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Jonathan Olley // Lucasfilm
Jonathan Olley // Lucasfilm

20 Star Wars Movie Locations You Can Visit in Real Life

Jonathan Olley // Lucasfilm
Jonathan Olley // Lucasfilm

While most of the Star Wars saga has been filmed on sound stages in England and Australia, the filmmakers behind the ongoing space opera have sometimes traveled to real-life places to create the alien worlds of a galaxy far, far away. Here are 20 Star Wars movie locations you can visit in real life.

1. AJIM, TUNISIA

George Lucas used various locations around Tunisia to film exteriors for the desert planet Tatooine, most notably the ferry port town of Ajim. The town was used for the exteriors of Obi-Wan Kenobi’s home, which was actually an old mosque, plus the Mos Eisley Spaceport in A New Hope.

2. THE HÔTEL SIDI DRISS // MATMATAT-AL-QADIMAL, TUNISIA

The Hôtel Sidi Driss in Matmatat-Al-Qadimal, Tunisia was used as the Lars homestead (Luke Skywalker’s childhood home) in A New Hope. The hotel consists of five pits, four of them reserved for lodging and sleeping, the fifth dubbed the “Star Wars pit.” Guests can dine in the Lars family dining room, now the hotel’s restaurant. The set dressings were removed after filming in 1976, but returned in the year 2000 in order to film scenes for Attack of the Clones. Ever since, the decorations have remained. Fittingly, it's more commonly known as the "Star Wars hotel."

3. DEATH VALLEY NATIONAL PARK, CALIFORNIA

George Lucas used Death Valley National Park for pickup shots after shooting in Tunisia for A New Hope and Return of the Jedi. The area between Sierra Nevada and the Mojave Desert, along with Tunisia, were used to make the desert planet of Tatooine come to life, most notably in the scene when Obi-Wan Kenobi meets Luke Skywalker, C-3PO, and R2-D2 for the first time.

For Return of the Jedi, Twenty Mule Team Canyon in Death Valley was used to film the scene in which C-3PO and R2-D2 travel to Jabba's Palace.

4. HARDANGERJØKULEN GLACIER, NORWAY

The Empire Strikes Back's snowy opening battle scene on the ice planet Hoth was filmed on the Hardangerjøkulen Glacier, the sixth largest glacier in Norway.

5. FINSE, NORWAY

At the foot of the Hardangerjøkulen glacier is the small railroad town of Finse, Norway, which is located between Oslo and Bergen, and was used as the Rebel Alliance’s Echo Base on Hoth in The Empire Strikes Back. While shooting in 1979, a snowstorm hit the small town, allowing director Irvin Kershner to shoot two key scenes: Luke Skywalker's escape from the Wampa cave, as well as the young hero's interaction with the spirit of Obi-Wan Kenobi before he is rescued by Han Solo. Both scenes were shot just outside of the Finse 1222 Hotel.

6. TIKAL NATIONAL PARK // TIKAL, GUATEMALA

In A New Hope, Lucas used ancient Mayan ruins, located in Guatemala's Tikal National Park, as the exterior of the Rebel Alliance’s Massassi Outpost.

7. YUMA DESERT, ARIZONA

Instead of returning to Tunisia for Return of the Jedi, the film's producers chose to shoot Buttercup Valley in Arizona's Yuma Desert for the Sarlacc Pit sequence. Jabba's Sail Barge and the Sarlacc Pit took more than five months to build, and more than 5500 cast and crew members lodged in Yuma during filming in 1982.

8. REDWOOD NATIONAL AND STATE PARKS, CALIFORNIA

California's Redwood National and State Parks portrayed the Forest Moon of Endor, the Ewoks’ home world, in Return of the Jedi. Several scenes, such as the speeder bike chase and the Ewok ambush, were shot in the parks’ many redwood groves in Marin County, which is close to Lucas’s home at Skywalker Ranch.

9. GRINDELWALD, SWITZERLAND

Most of Attack of the Clones and Revenge of the Sith were shot at Fox Studios Australia in Sydney using green screen. However, Lucas would occasionally send crews out to capture scenery in various locations around the world for the plate photography used in background shots.

One of the real-life places shot for Revenge of the Sith was the beautiful mountain range of Grindelwald, Switzerland, which was used as the backdrop for the planet Alderaan, Princess Leia’s home.

10. VILLA DEL BALBIANELLO // LENNO, ITALY

The Lake Retreat where Anakin Skywalker and Padme Amidala go into hiding in Attack of the Clones is located at the Villa del Balbainello in Lenno, Italy. Originally built in 1787, the villa overlooks Lake Como and served as a monastery before it was turned over to the National Trust of Italy in 1988. Villa del Balbainello makes another appearance at the end of Attack of the Clones, as the location for Anakin and Padme’s wedding.

11. ROYAL PALACE OF CASERTA // CASERTA, ITALY


The Palace of Caserta in southern Italy, just northeast of Napoli, was used to shoot the interiors of the Theed Royal Palace on Naboo in The Phantom Menace and Attack of the Clones. Originally built for Bourbon King Charles III in the 1750s, the Palace of Caserta is also the largest royal residence in the world.

12. PHANG NGA BAY // PHUKET, THAILAND

The beautiful island backdrop of Phang Nga Bay in Thailand was used as plate photography for the planet Kashyyyk, Chewbacca’s birthplace, in Revenge of the Sith. For certain scenes, shots of Guilin, China were combined with Phang Nga Bay.

