Paramount Home Entertainment
Paramount Home Entertainment

14 Things You Might Not Know About Forrest Gump

Paramount Home Entertainment
Paramount Home Entertainment

On July 6, 1994, Forrest Gump arrived in theaters and became a box office behemoth (almost $1 billion worldwide in today’s dollars). The Oscar-winning film starring Tom Hanks as a lovable lummox entered the name “Forrest Gump” into the zeitgeist, and generated the simile catchphrase, “Life is like a box of chocolates.” Here are a few things you might not have known about the Robert Zemeckis classic.

1. SALES OF THE BOOK SKYROCKETED AFTER THE MOVIE CAME OUT.

Novelist Winston Groom published Forrest Gump the book in 1986. When it came out it sold a modest 30,000 copies in hardback, but by 1995—after the success of the film adaptation—it had sold 1.6 million copies in paperback. In 1995 Groom wrote a sequel, Gump & Co., and in 1994 The Bubba Gump Shrimp Co. Cookbook was released, with a foreword written by Groom. The cookbook existed before the restaurant chain and has no affiliation with it.

2. THERE ARE BIG DIFFERENCES BETWEEN FORREST IN THE BOOK AND FORREST IN THE MOVIE.

In the book, Forrest ends up going into space, smoking weed, working with Raquel Welch, confronting cannibals, running for the United States Senate (his campaign slogan is “I Got to Pee”), and playing in a chess tournament. Also, in the book Forrest is described being 6'6" tall and weighing 240 pounds, which is why Groom wanted John Goodman to play Forrest in the movie.

3. THE MOVIE DIVIDED CRITICS.

The movie holds the #12 position on IMDb’s Top 250 movie chart, but many critics either loved the movie or really hated it. In his 1994 review, Roger Ebert gave Forrest Gump four stars and called it “a magical movie,” whereas Entertainment Weekly gave it a “C” rating and said it “reduced the tumult of the last few decades to a virtual-reality theme park: a baby-boomer version of Disney’s America.” In 2014, LA Weekly revisited the movie and said, “The film is so afraid to dredge up debate that when Abbie Hoffman hands Forrest the microphone at an anti-war rally, someone unplugs the speakers so we can’t hear him—fitting for a movie with nothing to say.” Ouch. 

4. DESPITE GROSSING MORE THAN $600 MILLION WORLDWIDE, THE FILM FAILED TO TURN A PROFIT BY THE END OF 1994.

How is that possible? Well, the Los Angeles Times broke the outlays down: Paramount had to pay $61.6 million in distribution fees to theater owners, then it had to subtract $73.5 million toward advertising and making prints of the film (today, digital is much cheaper). The budget cost Paramount $50 million. Then, Hanks and Zemeckis took about $61.8 million for their fees (they signed a back end deal where they’d receive a share of the profits instead of a salary), and finally, theater owners took their cut of $159 million. After all was said and done, Paramount’s gross receipts were about $191 million. When the movie was released on video in 1995, it sold millions of copies.

5. ONLY SONGS FROM AMERICAN BANDS APPEAR ON THE SOUNDTRACK AND IN THE MOVIE.

With over 32 songs on the official soundtrack and more used in the movie—including one song from The Doors on the soundtrack and four others in the film—all of the bands featured in the film were American, and that was not a coincidence. “All the material in there is American,” Joel Sill, the film’s executive music producer, told The Los Angeles Daily News. “Bob [Zemeckis] felt strongly about it. He felt Forrest wouldn’t buy anything but American.” Though formed in England and not in the U.S., Fleetwood Mac contributed a song to the film and the 2001’s Special Collector’s Edition soundtrack. Fans liked the soundtrack so much it went on to sell 12 million copies worldwide.

6. TOM HANKS WON BACK-TO-BACK BEST ACTOR OSCARS, WHICH ONLY ONE OTHER MALE ACTOR HAS EVER ACCOMPLISHED.

Hanks won his first Best Actor Oscar in 1994 for his performance in Philadelphia (1993), and he followed that up with another Oscar for Forrest Gump the next year. To this day, only Spencer Tracy has won two Best Actor Oscars in a row—one in 1938 for Captains Courageous and another in 1939 for Boys Town. Actress Luise Rainer was the first actor of any gender to win back-to-back Oscars (for The Great Ziegfeld in 1937 and The Good Earth in 1938), and Katharine Hepburn matched Rainer in 1968 and 1969 (for Guess Who’s Coming to Dinner and The Lion in Winter, respectively). Before Hanks won, Jason Robards was the last actor to win two consecutive Academy Awards in a row, when he won Best Supporting Actor statues for All the President’s Men in 1977 and Julia in 1978.

