the roof of his mouth. The cancer was progressing quickly. Doctors determined that if the president was to survive, the growth had to be removed. But the procedure was complicated, and Cleveland’s doctors feared that the surgery could trigger a stroke. There was also a 15 percent chance in those days that the president could die under the knife. After weighing his options, Cleveland chose to have the tumor removed, under one condition: The operation had to be conducted in total secrecy. The president feared that Wall Street—already reeling from falling stock prices in the midst of a depression—would panic if news of his illness leaked. Even his vice president, Adlai Stevenson, was to be kept in the dark.

On the morning of June 30, President Cleveland and six of the nation’s finest physicians assembled on board the Oneida, a yacht anchored in New York Harbor. Sitting in a deck chair, the president smoked cigars and chatted amiably with the men as the boat set sail for Long Island Sound. The following morning, the doctors scrambled below deck to prepare for the surgery. In lieu of an operating table, a large chair was bound to the mast in the yacht’s parlor. A single light bulb, connected to a portable battery, would provide all of the light. The doctors boiled their instruments and pulled crisp white aprons over their dark suits. Shortly after noon, the president entered the parlor and took his seat.

Using nitrous oxide and ether as anesthetics, the doctors removed the tumor, along with five teeth and much of Cleveland’s upper left palate and jawbone. The procedure lasted 90 minutes. It also took place wholly within the patient’s mouth, so that no external scars would betray the clandestine operation.

On July 5, Cleveland was dropped off at his summer home on Cape Cod. He healed remarkably fast. By the middle of July, he was fitted with a vulcanized rubber prosthesis that plugged the hole in his mouth and restored his normal speaking voice. All the while, the public was told that the president had merely suffered a toothache.

On August 29, The Philadelphia Press published an exposé by Elisha Jay Edwards. The headline read, “The President A Very Sick Man.” Edwards, the paper’s Manhattan correspondent, had been tipped off by a New York doctor who’d heard rumors of the secret surgery. After some additional digging, Edwards located Ferdinand Hasbrouck, the dentist who had administered the anesthesia to Cleveland, and verified the details.

The Philadelphia Press story was remarkably accurate. In fact, it still stands as one of the great scoops in the history of American journalism. But it wasn’t perceived that way by the public. The Cleveland administration categorically denied the charges and launched a smear campaign to discredit and embarrass the reporter. Newspapers denounced Edwards as a “disgrace to journalism” and a “calamity liar.” The tactics were effective. The public sided with Cleveland, who’d built his reputation as the “Honest President.” Meanwhile, Edwards’ career was effectively ruined. For the next 15 years, the veteran reporter could barely find work. In 1909, he landed a job as a columnist for a struggling young newspaper called The Wall Street Journal. But Edwards’ career was still tainted by the allegations that he’d faked the story about Grover Cleveland.

One of the doctors who performed the surgery, W.W. Keen, always regretted how Edwards had been so unjustly maligned. In 1917, a quarter-century after the operation and a decade after Cleveland’s death, Keen finally decided to do something about it. He published a confessional in The Saturday Evening Post, hoping to “vindicate Mr. Edwards’ character as a truthful correspondent.” The admission was successful. The old newspaperman was inundated with congratulatory letters and telegrams, and the outpouring deeply moved him. Edwards even wrote to Keen to thank him for restoring his reputation. 

Executive Disorders

Grover Cleveland was hardly the only president to conceal a major medical crisis from the public. On October 2, 1919, Woodrow Wilson suffered a massive stroke that paralyzed the left side of his body and incapacitated him so completely—physically and mentally—that, in the words of one historian, “The president should have resigned immediately.” Instead, the White House physician, Dr. Cary Grayson, announced that President Wilson was merely suffering from “nervous exhaustion.”

Wilson’s successor, Warren Harding, wasn’t exactly the picture of health, either. His heart was so weak that he had to sleep propped up with pillows. If he slept lying down, blood would pool in his lungs, making it difficult for him to breathe. On July 27, 1923, Harding suffered what was almost certainly a heart attack, but his doctor—a homeopath who liked to prescribe pills by color (pink was a favorite)—insisted it was simply food poisoning. Harding died in office six days later.

