20 Star Wars Movie Locations You Can Visit in Real Life

Jonathan Olley // Lucasfilm
Jonathan Olley // Lucasfilm

While most of the Star Wars saga has been filmed on sound stages in England and Australia, the filmmakers behind the ongoing space opera have sometimes traveled to real-life places to create the alien worlds of a galaxy far, far away. Here are 20 Star Wars movie locations you can visit in real life.

1. AJIM, TUNISIA

George Lucas used various locations around Tunisia to film exteriors for the desert planet Tatooine, most notably the ferry port town of Ajim. The town was used for the exteriors of Obi-Wan Kenobi’s home, which was actually an old mosque, plus the Mos Eisley Spaceport in A New Hope.

2. THE HÔTEL SIDI DRISS // MATMATAT-AL-QADIMAL, TUNISIA

The Hôtel Sidi Driss in Matmatat-Al-Qadimal, Tunisia was used as the Lars homestead (Luke Skywalker’s childhood home) in A New Hope. The hotel consists of five pits, four of them reserved for lodging and sleeping, the fifth dubbed the “Star Wars pit.” Guests can dine in the Lars family dining room, now the hotel’s restaurant. The set dressings were removed after filming in 1976, but returned in the year 2000 in order to film scenes for Attack of the Clones. Ever since, the decorations have remained. Fittingly, it's more commonly known as the "Star Wars hotel."

3. DEATH VALLEY NATIONAL PARK, CALIFORNIA

George Lucas used Death Valley National Park for pickup shots after shooting in Tunisia for A New Hope and Return of the Jedi. The area between Sierra Nevada and the Mojave Desert, along with Tunisia, were used to make the desert planet of Tatooine come to life, most notably in the scene when Obi-Wan Kenobi meets Luke Skywalker, C-3PO, and R2-D2 for the first time.

For Return of the Jedi, Twenty Mule Team Canyon in Death Valley was used to film the scene in which C-3PO and R2-D2 travel to Jabba's Palace.

4. HARDANGERJØKULEN GLACIER, NORWAY

The Empire Strikes Back's snowy opening battle scene on the ice planet Hoth was filmed on the Hardangerjøkulen Glacier, the sixth largest glacier in Norway.

5. FINSE, NORWAY

At the foot of the Hardangerjøkulen glacier is the small railroad town of Finse, Norway, which is located between Oslo and Bergen, and was used as the Rebel Alliance’s Echo Base on Hoth in The Empire Strikes Back. While shooting in 1979, a snowstorm hit the small town, allowing director Irvin Kershner to shoot two key scenes: Luke Skywalker's escape from the Wampa cave, as well as the young hero's interaction with the spirit of Obi-Wan Kenobi before he is rescued by Han Solo. Both scenes were shot just outside of the Finse 1222 Hotel.

6. TIKAL NATIONAL PARK // TIKAL, GUATEMALA

In A New Hope, Lucas used ancient Mayan ruins, located in Guatemala's Tikal National Park, as the exterior of the Rebel Alliance’s Massassi Outpost.

7. YUMA DESERT, ARIZONA

Instead of returning to Tunisia for Return of the Jedi, the film's producers chose to shoot Buttercup Valley in Arizona's Yuma Desert for the Sarlacc Pit sequence. Jabba's Sail Barge and the Sarlacc Pit took more than five months to build, and more than 5500 cast and crew members lodged in Yuma during filming in 1982.

8. REDWOOD NATIONAL AND STATE PARKS, CALIFORNIA

California's Redwood National and State Parks portrayed the Forest Moon of Endor, the Ewoks’ home world, in Return of the Jedi. Several scenes, such as the speeder bike chase and the Ewok ambush, were shot in the parks’ many redwood groves in Marin County, which is close to Lucas’s home at Skywalker Ranch.

9. GRINDELWALD, SWITZERLAND

Most of Attack of the Clones and Revenge of the Sith were shot at Fox Studios Australia in Sydney using green screen. However, Lucas would occasionally send crews out to capture scenery in various locations around the world for the plate photography used in background shots.