7. THE VIETNAM SEQUENCES WERE FILMED IN SOUTH CAROLINA.

Much of the movie was filmed in Savannah, Georgia and parts of South Carolina, including Hunting Island and Fripp Island. They were stand-ins for some of the Vietnam sequences—including where Bubba dies—because of their dense palm trees and jungle-like forests. The military film G.I. Jane was also filmed on Hunting Island.

8. FORREST GUMP MADE DAVE CHAPPELLE MAD.

It’s unclear if comedian Dave Chappelle auditioned for the Bubba role, but either way, Chappelle is not a fan of the movie. In 1999 Chappelle went on The Daily Show and explained his beef with the movie to Jon Stewart: “That movie made me mad, Jon … because it’s hard for me to watch a retarded dude out-achieve me for two and a half hours. Like, how is this fair? This guy is doing more by accident than I can do on purpose. And I started getting furious. Who can be dumber than Forrest Gump? His black friend, that’s who.”

9. MYKELTI WILLIAMSON COULDN’T GET WORK AFTER THE MOVIE CAME OUT.

“I couldn’t get a job after Forrest Gump,” Williamson told USA Today. “The industry didn’t realize that I was wearing a lip device and that I was the same guy who had appeared in 11 TV series. They thought the director had discovered some weird-looking guy and put him in front of a camera.” He eventually went on Letterman and soon after people realized he wasn’t just some “weird-looking guy.” Williamson successfully obtained roles in Con Air and Heat and had a recurring role on Justified.

10. FOR THE 20TH ANNIVERSARY OF THE MOVIE, THE FILMMAKERS DISCUSSED FORREST’S POST-1980S FATE.

In September, USA Today caught up with Forrest Gump screenwriter Eric Roth, director Robert Zemeckis, and Tom Hanks to ask them what adventures Forrest would’ve experienced later on. Roth stated that in the script for his unproduced sequel Forrest meets O.J. Simpson and Princess Diana. Hanks thinks Forrest “would have chatted up both Mark Zuckerberg and the Winklevoss twins about how it would be nice if you had a book that would show a person’s face and make a friend,” and that Forrest would’ve helped out in Hurricane Katrina. “Forrest would be the reason that the Navy SEALs find Osama bin Laden,” added Zemeckis.

11. FORREST’S INVESTMENT IN APPLE WOULD BE WORTH A LOT TODAY.

In the movie, Lieutenant Dan invests Forrest’s shrimp business money in “some kind of fruit company,” which is a nod to Apple. Business Insider calculated what the investment would be worth in 1994 and 2015. Because the movie doesn’t mention just how much was invested, they used the hypothetical amount of $10,000, which would come out to $18,173 in 1994 dollars. That doesn’t seem like a lot of chocolates until you consider that if Forrest held on to that investment, today it’d be worth $2.5 million.

12. YOUNG FORREST, MICHAEL CONNER HUMPHREYS, JOINED THE ARMY.

Humphreys’ first of only two movie roles was depicting Forrest as a child. Instead of pursuing a Hollywood acting career, Humphreys joined the Army and did an 18-month tour of duty in Iraq. After he joined the military, he tried to conceal the fact he starred in the blockbuster film, but his platoon discovered the truth. “I definitely got a lot of it in the ear after that and the drill sergeants would really mess with me about it,” he told the Daily Mail. Another fact: Humphreys’s Alabama-inflected drawl caused Hanks to base Forrest’s voice on it. “When I was a kid I had this deep Southern accent that the director, Robert Zemeckis, quickly picked up on and Tom Hanks liked so much that he ended up copying me and building his own accent around the way I spoke,” Humphreys said.

13. MANY OTHER PEOPLE HAVE RUN ACROSS AMERICA—INCLUDING ART GARFUNKEL.

Running across the country was among Forrest’s many accomplishments in the movie—and he’s not alone. A slew of other people have jogged or walked across the U.S., sometimes in the name of charity. In 1982 at the age of 16, Louis-Michael Figueroa traveled on foot from New Brunswick, New Jersey to San Francisco to raise money for cancer. Barclay Oudersluys is in the midst of running 3200 miles, starting from Forrest’s location at Santa Monica Pier and finishing at Marshall Point Lighthouse in Maine. In Britain this year, Ewan Gordon ran across his country dressed as Forrest, and most famously, singer-songwriter Art Garfunkel—whose song “Mrs. Robinson” appears in the movie—has been traversing the country for decades. Predating Forrest, in 1984, Garfunkel took eight days to walk across New Jersey. He spent the next 10 years wandering across the U.S. until 1996, when he celebrated his trek by performing a concert at Ellis Island.

14. CHRIS PRATT WAS DISCOVERED WHILE WORKING AT A BUBBA GUMP SHRIMP COMPANY.

Long before Pratt was “Pratt-ing” dinosaurs in Jurassic World, he was a waiter at a Bubba Gump restaurant in Maui. At the age of 19, Pratt was living in a van and waiting tables. “I don’t know if you’ve ever had a dining experience at the Bubba Gump Shrimp Co., but they love a gregarious waiter who will get in your face and sing you birthday songs and do trivia,” Pratt told Entertainment Weekly. One day he waited on actress Rae Dawn Chong, who subsequently offered him a role in her short film, the never-released Cursed Part 3. “I was like, ‘You’re in the movies, right? I always wanted to be in the movies,”’ Pratt said to Chong. “She said, ‘You’re cute. Do you act?’ I was like, f--k it, ‘Goddamn right I act! Put me in a movie!” Bubba Gump opened in 1996 and now has locations all over the world, including in the Philippines and Malaysia. Ironically, there isn’t one in Alabama, where Forrest grew up.

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Hulton Archive/Getty Images
The Star Trek Theme Song Has Lyrics
Hulton Archive/Getty Images
Hulton Archive/Getty Images

The Star Trek theme song is familiar to pretty much anyone who lived in the free world (and probably elsewhere, too) in the late 20th century. The tune is played during the show's opening credits; a slightly longer version is played, accompanied by stills from various episodes, during the closing credits. The opening song is preceded by William Shatner (as Captain Kirk) doing his now-legendary monologue recitation, which begins: "Space, the final frontier ..."

The show's familiar melody was written by respected film and TV composer Alexander Courage, who said the Star Trek theme's main inspiration was the Richard Whiting song "Beyond the Blue Horizon." In Courage's contract it was stipulated that, as the composer, he would receive royalties every time the show was aired and the theme song played. If, somehow, Star Trek made it into syndication—which, of course, it ultimately did—Courage stood to make a lot of money. And so did the person who wrote the lyrics.

WAIT... THERE WERE LYRICS?

Gene Roddenberry, the show's creator, wrote lyrics to the theme song.

"Beyond the rim of the star-light,
my love is wand'ring in star-flight!"

Why would Roddenberry even bother?

The lyrics were never even meant to be heard on the show, but not because the network (NBC) nixed them. Roddenberry nixed them himself. Roddenberry wanted a piece of the composing profits, so he wrote the hokey lyrics solely to receive a "co-writer" credit.

"I know he'll find in star-clustered reaches
Love, strange love a star woman teaches."

As one of the composers, Roddenberry received 50 percent of the royalties ... cutting Alexander Courage's share in half. Not surprisingly, Courage was furious about the deal. Though it was legal, he admitted, it was unethical because Roddenberry had contributed nothing to why the music was successful.

Roddenberry was unapologetic. According to Snopes, he once declared, "I have to get some money somewhere. I'm sure not gonna get it out of the profits of Star Trek."

In 1969, after Star Trek officially got the ax, no one (Courage and Roddenberry included) could possibly have imagined the show's great popularity and staying power.

Courage, who only worked on two shows in Star Trek's opening season because he was busy working on the 1967 Dr. Doolittle movie, vowed he would never return to Star Trek.

He never did.

THE WORDS

If you're looking for an offbeat karaoke number, here are Roddenberry's lyrics, as provided by Snopes:

Beyond
The rim of the star-light
My love
Is wand'ring in star-flight
I know
He'll find in star-clustered reaches
Love,
Strange love a star woman teaches.
I know
His journey ends never
His star trek
Will go on forever.
But tell him
While he wanders his starry sea
Remember, remember me.

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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