In the early 1960s, John F. Kennedy concealed the fact that he suffered from a debilitating condition called Addison’s disease during his presidency. And more recently, Ronald Reagan’s staff covered up the fact that the president showed signs of dementia in the White House. Of course, on the order of presidential secrets, it’s difficult to know what’s more disturbing: the cover-ups that go on inside the Oval Office, or the ones that originate in the doctor’s office.

nextArticle.image_alt|e
Kevork Djansezian/Getty Images for PCA
12 Surprising Facts About Robin Williams
Kevork Djansezian/Getty Images for PCA
Kevork Djansezian/Getty Images for PCA

Robin Williams had a larger-than-life personality. On screen and on stage, he embodied what he referred to as “hyper-comedy.” Offscreen, he was involved in humanitarian causes and raised three children—Zak, Zelda, and Cody. On July 16, HBO debuts the documentary Robin Williams: Come Inside My Mind, directed by Marina Zenovich. The film chronicles his rise on the L.A. and San Francisco stand-up comedy scenes during the 1970s, to his more dramatic roles in the 1980s and '90s in award-winning films like Dead Poets Society; Good Morning, Vietnam; Awakenings; The Fisher King; and Good Will Hunting. The film also focuses on August 11, 2014, the date of his untimely death. Here are 12 surprising facts about the beloved entertainer.

1. ROBIN WILLIAMS GOT HIS START AT A COMEDY WORKSHOP INSIDE A CHURCH.

A still from 'Robin Williams: Come Inside My Mind' (2018)
HBO

After leaving Juilliard, Robin Williams found himself back in his hometown of San Francisco, but he couldn’t find work as an actor. Then he saw something for a comedy workshop in a church and decided to give it a shot. “So I went to this workshop in the basement of a Lutheran church, and it was stand-up comedy, so you don’t get to improvise with others, but I started off doing, ostensibly, it was just like improvising but solo," he told NPR. "And then I started to realize, ‘Oh.’ [I started] building an act from there."

2. HE FORMED A FRIENDSHIP WITH KOKO THE GORILLA.

In 2001, Williams visited Koko the gorilla, who passed away in June, at The Gorilla Foundation in Northern California. Her caregivers had shown her one of his movies, and she seemed to recognize him. Koko repeatedly signed for Williams to tickle her. “We shared something extraordinary: laughter,” Williams said of the encounter. On the day Williams died, The Foundation shared the news with Koko and reported that she fell into sadness.

3. FOR A TIME, HE WAS A MIME IN CENTRAL PARK.

In 1974, photographer Daniel Sorine captured photos of two mimes in New York's Central Park. As it turned out, one of the mimes was Williams, who was attending Juilliard at the time. “What attracted me to Robin Williams and his fellow mime, Todd Oppenheimer, was an unusual amount of intensity, personality, and physical fluidity,” Sorine said. In 1991, Williams revisited the craft by playing Mime Jerry in Bobcat Goldthwait’s film Shakes the Clown. In the movie, Williams hilariously leads a how-to class in mime.

4. HE TRIED TO GET LYDIA FROM MRS. DOUBTFIRE BACK IN SCHOOL.

As a teen, Lisa Jakub played Robin Williams’s daughter Lydia Hillard in Mrs. Doubtfire. “When I was 14 years old, I went on location to film Mrs. Doubtfire for five months, and my high school was not happy,” Jakub wrote on her blog. “My job meant an increased workload for teachers, and they were not equipped to handle a ‘non-traditional’ student. So, during filming, they kicked me out.”

Sensing Jakub’s distress over the situation, Williams typed a letter and sent it to her school. “A student of her caliber and talent should be encouraged to go out in the world and learn through her work,” he wrote. “She should also be encouraged to return to the classroom when she’s done to share those experiences and motivate her classmates to soar to their own higher achievements … she is an asset to any classroom.”