13. WHIPPENDELL WOOD // WATFORD, ENGLAND

Lucas used England's Whippendell Wood for two scenes in The Phantom Menace: In the first instance, it's where Qui-Gon Jinn and Obi-Wan Kenobi meet Jar-Jar Binks; the other shows the Wood as a sacred place for Jar-Jar's species, the Gungans.

14. PLAZA DE ESPAÑA // SEVILLE, SPAIN

The beautiful Plaza de España in Seville, Spain was used for the exterior of Theed on Naboo in Attack of the Clones. Anakin and Padme walk through the plaza before the pair go into hiding in the Lake Country.

15. MOUNT ETNA // SICILY, ITALY

Hayden Christensen and Ewan McGregor in 'Revenge of the Sith'
Lucasfilm

Although Lucas actually didn’t shoot on Mount Etna, his team used Italy’s most active volcano for plate photography for the epic light saber battle between Obi-Wan and Anakin at the end of Revenge of the Sith. Mount Etna was actually erupting during filming, so Lucas sent a film crew to capture its flowing lava.

16. SKELLIG MICHAEL, IRELAND

Daisy Ridley in 'Star Wars: The Last Jedi'
Lucasfilm

The island planet of Ahch-To, which the exiled Luke Skywalker called home at the end of The Force Awakens, is actually the island of Skellig Michael, which is located about 7 miles off the southwest coast of Ireland. Around 600 CE, a group of monks built a monastery that sits more than 600 feet above sea level, along with hundreds of rock steps to reach the top. Today, it’s a popular tourist attraction for Star Wars fans because it’s where Rey received her Jedi training in The Last Jedi.

17. RUB' AL KHALI DESERT // ABU DHABI, UAE

Daisy Ridley in 'Star Wars: The Force Awakens'
Lucasfilm

From Rey’s scavenger marketplace to Poe Dameron and Finn’s crash landing in The Force Awakens, the desert planet of Jakku was filmed in a large section of the Rub' al Khali desert known as “The Empty Quarter,” which is located a few hours away from Abu Dhabi in the United Arab Emirates. The Star Wars cast and crew filmed for six months in the largest contiguous sand desert in the world under the production title “Avco,” named after the L.A. movie theater where director J.J. Abrams watched the original Star Wars for the first time in 1977.

18. SALAR DE UYUNI // POTOSÍ, BOLIVIA

Located near the crest of the Andes is Salar de Uyuni, the Earth’s largest salt flat. It stretches more than 4000 square miles across southwest Bolivia and was used as the filming location for Crait, a mineral planet covered in white salt and red soil where the Resistance held its last stand against the First Order in The Last Jedi. The salt flat was created when prehistoric lakes dried up during the last Ice Age and left more than 10 billion tons of natural salt behind.

19. LAAMU ATOLL, MALDIVES

A still from 'Rogue One'
Industrial Light & Magic, a division of Lucasfilm Entertainment

During the climax of Rogue One: A Star Wars Story, the Rebel Alliance, led by Jyn Erso (Felicity Jones), breaks into an Imperial Base located on the planet Scarif to steal the top secret blueprints for the Death Star.

Director Gareth Edwards used Gan and Berasdhoo—two very large islands in the Laamu Atoll island cluster in the Maldives—as the filming location for Scarif, a remote tropical planet in the Outer Rim. "Scarif is based on a paradise world, so we had to go to paradise to film it," Edwards said during Star Wars Celebration in 2016.

In addition, the interior of the Imperial Security Complex on Scarif was mostly filmed in the Canary Wharf Underground Station in London, England. Film crews worked on an exciting chase scene through the subway station between midnight and 4 a.m. when it was closed to the public.

20. DUBROVNIK, CROATIA

In The Last Jedi, Canto Bight is a casino city on the planet Cantonica, where Finn and Rose embark on a mission to find a master codebreaker to disable the First Order’s new weapon. Director Rian Johnson used the walled seaside city of Dubrovnik, Croatia as the filming location for the lavish city.

Dubrovnik, which is known as the “Pearl of the Adriatic,” was also used as the filming location for King’s Landing on Game of Thrones. So the Croatian city gets double the nerd cred for Game of Thrones and Star Wars fans alike.

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6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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Mister Rogers Is Now a Funko Pop! and It’s Such a Good Feeling, a Very Good Feeling
Amazon
Amazon

It’s a beautiful day in this neighborhood for fans of Mister Rogers, as Funko has announced that, just in time for the 50th anniversary of Mister Rogers’ Neighborhood, the kindest soul to ever grace a television screen will be honored with a series of Funko toys, some of them limited-edition versions.

The news broke at the New York Toy Fair, where the pop culture-loving toy company revealed a new Pop Funko! in Fred Rogers’s likeness—he’ll be holding onto the Neighborhood Trolley—plus a Mister Rogers Pop! keychain and a SuperCute Plush.

In addition to the standard Pop! figurine, there will also be a Funko Shop exclusive version, in which everyone’s favorite neighbor will be wearing a special blue sweater. Barnes & Noble will also carry its own special edition, which will see Fred wearing a red cardigan and holding a King Friday puppet instead of the Neighborhood Trolley.

 

Barnes & Noble's special edition Mister Rogers Funko Pop!
Funko

Mister Rogers’s seemingly endless supply of colored cardigans was an integral part of the show, and a sweet tribute to his mom (who knitted all of them). But don’t go running out to snatch up the whole collection just yet; Funko won’t release these sure-to-sell-out items until June 1, but you can pre-order your Pop! on Amazon right now.

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