10 Legendary (and Probably Made-Up) Islands

iStock.com/Viktor_Gladkov
iStock.com/Viktor_Gladkov

Often, islands come to represent places of extremes: They serve as utopias, purgatories, or ultimate dream vacation destinations. When it comes to mythological islands, utopias are especially popular. The Greeks had their Fortunate Islands, or Islands of the Blessed, where the luckiest mortals whiled away their time drinking and sporting. The Irish had a similar concept with their Mag Mell, or Plain of Honey, described as an island paradise where deities frolicked and only the most daring mortals occasionally visited.

But mythology isn't the only engine creating islands that don't actually exist—some of these legendary land masses popped up on maps after miscalculations by early explorers who interpreted icebergs, fog banks, and mirages as real islands. Some of these cartographic “mistakes” may have been intentional—certain islands depicted on medieval maps might have been invented so they could be named after the patrons who funded the explorations. Even explorer Robert E. Peary wasn't immune: Some say he invented "Crocker Land," a supposedly massive island in the Arctic, to secure funding from San Francisco financier George Crocker. Crocker Land didn’t exist, although that didn’t prevent major American organizations (including the American Museum of Natural History) from sponsoring a four-year expedition to find it.

Much like the fictional Crocker Island, here are 10 more imaginary isles, all of which have a place in world history, literature, or mythology—despite not having a place on the map.

1. Isle of Demons

Supposedly located off the coast of Newfoundland, this landmass (sometimes depicted as two islands) appeared on 16th century and early 17th century maps, and was named for the mysterious cries and groans mariners reported hearing through the mist.

The island was given a somewhat more solid identity after 1542, when nobleman and adventurer Jean-François Roberval was instructed by the King of France to found settlements along the North Atlantic coast. He brought his niece, Marguerite de La Rocque de Roberval, along for the voyage, but she began a passionate affair with one of Roberval's officers. Annoyed, Roberval put his niece (and maybe the officer—accounts differ), as well as her nurse, ashore on an otherwise unspecified "Isle of Demons" in the St. Lawrence River. Marguerite gave birth on the island, but the child died, as did Marguerite’s lover and nurse. However, the plucky Marguerite survived alone for several years, using her firearms against the wild beasts. After being rescued by Basque fishermen and returning to France, she reported that she had been beset "by beasts or other shapes abominably and unutterably hideous, the brood of hell, howling in baffled fury."

Marguerite’s story appears in several historical accounts, including versions by Franciscan friar André Thevet and the Queen of Navarre. Still, the location of the “Isle of Demons” has never been found for certain. Maritime historian and veteran Atlantic sailor Donald Johnson thinks he has identified it as Fichot Island, close to the Strait of Belle Isle at the northern tip of Newfoundland. Johnson notes that Fichot Island lies on Roberval's course, and is home to a breeding colony of gannets—a type of seabird whose guttural cries, heard only while breeding, may have been taken for the sounds of demons.

2. Antillia

Also known as the Isle of Seven Cities, Antillia was a 15th century cartographic phenomenon said to lie far west of Spain and Portugal. Stories about its existence are connected to an Iberian legend in which seven Visigothic bishops and their parishioners fled Muslim conquerors in the eighth century, sailing west and eventually discovering an island where they founded seven settlements. The bishops burned their ships, so they could never return to their former homeland.

According to some versions of the legend, many people have visited Antillia but no one has ever left; in other versions of the tale, sailors can see the island from a distance, but the land always vanishes once they approach. Spain and Portugal even once squabbled over the island, despite its non-existence, perhaps because its beaches were said to be strewn with precious metals. By the late 15th century, once the North Atlantic was better mapped, references to Antillia disappeared—although it did lend its name to the Spanish Antilles.

3. Atlantis

A representation of ancient Atlantis ruins underwater
iStock.com/ratpack223

First mentioned by Plato, Atlantis was supposedly a large island that lay "to the west of the Pillars of Hercules" in the Atlantic Ocean. It was said to be a peaceful but powerful kingdom lost beneath the waves after a violent earthquake was released by the gods as punishment for waging war against Athens. There have been many attempts at identifying the island, although it may have been entirely a creation of Plato’s imagination; some archeologists associate it with the Minoan island of Santorini, north of Crete, whose center collapsed after a volcanic eruption and earthquake around 1500 BCE.