Apparently, the school framed the letter but didn’t allow Jakub to return. “But here’s what matters from that story—Robin stood up for me,” Jakub wrote. “I was only 14, but I had already seen that I was in an industry that was full of back-stabbing. And it was entirely clear that Robin had my back.”

5. HE WASN’T PRODUCERS' FIRST CHOICE TO PLAY MORK ON MORK & MINDY.

Anson Williams, Marion Ross, and Don Most told The Hallmark Channel that a different actor was originally hired to play Mork for the February 1978 Happy Days episode “My Favorite Orkan,” which introduced the alien character to the world. “Mork & Mindy was like the worst script in the history of Happy Days. It was unreadable, it was so bad,” Anson Williams said. “So they hire some guy for Mork—bad actor, bad part.” The actor quit, and producer Garry Marshall came to the set and asked: “Does anyone know a funny Martian?” They hired Williams to play Mork, and from September 1978 to May 1982, Williams co-headlined the spinoff Mork & Mindy for four seasons.

6. HE “RISKED” A ROLE IN AN OFF-BROADWAY PLAY.

Actor Robin Williams poses for a portrait during the 35th Annual People's Choice Awards held at the Shrine Auditorium on January 7, 2009 in Los Angeles, California
Michael Caulfield, Getty Images for PCA

In 1988, Williams made his professional stage debut as Estragon in the Mike Nichols-directed Waiting for Godot, which also starred Steve Martin and F. Murray Abraham. The play was held off-Broadway at Mitzi E. Newhouse Theater at Lincoln Center. The New York Times asked Williams if he felt the show was a career risk, and he responded with: “Risk! Of never working on the stage again! Oh, no! You’re ruined! It’s like you're ruined socially in Tustin,” a town in Orange County, California. “If there’s risk, you can’t think about it,” he said, “or you’ll never be able to do the play.”

Williams had to restrain himself and not improvise during his performance. “You can do physical things,” he said, “but you don’t ad lib [Samuel] Beckett, just like you don’t riff Beethoven.” In 1996, Nichols and Williams once again worked together, this time in the movie The Birdcage.

7. HE USHERED IN THE ERA OF CELEBRITY VOICE ACTING.

The 1992 success of Aladdin, in which Williams voiced Genie, led to more celebrities voicing animated characters. According to a 2011 article in The Atlantic, “Less than 20 years ago, voice acting was almost exclusively the realm of voice actors—people specifically trained to provide voices for animated characters. As it turns out, the rise of the celebrity voice actor can be traced to a single film: Disney’s 1992 breakout animated hit Aladdin.” Since then, big names have attached themselves to animated films, from The Lion King to Toy Story to Shrek. Williams continued to do voice acting in animated films, including Aladdin and the King of Thieves, Happy Feet, and Happy Feet 2.

8. HE FORGOT TO THANK HIS MOTHER DURING HIS 1998 OSCAR SPEECH.

In March 1998, Williams won a Best Supporting Actor Oscar for his performance as Sean Maguire in Good Will Hunting. In 2011, Williams appeared on The Graham Norton Show, and Norton asked him what it was like to win the award. “For a week it was like, ‘Hey congratulations! Good Will Hunting, way to go,'” Williams said. “Two weeks later: ‘Hey, Mork.’”

Then Williams mentioned how his speech accidentally left out one of the most important people in his life. “I forgot to thank my mother and she was in the audience,” he said. “Even the therapist went, ‘Get out!’ That was rough for the next few years. [Mom voice] ‘You came through here [points to his pants]! How’s the award?’”

9. HE COMFORTED STEVEN SPIELBERG DURING THE FILMING OF SCHINDLER’S LIST.

At this year’s 25th anniversary screening of Schindler’s List, held at the Tribeca Film Festival, director Steven Spielberg shared that Williams—who played Peter Pan in Spielberg’s Hook—would call him and make him laugh. “Robin knew what I was going through, and once a week, Robin would call me on schedule and he would do 15 minutes of stand-up on the phone,” Spielberg said. “I would laugh hysterically, because I had to release so much.”