One of the real-life places shot for Revenge of the Sith was the beautiful mountain range of Grindelwald, Switzerland, which was used as the backdrop for the planet Alderaan, Princess Leia’s home.

10. VILLA DEL BALBIANELLO // LENNO, ITALY

The Lake Retreat where Anakin Skywalker and Padme Amidala go into hiding in Attack of the Clones is located at the Villa del Balbainello in Lenno, Italy. Originally built in 1787, the villa overlooks Lake Como and served as a monastery before it was turned over to the National Trust of Italy in 1988. Villa del Balbainello makes another appearance at the end of Attack of the Clones, as the location for Anakin and Padme’s wedding.

11. ROYAL PALACE OF CASERTA // CASERTA, ITALY


The Palace of Caserta in southern Italy, just northeast of Napoli, was used to shoot the interiors of the Theed Royal Palace on Naboo in The Phantom Menace and Attack of the Clones. Originally built for Bourbon King Charles III in the 1750s, the Palace of Caserta is also the largest royal residence in the world.

12. PHANG NGA BAY // PHUKET, THAILAND

The beautiful island backdrop of Phang Nga Bay in Thailand was used as plate photography for the planet Kashyyyk, Chewbacca’s birthplace, in Revenge of the Sith. For certain scenes, shots of Guilin, China were combined with Phang Nga Bay.

13. WHIPPENDELL WOOD // WATFORD, ENGLAND

Lucas used England's Whippendell Wood for two scenes in The Phantom Menace: In the first instance, it's where Qui-Gon Jinn and Obi-Wan Kenobi meet Jar-Jar Binks; the other shows the Wood as a sacred place for Jar-Jar's species, the Gungans.

14. PLAZA DE ESPAÑA // SEVILLE, SPAIN

The beautiful Plaza de España in Seville, Spain was used for the exterior of Theed on Naboo in Attack of the Clones. Anakin and Padme walk through the plaza before the pair go into hiding in the Lake Country.

15. MOUNT ETNA // SICILY, ITALY

Hayden Christensen and Ewan McGregor in 'Revenge of the Sith'
Lucasfilm

Although Lucas actually didn’t shoot on Mount Etna, his team used Italy’s most active volcano for plate photography for the epic light saber battle between Obi-Wan and Anakin at the end of Revenge of the Sith. Mount Etna was actually erupting during filming, so Lucas sent a film crew to capture its flowing lava.

16. SKELLIG MICHAEL, IRELAND

Daisy Ridley in 'Star Wars: The Last Jedi'
Lucasfilm

The island planet of Ahch-To, which the exiled Luke Skywalker called home at the end of The Force Awakens, is actually the island of Skellig Michael, which is located about 7 miles off the southwest coast of Ireland. Around 600 CE, a group of monks built a monastery that sits more than 600 feet above sea level, along with hundreds of rock steps to reach the top. Today, it’s a popular tourist attraction for Star Wars fans because it’s where Rey received her Jedi training in The Last Jedi.

17. RUB' AL KHALI DESERT // ABU DHABI, UAE

Daisy Ridley in 'Star Wars: The Force Awakens'
Lucasfilm

From Rey’s scavenger marketplace to Poe Dameron and Finn’s crash landing in The Force Awakens, the desert planet of Jakku was filmed in a large section of the Rub' al Khali desert known as “The Empty Quarter,” which is located a few hours away from Abu Dhabi in the United Arab Emirates. The Star Wars cast and crew filmed for six months in the largest contiguous sand desert in the world under the production title “Avco,” named after the L.A. movie theater where director J.J. Abrams watched the original Star Wars for the first time in 1977.

18. SALAR DE UYUNI // POTOSÍ, BOLIVIA

Located near the crest of the Andes is Salar de Uyuni, the Earth’s largest salt flat. It stretches more than 4000 square miles across southwest Bolivia and was used as the filming location for Crait, a mineral planet covered in white salt and red soil where the Resistance held its last stand against the First Order in The Last Jedi. The salt flat was created when prehistoric lakes dried up during the last Ice Age and left more than 10 billion tons of natural salt behind.

19. LAAMU ATOLL, MALDIVES

A still from 'Rogue One'
Industrial Light & Magic, a division of Lucasfilm Entertainment

During the climax of Rogue One: A Star Wars Story, the Rebel Alliance, led by Jyn Erso (Felicity Jones), breaks into an Imperial Base located on the planet Scarif to steal the top secret blueprints for the Death Star.

Director Gareth Edwards used Gan and Berasdhoo—two very large islands in the Laamu Atoll island cluster in the Maldives—as the filming location for Scarif, a remote tropical planet in the Outer Rim. "Scarif is based on a paradise world, so we had to go to paradise to film it," Edwards said during Star Wars Celebration in 2016.

In addition, the interior of the Imperial Security Complex on Scarif was mostly filmed in the Canary Wharf Underground Station in London, England. Film crews worked on an exciting chase scene through the subway station between midnight and 4 a.m. when it was closed to the public.

20. DUBROVNIK, CROATIA

In The Last Jedi, Canto Bight is a casino city on the planet Cantonica, where Finn and Rose embark on a mission to find a master codebreaker to disable the First Order’s new weapon. Director Rian Johnson used the walled seaside city of Dubrovnik, Croatia as the filming location for the lavish city.

Dubrovnik, which is known as the “Pearl of the Adriatic,” was also used as the filming location for King’s Landing on Game of Thrones. So the Croatian city gets double the nerd cred for Game of Thrones and Star Wars fans alike.

8 Provocative Facts About the X Film Rating

iStock/tolgart
iStock/tolgart

When the Motion Picture Association of America (MPAA) introduced the modern movie ratings system in 1968, they couldn’t have known that one of their classifications would become the calling card of pornography. The X rating, intended to denote films not suitable for anyone under the age of 17, went from being attached to Academy Award contenders to filling video store spaces located behind saloon doors. Fifty years after its debut, we’re taking a look at the most infamous letter in moviegoing history.

1. ACCEPTING THE RATING WAS VOLUNTARY (KIND OF).

In 1968, the MPAA and its president, Jack Valenti, introduced a four-tier system to classify films. G was suitable for all audiences; M was the equivalent of PG (which replaced M in 1970), indicating that juveniles should consult with a parent before attending; R was intended for adults, or children only with a guardian present; X marked films that shouldn’t be seen by adolescent eyes. But the MPAA never forced a film studio to submit to its decision. It could release a film with no rating at all. The problem? The MPAA’s arrangement with the National Association of Theater Owners meant that an unrated film would almost certainly have difficulty finding a theater to screen it.

2. A ROBERT DE NIRO MOVIE WAS THE FIRST TO GET SLAPPED WITH AN X.

Immediately after the introduction of the new MPAA system, the advisory board got its first bona fide sample of an X-rated submission: Director Brian De Palma’s Greetings, a 1968 film starring Robert De Niro as a New Yorker confronting the possibility of being drafted, garnered the rating due to its sexually explicit content, including nudity that would likely earn an R rating today. (De Palma would later run afoul of the MPAA multiple times; 1980's Dressed to Kill, 1981's Blow Out, and 1983's Scarface were all threatened with an X before being edited.)

3. FILMMAKERS COULD GIVE THEMSELVES THE RATING.

Dustin Hoffman and Jon Voight in Midnight Cowboy (1969)
Dustin Hoffman and Jon Voight in Midnight Cowboy (1969)
Sony Pictures Home Entertainment

Though it was quickly going to become taboo, there was a time when an X rating for a mainstream film was a badge of honor and an effective marketing tool that signaled a film was being made for discerning moviegoers—not just viewers looking for titillation. Arthur Krim, the head of United Artists, willingly gave 1969’s Dustin Hoffman and Jon Voight film Midnight Cowboy an X of his own volition even after he realized the MPAA would give the film an R designation. (The MPAA later applied an R to the movie in 1971.)

4. IT WAS WELCOME AT THE ACADEMY AWARDS.

The X rating was not an impediment to critical or commercial acclaim. In 1970, Midnight Cowboy won Best Picture at the Academy Awards; Stanley Kubrick’s A Clockwork Orange, released in 1971, earned four Oscar nominations, including one for Best Picture; Bernardo Bertolucci's Last Tango in Paris (1972), starring Marlon Brando as a sex-obsessed American in France, got two nominations, including Brando for Best Actor.

5. THE XXX MARK MAY HAVE STEMMED FROM AN ALCOHOL DESIGNATION.

A neon XXX sign
iStock/07_av

In the hyperbole of film marketing, studios and advertisers didn’t believe one X was enough. Some films, like 1968’s Starlet!, were advertised as having an unofficial XXX designation to signify it was even more intense than other adult-oriented films. The label may have come from an old practice of denoting the strength of beer with a X, XX, or XXX label.

6. PORN TOOK OVER THE RATING DUE TO AN MPAA OVERSIGHT.

A rating of X in 1969 was no big deal. By the mid-1970s, it signaled to audiences that they were about to watch an anatomy lesson. That’s because the burgeoning adult film industry of the 1970s was screening films in theaters—VHS was not yet a household acronym—and blared advertisements with promises of “XXX” salaciousness. The MPAA never reviewed these films, and titles like 1972’s Deep Throat and 1978’s Debbie Does Dallas used the mark freely. The reason? The MPAA never bothered to copyright X as it applies to film ratings, allowing anyone to use it. In short order, the X rating became synonymous with pornography and grew into a scarlet letter for films. No reputable theaters would book such movies, and few newspapers would take ads for them.

7. PEOPLE COLLECT X-RATED FILMS.

The seedy, lurid films that applied their own X (or XXX) ratings in the 1970s and 1980s have developed a small but devout following of collectors who have a “strong desire to own, preserve, and reclaim erotic history,” according to one aficionado who spoke with The New York Times in 2014. These specialists focus mostly on the 16mm and 35mm films that were produced prior to the advent of VHS.

8. ONE STUDIO SUED OVER IT.

Antonio Banderas and Victoria Abril in 'Tie Me Up! Tie Me Down!' (1989)
Antonio Banderas and Victoria Abril in Tie Me Up! Tie Me Down! (1989)
The Criterion Collection

When the MPAA gave an X rating to the 1989 Pedro Almodóvar drama Tie Me Up! Tie Me Down!, Miramax decided to sue, claiming such a label would harm the film financially. The studio lost the suit, but it signaled the end of the war.

In 1990, a year that saw 10 movies get slapped with an X, the MPAA overhauled the ratings system. It dropped the X in favor of NC-17, which it hoped would distance films with artistic merit from pornographic material. And this time, the pornography industry couldn't co-opt it: Learning from its past mistake, the MPAA trademarked the designation.

Stranger Things's David Harbour Shared Some Season 3 Spoilers—With Absolutely No Context

Matt Winkelmeyer, Getty Images
Matt Winkelmeyer, Getty Images

While Netflix likes to keep the details of Stranger Things a mystery, David Harbour, who plays Detective Hopper, likes to have fun with his fans.

Harbour posted a cryptic image to his Instagram which, while it clearly contains Stranger Things Season 3 spoilers in both the photo and the caption, does not give away any “context,” hence leaving us with very little real information.

Harbour did share that he has wrapped filming on season 3 of Stranger Things—and that we can kiss his mustache goodbye.

The mysterious post raises a number of questions. In the photo, Harbour rocks a hat that supports a local Hawkins business. The hat reads, "Gary's Plumbing & Heating, Warming Hawkins, IN since 1972."

We’re not sure if the hat is referencing the Gary already in the show, as he is the coroner, but we can’t wait to find out.

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