4. Aeaea

In Greek mythology, Aeaea is the floating home of Circe, the goddess of magic. Circe is said to have spent her time on the island, gifted to her by her father, the Sun, waiting for mortal sailors to land so she could seduce them. (Afterwards, the story goes, she would turn them into pigs.) Some classical scholars have identified Aeaea as the Cape Circeium peninsula on the western coast of Italy, which may have been an island in the days of Homer, or may have looked like one because of the marshes surrounding its base.

5. Hy-Brasil

Baffin Island
Baffin Island

Also known as Country o'Breasal, Brazil Rock, Hy na-Beatha (Isle of Life), Tir fo-Thuin (Land Under the Wave), and by many other names, Brasil (Gaelic for "Isle of the Blessed") is one of the many mythical islands of Irish folklore, but one that nevertheless made several appearances on real maps.

Like the Mediterranean's Atlantis, Brasil was said to be a place of perfect contentment and immortality. It was also the domain of Breasal, the High King of the World, who held court there every seven years. Breasal had the ability to make the island rise or sink as he pleased, and normally only let the island be visible when his court was in full swing.

According to legend, Brasil lay "where the sun touched the horizon, or immediately on its other side—usually close enough to see but too far to visit." It first appeared on a map made in 1325 by Genoese cartographer Daloroto, who depicted it as a large area to the southwest of Ireland. (Later maps placed it farther west.) Its shape was usually drawn as a near-perfect circle, bifurcated by a river. Numerous explorers searched for the island, and some, including Italian navigator John Cabot (Giovanni Caboto), even claimed to have found it.

Today, scholars think Brasil may have been a reference to Baffin Island, or to now-sunken lands visible only when sea levels were lower during the last Ice Age, or else an optical illusion produced by layers of hot and cold air refracting light rays.

6. Baralku

Among the indigenous Australians of the Yolngu culture, Baralku (or Bralgu) is the island of the dead. The island holds a central place in the Yolngu cosmology—it's where the creator-spirit Barnumbirr is said to live before rising into the sky as the planet Venus each morning. Baralku is also the spot where the three siblings who created the landscape of Australia, the Djanggawul, originated. The island supposedly lies to the east of Arnhem Land in Northern Australia, and the Yolngu believe their souls return there after death.

7. Saint Brendan's Isle

This piece of land was said to have been discovered by Irish abbot and traveler Saint Brendan and his followers in 512, and to be located in the North Atlantic, somewhere west of Northern Africa. Brendan became famous after the publication of the Latin Navigation of St Brendan, an 8th/9th century text that described his voyage in search of the wonderful "Land of Promise" in the Atlantic Ocean. The book was a medieval best-seller, and gave the saint his nickname, "Brendan the Navigator." The island was said to be thickly wooded, filled with rich fruit and flowers. Tales of St. Brendan's Isle inspired Christopher Columbus, among others, and had an important influence on medieval cartography. Sightings were reported as late as the 18th century.

8. Avalon

Glastonbury Tor
Glastonbury Tor
iStock.com/Blackbeck

First mentioned in Geoffrey of Monmouth’s 12th century Historia regum Britanniae, Avalon is the place where the legendary King Arthur's sword is said to have been forged, and where he was sent to recover after being wounded in battle. The island was said to be the domain of Arthur's half-sister, sorceress Morgan le Fay, as well as her eight sisters. Starting in the 12th century, Avalon was identified with Glastonbury in Somerset, in connection with Celtic legends about a paradisiacal “island of glass.” Twelfth century monks at Glastonbury Abbey claimed to have discovered Arthur’s bones—although later historians believe their “discovery” was a publicity stunt to raise money for Abbey repairs.

9. Island of Flame

In ancient Egyptian mythology, the Island of Flame (also known as the Island of Peace) was the magical birthplace of the gods and part of the kingdom of Osiris. It was said to have emerged out of primeval waters and to lay far to the East, beyond the boundaries of the world of the living. Associated with the rising sun, it was a place of everlasting light.

10. Thule

For the Greeks and Romans, Thule existed at the northernmost limit of their known world. It first appears in a lost work by the Greek explorer Pytheas, who supposedly found it in the 4th century BCE. The Greek historian Polybius says that "Pytheas ... has led many people into error by saying that he traversed the whole of Britain on foot … and telling us also about Thule, those regions in which there was no longer any proper land nor sea nor air, but a sort of mixture of all three of the consistency of a jelly-fish in which one can neither walk nor sail, holding everything together, so to speak." Later scholars have interpreted Thule as the Orkneys, Shetlands, Iceland, or possibly Norway, while the Nazis believed Thule was the ancient homeland of the Aryan race.

Bonus: California

Between the 16th and the 18th centuries, many Europeans believed that California was an island. Like other islands on this list, the place was reported as being a kind of paradise. In fact, the name "California" first appears in a romantic novel penned by Spanish author Garci Ordóñez de Montalvo, who described it as an island filled with gold and precious gems, populated by a race of Amazons who rode griffins.

This list was republished in 2019.

9 Facial Reconstructions of Famous Historical Figures

A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
Dan Kitwood/Getty Images

Why look at a painting of a historical figure when you can come face to face with one? Forensic facial reconstruction using scans of skeletal remains allows researchers to create 3D models of the face through a combination of science, history, and artistic interpretation. The results may be somewhat subjective, but they’re fascinating anyway. Here are nine facial reconstructions of famous people.

1. Richard III

In 2012, King Richard III’s skeleton was found below a parking lot in Leicester, England, where in 1485 he was hurriedly buried after dying in battle. A reconstruction (above) shows a young man, only 32 years old, with a gentle, approachable face. It’s a far cry from the child-murdering villain portrayed by Shakespeare and other writers. One thing they said does seem accurate, however: The skeleton had a curved spine from scoliosis, suggesting that Richard’s humpback may have been real.

2. Bach

J.S. Bach’s bust has sat on innumerable pianos for centuries, but he only posed for one portrait in his lifetime. So this reconstruction of his face—which was taken from a bronze cast of his skull—offers an interesting glimpse into the man beneath the 18th century wig. You get the same thick neck, underbite, and stern brow you see in the painting, but the reconstruction’s friendly, confused stare lacks the soul of the real man … and his music, for that matter.

3. Shakespeare

Apparently, no one knows anything about Shakespeare for sure—his hair color, his sexual orientation, how he spelled his name, whether he liked his wife, etc. Some people aren’t even sure whether he wrote his plays or not. So this rendering, taken from a death mask found in Germany, is bound to be controversial. But if it is Shakespeare, it’s pretty intriguing. It shows a man who suffered from cancer and had a sad, soulful face.

4. Dante

Maybe it’s because The Divine Comedy dealt with the ugliness of sin that Dante Alighieri is usually depicted as unattractive, with a pointy chin, buggy eyes, and enormous hooked nose. But a reconstruction done from measurements of the skull taken in 1921—the only time the remains have been out of the crypt—reveals a much more attractive Dante. The face has a rounder chin, pleasant eyes, and smaller nose than previously thought. It’s a face with character.

5. King Henri IV

The mummified head of France’s King Henri IV was lost after the French Revolution until a few years ago, when it showed up in a tax collector’s attic. In his day, Henri was beloved by everyone except the Catholic fundamentalists who murdered him in 1610. The hard-living king looks a bit old for his 56 years, but there’s a twinkle in his eyes. What the model cannot show, however, was how much the king stank—apparently he smelled of ”garlic, feet and armpits.”

6. Cleopatra’s Sister

Cleopatra hated her half-sister Arsinoe IV so much she had her dragged out of the temple of Artemis and murdered. In 2013, researchers said they had discovered what may be Arisone’s body, based on the shape of the tomb, carbon dating, and other factors. The resulting facial reconstruction shows a petite teenager of European and African blood. And yeah, maybe this is closer to what Arsinoe would look like if she were trapped in The Sims, but since Cleopatra’s remains are long gone, this may be the closest we get to knowing what she looked like.

7. King Tut

King Tutankhamun, whose famous sarcophagus has traveled far more than the “boy king” did in his 19-year lifetime, had buckteeth, a receding chin, and a slim nose, according to 3D renderings of his mummy. His weird skull shape is just within range of normal and was probably genetic—his father, Akhenaten, had a similarly shaped head. Tut’s body also had a broken leg, indicating he may have died from falling off a horse or chariot.

8. Copernicus

Nicolaus Copernicus, who challenged the belief that the sun revolved around the earth, died in 1543 at age 70. When his body was found in 2006 in a Polish church and confirmed by matching DNA to strands of his hair left in a book, the Polish police used their forensic laboratory to make this portrait. They made sure to include Copernicus’s broken nose and the scar above his left eye. Who knew that the Father of Astronomy looked so much like the actor James Cromwell?

9. Santa Claus

The remains of St. Nicholas, i.e. Santa Claus, have been in a church in Bari, Italy, since they were stolen from Turkey in 1087. This reproduction, taken from measurements of his skull, reveal that St. Nicholas had a small body—he was only 5’6”—and a huge, masculine head, with a square jaw and strong muscles in the neck. He also had a broken nose, like someone had beaten him up. This is consistent with accounts of St. Nicholas from the time: It turns out that Santa Claus had quite a temper.

A version of this list was first published in 2013.

11 Fun Facts About Them!

Joan Weldon and James Arness star in Them! (1954).
Joan Weldon and James Arness star in Them! (1954).
Warner Home Video

In the 1950s, Elvis was king, hula hooping was all the rage, and movie screens across America were overrun with giant arthropods. Back then, Tarantula (1955), The Deadly Mantis (1957), and other “big bug” films starring colossal insects or arachnids enjoyed a surprising amount of popularity. What kicked off this creepy-crawly craze? An eerie blockbuster whose impossible premise reflected widespread anxieties about the emerging atomic age. Grab a Geiger counter and let’s explore 1954's Them!.

1. Them!'s primary scriptwriter once worked for General Douglas MacArthur.

When World War II broke out, the knowledge Ted Sherdeman had gained from his career as a radio producer was put to good use by Uncle Sam, landing him a position as a radio communications advisor to General MacArthur. However, the fiery conclusion of the war left Sherdeman with a lifelong disdain for nuclear weapons. In an interview he revealed that upon hearing about the 1945 bombing of Hiroshima, he “just went over to the curb and started to throw up."

Shifting his focus from radio to motion pictures, Sherdeman later joined Warned Bros. as a staff producer. One day he was given a screenplay that really made his eyes bug out. George Worthing Yates, best known for his work on the Lone Ranger serials, had decided to take a stab at science fiction and penned an original script about giant, irradiated ants attacking New York City. "The idea appealed to me very much,” Sherdeman told Cinefantastique, "because, aside from man, ants are the only creatures in the world that plan to wage war, and nobody trusted the atomic bomb at that time.” (His statement about animal combat is debatable: chimpanzee gangs will also take organized, warlike measures in order to annex their rivals’ territories.)

Although he loved the basic concept, Sherdeman felt that the script needed something more. Screenwriter Russell S. Hughes was asked to punch up the script, but died of a heart attack after completing the first 50 pages. With some help from director Gordon Douglas, Sherdeman took it upon himself to finish the screenplay. Thus, Them! was born.

2. Two main ants were built for the movie.

Them! brought its spineless villains to life using a combination of animatronics and puppetry, courtesy of an effects artist by the name of Dick Smith. He constructed two fully functional mechanical ants for the production, with the first of these being a 12-foot monster filled with gears, levers, motors, and pulleys. Operating the big bug was a job that required a small army of technicians who’d pull sophisticated cables to control the ant’s limbs off-camera. These guys worked in close proximity and often crashed into each other as a result, prompting Douglas to call them “a comedy team.”

The big insect mainly appears in long shots, and for close-ups, Smith built the front three quarters of a second large-scale ant and mounted it onto a camera crane. During scenes that required swarms of ants, smaller, non-motorized models were used. Blowing wind machines moved the little units’ heads around in a lifelike manner.

3. Them! features the Wilhelm Scream.

Fifty-nine minutes in, the ants board a ship and one of them grabs a sailor, who unleashes the so-called "Wilhelm Scream." You can also hear it when James Whitmore’s character is killed, and the sound bite rings out once again during the movie’s climax. Them! was among the first movies to reuse this distinctive holler, which was originally recorded three years earlier for the 1951 western Distant Drums. Since then, it’s become something of an inside joke for sound recording specialists. The scream has appeared in Titanic (1997), Toy Story (1995), Reservoir Dogs (1992), Batman Returns (1992), the Star Wars saga (1977-present), all three The Lord of the Rings movies (2001-2003), and countless other films.

4. Leonard Nimoy makes an appearance.

In one brief scene, future Star Trek star Leonard Nimoy plays an Army man who receives a message about an alleged “ant-shaped UFO” sighting over Texas. He then proceeds to poke fun at the Lone Star State, because, as everybody knows, insectile space vessels are highly illogical.

5. Many different sounds were combined to produce the screeching ant cries.

Throughout the movie, the monsters announce their presence with a haunting wail. Douglas’s team created this unforgettable shriek by mixing assorted noises, including bird whistles, which were artificially pitched up by sound technicians.

6. Sandy Descher had to sniff a mystery liquid during her signature scene.

Like Steven Spielberg’s Jaws, Them! has a deliberate pace and the massive insects don’t make an onscreen appearance until the half hour mark. Douglas took credit for this restrained approach, saying, “I told Ted, let’s tease [the audience] a little bit before you see the ant. Let’s build up to it."

So instead of showing off the big bugs, the opening scene follows a little girl as she wanders through the New Mexican desert, listlessly clutching her favorite doll. That stunning performance was delivered by child actress Sandy Descher. Later, in one of the most effective title drop scenes ever orchestrated, a vial of formic acid is held under her character’s nose. Suddenly recognizing the aroma, the traumatized youngster screams “Them! Them!” Descher never found out what sort of liquid was really sloshing around in that container.

“They used something that did smell quite strange. It wasn’t ammonia, it was something else,” she told an interviewer. Still, the mysterious brew had a beneficial effect on her performance. “They tried to create something different and it helped me a lot with that particular scene,” Descher said.

7. Them! was originally going to be filmed in 3D and in color.

To hear Douglas tell it, the insect models looked a lot scarier in person. “I put green and red soap bubbles in the eyes,” he once stated. “The ants were purple, slimy things. Their bodies were wet down with Vaseline. They scared the bejeezus out of you.” For better or for worse, though, audiences never got the chance to savor the bugs’ color scheme.

At first, Warner Bros. had planned on shooting the movie in color. Furthermore, to help Them! compete with Universal’s brand-new, three-dimensional monster movie, Creature From the Black Lagoon, the studio strongly considered using 3D cameras. But in the end, the higher-ups at Warner Bros. didn’t supply Douglas with the money he’d need to shoot it in this manner. Shortly before production started on Them!, the budget was greatly reduced, forcing the use of two-dimensional, black and white film.

8. The setting of the climactic scene was changes—twice.

Yates envisioned the final battle playing out in New York City’s world-famous subway tunnels. Hughes moved the action westward, conjuring up an epic showdown between human soldiers and the last surviving ants at a Santa Monica amusement park. Finally, for both artistic and budgetary reasons, Sherdeman set the big finale in the sewers of Los Angeles.

9. Warner Bros. encouraged theaters to use Them! as a military recruitment tool.

The film’s official pressbook advised theater managers who were screening Them!& to contact their nearest Armed Forces recruitment offices. “Since civil defense in the face of an emergency figures in the picture, make the most of it by inviting [a] local agency to set up a recruiting booth in the lobby,” the filmmakers advised. Also, the document suggested that movie houses post signs reading: “What would you do if (name of city) were attacked by THEM?! Prepare for any danger by enlisting in Civil Defense today!”

10. The movie was a surprise hit.

Studio head Jack L. Warner predicted that Them!, with its far-fetched plot, wouldn’t fare well at the box office. So imagine his surprise when it raked in more than $2.2 million—enough to make the picture one of the studio's highest-grossing films of 1954.

11. Them! landed Fess Parker the role of TV's Davy Crockett.

When Walt Disney went to see Them!, he had a specific objective in mind: Scout a potential Davy Crockett. At the time, Disney was developing a new television series that would chronicle the life and times of the iconic frontiersman, and James Arness, who plays an FBI agent in Them!, was on the short list of candidates for the role. Yet as the sci-fi thriller unfolded, it was actor Fess Parker who grabbed Disney’s attention. Director Gordon Douglas had hired Parker to portray the pilot who ends up in a psych ward after an aerial encounter with a gargantuan flying ant. And while his character only appears in one scene, the performance impressed Disney so much that the struggling actor was soon cast as Crockett.

By the Texan’s own admission, his good fortune may’ve been the product of bargain hunting. “Walt probably asked, ‘How much would Arness cost?’ and then ‘This fellow [Parker], we ought to be able to get him real economical,” Parker once said.

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