10. HE HELPED ETHAN HAWKE GET HIS AGENT.

During a June 2018 appearance on The Graham Norton Show, Ethan Hawke recalled how, while working on Dead Poets Society, Williams was hard on him. “I really wanted to be a serious actor,” Hawke said. “I really wanted to be in character, and I really didn’t want to laugh. The more I didn’t laugh, the more insane [Williams] got. He would make fun of me. ‘Oh this one doesn't want to laugh.’ And the more smoke would come out of my ears. He didn’t understand I was trying to do a good job.” Hawke had assumed Williams hated him during filming.

After filming ended, Hawke went back to school, but he received a surprising phone call. It was from Williams’s agent, who—at Williams's suggestion—wanted to sign Hawke. Hawke said he still has the same agent today.

11. HE WAS ALMOST CAST IN MIDNIGHT RUN.

In February 1988, Williams told Rolling Stone how he sometimes still had to audition for roles. “I read for a movie with [Robert] De Niro, [Midnight Run], to be directed by Marty Brest,” Williams said. “I met with them three or four times, and it got real close, it was almost there, and then they went with somebody else. The character was supposed to be an accountant for the Mafia. Charles Grodin got the part. I was craving it. I thought, ‘I can be as funny,’ but they wanted someone obviously more in type. And in the end, he was better for it. But it was rough for me. I had to remind myself, ‘Okay, come on, you’ve got other things.’”

In July 1988, Universal released Midnight Run. Just two years later, Williams finally worked with De Niro, on Awakenings.

12. BILLY CRYSTAL AND WILLIAMS USED TO TALK ON THE PHONE FOR HOURS.

Actors Robin Williams (L) and Billy Crystal pose at the afterparty for the premiere of Columbia Picture's 'RV' on April 23, 2006 in Los Angeles, California
Kevin Winter, Getty Images

Starting in 1986, Williams, Billy Crystal, and Whoopi Goldberg co-hosted HBO’s Comic Relief to raise money for the homeless. Soon after Williams’s death, Crystal went on The View and spoke with Goldberg about his friendship with Williams. “We were like two jazz musicians,” Crystal said. “Late at night I get these calls and we’d go for hours. And we never spoke as ourselves. When it was announced I was coming to Broadway, I had 50 phone messages, in one day, from somebody named Gary, who wanted to be my backstage dresser.”

“Gary” turned out to be Williams.

Robin Williams: Come Inside My Mind premieres on Monday, July 16 at 8 p.m. ET on HBO.

nextArticle.image_alt|e
Mark Ralston, AFP/Getty Images
How a Hairdresser Found a Way to Fight Oil Spills With Hair Clippings
Mark Ralston, AFP/Getty Images
Mark Ralston, AFP/Getty Images

The Exxon Valdez oil tanker made global news in 1989 when it dumped millions of gallons of crude oil into the waters off Alaska's coast. As experts were figuring out the best ways to handle the ecological disaster, a hairdresser from Alabama named Phil McCroy was tinkering with ideas of his own. His solution, a stocking stuffed with hair clippings, was an early version of a clean-up method that's used at real oil spill sites today, according to Vox.

Hair booms are sock-like tubes stuffed with recycled hair, fur, and wool clippings. Hair naturally soaks up oil; most of the time it's sebum, an oil secreted from our sebaceous glands, but it will attract crude oil as well. When hair booms are dragged through waters slicked with oil, they sop up all of that pollution in a way that's gentle on the environment.

The same properties that make hair a great clean-up tool at spills are also what make animals vulnerable. Marine life that depends on clean fur to stay warm can die if their coats are stained with oil that's hard to wash off. Footage of an otter covered in oil was actually what inspired Phil McCroy to come up with his hair-based invention.

Check out the full story from Vox in the video below.

[h/t Vox]

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios