15 High-Flying Facts About Airplane!

Shot on a budget of $3.5 million, David Zucker, Jim Abrahams, and Jerry Zucker wrote and directed Airplane!, a movie intended to parody all of the disaster movies that graced movie theaters throughout the recently concluded 1970s. The film ended up making over $83.4 million in theaters in the United States alone, and resurrecting a few acting careers in the process. Today, it's still widely regarded as a very funny and extremely influential comedy classic.

1. IT WAS AN ALMOST DIRECT PARODY OF THE 1957 MOVIE ZERO HOUR!

Shorewood, Wisconsin childhood friends Abrahams, Zucker, and Zucker grew up and moved to Los Angeles, where they were responsible for the sketch comedy troupe Kentucky Fried Theater. The trio made a habit of recording late-night television, looking for commercials to make fun of for their video and film parodies, which is how they discovered Zero Hour!, which also featured a protagonist named Ted Stryker (in Airplane! it's Ted Striker). In order to make sure the camera angles and lighting on Airplane! were matching those of Zero Hour!, the trio always had the movie queued up on set. Yes, the three filmmakers did buy the rights to their semi source material.

2. UNIVERSAL THOUGHT IT WAS TOO SIMILAR TO THEIR AIRPORT FRANCHISE.

Universal released four plane disaster movies in the seventies: Airport in 1970; Airport 1975 (confusingly in 1974); Airport ‘77; and The Concorde ... Airport ‘79. Helen Reddy portrayed Sister Ruth in Airport 1975 and was game to play Sister Angelina in Airplane! before Universal stepped in and threatened to sue. Instead the role went to Maureen McGovern, who sang the Oscar-winning theme songs to The Poseidon Adventure and The Towering Inferno, two movies that were also “disaster” movies, albeit ones not involving a plane.

3. DAVID LETTERMAN, BRUCE JENNER, SIGOURNEY WEAVER. AND OTHERS CAME IN TO AUDITION.

Paramount Studios suggested Dom DeLuise in Leslie Nielsen’s eventual role, and Barry Manilow for Ted Striker, but they were never asked to audition. Chevy Chase was erroneously announced as the star of the movie in a 1979 news item in The Hollywood Reporter.

4. ROGER MURDOCK WAS WRITTEN WITH PETE ROSE IN MIND.

Rose was busy playing baseball when Airplane! was shot in August, so they cast Kareem Abdul-Jabbar instead. Abdul-Jabbar’s agent insisted on an extra $5,000 to the original offer of $30,000 salary so that his client could purchase an oriental rug.

5. PETER GRAVES THOUGHT THE SCRIPT WAS "TASTELESS TRASH."

He eventually found the humor in the pedophilia jokes and agreed to play Captain Oveur. His wife laughed at those jokes at the movie premiere, too.

6. NO, THE ACTOR PLAYING JOEY DIDN’T KNOW WHAT PETER GRAVES WAS ACTUALLY SAYING.

Rossie Harris was only nine years old when he played the role of Joey, so did not understand the humor in Turkish prisons or any of Oveur’s other comments. But by the time he turned 10 and saw the movie, Harris had figured it out.

7. IT WAS ETHEL MERMAN’S FINAL FILM APPEARANCE.

"The undisputed First Lady of the musical comedy stage” played a disturbed soldier who believed he was Ethel Merman. Merman passed away in 1984.

8. MIKE FROM BREAKING BAD AND BETTER CALL SAUL WAS IN IT.

Jonathan Banks plays air traffic controller Gunderson.

9. THE THREE DIRECTOR SET-UP CAUSED LEGAL PROBLEMS.

The Directors Guild of America ruled that Abrahams and the two Zuckers couldn’t all be credited for directing a movie, nor be credited under the single “fictitious name of Abrahams N. Zuckers.” A DGA rep was on set to make sure that only Jerry Zucker spoke to the actors. What he saw was Jerry Zucker next to the camera, who would then go to a nearby trailer where the other two were watching the takes on a video feed, and come back to give notes to the actors after conferring with his partners. A DGA executive board eventually gave the three one-time rights to all share the credit.

10. A BIT ABOUT BLIND POLISH AIRLINE PILOTS WAS WRITTEN AND FILMED.

Blind singer José Feliciano, and lookalikes of blind singers Ray Charles and Stevie Wonder, played Polish airline co-pilots. The Polish-American League protested, and it was determined by the writer-directors that the idea wasn’t funny enough to stay in the movie.

11. ROBERT HAYS WAS STARRING IN A TV SHOW AT THE SAME TIME.

Ted Striker raced back and forth between the sets of Angie and Airplane!  for two very busy weeks. The theme song to Angie was performed by the one and only Maureen McGovern.

12. HAYS WAS, AND IS, A LICENSED PILOT.

He can even fly the ones with four engines.

13. LESLIE NIELSEN PLAYED WITH HIS FART MACHINE CONSTANTLY.

He sold portable fart machines for $7.00 apiece on set, causing a brief epidemic of fart noises emanating from most of the cast and crew and delaying production. When they were shooting Hays’s close-up, Nielsen used the machine after every other word of his line, “Mr. Striker, can you land this plane?”

14. STEPHEN STUCKER CAME UP WITH ALL OF JOHNNY’S LINES.

Stucker was a member of the Kentucky Fried Theater. His line “Me John, Big Tree” was part of an old riff he used to do, which continued with him going down on his knees and putting an ear to the ground to hear when a wagon train was arriving.

15. THE ROUGH CUT WAS 115 MINUTES LONG.

After screenings at three college campuses and two theaters, it was cut to 88 minutes.

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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Hollywood's 5 Favorite Movie Villains
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iStock

Movie villains are meant to bring out the best in a hero, but with the right script, director, and performer in place, these bad guys can sometimes steal the show from their clean-cut rivals.

Take any horror movie, for example—chances are you’re not watching Friday the 13th to root for the absentminded teenagers down at Camp Crystal Lake. And Steven Spielberg certainly didn’t become a household name by directing a shark movie titled Three Guys on a Boat Drinking Narragansett.

The Hollywood Reporter set out to celebrate these iconic agents of evil by surveying 1000 professionals in the entertainment industry (directors, producers, entertainment attorneys, etc.) on their favorite movie villains. A rogues' gallery of murderous AI, mafia bosses, and a diabolical fashion magazine editor all made the top 25 list as the worst of the worst, and while they’re all deserving, the top five are the gold standard. They include:

5. Nurse Ratched: Played by Louise Fletcher in One Flew Over the Cuckoo's Nest (1975)
4. The Joker: Played by Heath Ledger in The Dark Knight (2008)
3. The Wicked Witch of the West: Played by Margaret Hamilton in The Wizard of Oz (1939)
2. Hannibal Lecter: Played by Anthony Hopkins in The Silence of the Lambs (1991), Hannibal (2001), and Red Dragon (2002)
1. Darth Vader: Played by David Prowse and James Earl Jones in the Star Wars movies (Prowse 1977-1983, Jones 1977-present)

That top spot might not come as a surprise to most, unless you’re still in your twenties: According to The Hollywood Reporter, survey respondents in that age group put Darth Vader in the sixth spot—behind Regina George from Mean Girls.

To check out the entire list, head to The Hollywood Reporter.

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